Design the future of fashion, win Firefly Pro 👗✨
Connect with our global Camera Raw Community.
Recently active
It seems the “guidelines” warning is back in Camera Raw after having been absent for quite a while. Today, simply trying to remove the edge of a wall in an image generated the “this doesn’t fit in the guidelines” warning message that I haven’t seen in Camera for over a year now. I realize that perhsp I hadn’t conisdered the wall’s feelings about being removed from the final image, but in all seriousness, removing things like softbox edges and other minor background intrusions seems to be exactly what these sort of tools can make short work of. Please have a look and see if the guidelines can be adjusted to be more useful. I can easily go fix this in PS and will, but something simple like this shouldn’t require a trip to PS.
SummaryPanorama Merge with Perspective projection anchors the output projection plane on the first image in filmstrip sort order. The geometry of the merged panorama therefore changes when only the filenames change, with identical pixel data, EXIF and capture times.EnvironmentCamera Raw 18.4.1, macOS 14.8.7, Sony SLT-A77, 3 frames shot right to left.Steps to reproduceSelect the 3 frames, Merge to Panorama, Perspective, Boundary Warp 0, Auto Crop off. Repeat twice, renaming the files so that the centre frame, then the left frame, sorts first.Actual resultThree different output geometries.Case 1 - Right image first.Case 2 - Center image first.Case 3 - Left image first.Cases 1 and 3 are exact mirror images of each other, indicating the output plane is aligned with the optical axis of whichever frame sorts first, with no re-centring applied.Expected resultOutput geometry depends only on image content, not on filenames.Suggested fixDerive the output plane orientation from the estimated came
In some photos, applying the Adaptive Color Profile produces weird, blotchy artifacts in brighter areas, particularly in a sky where there is strong contrast between the bright and dark areas, like a sunrise or sunset. In the attached video, the photo in Develop begins with Adobe Color as the Profile, adjusting the Highlights slider brightens and darkens the sky as expected. Changing the Profile to Adaptive Color produces noticeable, blotchy artifacts in the sky. Adjusting the Highlights slider dramatically changes these blotchy artifacts. Adjusting the Profile Amount slider also changes these artifacts. Enabling HDR mode makes these blotches disappear; adjusting the Highlights moves a prominent bright band up and down in the sky, but the blotches do not appear. I reported this in another photo a year ago, but the problem remains. It means that for some photos, Adaptive Color is quite useless. Has anyone else seen this problem when using the Adaptive Color Profile?
Please add generative expand for cropping in Adobe Camera Raw. I love that Geneative AI is added as an opton for "remmove," but it would be GREAT if we could expand the crop area byond the original image and use Generative AI to expand...just like in Photoshop.
Attached is a photo I took this afternoon witih my new Pixel 10. The various C2PA verifiers and inspectors are happy with it. I pull it into LrC (via the Android Lr app) and try to export it with C2PA attachment enabled. It refuses to do this, simply saying "Couldn't apply Content Credentials (1) and then the file name. In Ps however I can open it, enable Content Credentials and then export. c2patool likes it, but the online c2pa verifiers/inspectors report breakage and failure to validate.
Steps to reproduce: 1. load image in ACR 2. choose the crop tool (C) 3. enlarge the canvas (check "enable expand" first) 4. apply a manual transformation Result: the stretched image is confined by the dimension of the imageExpected result: the stretched image is only restricted by the size of the canvas Workaround: Export image with enlarged canvas and use ACR from there
Hi Adobe Team,I am writing to express my strong frustration regarding the latest Adobe Camera Raw updates (v18.4 / v18.4.1). [1, 2]With the latest update, the automatic limitation feature for mass automation/batch processing was completely removed or broken. Because of this regression, I was forced to manually limit and process hundreds of images individually, which completely ruined my high-volume workflow and cost me hours of manual labor. [1]Due to this severe limitation, I had to uninstall the latest version and downgrade back to version 18.3.2 just to keep my daily business running. Batch automation is a core requirement for professional photographers, and removing or breaking this automation constraint makes the plugin unusable for mass editing. [1, 2]Please treat this as a critical bug or regression and restore the automatic limitation for batch workflows in the next patch.System Environment:Previous Working Version: v18.3.2 Broken Version: v18.4 / v18.4.1 Windows 11 Thank you,
Every now and then I get errors whilst using ACR in Photoshop stating 'The graphics proccessor has encountered an unrecoverable error, due to a runtime error GPU acceleration has been diabled for the remainder of the session' - often when using masking tools. Also get: 'Camera Raw requires graphics processor acceleration to edit photos' This is happening on my new PC running Win 11 with an RTX 5070 Ti 16GB graphics card. I've tried addressing this with support but all I've been advised to do is rename the 'GPU' file so that a new one is created which has made no difference. Oddly, I have similar issues on my previous PC so I asked Adobe support if any of the items are copied form my old installation to the new one such as crop presets and Actions could be connected but was advised that they would not. I generated a log file which I uploaded to Adobe but they have not commented on what if anything this shows. Unfortunately I feel I am just being given an
I am missing the Histogram in Adobe ACR. I clicked on something in the window and it went away.ACR 18.4.4
Cest quoi le truc pour avoir des réponses pertinente à une question. A chaque fois que j'insère une question dans le moteur de recherche, je n'obtiens jamais de réponses pertinentes à ma question. Quels conseils pouvez-vous me donner. Ce n'est pas normal, lIA de Google m'offre une meilleure aide.
