Questions

The Ultra Keyer is not working for us on any of our editing machines.We are running Win11 with 5080 gpu's, latest premiere and latest nvidia studio driver.I drop the Ultra Key on the video and pick the green, click aggressive and normally you would get a near perfect key. It is only removing about 50% of the background, looks like it's half overlayed. If you move the tolerance slider nothing happens like it is not working at all. I put a clip over a solid red matte and cropped the left side over for this example pic:  For testing i tried using the old plain color keyer effect and just picked green and slid the tolerance bar over a bit and it keyed perfectly:  Thanks, Chuck - WEFS TV  

How do you sync multiple audio and video clips. say 80 audio and video clips from like 8 camera setups

i have been trying to find any mogrt in panel but nothing is showni tried to reset everything, delete cache, mogrt folder and reinstallbut nothing worksi can search in adobe stock

So whilst this could be a bug, for the time being I'm gonna mark this as a discussion as it's mostly a question.A while back I made a two and a half hour recording of something that I had to split into several parts.The first eleven parts went just fine, but any other parts sometimes just get stuck in the rendering process, the window does NOT go into the "Not Responding" state, but also NEVER progresses any further.When this happens I can try killing Premiere all I want, but doing so makes me unable to reopen it until I restart my entire PC.Running this on Windows 11 Home (64-bit) with 32 GB RAM,an AMD Ryzen 5700X 8-Core Processor (3.40 GHz)This issue doesn't occur consistenly either, I can restart my PC right now and when I try again it can easily do several renders before running into this issue but it can just as easily run into it immediately.

Hey everyone 👋 I’ve been experimenting with different LUT combinations and workflow settings in Adobe Premiere Pro 2025, and I noticed that using the Lumetri Color panel with a dual adjustment layer setup gives a much more cinematic tone — especially for racing or motion-heavy clips. I documented the full workflow and test results (with before/after frames) on my blog carx street  where I often write about creative editing and visual tuning. Has anyone here tried using dual LUT layers for highlight control in Premiere? Would love to know what color depth settings you prefer for smoother exports. Thanks!— Elena   [link removed by moderator]

Will Premiere Pro, 2022 version, continue to work if I update from Windows 10 to Windows 11?

Hello everybody! I am working with MXF AVCIntra100 50i format files with audio from 2 to 16 channels.Sample file  File characteristics in the attachment. On request, I perform visual masking of objects, such as cigarettes, drugs, etc.The main task is to minimize the modification of the video file, we do not change the colors, levels and other characteristics that may affect the file from the visual side, but only apply a small Gaussian blue mask. The problem occurs on Mac M1 12.6.2. Adobe version 25.1.2The problem occurs on Win 10 i9-14900KF 64.0 GB RTX 5080 1Tb (+1Tb for Cache). Adobe version 24.1.0  I open the same file in DaVinci 19 (Mac M1 12.6.2) I tried all possible settings of the Lumetri Color window. But none of this brings the signal back to normal values (as in the screenshot in DaVinci). The attached screen recording shows that the Display Color Management Button affects the color in the Program window, but the signal itself in t

There are a few clips in my Premiere timeline that are really jerky when I play the video back (like 1FPS), though everything else is fine. Also, the frames from these clips sorta 'stick', even as the timeline indicator moves to the next part of the video. I have to pause playback and then press play again for it to play properly If I view them in the Source window they look fine. I have proxies for them and also tried clearing my cache multiple times, tried muting FX too but with no luck. Is there a way to sorta 'pre-load' those particular clips in my timeline rather than having to export an mp4? If I press 'enter' to render it, then Premiere attemps to render every clip in the file, which is overkill.

Boa tarde !!Ja fiz de tudo um pouco, ja desistalei o Premiere, ja limpei todas as suas configuracoes, ja apageui o video e fiz dowload novamente , o video fora do Premiere roda normalmente, mas a hora que eu importo e coloco ele pra editar /trabalhar , a voz dele esta extremamente lenta, e o video tambem , se altero a velociadde dele pra 200% a voz fica normal , mas o video exteramnete acelarado e dessincronizado, quando tento alterar somenrte a velocidade sem mexer no tempo dele, o programa nao responde. Nao sei mais o que fazer e estou atrasado para entrega do video.

I have a huge amount of old projects I need to store. Storing separate project files is not an options since I hame tons of additional materials used in a projects, so to consolidate and store all the media I normally use Premiere's Project manager. Yesterday I opened a project saved via the Project manager a couple of years ago and got multiple errors connected with missing files. They were rendered files, music, motion graphics. So I started to open other projects both old and new and all of them had missing files.My question - is the Project manager buggy and works not what it's meant to or is it me who does not fully understand how it must really work. And second question - I had it in Premiere Pro 23 and 24, now I'm having this issue in 24.5 - on opening a project saved via the Project manager Premiere Pro crashes.Last question - Premiere Pro - nomatter what version it is - always finishes with an error if you try to save a project wia the Project manager with "Include Previe

I have just discovered there is a spelling mistake in the rolling credits of my film, unfortunately, it won't let me go in to it and change the mistake.  I have never had this problem before, does anyone know how to get around this.  This is the final step before my film gets sent to the composer, please help as I can't complete the film with this problem.

i'm following the exercises in the linkedin premiere pro course 2025 and i can't drag drop clips from source monitor to timeline even though the source patching buttons are active and blue for the desired tracks. Have tried reloading the files from the course, restarted my computer, re-set my monitor settings, etc. Can you please advise whether the exercise files that are offered as part of the course are working properly and what i can do to make things work, or an alternative work around

Hello, we are a French society of video making, and we use your product every day.Since the new update of premier pro, the Speech to Text locally we have a problem because he is very less performance in French than the connected version. Is there a possibility to have the choice to use the local or the cloud Speech to Text ?

respect...question...i have 7 or more clips on my timeline....how do I swap places, say...second and fifth with (shift, alt, ctrl commands) and all the others stay in their places... or first and fifth . ..fourth and seventh...ect...the question does not refer to two adjacent clips...thanks....is it possible at all, since I can't break the pattern how to do it...

