Questions

https://youtu.be/qY5xit554m4 

New Ouija Macc video Feat Violent J of Insane Clown Posse dropped yesterday! Check out the video editing here!

Just gonna leave this here for everyone apologizing for Premiere. Why I Switched to Resolve 

I am following a tutorial. There is a word it sound to me joby. It is not clear enough to me and I do not know the meaning for that as well. Is it possible for you to identify the word?Time 0.4-0.6. Video is attached.    

I'm just gonna leave this here. This expresses everything I've been going through over the past few years.   If I had spare capital I would without a doubt short Adobe shares. I've never been more confident that an 'industry standard' tool is total, utter —. It's just a matter of time before there's a critical mass of people leaving the careful entrapment that is the Adobe ecosystem before it crumbles like the house of cards it is.   Moderator note: Please do not use profanity on Adobe forums. It's against community guidelines.

I have been using adobe products and premiere for over 10 years professionally, and almost 20 years now in general. but the level of dysfunctionality with this crumbling software has finally reached its peak as i'm concerned.  Premiere has always had its issues, but trying to edit this short film since january 2022 has been the absolute biggest nightmare imaginable. I have wasted hours upon hours trouble shooting issues that bring my day to a hault- from bad design/UI decisions to absurd bugs that have useless work arounds (disable gpu acceleration on my brand new custom editing pc is no kind of solution) - I must spend 60-70 percent of my time pulling my hair out in frustration and this is not an exaggeration.  I am blown away but how terrible this software has become and at this point I feel like I deserve my money back because Premiere "pro" is LITERALLY unusable garbage.  For what it's worth I'm using a PC with a ryzen threadripper 3960 with 128 GB ram

I'm not expecting to have my problem resolved because I know that you guys at Adobe don't care. I have been a paid user of the Creative Cloud Suite since 2016. I am a video creator that uses Premiere Pro as their primary tool to edit videos and all the other tools that Adobe has to compliment my video workflow.I think that the program it's a very powerful editor when it works, but I don't know why it's getting worse and worse with each upgrade, and it's just getting super frustrating. It's not a cheap subscription to have, and it's just only sad that I can't work faster because of the program crashing all the time or not working correctly.I work with Sony Codecs mainly (A7 III and FS5). I'm talking easy codecs, nothing crazy like raw footage or 8K. And I work on a top of the line iMac pro from 2018. It's ridiculous the number of times that the program has let me down on critical deliveries with my clients.Right now, for example, we are cutting a 15-minute documentary that needs to be d

I am an 81-year-old student at East Stroudsburg University, PA. I am willing to pay for the services, and we can do a Zoom meeting. You go step by step like a KG student

I have not even tried messing with Premiere 2022 cause 2021 still has its share of annoyances, therefore, I am planning to exit this mess of a program once and for all! Every year, Every year it's a new batch of problems and then Adobe expects US to just deal with it. The cloud package is expensive and we never get the option to just buy a program. I plan to buy Da Vinci and not "rent it" forever. Thanks Adobe and byeeeeeeeeeeeeeeeee...

Premiere should no longer include the word PRO in it's name.Every update since last year has been worst and worst both in interface design and performance, just terrible software.

I am a software trainer who specializes in video editing and animation software. I have found that many new users are often confused on the difference between After Effects and Premiere Pro so last week I did a live webinar as part of a series my company put out. The webinar covers the differences between AE and PPro especially when looking at the concept of video editing. It also looks at little bit at how the two applications can work together. I hope someone finds it helpful.   Adobe Premiere Pro vs Adobe After Effects https://youtu.be/tJHi-7n-ldw

I am creating a YouTube video on The Pixar Theory. (The theory that all pixar movies are connected within one timeline) I want to create a scene where all 26 movie covers are being slid left to right acrost the screen but want them to come in at an angle and grow in scale. Pretty much I want all the movie covers to look like a wall right next to you but also you can see from a distance and its moving towards you (or left on the screen) as you see all the diffrent movie covers come closer and go past you. (right to left)I would love to be able sit down and animate this with someone or get some help. I am newer then I would like to be to the program but am open to learning. if anyone has an idea on how this could be created please reply or contact me via email. [Removed by moderator]  thank you very much.

it s not premiere specific but you might still helpI notice that somethimes some clips looks like if the aspec ratio it is slightly different..images tends to be slightly larger than tall..i don't know why and when it happen but somtimes i notice these faces that looks like larger than normalI use a fuji xt3 with lens zoom 18-55thanks for help

GET. RID. OF. THAT. HEADER BAR.  NOW. Just ONE toggle switch to turn it off. 

