Feature Requests

In the Effect Controls panel the keyframe navigation buttons still overlap with the value fields (like Position, Scale, etc.), making the buttons nearly unclickable without resizing the panel. Despite it appearing to be a relatively easy issue to fix, it has persisted through at least a decade of Premiere updates and there are no signs of it changing anytime soon. However, with the increased focus on UI in recent updates, I'm hoping this is a good time to shed some light on the issue.  (appologies for the flickering in the gifs below) This is what I'm referring to: The image below is the minimum possible width the panel must be in order to click all three keyframe buttons: In order to view more of the timeline portion of the panel while still being able to click the keyframe buttons, the Effect Controls panel as a whole ends up taking quite a lot of realestate:  This is obviously not a critical issue and there are many ways to work around it or avoid

In many programs, shift + scrolling is often used to scroll horizontally - I think it would be incredibly useful to allow this functionality within the `Project` window so that it is easier to scroll across metadata.Unless I'm missing something, currently the only ways to scroll horizontally are to either grab the tiny scroll bar or to move the mouse to a very tiny portion at the bottom of the project window before scrolling. This can be a little cumbersome when I need to go back and forth constantly and I don't want to have to pop out my window just to quickly get some information or check some metadata. Honestly as an extension to this it would be great to see this functionality in other windows as well like the Effect Controls panel to scroll across and access keyframes easier. Currently manuvering around scroll sections in premiere feels a little archaic Would be a really nice QoL improvement!Apologies if this is a repost, I tried searching for similar posts and came up w

Adobe, you've known about this for years... Loudness Radar in the Audio Track Mixer under the "Special" category dropdown list is still missing on silicon chip Macs (M1 here) -- only Loudness Meter is available. Now, the workaround that we've been using is no longer an option either in Premiere 2024, which was to launch Premiere using Rosetta. (Right click Premiere Pro, Get Info, Open using Rosetta.) So I have no good way to monitor LUFs in-app at the moment. Please make this a priority in an upcoming patch or fix for Premiere 2025. Thank you.

Lumetri's color wheels need tonal range definition sliders like It existed in the old three way color corrector and how It exist in every serious color trading software.It Is needed ti fully control what Is influenced by every single wheel.   

Color wheels in Lumetri need granular numeric controls for hue angle, magnitude and so on. Resolve has It, Premiere used to have It in the old color factory plugins. Why can't we have It now? They're essential for professional and efficient color grading.  

Lumetri has only three wheels. Everybody knows there should be a fourth one (like in Resolve and like the chained three wheel in the old three way color corretor).One for shadows, one for midtones, one for highlights and a fourth one for global adjustment. 

Now with the integration of so many AI features like the Generative Extend Tool, it would be amazing if the Adobe team could focus some time on the "Morph Cut" video transition in Premiere Pro, please. Would be wonderful to use this tool in between interview clips with a seamless transition. Biggest issue I always have is how jarring the hands transition and morph to being unrealistic and deformed. It becomes way too noticeable so it would be great if this could be mastered better with the help of AI if possible. Thanks! 

I like to label clips with colors as my video is playing. I wasn't expecting the Selection Follows Playhead feature to only work once I pause. It would be nice for the clip selection to continuously update while the timeline is playing.

Hi all,I've been editing mostly multi-cam footage in Premiere Pro and I'm always finding ways to optimize my workflow. When I want to see the lenght of a clip that was edited by multi-cam or just any clip, I need to hover over the timeline object (clip). This is not a hard or tedious thing to do, but the latency of waiting for the info to show if I want to check all the clips in the timeline makes up to considerable time.My proposal or question (if there's a plugin that could do this):Having a dynamic indicator after recording multi-cam position/value in the corner of the clip on the timeline. Similar to the indicator when a clip is out of sync, but maybe using a different corner of the clip and/or colour. Hopefully I explained the idea well. This would be very useful for other edit scenarios like music videos or any kind of geometrical or mathematical approach to editing where seeing the lenght of the clip is important either to match frames with other clips, match audio of certa

