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I’m currently grading a full length feature film with the new Color Mode and something that would be VERY helpful is to be able to select a group of clips and then label and save that selection to be able to revisit and tweak later. Let’s say I go through my whole timeline and select specific clips (all CU interview of 1 person) create the grade it looks good, but then i go and watch it in the full context of the film and i want to tweak it slightly well now i have to go through and re selected every single clip individually in order to do that. Would be really nice to be able to just have that selection saved to quickly reference again.
Finding the shortcuts to switch between exposure zones a bit clunky. Could you add Previous/Next Zone shortcuts as well as individual ones? Much easier imho –exactly the same as the ones you’ve added to cycle through the Color Hues. Also, it’d be great if shortcuts for Color&Contrast, Color Shift, Detail also worked in Styles.
We want to hear from you — Color Mode feedback surveyColor Mode is now in public beta, and your feedback is going to shape what it looks like at GA.If you've spent time in it, we want to know what's working, what's not, and what you wish existed. The survey only takes a minute and goes directly to the team building it.Fill it out here Thank you for testing Color Mode!
To make my green screen easier to key I have been using secondary to pump up its hue and saturation, then denoising and blurring it a little, before adding ultra key. How would I do something similar in color mode. I can see that for now at least the Lumetri Color panel is still available as an effect so I could put that onto my clip first, but I’d rather make the full leap to color mode if I can.
The ability to apply color operations to a group of clips in the new color workflow (beta) is solid. It would be helpful to be able to select one or multiple clips and add them to an existing group. This could also include moving a clip or clips from one group to another. Thanks and keep up the good work!
I’m currently working with the new Premiere Pro Beta color grading tools and ran into a workflow question.My footage comes from multiple cameras (Sony FX30 and DJI Air 3S), and each camera requires its own specific LUT for proper color matching. The issue is figuring out the best way to manage this efficiently in the new color grading workflow.Right now, I’m unsure how to structure the process so that each camera source automatically gets the correct LUT applied without constantly switching settings or breaking the grading workflow later on.What would be the recommended approach for handling multiple camera-specific LUTs in Premiere Pro Beta? Is there a clean workflow for organizing this in the new system?
I have a decent computer with 64GB of ram, 6GB of GPU with an Intel Core i7900 3.0GHz. Unfortunately windows won’t let me update to windows 11 (I use windows 10) because of the Trusted Platform Module version 2.0 (TPM 2.0). Today I finally updated Premiere Beta to it’s latest version (26.3.0.067) and when I opened it I got this warning message: Does this mean that I will be stuck with the current official version of Premiere (26.2.2) “forever”?
Will Adobe Premiere Pro stop supporting Windows 10 after October 2025?
Noticed that even in the beta there is no support yet for ARRICORE. Will the ARRI SDK be updated soon? The format has been out for quite a while and we have had to deal with the format in some projects already.
In the old Lumetri color panel there was an “auto” button that got levels and colors to a good starting place. I can’t find an auto button in this new Color system of 26.3.0 beta. Is it there?
I have an ellipse mask in Premiere Beta v26.3.0.061 to create a vignette. I want to resize the whole thing but I only have bezier handles that warp the ellipse unevenly. How do I get back the bounding box that lets me resize the mask evenly?
Is there a way to capture a grade and a look that can be used on a completely different project/timeline with the new color mode? (We know them previously as LUTs) is there a LUT equivalent? My issue is we will shoot various pieces of content with the same setup and lighting and edit them separately. How can I copy that grade onto a new timeline/project or clips on a new timeline or clip outside of the one is was created on?
I am experiencing a flickering issue with the Color Mode in my current build of Beta (v 26.3.0.057 (2026-04-26)). Upon trying to figure it out in these forums, I noticed that there should be a new build that was released 2026-04-28. However, this build is inaccessible to me through Creative Cloud and it even says that my Premiere Beta is up to date.I really want to mess around with the Color Mode but it’s completely unusable right now with flickering when I try to change the exposure, contrast, etc. I also can’t properly sample a highlight or shadow and I can’t see any previews at all when I hover over the color and contrast tools. This is clearly a bug that was solved so I’d really like to update so I can continue practicing.I am working from Wisconsin and I’m working on a Mac, which is the only reason I can think of why I might not have the update yet. Please let me know if anyone else is experiencing this or if anyone knows how I can update Beta!! Thank you!!
