Feature Requests

By default, Premier creates a nest with the same resolution as the sequence it was created in. The problem with this is that if you are working with video/images that are higher resolution than the source sequence, and you nest them in the sequence, scaling the nest does not preserve the source media's resolution. For example, nesting a 4k clip in a 1080p timeline effectively converts it to 1080p, resulting in a drop in video quality when you increase the nest's scale.The typical workaround is to scale/reposition the clips within the nest (instead of the nest itself), change the nest sequence settings after you create it, or skip the nest feature and create a new sequence with your desired resolution, adding what you want nested to it, and then bringing that sequence into your main sequence. These workarounds involve way too many steps for something that should be simple. After all, a nest is just a regular sequence and has all the same settings as any other sequence.I propose add

I think Premiere Pro should have a powerful tool that removes noise and grain from videos without making them blurry or compromising quality. The VR-Denoise tool is too basic. Develop a powerful tool that removes noise and grain in one click. Kudos to the Adobe team for the new masking tool, but they should also do something to remove noise and grain from videos.

This is something that's always been the case with the Film Impact effects, but now that they're the defualt effects it's a glaring issue - effects like Blurs, and Mossaics are capped at arbitrary values that make specific looks and effects impossible to achieve. For instance:- Gaussian Blur is capped at 100. Most of the time, I'm using Gausian blur at much higher values, typically closer to 500. It should be capped at the same limit as the original effect 30000.0. I never use it at that value, but it should still be an option. I'm aware the original is still available but that's still stupid that the legacy version is better than the replacement - the only benefit the new versions offer is built in chromatic abberation. This applies to all blurs, not just Gaussian Blur.- Mosaic is capped at 200, which is terrible. Not only that, but it's locked to uniform scaling rather than individual axis like the original effect. A lot of the time when I use mosaic, I use it to create a slight pixe

https://adobevideotraining.com/video/getting-started/ https://community.adobe.com/t5/premiere-pro-discussions/premiere-pro-beginner-tutorials-missing-audio-files/m-p/15658230#M577688 https://community.adobe.com/t5/premiere-pro-discussions/tutorial-files/td-p/15674271 There are several tutorials with audio files missing in their project files.      

Speed ramping is now a basic requirement in professional video editing. In 2026, editors expect to create smooth, cinematic speed changes quickly and intuitively. DaVinci Resolve and Final Cut Pro meet this expectation. Adobe Premiere Pro does not.Final Cut Pro makes speed ramping straightforward and fast. Speed changes are visible directly on the clip, easing is handled automatically, and results are smooth with minimal effort. The workflow is designed for speed and consistency.DaVinci Resolve offers an equally modern experience. Its speed curve editor gives editors full visual control over motion, allowing precise shaping of ramps without unnecessary steps. The system feels current, efficient, and purpose-built for modern footage like drone and gimbal shots.Premiere Pro, on the other hand, still relies on an outdated time remapping workflow. Editors must dig through menus, split keyframes manually, and carefully adjust small handles just to achieve basic results. Even after all that,

I would appreciate having a feature Final Cut just launched and should have been in PP for a decade:Edit to beat / Music grid by BPM. Let me pick my BPM and let it display a grid where I can edit to 8th/16th 1 bar of music etc. There's no need for AI. this can be done quickly.

Quick Preface:Sorry for dumping a quick AI written feature request. I'm currently mid project and I wanted to quickly get this up before I forget, but after realizing that premiere's console feature is so robust at isolating and identifying bottlenecks, I at a loss for why they don't just translate this information for less technically inclined individuals. Of course, a lot of these issues are true RTFM or "let me google that for you" type things, but realistically it would be way easier if they were to cut out the middle man and just identify your bottlenecks and recommend solutions / link to help or FAQ threads.SummaryPremiere Pro should include a user-facing "Performance" or "Bottleneck" panel that surfaces the diagnostic information the application already collects internally. This would help users identify what's causing timeline slowdowns without needing to dig through debug logs or guess at solutions.The ProblemPremiere Pro already tracks detailed performance metrics internally:

I am getting the error message, "Offline material is present in this export and has proxies attached. Offline material will be encoded using the proxies" when I go to export. I have reattached the full resolution to the  proxies a handful of ways and i continue to receive this message. Can Adobe improve the error message to highlight/point out the specific clips that it will render proxies for instead of using the full resolution media?

Please add adobe podcast right into premiere pro. The ehance speech just ins't the same as podcast, its much slower and honestly doesn't do as good as a job. And it's just tiring having to export the audio, throw it into podcast, then put it back into premiere. It's an extra step that could and should be streamlined.  

2026 and Premiere's transcription is still terrible.  Especially for non-American accents. I work mostly with Australian footage, and find myself having to correct the transcription all the time. Most other transcription services are WAY better.  Adobe should just integrate OpenAI's Whisper, or other transcription APIs into Premiere, because the current one SIMPLY ISN'T GOOD. 

If you currently use external tools (openAI, Google, elevenlabs..) for transcription, I just launched an extension at aescripts (paid) that allows you to improt those in PPro for text-based editing:https://aescripts.com/transcript-converter/

Please add a font size slider to increase font size in the Markers panel. I just noticed this already exists for the Text panel, which is great! Please do the same for the Markers panel! I use marker descriptions for sequences markers extensively when logging footage, especially for interviews. I find the text in the description field of the marker panel annoyingly hard to read. 