Please change the way Premiere Pro reads video metadata tagging to allow the import of AVC codec .MOVs. We recently switched to Adobe Premiere Pro but our archive library contains tens of thousands of .MOVs that are rewrapped .MXFs. The initial rewrapping was done as part of an older workflow within FCPX. The video files are now tagged "aivx" which is AVC-Intra VBR. Rewrapping the entirety of our archive is out of the question so this software change within Premiere Pro would be extremely valuable to us.  A little more background: I scoured the internet for something to rewrap an MOV to MXF. After rewrapping the file using a program called Filestar, Premiere Pro allowed the import (the video data now being tagged "AVC" instead of "aivx" as seen in MediaInfo) and the file works wonderfully! Out of curiousity, I rewrapped that newly wrapped MXF file to MOV using a piece of software called EditReady and it no longer imports into Premiere Pro, but I can rewap again to M

Simplify Sequence is wonderful for flattening the video tracks when I create a multicam sequence. It would be incredibly useful if it could also flatten the audio tracks. Cameras nowadays record 5 or more tracks of audio that never get used anyway. Manually flattening those can be cumbersome. Ex. if a multicam clip has 20 clips with 5 channels of audio per clip, that's 100 audio tracks that I have to manually flatten. Also, is it possible to simplify into the multicam sequence? I always have to carefully copy & paste the simplied clips from the simplified sequence into the multicam sequence.

Hello,    It's very important for me :- there are some software I using it more than Premiere, but the premiere is better and profissional, because one issue for me . and there are more youtubers are talking about it !it's should have quick shortcut to save and exit in second, like ( Ctrl+Q ) or ( command+Q ) or any other key, to save current project and quit and close adobe premiere in second like CapCut, FinalCut and Davince, no need more qustions and messages window like :-1- " you make some changed on project, do you want save it before quit ?"2- " you already have same project name , do you want over write on it ?"3- " are you sure you want quit ?" please remove all those messages, and allow to force quick quit with save current project. or you can add this as option in setting to allow more of users to use set this option as defult for hem silf.Thank you.

Details: The "Enhance Speech" audio effect intermittently loses its active enhancement despite its toggle remaining in the "on" position. The audio reverts to its unenhanced state, requiring manual toggling of the effect off and then immediately back on to restore enhancement.Steps to Reproduce:Apply the "Enhance Speech" effect to an audio clip.Toggle "Enhance Speech" on. Enhancement is initially active.Continue editing the project (e.g., playback, applying other effects, saving, nesting clips).Return to the enhanced clip for review.Observe that enhancement is lost (original noise returns), despite the toggle appearing "on."What should have happened? The "Enhance Speech" effect should remain consistently active as long as its toggle is "on."What actually happened? The enhancement is intermittently lost, forcing repeated manual toggling (off/on) to restore it. This leads to workflow disruption and potential audio degradation.Do you have any third-party plug-ins or panels installed (even

자동자막 기능을 [속성 패널] 의 [텍스트 탭 - 대본]에서 수정 할 경우엔 모양작동을 하지만미리보기 위젯 화면 바로, 옆으로 영상 화면을 보면서 캡션을 수정했을 때 특별한 문자 !@#,./ 백스페이스를 사용하는 경우에 텍스트 수정에서 제외되어 (단키 숏컷으로 다른 기능이 활성화되면) 비행을 하게 되었습니다. 보통 박스를더블클릭하면 더 많은 박스에 마우스 더블클릭을 하거나 대본탭에서 직접 편집된 수정중 숏 컷 사용인식으로 이탈되는 오류에 빠지지 않습니다. 

Premiere Pro V 25.3.0. (Build 84) Mac OS Vertura 13.5, Mac Studio M1 Ultra, 64 GB RAM   When I edit mask points I don't expect to see the entire mask structure suddently spastically rotating the mask. This is simply not expected nor welcome behavior when trying to refine a mask by hand, which is necessary because current versions of Premiere Pro *do not always accurately track* a moving subject. The resulting mask definitely gets you in the ballpark, but then, there's this curve ball.   I always have to go in and refine point positions. I don't wish to go insane trying move a mask point and easily missing the sudden appearance of the Rotate icon until the entire structure jerks sideways. That's like... kid stuff!   I SUGGEST when we need to rotate some or all of the mask points, have the function available on A MODIFIER KEY, like Option/ALT.  Somebody in some future time and space may actually need it.   If I'm missing something here, please let me know.  

The Generative Extend tool is currently not available under our Education licensing, yet it remains prominently visible on the main interface. As a result, both students and staff frequently attempt to use it, leading to error messages and the submission of unnecessary support tickets to our IT team.This issue affects both Windows and macOS platforms.To improve the user experience and reduce IT overhead, please provide a way to fully disable or hide the tool when it is not available under the current license.  

