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What’s New in Adobe Media Encoder 26.2The April 2026 (26.2) release of Adobe Media Encoder introduces an important update focused on Content Credentials at export, giving creators more control over how attribution and identity information travels with their video content. 🔍 TL;DRNew in 26.2: Apply Content Credentials preferences directly when exporting Configure and save preferences in the Export Settings panel Choose what information is included, including linked social media accounts See the official Help documentation for more details here. 🎬 Apply Content Credentials preferences at export Adobe Media Encoder showing the Content Credentials tab with options to apply preferences at export.Adobe Media Encoder now lets you customize and apply Content Credentials during export, directly from the Export Settings panel.In the Content Credentials section, you can:Open the preferences webpage using Set preferences Choose what information is included in your exported video Optionally li
Welcome to the Adobe Community! For an effective community experience, here are a few things to keep in mind while posting on the community that will help us assist you better.❶ First, make sure that you use the Search this community area on top to see if a similar topic already exists on the community before posting a new one (It can be an Issue, a Bug, or a Feature Request). ❷ When you hit the Post to Community button on a community board, you will be in the editing mode that looks like this: ❸ Choose the Conversation Type that you think best describes what you are writing about. Discussion: Any topic that is not a bug or an idea is considered a discussion. If you want to know how a feature works or if you want to report an issue, or you want to start a conversation with other community members, don't be shy: use Discussion as your conversation type. Bug: This conversation type empo
I am not asking for AV1 to replace intraframe editing codecs, but basic decode/import support is long overdue and would immediately improve real-world workflows for a large portion of your user base.Please prioritize adding native AV1 support to Premiere Pro. It is a modern standard, and its absence in 2026 is increasingly difficult to justify.
I have some serious issues trying to manage the queue in Media Encoder (v26.3.1). I loaded 250-odd items into the ME queue. After a couple has processed, I changed my mind and stopped processing the queue (red Stop Queue button). I then closed ME down for the day.Next day, I restarted ME and I found that the Queue pane was empty with the status saying 2 of 252 items processed, a bad sign IMHO. The Start Queue and Stop Queue buttons were greyed out. I dropped another file into the Queue pane and Start Queue turned green. I clicked Start Queue to start the conversion. ME then started processing the original queue contents from the previous night. Not what I wanted and a bit unexpected.It seems I need to clear out the old queue. There must be a way to do this but I can't find it. I can't select the files and remove them individually as the old queue members are not visible since I restarted ME.So, two questions:1) How do I clear the ME queue?2) How do I redisplay the queue members after
Hi all, I am currently experiencing an issue when batch exporting from Premiere Pro; When I batch export sequences using Media Encoder, they all seem to have the music levels way too loud - and does not accurately reflect the timeline. I’m certain the issue is with Media Encoder, as when I export my video within Premiere Pro, the audio levels are all correct. I’m not sure what’s causing this but I’d appreciate any advice on solving the issue as my job requires a lot of batch exporting.I have tried reinstalling both Media Encoder and Premiere Pro, but the issue persists.It is strange how it’s always the music track that seems to be the one boosted.For context, I am running Premiere Pro Version 26.0.1 (build 3) and Media Encoder 26.0 (build 60) on a MacBook Pro (Nov 2024) w/48 GB Memory on macOS Tahoe 26.3.It may be worth noting that I do run plugins in Premiere Pro, such as Artlist.io, Premiere Composer, and a select few from Knights of the Editing Table - Not sure if this could cause i
Not sure how to resolve this, but ME takes up gobs of memory during the encoding process no matter what I seem to do to alleviate it in Premiere. You can see screenshots below (but total memory was up to 98.63 GB when it finished). In general, I've been trying to export a 1-hour long video. Originally shot on iPhone (.mov) and encoding to MP4. My system would either crash after an hour or so of encoding. I think converted the MOVs to MP4s and tried that approach before encoding, but same issue. I had to cut the video to 30 minutes just to get an export to work. There has to be a way to improve the memory usage on my system for this task.I'm running an M2 Mac, 24 GB, Ventura (can't upgrade just yet). I had all applications closed and only using ME. I was also using Hardware encoding (Metal). I tried Software encoding but it crashed on that as well (and 10 times longer to encode). I even tried medium bitrate but didn't make much difference.It seems like ME is super inefficient with
Media Encoder Version 26.2.2 (Build 3) Renderer menu is greyed out with Mercury Playback Engine Software Only selected. System Compatibility Report shows “No conflicts to report”.Tested with NVIDIA Quadro RTX 5000 driver versions 596.36 (most current) and 582.53 (previous) with identical results.Media Encoder Version 26.3 (Beta) has the same problem.