Hi,Just a quick question that hopefully a sound tecchie can help me with.I'm on a filming job, live event, where the hall is mic-ed up to an Allen & Heath Qu-24 mixing desk. We have three cameras, two of which will have mics in order to sync up the footage, though ultimately we need one camera to take a direct feed from the desk. I have a print-off the rear exterior, and wondered if anyone here can point me to a suitable output, whether XLR or jack?Thank you,DC

I honestly don't understand the people working at Adobe in charge of Premiere, and the ones in charge of all the products. Because they could have an NLE so good, so easy to use, with features that make it so fast to cut videos of all complexities, and some other great features for many other things. But instead they keep making it so unstable, year after year, that by now, it's the butt joke of the industry.  When it doesn't crash, it stalls endelessly, on both Mac and PC. I'm not going to say this to brag, but because it has a very good reason to be brought up. My work computer is a Mac Studio Ultra, an insanely fast machine with 64 GB fof RAM, 20 CPU cores, 48 GPU cores and an SSD that can copy in a second what was the full capacity of a hard drive 20 years ago. And, it really delivers. On everything, but Premiere, surprise, surprise. Always the party pooper that Premiere. I open it and I start a very simple project, which doesn't have many files, and they are simple

great eye-popping colors in the new Ouija Macc video. The blues are off the chain! 

I have two systems that were custom built around Adobe Premiere by a company that is certified by Adobe.  One system is a little over a year old and the other is 4 months old.  I used the older system for about 8 months without any issues with Premiere. The two issues I posted then started. The same issues happened on the newer system once I got it up and running.  I had both a 2012 and 2013 editing computer built by the same company running Premiere that were used for years without any issues.  Something has changed in how Adobe fixes bugs in a timely manner.    I went back to 2021 Ver 15 and the bugs went away. It is obviously the software not the system. 

Hello fellow editors. I know that a lot of us are still using the Legacy Titler for our titling duties in Premiere Pro.   While "change" is never fun, my impression is that some people just have not taken the time to learn or become fluid or fluent with the tools, and that's understandable.I've found the new title tools pretty compelling. I've swtiched to them. I found that some people are not even aware of the tools or how they function. Surprisingly, making a simple .mogrt is something many have not even tried. Sound familiar? No problem, here's the documentation.Please respond here as to why you are using Legacy Titler below and I will pass along the feedback to the Premiere Pro team. Not here to judge, just to provide good feedback. Thanks in advance for your feedback.Kevin

Hero! The trouble with so many of us nowadays is that we work in small groups or as individuals and are away from the easy chat-by-the-coffee-machine scenario of the old days of big specialist editing companies. We need to able to vent our spleen and learn from like-minded others of issues that get in the way of a good professional life. And we can't as we work in silos.We have been watching Adobe screw with Premier (and other Adobe programs - lest not forget) when - and I agree whole heartedly with this forum - we long time users who depend of the software simply WORKING are simply being ignored.Final cut pro x - oh my god what a mess that was - leading to sooo many jumping ship and coming to a 'far more stable and professional platform over here at Adobe land'. Yea right..Yes, I know Adobe is huge and successful, built on the cash sums I regularly paid for various versions and upgrades of PP etc from the very early days. Quite big lump sums they were too - shoring up the Adobe compan

There are serious issues with CPU and GPU usage on the PC side as seen in the video link below. Not sure if it affects the M1 chips.    Moderator: OT. Branched and moved. The OP is on Mac M1, not PC. This thread turned into several rants, so the thread is here now. Thank you for understanding.

I have just produced, what I hope, is my last dvd. All my work will now be put on USB stick. Unfortunately my main video cameras (Sony EX1r and PMW320) are interlaced so I have been experimenting with the best way to convert to progressive. The cameras will do HD at 24 and 25P but I hate this low frame look on movement and as most of my work is dance shows working at 50P looks bettter. The two methods I have tried is a 25i sequence then exporting at 50P and a 50P sequence again exporting at 50P. On the camera material I can see no difference but any logo animation or credit roller look better with the 50P sequence. Also working at this higher framerate gives you the option to sync audio tracks closer without switching to Audio Time Units. It will be sad to not use Encore, I have found it to be very stable even with Windows 11 and its linking to Photoshop CS6 always worked fine.  

Adobe needs to focus on making solid software first, then adding cool features.  Don't add cool features if they don't work.  I've just spent hours dealing with a issue where Premiere adds LUTS to all of my footage, renders them in proxy, and much worse that I don't want to get into.  Huge time-waster.  Adobe, get it together, please!

If you click on export buton and accidentaly you have two windows poped out, and one of them is in front of "Import" - "Edit" - "Export" menu...you can't do a **** about anything else!You cant redo, you cant choose another action....you cant do anything beside shut down app by force. And loose amount of work time. So **** amateurish! I cant belive that something sloppy as that is possible in 21 century. Fix that bug! And do something about constant crashin, test your **** updates before release them. And be more reachable to your customers!****!   Profanity reported to Forum Administrator

Is this type of Magnification possible in the Premiere Pro or used an external application? How to Simple Text Reveal Animation in Adobe Premiere Pro CC (Tutorial) Time 0.35