Premiere Pro often auto-tags audio clips as “Dialogue,” “Music,” etc. when importing or editing. When it does this, it silently applies settings in the Essential Sound panel—like Enhance Speech, Loudness Auto-Match, Repair Noise, etc.—without telling the user.This is a problem because:It changes the sound of the audio without consentIt can break carefully mixed clips or cause confusion during editingThere is no clear way to disable or configure this auto-tagging behavior“Remove Attributes” doesn’t clear these hidden settings eitherFeature request:Please give users the ability to:Turn off auto-tagging of audio clips entirelyCustomize what (if anything) gets enabled when a clip is taggedPrevent auto-enabled features like “Enhance Speech” or “Reduce Noise” from being applied without user actionThis would make Premiere’s behavior more transparent and give editors full control over their audio workflow.Thanks!

Regarding Premiere Pro Version 25.3.0 on Mac Sequoia 15.5When I apply a transition effect to clips in a sequence (ex. cross dissolve) and the clip is short enough that the transition covers the the clickable part of the clip, meaning the transition covers the duration of the clip, there is nowhere to click on the clip instead of clicking on the transition, so you have to adjust the transition just to select the clip and then move the transition back--and if you have warp stabilizer or other ai-based effect applied, it then has to re-analyze.In previous versions, the transition appeared smaller within the clickable part of the clip, like a ribbon in the middle, so you could select the effect or the clip without having to move things out of the way. I don’t understand what advantage there is to this new design. The size of both the clip and the transition were fine and the only reason I could see changing it to it’s current dysfunctional version is for purely aesthetic reasons. It would

Still having the massive problem of having to select EDIT CAMERAS for every single edit in the timeline to turn on cameras in the group that were added after the first edit pass has been made. This has to be applicable to all the edits in the timeline, not just the one you have selected. It takes ages to go through a 90 minute concert cut turning on the late additition camera angles and really needs to be fixed please!! Am I missing something, is there a way of affecting every edit in the timeline or is oversight still in v25 after all this time . . . ?

[Moderator: This thread was originally titled "Premiere Pro 24.4 Program Monitor Scrolls". It's been updated to make this thread easier to find. We appreciate - and are listening to! - your feedback on scrolling / panning in the Program Monitor]   I just noted after the 24.4 update, My source & Program monitor up & down rollers/scrolls on the sides just vanished or missing. Not sure if this still part of the zoom in, zoom out or use of hand tool new updates which has cause this to be removed or a bug - but, kindly let me know if anyone has experienced this issue. The screengrab below.

Now on Premiere Pro, right click menu at timeline panel with under 1200px height display, it shows as compact size mode I think. and I usually wants full size mode.(it works with over 1200px height) 1080px height default(compact size mode) full size mode I wantPhotoshop has both mode and it's switchable option.

I often have to move multiple layers of clips or still images and keep their position relative to each other. In AE and in PS I can select multiple layers and drag their position around freely, but in Premiere Pro, I can only drag one layer at a time.  Bouncing to AE is not a solution for me because everything I work with needs to be timed with multiple layers of audio at all times.  Nesting is not a solution for me because I need to be able to adjust each layer independently as well.  This is a feature I would use (and did use in FCP) dozens of times every day!  I really need this.  Any chance it's coming in a future update? 

Instead of using the slip tool to retime a clip in the middle of a sequence, I like to double clip the clip and slide the in/out region to another part of the source footage - the problem is that when I double click to open the clip in the source monitor it doesn't match if the scaling is different; e.g. if the source footage is 4k in a 1080 timeline then the source monitor will show a punched in version that is neither how it looks in the timeline OR how it looks if you press F or go to the source through the project panel.It would be good to have an option to change the default behaviour to show the clip as it looks in the program monitor in the source monitor 

Afte many years staring at timelines in Premiere Pro, it has occurred to me why am I looking at so much dead space above and below the active tracks. It would be great to have a "fit to fill vertical" button that simply filled this space, either increasing or reducing clips as necessary  (with maybe a small gap above and below).  Would seem to be a fairly simple thing to implement.

Description: Add a Sequence > Apply Default Transition to All Sequences command to apply the default transition (e.g., 6-frame Cross Dissolve) to all clip junctions across all sequences in a project in one click. Benefit: Saves up to 18.7 minutes per project for 50 clips, streamlining storytelling workflows.