Bonjour, Je ne parviens plus à ouvrir un fichier directement dans camera raw à partir de Bridge. J'ai le message suivant: " La modification à l'aide de Camera Raw n'est pas activée.La modification à l'aide de Camera Raw nécessite exige qu'un produit eligible soit sous licence..."Je suis à jour de mon abonnement. Merci de me renseigner si possible
I am writing this report as a long-time paying Adobe customer (over five years) because this issue has reached a point where it is seriously impacting my professional work.Today was the third time I lost 100% of my AI Denoise progress because Camera Raw exhausted all available memory and crashed.This is no longer an isolated incident. It has become part of my workflow, and I am now spending more time repeating work than actually editing photographs.My system:MacBook Air M4 16 GB Unified Memory 512 GB SSD Latest version of macOS Latest version of Photoshop 2026 Camera Raw 18.4.1I primarily work with Canon EOS RP (.CR3) files.The crashes happened so frequently with CR3 files that I completely changed my workflow and started converting every image to DNG before editing, hoping to avoid the issue.Unfortunately, that only delays the problem.Today’s session contained 347 photographs.I had already processed almost every image with AI Denoise when macOS displayed a warning that system memory h
When I go to Crop & Expand the default setting now has the Generative Expand box open and the geometry Box closed, I know I can open it but I have to repeat that step with every bloody image I open when opening images individually. I can’t get rid of Generative Expand and Anamorphic two less useful items that I now have to click through. The continues urge to update software that works perfectly well and add functionality that very few people ever want or need in order to charge exorbitant fees is getting out of hand. Adobe seems to urge people to change to Affinity, Capture One or others. I am paying for 26 programs of which I use about 6, the others I subsidise it appears. You clearly don’t use the software yourself. The question is WHY??
Cropping an image (sometimes some border parts are transparent pixels ) : when generative development sub-panel is rolled down(”generate” button lit in blue) generate fill starts automatically and it fails; when rolled up (“generate” button not visible), it doesn't automatically start. Seriously Adobe? Is this a software we pay money for? Please @adobe stop giving us meaningless new versions; we prefer tools that actually work to flashy Firefly options.
In Camera Raw, there are eye icons next to masks and adjustment panels. Toggling them on or off reveals or hides the changes. When I press an eye icon to hide, it almost immediately and automatically switches back to visible. If I try clicking it a lot and holding it, I may get it to stay off, but then I get the oppsite issue--I can't get it to stay on . How do I make it so that the eye icon does not automatically toggle back to on immediately after I turn it off? I can't find the setting for this anywhere. Is there some kind of trick I am not aware of?
I have some feedback and idk where else to put it! With the new update, while using Camera Raw to edit I’ve noticed some changes with the crop tool. I used to click on the crop tool and it would automatically make my image a little smaller, leaving me space on the side to grab the crop tool and you know, crop. With the update, the image size does not change when you select the crop tool, which means there’s no space between my image and the side panel, making it harder to grab the crop window. Now I have to zoom out, crop, then make my image full size again, where this step used to happen automatically.
