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I’m trying to remove the reflection from the shop window (see attached screenshot), but the related tool in Camera Raw seems not work. Any suggestion?Many thanks for helpRoberto
Hi,Please can Adobe add the DJI Mini 5 Pro Profiles in Camera Raw, so that I can use Adobe Standard. Adobe Landscape, Adobe Vivid profiles when I import the DJI Mini 5 Pro .DNG files Thanks in advance, NickDJI Mini 5 ProLightroom release: 15.6Camera Raw release: 18.7
Avec les courbes choisir d’agir sur la luminosité uniquement et pas sur RVB comme chez tous vos concurrents.
I would dearly like to see the Lightroom 4 Beta team implement an additional feature in the final release. That feature would be the ability to take a camera+macro lens image of a B&W negative -- essentially a camera-based scan of a negative -- and invert the negative image to a positive image at the beginning of the development process in such a way that the resulting sliders in the LR4 Develop Module would not operate in reverse. As I understand it, this capability exists in Photoshop, but I don't own Photoshop. I do own Photoshop Elements 9, but that program only supports an 8-bit workflow, not 16-bits per channel, and round-tripping between LR & PSE9 requires the reimportation of a TIFF file that is more than twice the size of my NEF RAW files. Since this programming wizardry already exists in Photoshop, I would think that it would be a relatively simple matter to transfer and adapt that code for LR4 -- but then, I'm not a programmer, so what do I know...I've been digitizin
Adobe Camera Raw 18.5This problem occurs on both Nikon D850 and D500 raw files which have been opened in ACR by right clicking on the files in the Mac finder and selecting open in photoshop. The files have not been previously processed in any way.When I right click on the image in Camera Raw, the option for “Show Autofocus Points” is greyed out and not responsive. I have repeated this with multiple files from both cameras taken using different autofocus modes.I have checked two of the files (one D500, and one D850) in Raw Digger to examine the EXIF data, and both show values for “Focus Position” (0x11 on a D500 file) and “AF Points in Focus” (E9 on the same file), so this metadata information should be available to Camera Raw.Are these cameras supposed to be supported by this feature? Adobe’s documentation says nothing about what cameras are supported.I watched a video today showing someone using this feature (although with a different camera’s files), so I know that I was looking a
After upgrading to 15.4, several, but not all, of my hdr pano photos report the above error, along with “The file appears to be unsupported or damaged”. Restored these “damaged” photos from versioned backup on Backblaze from versions several months old and still received the error. Reverted to 15.3.1 and these files no-longer show the error. So, 15.4-->Broken; 15.3.1-->Working
Hi, using latest Lightroom Classic on MacOS 26. I have found that sometimes LRC gets confused about the exposure. I have a two image example where the images are exposed exactly the same but the resulting pano is messed up. One half of the resulting pano is exposed correctly, the other half is light. I've only seen this in iPhone RAW HDR images. The one I kept was from Apple Camera but I've also seen it using Project Indigo camera. On the Indigo forum, another person was complaining about pano issues (black bars ending up in panos). I've also seen this issue and have example RAW images.https://community.adobe.com/t5/lightroom-ecosystem-cloud-based-discussions/p-introducing-the-project-indigo-camera-app/m-p/15440106/page/21#M106426I tried attaching example files but that failed. How can I get images to the Lightroom team? [moved from bugs to discussions according to the community rules - Mod.]
Using an R6III with en EF 11-24 F4L via an EF to RF adapter, and I am noticing significant barrel distortion at the wide end that the profile in Adobe Camera Raw isn’t taking out.The strange thing is that I used the exact same lens and adapter on my R6 mark 1, using the same lens profile in ACR and it corrects the distortion well.Anyone have any insights?I can correct manually but it gets tedious (shooting real estate)
Merci de prendre connaisance du fichier pdf joint que je vous ai envoyé il y a 6 ans
I can’t help noticing that some Canon models render colors much warmer, more lively and “deep” in ACR/Lightroom despite using the same camera matching profile as my EOS R8 - for example “Camera Standard”If I compare it to EOS R50, R100 or even some older model such as EOS 70D or 6D the colors, tone and contrast is dramatically different. The R8 seems more “anemic” in comparison.My question is (and I guess only Adobe will be able to tell): I wonder if Adobe uses other color tables for entry models to “please” the target?