There are a ton of 8/16bit int effects in Premiere. Some surely have their reasons but there are two quite important basic tools that should really match the capabilities of the ones used in AE.   Levels Brightness & Contrast   While Lumetri is a nice tool for certain things, even in an editing software we sometimes need compact basic math like Gain, Offset, Linear Contrast, Gamma which those two effects provide.   I'd like to see them upgraded to support 32bit (unlcamped) and have their represented values become float instead of 8bit in the case of Levels.   It would also be nice if the Levels effect could be represented in the same UI fashion as AE rather than the flat list of parameters. Frankly the whole AE tool in PR with black/white clip options etc would be the best.   Furthermore I hope that there is a roadmap to upgrade many other effects to suppert 32bit as well. In an ideal world you would work in scenelinear for building effects onto scene refer

When my sequence timeline begins to fill with multiple tracks of clips (video and audio) and I want to, for example, toggle the track output or mute the audio, it's a bit challenging to find what track the clip is on, when there are maybe 12 tracks and they're at the minimum height. Wondering if Adobe can pop a track highlight color or frame on the affected timeline track nomenclature (left of the timeline) when a clip on said track is selected?

Wann werden in Premiere die CRM-Dateien so flüssig bearbeitbar sein, wie sie das jetzt schon in DaVinci Resolve sind? Wo liegt das Problem?

I need to get the full control over the prores raw (both from iphone and from atomos devices) like user on final cut can have. At the moment you just supported the reading of the file and the gamma (which BTW is very well hidden!!!). Please let's give full support to this format! Best, Davide

Hi, this is a request / feedbackPlease create a way for text / font to scale appropriately in Premiere Pro on the UI. I just installed Premiere on a freshly updated Windows 11 PC, and I can barely read the text on the panel labels on my 2K monitor.I've already tried increasing the scaling in the Windows Settings section (100%, 125%, 150%, 200%); this changes certain areas of the text in the Premiere program, but does not change the panel tab titles and other important sections.Please consider making all of the text parts of the UI scale accordingly so users can continue to use the product without headaches.Thanks

The way it's now in Premiere Pro is not convenient at all. I mean how one can search through and choose luts in the current version of the software. Basically all you have is just a drop down menu:It is small, not convenient and not informative. Plus you cannot organize your luts in folders, they all go in one long list. I'd like to request a Luts browser. It could be a separate tab of the Lumetri color alongside these:And it needs to be preview-based, not just a list of names.We already have a Lumetri Presets folder in the Effects tab and it's a ton better, but you cannot import luts there, only luts as presets and only one by one. Well, I have 2970 luts. I don't like any of the current lut mechanisms.Just a reminder: Blackmagic have long solved this problem - you have folders you can organize, you have nice scalable and informative previews plus they pre-apply once you hover your mouse over them: Please, Adobe. Dropdown menus are good for lists comprising 3-5 items. 

Podcast Ai audio enhancement has become an integral part of my workflow and I'd love to see it integrated into Premiere Pro natively.  Exporting the audio, opening the browser, signing into the website to process the audio, export, re-import the audio, and lining it up is fine for a couple sources but for projects with more, it isn't an efficient workflow.Podcast Ai is such a great tool that saves time on set when you cant control an interview/dialogue environment completely, and in the edit when you have quick turn arounds.  Integrating it into Premiere Pro would be a absolute godsend for many and it would give Premiere another unique feature to help speed up workflows (which are honestly the only updates I care about now days).Thanks,

When will Adobe create a Fade to Black effect for Premiere Pro that can be added to the top layer that fades all the layers below it? You know, like Media Composer has had --- ALWAYS? ...an effect that keeps us from having to create a piece of black video, or an adjustment layer, or nest all the video layers, and then add keyframes? No, Dip to Black doesn't work. Cross Dissolves(which have to be added to ALL the layers) cause the graphics to become transparent, showing the layers below the graphics, which looks like crap.How has Adobe not created a simple Fade to Black effect?WHEN will Adobe creat a simple Fade to Black effect? 

In Premiere we should have single native "one-click" magic button to perfectly separate all media types into folders automatically, and  organize  footage, audio, and sound effects (SFX) into separate bins efficiently. because like me i have tons and tons of footages and music in a project and manually organise them is a task, Kindly incorporte this feature in this version...

台灣使用premiere pro的人算多，卻一直沒有繁體中文蠻可惜的請問不能有繁體中文的原因是什麼？怕中國生氣是嗎？

With Premiere Rush coming to an end, I’d really like to see the new Premiere Pro mobile interface made available as an optional view within Premiere Pro on desktop.I really like the simplicity and clarity of the new mobile Premiere Pro experience, but I much prefer editing on a laptop with a keyboard, trackpad, and larger screen. Being able to switch Premiere Pro (desktop) into a mobile-style UI mode would be ideal for quick edits, simple projects, and focused workflows.This would also be an excellent way for new users to learn Premiere Pro. Starting with the mobile-style interface on desktop would make the learning curve far less intimidating, while still allowing users to gradually transition into the full professional layout when they’re ready.I don’t particularly want to use Premiere Elements. What I’m asking for is Premiere Pro itself, just with the option to use the same streamlined interface as the new mobile version, but on desktop.I think this would help retain Rush users, sup

Even though I have a huge screen, the markers panel limits visibility of the marker name to a tiny postage stamp no matter how large you expand the panel. This effectively truncates the marker name after 16 characters. I use these markers to list sets of tunes and then I have to use a 3rd party tool to to extract markers and timestamps information because I guess Adobe doesn't expect users to ever post their ideos on YouTube using timestamps with descriptive information.  <eyeroll> Anyway, it seems like a simple ask--let us stretch the column in the markers panel to make the marker name readable. 

When using the Sequence Index with "Update Timeline Selection" ticked, would it not be a good idea to allow the selection (in both the timeline and the index) to follow the Linked Selection toggle.I almost assumed this fucntionality would exist but it doesnt seem to.   [Moved to ideas by mod]