I'm being pushed more and more into Davinci Resolve due to Adobe's inability to compete and stay up to date and keep us in their walled garden. We need AV1 support. Intel and Nvidia have had hardware AV1 encoding support for quite some time now. If I need to use AV1, I have to export as prores, then convert to AV1, doubling the export time. I shoot long videos, between 1-3 hours in length, and converting takes an insame amount of time. The filesize and quality AV1 provides is crucial so some of my workflows.
I am migrating to a newer version of Adobe Media Encoder on my MAC (14.9 Build 48 to 24.6.1). I want to backup /migrate ALL Settings, Presets, workspaces, keyboard shortcuts, plugins, templates, scripts etc. I found a few steps from a google search but want to check with an expert to make sure I am not missing any other files/folders that I should migrate over. Also, since I am migrating from an old version to new version ensure that I am copying over only the files needed to ensure a smooth transition to newer version. Thank you in advance! Here’s the steps I found:1. ~/Documents/Adobe/Adobe Media Encoder/[Old_Version]/This is the single most critical folder for Media Encoder. This directory holds your actual, custom-created Encoding and Ingest Presets (like custom YouTube, ProRes, or client-specific export configurations). [1, 2]What to copy: Look for a folder simply named Presets. Inside, you will see a collection of .epr files. Note: If you have ever used Adobe's Cloud Sync featur
Hi everyone,I'm facing a ridiculous issue with Adobe Media Encoder where it completely refuses to use GPU Hardware Decoding for Sony footage, even though the new RTX 50-series hardware natively supports it.My Specs: CPU: Intel Core i9-13900K GPU: NVIDIA GeForce RTX 5070 Ti Driver: NVIDIA Studio Driver 610.62 (Latest) OS: Windows 11 The Problem: When exporting or creating proxies from Sony A7V source files recorded in XAVC S 4K 50fps (H.264 / AVC, High 4:2:2 Profile, 10-bit), Premiere Pro handles the footage fine, but Media Encoder completely drops GPU Decoding.Inside Media Encoder, Encoding is done via NVIDIA NVENC (GPU), but Decoding defaults entirely to the CPU.What I've tried: Hardware Decoding for H.264/HEVC and NVIDIA is explicitly checked in Preferences -> Media. Renderer is set to Mercury Playback Engine (CUDA). If I drop the XAVC S file directly into Media Encoder (bypassing Dynamic Link), it still ignores NVDEC. If I force-disable software decoding in the Consol
Quite often when I export a batch of videos from Premiere through Media Encoder, Media Encoder will export versions where the dynamic link from After Effects to Premiere hasn’t been updated. How can I fix this?