After updated my Mac OS versions of Photoshop and ACR this past week I have encountered a problem when attempting to open edited ACR files in Photoshop using the “Open Object” button. (Same issue if I choose “Open” instead of “Open Object” in ACR.The problem only affects files that have been edited in ACR. An unedited file will open correctly in Photoshop.When I click the button, ACR simply closes and takes me back to Bridge. My ACR edits are not lost, but I still cannot open the file. Double-clicking the image in Bridge re-opens in in ACR with the previous ACR edits intact, but clicking the Open Object button still will not open in into Photoshop.If I instead go back to Bridge, click to select the image in the slideshow, it opens a camera raw edit window like the one that I had seen in ACR, though with a different layout form my default ACR layout. If I click DONE or Open Object, the window simply closes and I’m in Photoshop by my file has not opened. Photoshop version is 27.10.0Bridg
Hoping for some type of solution. I have an R5 MK2. I shoot raw and convert to tiff with pro photo rbg 16 bit, then further edit the tif. What I see in ACR during the edit and the later saved result in Bridge are not the same. I like what I see in ACR and not so much the saved result in Bridge. Any light shed on this would be much appreciated.
I did a new install of photoshop and lightroom classic on a new Mac.Lightroom classic release 15.5.1 with camera raw 18.5.1The new photoshop version is 27.10.0The camera raw version is 18.6The mismatch in camera raw is causing issues with the round trip from lightroom to photoshop. How do I either update the camera raw version in Lightroom classic or roll back camera raw, and if I do does that screw up photoshop?system infoAdobe Photoshop Version: 27.10.0 20260824.r.26 9d9635d arm64 (final, Release) Number of Launches: 4 Operating System: Mac OS 27.0.0 System architecture: Apple M5 Max, NEON, DOTPROD, HybridCPU(6:12) Physical processor count: 18 Built-in memory: 65536 MB Free memory: 39805 MB Memory available to Photoshop: 60716 MB Memory used by Photoshop: 70 % Crash Handler: Adobe DCX Version: 9.22.0 SAM SDK Version: 15.1.5 ACPL.next Status: - SDK Version: 5.11.6 - Sync Engine Status: Reachable and compatible - Sync Engine Running: 4.0.0 - Min Sync Engine Required: 4.0.0 Live Ed
Hello Adobe Camera Raw Team, I would like to suggest adding an option to customize keyboard shortcut keys in Adobe Camera Raw. Custom shortcuts would greatly improve workflow efficiency, especially for photographers and retouchers who work with large batches of images daily. Being able to assign personal shortcuts for frequently used tools such as Basic adjustments, Masking, Healing, Presets, Compare view, and Reset would save time and reduce repetitive mouse actions. Many professionals already rely heavily on keyboard-driven workflows in Photoshop and Lightroom, and having the same level of shortcut customization in Camera Raw would make it even more powerful and user-friendly. This feature would be especially valuable for: High-volume editing workflows Wedding and portrait retouching Users transitioning between Lightroom and Camera Raw Power users with custom keyboards or control surfaces Thank you for continuously improving Adobe Camera Raw. I hope this feature can
Camera Raw v18.6 introduces new ways to enhance your images and simplify your workflow. Create dreamy, light-filled looks with Glow, turn crops into transparent cutouts with Trim, and access essential photo information instantly with the new Metadata Info Panel, all without leaving the Camera Raw workspace. What’s NewThe August 2026 release of Camera Raw v18.6 introduces new ways to enhance, refine, and understand your images without leaving your editing workflow. The headline addition is Glow, a new effect that creates a soft, luminous atmosphere by spreading light from the brightest areas of your photo into surrounding tones. Whether you're aiming for subtle diffusion, ethereal bloom, or retro-inspired halation, Glow makes it easy to add cinematic character directly within Camera Raw.This release also introduces Trim in the Crop & Expand panel, allowing you to convert a crop into a clean transparent cutout by removing everything outside the selected area. For photographers and de
any help would be good i am wasting so much time
Hello,GPU acceleration has been suddely desactivated (denoising very slow from early Sept.)My configuration :Windows 11 Home 25H2 Camera RAW 18.6How to recover CPU acceleration ? Need to switch to Windows 11 Pro ? Thanks
When using ACR image menu and selecting Export Settings to XMP then closing image with Done button DNG preview is not being updated. ACR only updates preview if any change happens, after Export Settings to XMP being used.Sometimes i do a lot of Export Settings to XMP as precaution because ACR crash frequently and i might loose all the progress i made and if i don’t remember to use Export Settings to XMP then preview never updates. Please fix to update preview after Export Settings to XMP being used.
