Feature Requests

It would be great to be able to change the speed of a clip and then, apply a warp stabilizer effect on that same clip without having to nest the clip to make both effects work together.Also, being able to put a warp stabilizer effect on a clip even if that clip is not at the same resolution as the sequence settings.

Hello Adobe Team,I would like to strongly request an automatic "Watch Folder" feature in Premiere Pro. When users add new media files (video, audio, or still images) to a designated folder on their hard drive, Premiere should automatically import them into the corresponding bin in the project, keeping the project in sync without manual re-importing.Hello Adobe Team,I would like to strongly request an automatic watch-folder feature in Premiere Pro.Currently, when new footage is added to a folder on disk, the bins in Premiere do not update automatically; we have to manually import or refresh in the Media Browser, which is cumbersome. A built-in watch folder system would allow users to designate a monitored folder, similar to third-party plugins like Watchtower. New files would be automatically synchronized into the project, with options to merge image sequences and other advanced settings.This feature would be extremely helpful for documentary work, long recording sessions, and collabora

I cannot mute effects globally without first activating the program panel. Please make it available throughout Premiere , or also available in Effects Control panel and Lumetri Panel. Does this not make more sense? Constant low grade annoyance for me as I grade, to mouse all the way across my screen just to toggle effects off and on.

When exporting multiple files, we can batch change the location but not the file names.When having multiple exports for different resolutions or ratios, dynamic naming using placehoders would be great. This could be possible by using placeholders directly in the sequence name (e.g. Sequence-1_%SeqName%) which gets replaces on export (maybe also through a command "replace wildcards in project") or during export with naming presets that can be applied.On naming conflicts, these exports could be grayed out with a warning symbol, still allowing manual changes. Placeholders that would be great are: Sequence nameResolutionAspect RatioFrame rateFrame count/Durationany (custom) Metadata fieldCustom prefix/suffix Especially batch exports would benefit from this.

I would like Premiere to render clips automatically when my computer is idle. Maybe with some priority settings.

Hello, The transcript option doesn't have the language Hinglish where the spoken word is hindi and the script is in English. Also, it is an amalgamation of Hindi and English and editors have to use multiple AI tools to get desired results. This feature will highly benefit creators in India.

Hello community,Hope you’re all doing well! I was wondering if anyone knows (I’ve already tried to look it up) whether there’s an option in Premiere to add a shortcut for navigating between folders, similar to how you can do it on Apple computers with "Command + Up/Down Arrow". I find that option super useful and quick to jump from one folder to another without having to click multiple times, as I currently do in Premiere when navigating through folders (videos, audio, graphics, etc.).Does anyone know if this is possible? It could save a ton of time by the end of the year. Thank you very much,Jose

First, I’d like to say thanks for the recent updates!The focus on performance, stability, and small long-overdue improvements has really made a difference. The UI feels smoother, and it’s great to see more transparency around the development process.That said, as a daily Premiere Pro user (and freelancer who often works across different teams and clients), I’ve collected a few requests over the past months that I think would improve workflow and performance even further: Background LoadingDon’t always load every sequence in the background. If I only have one sequence open, performance shouldn’t be bogged down by other sequences I have in a project.Graph EditorIntroduce a more advanced graph editor, again similar to After Effects, for better animation control. Sequence ScalingAllow easy scaling up a sequence while maintaining all proportions, similar to how it works in After Effects. SVG SupportProper support for .svg files in Premiere Pro. Even if real rasterization is n

It would be extremely useful to be able to keyframe the controls in Premiere Pro for a MOGRT (Motion Graphic Template) created in After FX. I create a template in AFX, add it to CC libraries, I can import this into Premiere and adjust the controls, but I can't keyframe them. This would take the power of MOGRT's to a whole new level.I have extensively documented the process I'm trying to do here: https://forums.adobe.com/thread/255599

It is rather common for people to post on the forums about "known issues" ... why isn't there a link to the "known Issues" web page in Premiere's menu system? Probably on the Help menu list. It would save a LOT of forum time!

Would love to be able to export my 4K DCP straight from my NLE rather than deal with the workaround of free third party software. Seems like a pretty common format for delivering to digital projection theaters these days!

Currently, the only way to delete transitions is to zoom in and manually, carefully select them, one at a time, while holding SHIFT, and then pressing delete.It would be far easier to just be able to select clips normally, and then hit one key that only deletes the transitions on those clips, while leaving everything else intact.Technically, the Palette Gear does have this feature (they put it in at my request) but that's the only way to get it, currently.This is item #5 in my spreadsheethttps://docs.google.com/spreadsheets/d/1dVJb7kI_ZETLavrplfARgn9gL8HUpvkq6A0jCPxqA3w/edit#gid=1133868629

I'm a documentary editor that uses the text / transcript function to search for dialog in stringout sequences and build out edits in edit sequences that I have pancaked. It's extremely frustrating that when I switch from my stringout timeline to my edit timeline, the playhead continues to search for the word I was searching for in the text window.  I know a workaroudn would be to disable the Follow active monitor feature but this would be less ideal for searching for bites.  An ideal solution would be that the search function in the text window should be specific to each timeline (or clip if searching in the source window.)  So when I click down to my edit timeline the search is cleared, and then when I switch back to my stringout the keyword is there. 