TitleAfter Effects 26.3.0 + Media Encoder 26.3.1 fail to export projects stored on SMB NAS unless Media Encoder is started first after rebootSystem InformationMac Studio M2 Max 64 GB RAM macOS Sequoia 15.7.7 After Effects 26.3.0 Media Encoder 26.3.1IssueSince updating to After Effects 26.3.0 and Media Encoder 26.3.1, exporting an After Effects composition to Media Encoder fails consistently when the project is stored on an SMB network share (NAS).The exact same workflow worked correctly before updating.Projects stored on the internal SSD export normally.Steps to reproduceRestart the Mac. Open After Effects first. Open a project located on an SMB NAS. Send a composition to Media Encoder. Start encoding.Actual resultMedia Encoder immediately fails with:"Output could not be created. Check whether the output is write-protected or locked."Sometimes the log also reports that the temporary After Effects project cannot be read.WorkaroundAfter every Mac restart:Start Media Encoder first. Clear
Over the past couple years I've exported dozens of long (1-2 hr) 4K 60fps videos with both Premiere Pro and Media Encoder. Rendering times were basically the same (about 3 hours per hour of video), so I usually exported with Media Encoder because it was easier to run in the background while doing other things (including working on new projects in Premiere Pro). After Abobe updated Premiere Pro and Media Encoder to the 2025 version, Media Encoder has become ridiculously slow. Exporting a 2hr 4K60 directly from Premiere Pro takes about 6 hours, but exporting that same video with Media Encoder is estimated to take 320 hours!!! And no, that's not just a time estimation bug; I once let it run for a few hours and come back to confirm that it had only rendered a minute or two of video. I've read that other people are having the same problem with the 2025 version, and that for now the only "solution" is to roll back Media Encoder and Premiere Pro to their 2024 versi
Upload from Premiere Pro to YouTube has only worked exactly *1* time. Every other time it gives me a “publish error”. I tried following the advice in forums, including this one (which itself had a bug letting me log in where it repeatedly gave me a JSON error saying “user not found.”) The other thread complaining about this problem is 8 years old, and it still seems like the problem hasn’t been fixed. I have tried signing out from Premiere and signing back in. That didn’t work. I tried signing out of YouTube on my browser and then signing back in. That didn’t work either. This continues to be a persistent problem.
Ever since I updated Premiere and Media Encoder, when I send my finished sequences to Media Encoder, for some reason the captions won't export with the video. They will only export through Premiere. I have my "Burn subtitles into video" option on and everything. Help.
When using (most) adobe apps, I get tooltips that appear on my current window from background windows. An example of this:I click the ‘output file’ path in media encoder. It opens an explorer window. The tooltip for hovering over the ‘output file' path then appears from the previous window on top of the current window (basically displaying the full path). I cannot interact with anything within the grey tooltip box, as it is from a previous window, and each time this renders that part of my screen useless until I close, and re-open the window to reove the hover tooltip. This happens only with Adobe apps, on After Effects, Premiere Pro, and Media Encoder. The tooltips are broken and often appear during ‘hang times’ or loading events between windows.The only way to solve this is to just ‘hope’ it doesn’t happen when I reload it again, or try navigate ‘around’ the grey tooltip box until I go back to the inactive window.
I have tried a dozen different ideas from the forums and can't find a solution.Windows 10, i7-7600 cpu @ 2.80GHz8gb ramAME CC 2017 (version 11.1.2.35 of AME)Created a video in Premiere and AME just stops and hangs when it reaches a certain part of the video. Premiere won't export it either. I have created dozens of videos so I have no idea what's different this time. The video is about 10 minutes of 4k drone footage with a music back - super simple.I have reset Premiere (shift-alt on startup) and deleted all the cache files. I rendered the clip where encoder hangs and then added it back, then I deleted the clip entirely, then I deleted the clip and the music track and no matter - it stops in the same place every time (about 14% done with Premiere, and about 14 minutes in on what AME estimates is a 2 hour job).I read a few places that people had a "bad clip" in their video, and once they removed it it worked - how on earth am I supposed to find the one "bad" clip if premiere previews fi
I am unable to successfully render from Premiere to AME, timeline is very basic with one gaussian blur and lower third mogrts. It says failed, or it just stops and restarts rendering.This is one error I snapshotted.Since it shows GPU error, I cleared all premiere cache with no open file and restarting the program (full cache clear) and I exported using CUDA with fail, and OpenGL with fail.I then uninstalled Nvidia app completely, reinstalled and installed a fresh studio driver, rebooted, no luck.I also couldn’t collect and render on a backup machine because it said it couldn’t find a file that was online, located and working.The only way I managed to render was a direct export from Premiere SPECSIntel Core Ultra 9 275HXNVIDIA GeForce RTX 508064GB DDR5 RAM2TB M2 SSD [OS, ADOBE, PPRO PROJECT FILE, AE FULL PROJECT]2TB M2 SSD [PPRO FOOTAGE, CACHE]All latest Adobe 2026/Win11Home/and Nvidia Studio DriverAlienware AW2725DM 27"DELL SE2419HR 24" I also have 100s of these in the log:Have it Fixe
Right now there's no way to know a render is done without sitting at my computer watching the progress bar. Since renders can take anywhere from a few minutes to several hours, I'd love a push notification to the Creative Cloud mobile app when an export completes so I can step away from my desk and get pinged the moment it's ready.Ideally the notification would tell whether the render succeeded or failed and include the file name and total render time. A simple toggle in preferences to turn it on or off would be perfect.