Adobe Lens Profiles are written in XML format, allowing anyone to create or modify them. Since values such as vignetting correction vary significantly depending on the aperture setting (f-number), it is common practice to include correction values for multiple f-numbers. The "stCamera:ApertureValue" parameter is used to identify these settings; for a given f-number *N*, the value is calculated as 2×log2(*N*). However, an error occurs if *N* is 1 or less—meaning the "stCamera:ApertureValue" is 0 or less. While setting the value to a tiny figure like 0.001 avoids the error, the profile will not be applied to photos taken at f/1.0.Consequently, for ultra-fast lenses with apertures like f/1.0, f/0.95, or f/0.8, the system cannot automatically apply the appropriate profile to shots taken at f/1.0 or wider. The current workaround is to manually apply separate profiles for each specific f-number—effectively bypassing the use of "stCamera:ApertureValue" altogether.I would like to see a fun
After batch cropping in raw to a specific shape (3000x2216), when converting and saving I specify a long edge of 3000 pixels, but resulting images are 3000x2203. This only started happening in the new version of Raw (18.6). In the past this workflow always resulted in image exports with a 3000x2216 resolution.Crop for all images set to 3000x2216export shape does not match crop shape
I see solutions for prior versions. I’m trying to uninstall the latest Camera Raw (18.2) because it is supposedly a workaround-fix to allow the prior version of Photoshop to open WEBP images like it did just few days ago. Every solution I have found suggests to click the 3 dots next to Camera Raw in the Creative Cloud desktop app, but those dots do not appear next to Camera Raw. I also could not find the file within the Adobe CC Suite in Finder. I do not have “Bridge” installed either.I went through the trouble of completely uninstalling Photoshop to try and remove Camera Raw, but no luck. Appreciate anyone who can provide factual information with clear steps.Thanks.
Now that HEIC is starting to get some reasonable adoption after iOS 11, it’s great that Lightroom Classic CC can import those files. But it would be even better if it could export them too. For various reasons, I end up exporting from Lightroom to Apple Photos.app, and it seems like a no-brainer for me to use HEIC if Lightroom supported them. (Why not save the extra disk space?) I know I can export to TIFF or some other lossless format and then use a third-party utility to convert them to HEIC, but that’s too much of a pain. Having native support in the Export workflow would be ideal.
ACR 18.6 – Arrow-key image navigation stops after zoomingWindows 11, Photoshop 2026, Camera Raw 18.6. Went to post this in the Camera Raw forum here and it just hung on “ looking for suggestions” so Im posting it here. Very frustrated this morning. ↑/↓ normally navigate between images in the Camera Raw filmstrip. After zooming into an image to inspect focus and then returning to the previous zoom level, ↑/↓ stop navigating completely. Clicking anywhere in the main image does not restore navigation. Clicking an image in the filmstrip immediately restores ↑/↓ navigation.Restarting Camera Raw, restarting Photoshop, and restarting Windows do not resolve the issue.This is reproducible consistently. This “ bug” was new as of today. I was using it normally 3 days ago.
The August 2026 release of Camera Raw (v18.5) introduces powerful new retouching capabilities, expanded control over AI-powered features, and enhanced Vectorscope. Whether you're refining portraits, managing AI-assisted workflows, or performing precise color grading, this release gives you greater flexibility and control throughout your editing process. What’s NewOne of the headline additions in Camera Raw v18.5 is the new AI-powered Remove Blemishes from a Photo feature, which automatically detects and removes skin blemishes, moles, freckles, and other facial marks. You remain in control with adjustable Amount and Fade sliders, and can fine-tune individual corrections by removing or restoring specific spots as needed.For users who prefer a more traditional editing experience, Camera Raw now lets you manage generative AI features directly from the Preferences dialog. Features such as Generative Remove, Generative Expand, and Distraction People Removal can be enabled or disabled based o
Nikon cameras stores the focus point that was in focus and the exposure was taken. This would be extremely valuable to see for a sports/action/wildlife photographer.
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