Feature Requests

PLEASE ADD CR3 FILE SUPPORT FOR PREMIERE PRO !! I am shooting with a Canon R6Markii and come to find out that i can not use ANY of my work .  HOW IS THAT POSSSIBLE !!! I AM LOST !!!

Is there a feature that records individual editing steps when working on a video? The logging can be stored in a flat file for integration, enabling us to interpret the data. This is crucial as multiple users will be editing different videos, and we aim to track the changes made by each user.

The syncing workflow could use a major facelift. Merging Clips is a destructive form of syncing that just doesn't work that well. They also cause many problems in the conform and if sync is off they need to be completely redone, causing headaches and manual replacement throughout the project. Sometimes they bug out when you bring merged clips in fro another project and certain tracks get out of sync.There is also the create multicamera source sequence which doesn't tell you this is the preferred method to sync clips. The negatives are that it is a cumbersome dialogue box with a lot of options that don't really get you what you want without a lot of tweaking.There is also "grouping" clips and "linking" clips. This is a messy naming format because they can mean all the same thing. Perhaps a clear naming convention will help smooth this processThe best option would be to consolidate Merge Clips, Multi Camera Source Sequence and Synchronize into a single panel that we can call the sync pan

When creating a Color Matte all the option should be in one dialog box and not three separate dialog box.

Similar to Davinci Resolve where it has an option to Copy and Trim the original clip without having to transcode, it would be great if this option were in the Project Manager of Premiere Pro because the size of the project would be greatly reduced and the original material would be kept but already trimmed.

Hello, I really love working in Premiere Pro and Mogrts have made my work a bit easier. If there are previews on the Mogrts. Most Mogrts doesn't have previews so you need to drag them on to the project one by on the project to see of they work with the project. This is boring work! None creative work! Please Adobe be quick about building a much smarter and better way to handle Mogrts in Premiere Pro. Especially if you want the younger to enter the world of Premiere Pro. They have Capcut and Canva who has a similar Mogrt systems where you have a great preview directly without even import it first. Learn from them. If you need help building a smarter Mogrt system then, I'd love to be a part of that dev group. BestRaffe Bergwall

Hi,as the title says: I cant cycle through the different LUTs.However, the default LUTs from Adobe cycle through, but NOT my own added LUTs. I added them through this path: Program Files\Adobe\Common\LUTs\TechnicalProgram Files\Adobe\Common\LUTs\CreativeWhen I choose the Adobe preinstalled LUTs, it cycles through till the first user added LUT and jumps to "Search"This wasnt the case with Premiere 2018. Is there a fix?Regards

When saving project I get "unknown error ... "Eventually I found out I ran out of disk space.Can the error message be a little more helpful? 

When creating a multi camera sequence by audio currently, it creates a new video and audio track PER CLIP.   When creating a multicam sequence by timecode metadata, it allows for track assignments by camera label.  Using camera label metadata, the end result is one video and one audio track PER CAMERA.   It would be useful in speeding up workflows to have this camera label functionality work when syncing by audio as well. 

The text based editing with the new Transcript feature is great; however, you are currently only able to edit both the audio and video at the same time. It would be useful to have features for audio only edits, such as "bleeping" curse words, or redacting names. The current work around is to delete without ripple, drag the video clip to re-fill the gap, and manually add a tone if desired.  Please add an option to bleep or remove audio only in the Transcript feature.  An option to gently lower the audio to avoid pops (eg, default fade "constant power" transition of 0.5 seconds) would be nice as well. 

You should add the option to change the bg color in the Program window (like in Photoshop).It's very handy while working with too dark or bright footage, to make shure it's not clipping or having a wrong tint. Often the canvas color matters 🙂 

Inside project setting or in export tab there should be 2 radio buttons to choose between CPU & GPU1)set by user   2)automaticunder set by userther should be setting of useGPU   ( a slider to set value between 0 to 100)GPU1  (a slider to set value between 0 to 100)CPU   ( a slider to set value between 0 to 100) it will reduce the consumption of power as well as encoading performancecurrent beata version 24.3(Built 17) have awesome capability to rener at a heigher speed than stable version 24.1

Hi! I'm Marcos, an Adobe user for many years already, and I have a complaint about a change you guys made on the Premiere Pro Transcription Tool. What happens is that the Transcription Tool, a couple weeks ago, was doing just fine. Actually, it was (and still is, even with all the headaches it's been giving me) a very important tool in my editing process. However, about a month ago, or maybe less, Adobe and its Product Managers decided to make a change to the tool that turned it into a real nightmare. The way they changed the transcribing part of it was not bad, but it's been making many more mistakes and the way you get to change the text itself, is just terrible. Not to mention that it's completely buggy. One transcription line for each little clip, even the ones that are from the SAME source, is just a dumb thing to be done. Also, many times it has happened to me that I click a transcription line to edit, I edit what I need, and when I finish editing it just does not compute the cha

Can you create a progress bar for morph cut the way that warp stabilizer has a progress bar?

AfterEffectsやPhotoshopでは“Alt + ←”でテキストの複数選択でトラッキング、単体選択ではカーニングでショートカットが機能しますが、PremiereProではトラッキングをショートカットに設定できません。ショートカットをAfterEffectsとPhotoshopのように統一してください。 エッセンシャルグラフィックスを更に使いやすくするには、このトラッキングのショートカットが必要です。 In After Effects and Photoshop, "Alt + ←" works as a tracking shortcut for multiple selections of text, and "Kerning" works for single selections.However, in PremierePro, tracking cannot be set as a shortcut.Please unify shortcuts like AfterEffects and Photoshop.To make Essential Graphics even easier to use, you need this tracking shortcut.  