There is a critical bug in the Premiere Pro / Media Encoder API (app.encoder) where attempting to programmatically queue a sequence using an HEVC (H.265) preset fails entirely. While the API seamlessly processes H.264, ProRes, and WAV presets, passing an HEVC preset results in a silent failure—Media Encoder simply drops the request without adding the item to the queue or returning an error code.Scope of ImpactThis is not an isolated plugin issue. This API defect completely breaks the core functionality of major industry-standard automation extensions, including: Excalibur (by Knights of the Editing Table) RenderSegments Blinkl.io Any workflow or custom JSX script utilizing the Adobe API to automate exports to HEVC is currently non-functional.The Inefficient WorkaroundCurrently, editors are forced to use a highly disruptive workaround: Trigger the scripted export using an H.264 or ProRes preset to successfully force the item into the Media Encoder queue. Manually select the queued
This has been happening for about two years now but it’s inconsistent so I have no idea what’s causing it. Basically the entire comps is exported in the upper left corner and the rest is black. Happens with different projects, different pixel sizes, different frame rates, different plugins used. I mainly use Media Encoder from After Effects, so I have no idea if it happens with Premiere too. The only thing that seems to be consistent is that it generally happens on bigger projects, where there’s a lot of materials, although the exported comp might not necessarily be heavy or complex.In AE the comp exports just fine.I realized that the bug appears in the preview as well, and if I change the pixel size of the export inside Media Encoder even of just 1px then it goes back to normal. Changing the export to Mp4 or to Quicktime doesn’t solve it, nor changing the bitrate. Both After Effects and Media Encoder are up to date, right now it’s AE 26.2.1 and ME 26.2I’m on Mac Os Tahoe 26.3.132 GB
As the headline says you can have the same profile with different settings.Problem is that ME is not overwriting the current settings if you change a setting and then save it as the same name.
The order of the Media Encoder queue has been reversed. Items are now added bottom-to-top and the queue runs in that reversed direction too. There is no option that I can see to revert this back. I assume this is a bug, as nobody would have requested this as a feature.
Hello,I am seeing what looks like a reproducible issue with H.264 Blu-ray export in Adobe Media Encoder on Apple Silicon Macs.I tested this on the following machines, and all of them showed the same problem:Mac mini (M4 Pro) Mac mini (M4) MacBook Air (M4)OS:macOS SequoiaAME versions tested:AME 2024 AME 2026Using the factory H.264 Blu-ray preset, Media Encoder creates an .m4v file that is not playable even in VLC. Because it already fails there, this seems to be a problem with the exported file itself, not just a Blu-ray authoring issue.I have not tested older Mac generations yet, but I can confirm that the same version of AME on Windows exports correctly.My current workaround is to export a high-bitrate AVC file on Mac, move it to Windows, and re-encode it there before authoring. That works, but it is not practical for long-form projects.I also checked one of the exported files with ffprobe, and it was detected as raw h264 with Duration: N/A and inconsistent timing information, which m
I'm trying to convert ProRes 4444 with alpha to a HEVC H265 with Alpha. I'm on an M1 Mac Studio (running Ventura 13.2.1). I've seen people say "hardware encoding" needs to be selected in Media Encoder (23.2.1), but it is not selectable. I've tried this conversion using Premiere and in also Mac finder using "Encode Selected Files"; everything seems to work correctly, but when I test the finished HEVC in AE or Pr, they never have alpha channels. Just black where there should be transparency. What am I doing wrong? Thanks.
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