This post applies to Adobe Camera Raw plug-in. Adobe Camera Raw team is sharing an early look of our new Reflection Removal feature, which removes reflections caused by plate glass surfaces from photos. Note: The feature currently only works on raw photos. Support for JPEGs & HEICs is added in the April 24 Update. There is a known issue on some Windows machines where the feature may produce a corrupt image. We are working on a fix for the upcoming release. Check out HelpX for more detailed usage information. For more technical information on the underlying technology, please refer to this Blog post. Getting started with the Reflection Removal feature: Make sure you have the “New AI Features and Settings Panel” Technology Preview enabled in the Camera Raw plug-in Preferences dialog (requires restarting the host application to activate). Go to the Remove panel [B] , and in the “Distraction Re
I use a Canon 5D Mk IV, with the time zone set to London (offset = 00:00) and daylight saving disabled, so that all images remain on UTC.If I look at the EXIF data, the CR2 file has the value 00:00 in the OffsetTime field. When I use DNG converter, then the resulting DNG file has the OffsetTime field modified to be 01:00, which is not the original value stored in the raw image file.This value then propagates through the rest of the workflow in Lightroom, with the result that the exported JPG files have the incorrect OffsetTime value.This causes applications such as Apple Photos to display images in an incorrect order if sorted by time and date. Despite Adobe's statement that DNG converter does not modify EXIF data, the evidence is that DNG Converter does change the OffsetTime field. I believe this to be a bug. Here's the evidence - look at the OffsetTime field, which is 00:00 in the original and has been modified to 01:00 in the DNG file (and subsequent exported JPG file). Time/date in
Pressing the Before/After shortcut (\) while the Profile Corrections panel is active causes Adobe Camera Raw to reset all develop settings instead of displaying a before/after comparison.This behavior only occurs while the Profile Corrections panel is active. The Before/After shortcut works correctly in all other editing panels.EnvironmentAdobe Camera Raw: 18.4 Operating System: Windows 11 Camera Models: Sony A6500 Sony A6700 Lens: Sigma 18-50mm F2.8 DC DN Contemporary RAW format: Sony ARWSteps to ReproduceOpen any Sony ARW file. Apply multiple edits (Exposure, Contrast, Color, Curve, etc.). Open the Profile Corrections panel. Enable Use Profile Corrections. Press the \ key (Before/After).Expected ResultThe Before/After view should temporarily compare the image before and after the current edits while preserving all develop settings.Actual ResultAll develop settings are reset to their default values, including Lens Profile Corrections. The image returns to the original RAW appearanc
There were people in the lower left and lower right of the image frame, both much larger than other people in the middle and far distance in the frame.
At the moment I don’t shoot in raw and do not want Photoshop to open in Camera Raw. I have tried the various suggestions and rebooted both photoshop and my Mac laptop but it still opens my jpeg files in Camera Raw. Any suggestions on how I can top Photoshop opening in Camera Raw would be greatly appreciated. Thank you.
All’apertura del catalogo compare questo messaggio “Si è verificato un problema durante l'aggiornamento delle modifiche IA in Lightroom. Le modifiche IA future potrebbero non essere salvate e andare perse. Contattate l'assistenza clientiAdobe per risolvere il problema.”NON RIESCO A RISOLVERE
Hi everyone, I’m a professional photographer specializing in interior photography.In my workflow, which involves processing images through Adobe Camera Raw, perspective correction is an essential step.Correcting vertical and horizontal lines manually takes some time, especially when it has to be done image by image. So, when Adobe introduced the one-click Guided Upright feature for automatically straightening lines, I was genuinely excited.Unfortunately, after testing it in real-world situations, I found that it only worked reliably in a limited number of cases, and I soon stopped using it.The main issue is that, when an image contains many visible lines, the algorithm does not always distinguish between the primary architectural lines and secondary elements.For example, when photographing a hotel room, the main reference lines should be those of the room itself, such as the walls, floor and ceiling. However, the algorithm is often distracted by wardrobes, furniture, doors and other el
Prior to version 16.0.5, switching aspect ratios in the now-named Crop & Expand menu would maintain either the width or height (can’t quite remember which, but I believe it was typically the shorter of the two) when switching over. Now, it seems to average out some arbitrary change in crop size, losing the useful ability to rely on a crop still aligning to a certain place/size when switching ratio.
I have a bunch of HDR photos that I’m saving as AVIFs. Everything works fine except that if I save them with Color Space “Maximize Compatibility” enabled then I am unable to load these AVIF’s back into ACR without losing all of my HDR grading. It will load those files back in as basically ungraded SDR images. Simply clicking the HDR button does not return them to their correct appearance. All HDR grading is lost.However, if I turn “Maximize Compatibility” OFF then the resulting AVIF files load back into ACR perfectly fine with HDR enabled and all the grading looking exactly how I left it. My understanding is that Maximize Compatibility simply adds a gain map to the file, but apparently that gain map is confusing ACR when I try to load those files back in. HDR JPEG Ultra files which also have gain maps, however, do load back into ACR just fine without any issues. This is with whatever version of ACR is current as of July 18, 2026.
Remix with Firefly Community Gallery
Thousands of free creations to fall in love with and remix in Firefly.
Already have an account? Login
Enter your E-mail address. We'll send you an e-mail with instructions to reset your password.