Hi! I often do jobs when I'm manually lining up two clips from different cameras.  I'm doing the sync by eye, just looking at the waveform (and then I'll take a listen to confirm). So, I zoom in, click on a clip, and nudge it left and right till it looks about right. One slightly annoying thing is that, when the volume of an audio track is low, the waveform is concealed by the "this clip is selected" line. Here's what I mean:If I've inserted those images properly, the first image should show four tracks without a clip having been selected, and the second image should show what happens when you click on a clip: the waveform disappears, hidden by the highlighting, and therefore making it much more difficult to nudge into the right position so that the audio lines up.I don't have a suggestion for the best alternative. I mean, I don't know an alternative way Premiere could indicate that a track is selected that wouldn't cause this issue (maybe change colour?).Just hoping you

Currently, in the adobe premiere Transcript menu, you can detect multiple speakers and rename them But NOT DELETE THEM!!! I DON'T want to name the cameraman and people talking on my documentary film set. I want to see only what Speaker 1 my main interview subject says!! Then I could auto generate captions on a timeline with ONLY the main "Speaker"! This would help so much!! The work arounds arn't worth it. Its too tedious to go into numbers and excel, delete allllll of the speakers you don't want, export, convert and import. I just spent an hour and half on the phone with ADOBE SUPPORT in India trying to do this and they couldn't! They were great but couldn't help. I ended up just using Chat GPT instead lol Thanks for your time your great! I feel like this message was in the style of amanda binds ask ashley series from all that =P

We have television stations that are asking for .mp4 and TS files with embedded captions.  We are able to provide them embedded files in .MXF files, but not the .mp4 or TS files.  Could this be something you look into including in a future Adobe Premiere Pro update?  That would be extremely helpful.  I have seen several other posts about this, so I don't think we would be the only ones who could use this update. Thank you!Angelo

After I sync all the video footage from 2-3 cameras with the audio, and everything is perfectly in sync, sometimes by mistake I move some footage without realising, and the project obviously becomes out of sync. Would be nice to have a feature to memorize all the synced footage, so if someone by mistake moves some shots out of sync, at the end to be able to recall everything in the sync position with 1-2 clicks.  😄 Recall Sync or something like that I would name it. I didn't see this feature on any other video editing apps, so I think it would be something original for Adobe. Hope is not a terrible idea, just crossed my mind. All the best, you're doing an amazing job!

As an editor,  you sometimes receive content that has flaws and must be cut up a lot, which extends the edit hours you would normally have if the content that was delivered for the edit had some basic ground rules to make the edit clean,  for example, flawed content of in camera speakers. This leads to a lot of extensive cutting and a lot more time 'saving' the video than one would normally. When you write an essay or a text on doc you always get a word count. I would find it very useful to have a counter that keeps track of all the cuts you made in one sequence. Having this data would help to 'proof' to the client that certain edits take more work because the content delivered was so flawed. Anybody who has an idea if that is an option in PP? 

Hi, in the Program monitor of Premiere Pro there is a lotta emty space which is not used by any means but reduces the vertical usefull space for a user plus there is the upper home bar which used to be able to collapse in the old times but now it is fixed. Can Adobe please do something with it? We - FullHD monitor owners - find it not so convenient.In my screenshot the red boxes indicate the spaces that can easily be removed thus optimizing the program monitor interface. The yellow one points out the upper bar which can be made collapsible like it used to be. The red lines below show the useless empty spaces that can be reduced with no harm to the usability.Upvote those who think the same way

I just had a project today where the client wanted a normal transcript in a Word DOCX file, but exporting out of Premiere means a lot of excess work to do this. Thankfully, I have a plugin installed for dealing with captions that makes this much easier to do, otherwise I would be tearing my hair out.I would love a future update in which we can export transcript-like TXT and RTF documents (my transcript in question today has a lot of symbols in it that did not translate in TXT) that have the captions placed in paragraph format with no timecode and the ability to toggle even showing the speaker off and on.

This is something I have wanted for so long. I would like to see what framerate a clip is when in thumbnail view in the project bin. Just show "24, 60, 120, etc..." in the corner of the clips thumbnail. I have attached an mock-up.

Hi, For years, and even on DaVinci Resolve 18 and Adobe Premiere Pro 2023, we have the problem of importing DNxHD (and DNxHR) ".MOV" and ".MXF" from the video/legal and full range interpretation. Wouldn't it be possible to implement a feature to interpret the media between legal and full? (As it may exist in DaVinci Resolve) Best

The production features of Premiere Pro are amazing.There are a few things I found inconvenient while using it, so I want to share them with you.1. Can not do Reverse Match FrameIt seems that reverse match frame cannot be done across projects in production.This is quite inconvenient.2. The focus of the project panel changes every time.This is hard to explain, but if you have an edit sequence in Project A and footage in Project B, you want to keep Project B on top, but when you touch the edit sequence, the focus shifts to Project A.Every time you add material to the timeline, the focused project changes, which is time-consuming. It would be nice to have an option to prevent the focused project from changing automatically or to keep any project in front.If you have a solution for the above, please let me know.Thanks in advance.