Hello everyone,I've been given a Premiere Pro project with some graphic elements that customize the video. In my various edits, I've noticed that, unlike other programs in the Adobe Suite, Premiere Pro's graphic elements don't have a button to swap the Fill and Stroke colors with a single click. Every time, you have to copy the Hex code of one, sample the other, and then paste the first code into the second. Also, when you open the color picker window, the Hex code isn't immediately highlighted, requiring an extra click to select or change it. I've attached two screenshots to better explain what I mean that's currently "missing". My suggestion is to make the Hex code more accessible in this program as well. When you click the color box (this applies to all color boxes in all filters, templates, etc.), the Hex code should be immediately visible and selectable. I also propose adding a button to easily swap the colors between the Fill and Stroke of graphic elements, and potentia

When using Essential Sound Auto Ducking, it often happens in dialogues that the music is raised even though the pause is too short. Even with a sensitivity of 10. A very simple solution would be an option with a minimum length in seconds. That would save a lot of manual work.

Hi, I moved from MC to Prem about a year ago, one feature I greatly miss is the ability to use phantom marks!  If I mark an in / out on the timeline, Phantom marks show the dynamic in / out points in the source monitor.  It's super helpful as you can jump to the in, mark it and you can easily see your out point.  I'd love to see this feature added to Prem, anyone else miss Phantom Marks?  Thanks

I do a lot of documentary editing with often 12 hours of b-roll. If a director asks for an alternate b-roll shot of a specific object it would be great to be able to search for that object and have all instances of it highlighted on my timeline (or created as a new sequence). Likewise, I often have multiple interviewees, so it would be great to search all of my b-roll for every instance a specific person appears.

Hi, I moved from MC to Prem about a year ago, one feature I greatly miss is the ability to use phantom marks!  If I mark an in / out on the timeline Phantom marks show the dynamic in / out points in the source monitor.  It's super helpful as you can jump to the in, mark it and you can easily see your out point.  I'd love to see this feature added to Prem, anyone else miss Phantom Marks?  Thanks

I've been using auto-transcripts and text-based editing quite a bit on recent documentary projects. Something that would make the job easier is being able to search across a project for a specific phrase.  Currently I would need to search for the phrase, and then click into every clip that might contain it individually in order to find the clip where that line is said. A search all transcripts option would be very helpful for dealing with large amounts of archival media.  As a workaround, I can export all of my transcripts as text files and have MacOS search everything at once for specific words, but in order to do that I need to make all the text files, and there does not seem to be a batch export for transcripts. 

Hi! Please bring back the old behavior where clip label colors in the Project panel are reflected automatically in the Timeline. Now in version 25 of premiere pro, i have to manually label each clip in the timeline. Before where timeline clips automatically inherited the label color from the Project panel — was faster and more intuitive. 

As the title says, having the ability to export, not just the selected camera angle, but your entire Multi-Camera View in Premiere Pro, would be amazing for 1st draft/internal-review processes as this would give you the ability to show your team all available camera angle options, thus giving (otherwise missing) context as to why you chose a particular camera angle over the other angles. We've all been there where the "reviewer" (be it the producer, team leader, etc) upon viewing your 1st cut, asks if its not better using another camera angle at some point, not know that you might have chosen then best option (out of a bunch of bad options) already and trying to explain this to them now wastes precious time. Now repeat this exercise for numberous cuts. Having the ability for your "reviewer" to see all the angles you see and why your chose a certain angle can cut down on the "back-and-forth" saving a lot of time. Therefore if Premiere Pro had the option to export the Multi-Cam

Hi Adobe team,I’d love to see a feature in Premiere Pro (and Audition) that visually highlights where human voices occur in the audio waveform.Currently, the waveform only displays audio peaks, and with some experience you can often guess where voices are. But in many cases—especially with background noise, music, or very dynamic recordings—it’s difficult to distinguish voices from other sounds.The benefit:If the waveform could highlight sections that contain human voice (for example, by applying a lighter tint or a secondary color), it would save a huge amount of time when skimming through long takes. This would be particularly useful for documentary workflows or interview-based projects where dialogue may appear sporadically. Instead of listening through everything, you could quickly jump to the regions that actually contain speech.How it could work:External tools like Lalal.ai already separate vocals from background audio with impressive accuracy. A simplified version of this could

Is it possible to prevent premiere pro from putting punctuation marks such as commas, periods and capital letters when creating captions? I would like you to just give me the words in lower case and that's it.

I'm trying to write a simple plugin that allows me to change the shown clip keyframes of the selected clips from opacity to time remapping -> speed. I can't seem to find access to that variable in the UXP documentation, but it would be greatly helpful. I guess this would also be an idea/request to allow for changing the shown clip keyframes within a multi-clip selection. This would significantly speed up my workflow and the workflow of just about every other editor that I'm in contact with.

With a multitrack source - if i want to choose A1 and A2 only, and bring it into a 2 track sequence, i. can't select just those channels - it adds the same number of tracks as the source, and chooses extra channels to insert. I then have to delete those clips, and then delete the extra timeline. I should be able see to just choose my source channels. It's really bizarre and something i know AVID editors despise.