Hi,Just tried the new Wide Gamut Tone Mapping color setup on a project working with Panasonic GH7 Prores Raw files, and there are undesirable results exporting with settings ive been using for years with REC 709 outputs. Previously I always shot Prores HQ and just graded in a REC 709 color setup sequence workflow and then applied a gamma correction LUT for exports to Quicktime and for Vimeo/Internet upload. This always ensured the final colour and luma of the export matched my calibrated 10 bit monitor's picture in Premiere. Happy days but now I'm using Prores RAW files with Wide Gamut color setup, which is great for grading, but applying the gamma LUT at the Export/Effects stage distorts the resulting picture so for now I've had to export without this LUT with my resulting video not being as deep in the hues.  This is Quicktime/H264 with no export gamma LUT appliedThe resulting export is fine but the blacks and hues are not quite as deep as my grading monitor shows This is t

We are aware of an issue that prevents Export mode from loading for some users. When clicking Export in the header bar, a loading spinner is shown, but export mode fails to load.  Selecting File > Export > Media or using the keyboard shortcut Command/Control+M, there is no result; you just stay in Edit mode.  In these situations, exports won’t work in Premiere Pro.  When in this state, Quick Export also fails to function.   This issue is known to affect Premiere Pro versions 23.2 and 23.3 on Mac and Windows.   If you are experiencing this issue, please update to version 23.4 or later to get the fix   If you can't update to 23.4, here are some workarounds to successfully complete your export in 23.3, 23.2:   Workaround #1 – Export with Media Encoder (RECOMMENDED) Launch Adobe Media Encoder. Select File > Add Premiere Pro Sequence. Navigate to your project file on disk and use the subsequent dialog to choose the sequence you want to export. &

Hi, This just started - tried to open holding SHIFT down and clearing prefecines and cache but that di dnot work.Any ideas or links to help would be appreciated. Thanks, John

I'm not sure how, but suddenly when I hit enter now, my sequence does not start from the beginning.Is there a setting I changed somehow?How do I make it so hitting enter STARTS my video from beginning?

(MOGRT) Motion Graphics template not installing.i am using premiere pro 25 and beta version.both show same error.i am using macbook pro m1 with ios tahoe  

i have just updated my version to 25.0 and i havent messed with any settings, i just wanted to check out the new properties panel ! but i cant find it ? it is not on the right side workspace, i only have 'graphics template' and 'essential sound'.  anyone know why this could be, or help me find it ? thankyou !!

When I create a speed ramp on the left end of a clip, PP drops the ramp for the last frame (see red circle, below).  It doesn't do it for the left end of a clip (see the clip following the offender).  What's causing this, and how can I get it to stop?  I've already deleted the clip and reapplied the ramp, but had the same problem.  Thanks for any tips.

I want a pan to have a constant rate of speed between the 2 sets of keyframes in my animated image.  I Googled it and found instructions to select the 2 sets of keyframes by dragging a selection box around them, then right-click on one of the keyframes and select Linear in the Temporal Interpolation option.  Its still slowing down towards the end, much faster at the beginning.  I've attached a screen shot but I don't know if it shows anything helpful.  Any help would be appreciated.  Thank you.   

NO ME APARECE LA NUEVA OPCIONDE MASCARA DE RECORTE EN LA DEMO DE ADOBRE PREMIER 

Bonjour ! J'ai un petit problème : souvent, ma barre de rendu est jaune (et pas rouge) et la vidéo bloque quand même, ou alors ça saccade beaucoup. Je préfèrerai qu'elle soit rouge, comme ça je pourrait rendre, mais comme elle est jaune c'est impossible...Je suis déjà à la résolution minimum (1/4). Je suis bien en "Accélératoin GPU Mercury Playback Engine (CUDA)".Carte graphique : NVIDIA Geforce 840M Pouvez-vous m'aider ? Merci d'avance !  

I'm having an issue in a multi-cam sequence where audio randomly won't playback in the timeline for certain cameras. The waveforms are visible in the timeline, the volume on the clips are up, the track isn't muted, the sliders are up for the track, and there's no audio effects or anything like that inserted anywhere. It happens completely at random in the middle of cutting up a multi-cam sequence. Sometimes it affects the entire camera, other times the beginning of the camera plays back but at a certain point the audio cuts out and you can't hear audio from then on for that camera but you can for other cameras.Here's my detailed project setup:1. Created 5 sequences each containing multiple audio tracks, multiple layers of 1080p clips with some cropping, and overlay graphics.2. Made sub sequences of those sequences so the audio will be contained in 1 event when placed on a timeline.3. Then used those sequences as the cameras for a 5 camera multi-camera sequence.It's worth noting that th