Hello everyone,I am a sports video editor and a self-taught coder. For the past few month, I’ve been running a custom local broadcast console inside Premiere Pro to generate dynamic overlays (scoreboards, team rosters, timers) for rugby match highlights. Because traditional MOGRTs were too heavy for rapid iteration and batch exporting, I built a hybrid architecture using CEP, React, and a local Node.js server. I am now looking to migrate this entire project from CEP to UXP to future-proof the tool, but I need some guidance to ensure I can port it without breaking my core rendering engine. My Current CEP Architecture (How it works today)Since there is no native way to render HTML/CSS animations into a transparent video or image sequence directly within the Premiere Pro panel, I had to build an external renderer:Frontend: The CEP panel runs a React 18 / TailwindCSS UI where I configure the match data. Local Server: The panel communicates with a local Node.js server running in the backgro
Hi!I am using the color mode and when I click on something eg “contrast” I can’t really move the mouse with the track pad. I click it and it goes crazy and flickers and I can’t smoothly change it like it is advertised everywhere. Anyone else same problem? Working on MacbookPro M1 with recent MacOS.
Constant crashes make Beta unusable, I like to use it to preview new features, but it should still be mostly stable. Currently it crashes on window resizes, exporting captions moving items between tracks. This is happening on a couple of my PC’s and on all the available Beta versions, even when re-installing and resetting all caches, preferences etc. Is there something to be done here, or should Beta be considered unusable now?
Hello,New color mode seems really cool, but how can I export LUT?The lumetri panel has moved into effects only and I don’t have any possibility to export a LUT.How can I do that?Thank you.
It bombs out whenever I open the Exposure HUD in today’s (24/4/26) version. It was ok yesterday. The HUD opens, but as soon as I move the mouse to change the settings the app crashes. Is this just me or is it a known problem? When will it get fixed?
After the April 23rd update, every time I open the new Color app, it closes by itself. I've tried everything, cleared the cache and restarted my PC, but nothing works...
Where is the black adjustment in the new color panel? I'm having trouble finding the effects that were in the old Lumetri panel. This new panel is very good, I just want to know where to find certain effects that were in the old Lumetri panel with the black adjustment.
Ab Build 51 sind die Arbeitsbereich-Reiter (Workspace Tabs) oben im Hauptfenster standardmäßig ausgeblendet. Soll das so sein ? Ist das ein Bug, wie bekomme die Arbeitsbereich-Reiter (Workspace Tabs) oben im Hauptfenster zurück
Hello. Is there any conversations happening about introducing text based AI editing like RoughCut?
Hi All, Thank you for your active participation in our Beta program and for providing invaluable feedback on our new features. Your input plays a crucial role in our efforts to continually enhance our products and meet user needs through iterative improvements. To date, your feedback on the features has been outstanding. Moving forward, we would appreciate your insights on the linguistic aspects of the product as well. As you work with the builds and new features, we request that you also review the UI/UX for localized builds. Please pay special attention to translation quality, contextual accuracy, cultural appropriateness, and consistency across applications.If you encounter any UI elements, labels, or dialogs that do not convey the intended meaning or if you believe a better translation exists, please report these issues by sharing your feedback here for review.Thank you for your continued support and collaboration.
I just spent the afternoon using the new Color module to grade a corporate video with a bunch of interviews sitting in the same spot without lighting changing. Rather than copy and pasting the first grade from one clip to individual instances, is there a way (or could there be a way) to apply the grade at a “source clip” level similar to Lumetri? That would be very nice to have and then if there happen to be any minor changes per clip, you could add another color adjustment on top to just shift the image as needed. Also helpful if you/a client needs changes to color. You wouldn’t have to go clip by clip to delete and paste on the new grade. There’s a chance this already exists but I’m learning by fire here lol. Overall has been a very pleasant experience thus far.
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