Feature Requests

I noticed one thing that while working with a sync sound project the audio name is not coming for the speakers in the audio track while they talk so we don't know who is the one talking.so my suggestion is like to incorporate the settings in davinci resolve i am attaching the screenshots

Are there any plugins out there that allow you to import ogg files to Premiere? I just finished organizing tons of ogg files in different folders for a project not knowing premiere doesn't support it. And it will be a nightmare converting them all to wav or mp3 and reorganize the converted files. The only "plugin" I found was an unfinshed beta from over 10 years ago. Does anyone know any modern plugin that can help me?

I recognize that premiere cut core functionality of it's program, and refuses to restore it. I just wanted to leave a note to say that I work at a large University where we had been using the capture window for VTR training, and without it, we really no longer have a place for Adobe at all in production. This will represent a significant number of students being told directly to avoid Adobe software as they will remove core functionality, leaving past workflows impossible. We will be advising all future students towards Davinci Resolve for this reason.

请问应该如何更改回2024的颜色标签

There is an artist "Keyframe Audio" on Adobe Stock, when searching for music in the Essential Sound panel, who has crowded out various genres of music with AI spam. There should be an option to block any particular artist from being included in search results, to avoid these "artists" / parasites.

I'd like to reopen the discussion in the community about captioning by asking the Premiere development team if there is a plan in the pipeline to add animated captioning as a feature with auto captions. The text tools in premiere are awesome, and the auto captions tool does a great job with excellent accuracy, but with Resolve 20 adding auto captioning and cheap solutions like CapCut adding such powerful captioning tools, Premiere no longer feels like a one-stop shop for social video making.As a long-time user and enjoyer of Premiere, I would love to see this feature introduced sometime in the near future as its very quickly becoming more important for short-form content. Typical auto-captioning tools normally include these features:Word-by-word highlighting or backgroundsGrow effects on the current word being spokenautomated implementation of transition animationsfull customizability of effectsThank you for your continued support in this application, and I hope to see this feature imp

 Can I change this order?

Let's try to connect Adobe Pro and premier Team with other clients, and create special solutions for local marketplace. There is alps many open position for marketing, Ads and other promotion. The way of success is to connect Proactive Partner with Adobe team and control App centre to integrate with others giant organisations 

Let us have a especific folder to save the media files, as a side car makes a mess on my organisation, and in the cache files will eventually get deleted as that folder has a lot of other unused files. 

Any chance to add Finnish for supported language for transcribing and translating in near future?

I suspect Adobe are aware of this, but adding my voice here in the hopes that others will too, since working with auto-transcribed closed captions is a pretty poor experience. Auto-generated captions often introduce so many errors, they barely save any time, and it's safer overall to manually caption videos to avoid difficult-to-spot mistakes. Poor and inconsistent orthography: Sentences often do not begin capitalised. Ends of sentences often have commas where there should be full stops, random commas appear mid-sentence etc. Captions containing multiple speakers: Often, a single caption block will contain the words of two speakers as if a single sentence.Arbitrary/Inconsistent caption clip breaks: It's not unusual to have the first word of a sentence on its own, followed by two full lines of dialogue. Often, caption blocks extend well beyond the end of the dialogue. Gaps can appear between caption clips ever where there is no gap in dialogue.Arbitrary/Inconsistent line

You should be able to duplicate a sequence and dictate what the next name should be.  So instead of myroughcut_v01 going to myroughcut_v01 copy. You should be able set rules.  so you can change it could change to something like, myroughcut_v02.  Or if you have Client_SPOTNAME_v_1.5_20250714 you could have it go to Client_SPOTNAME_v_1.6_20250714.  Thanks!Jason

Is there any way you can cache the clip thumbnails? it takes so long time for the pictures to show up inside the folders? 

Would love to have this feature on thaumbnails.

Feature request:Nested groups should be expandable on the timeline rather than nested into a seperate sequence - or the option to do both should be available. Or there should be a different feature called "timeline group" or somtehing, whereby you can group clips on the timeline and expand or collapse on the timeline whenever you choose. Workflow example: I am working on a music video with a live recording of the track with mics for different instruments and vocals. Each is recorded onto a seperate track.I then recorded the musicians playing the song over the recorded track with no mics just through the camera - and this needs to be synce'd to the pre-recorded live track. The idea is to have certain elements of the pre-recorded track become louder as the camera comes closer to the subject, for example the cello on the pre-recorded track can be bumped up when the cellist is closest in shot, giving the sense that the recording is live and giving a sense of space despite the sou

Please add  "media file properties" option too on the timeline 

Hello Adobe team,I'm currently using an AMD Radeon RX 7600 XT GPU on Windows 11 (version 24H2) with the latest WHQL-certified AMD Adrenalin driver (v32.0). I'm running Premiere Pro version 25.3.Premiere Pro detects and utilizes GPU acceleration through OpenCL, and I’m able to use the Mercury Playback Engine GPU Acceleration (OpenCL) renderer successfully. Both hardware decoding and encoding are enabled, and GPU usage is clearly active during playback and exports. Everything works correctly from a performance standpoint.However, the System Compatibility Report still flags my GPU with a warning, suggesting that it may be unsupported or incompatible. I’ve verified through logs (GPUSniffer OpenCL detection, etc.) that the GPU is fully recognized and functional. It appears this is simply due to the RX 7600 XT not being officially whitelisted in Premiere Pro's GPU database.I’m requesting that Adobe consider officially whitelisting the AMD Radeon RX 7600 XT, or at least updating the compatibi

It would be great, amazing, wonderful to have a sync tool that worked for a whole sequence. Every time I have to rely on other softwares to sync materials.Do you have any plans or a prediction to have it on Premiere?

After 2 hours with Adobe, and a special "Team" of humans helping, I finally learned how to enlarge the Captions Track, which by defualt, is so tiny, I can't see the words. It makes it much harder to edit.1) After adding your captions track (C1)2) You have to add TWO MORE EMPTY TRACKS.   Yep3) Drag your Timeline Window Very, Very High (like 2/3 up) and finally you'll see4) The Little Bar (far right next to the C1,C2, C3) Which will allow you to drag / ENLARGE  C1 (captions)5) Then you'll just have to adjust the window, tracks, etc, to get the sizes you want.*  It's obvioulsy something Adobe hasn't thought of or fixed yet. It should be easy to do, the same as the video or audio tracks, by pulling the line up that separates the audio/video/captions track. Sample below, where you can see the words much more easily

On a project where I have recorded interviews with one camera, my workflow is to go through the footage and make subclips for each topic or comment from the subject. From there, I can build a sequence from the subclips.I'm now working on a project where the interviews were shot from two camera angles. I would like to be able sync the cameras in a multicam sourcfe sequence and then make subclips from that, then build the sequence and choose camera angle as needed once the subclips are in the final sequence. I'm open to other workflow ideas. As of now, I'll probably be placing and labeling markers in the multicam source sequence. Then use the markers as the indication of the begining of and ending of the segement I want to use.

Dear Adobe Team,I hope you're doing well. I'm a long-time user of Premiere Pro and truly appreciate the robust editing tools and flexibility it provides—especially for long-form content projects.I'd like to suggest a feature that could significantly enhance workflow efficiency, especially when working with dense timelines involving short, effect-heavy clips.Recently, while editing a 40-minute project, I labeled certain clips with specific colors (e.g., “Mango”) to identify the ones that required special treatment—such as an adjustment layer with multiple blurs and custom masks. These clips were only 2–3 seconds long, and spread across the timeline, which made them hard to locate and work with consistently.Here’s what I’d love to see in a future update:1. Ability to apply effects or adjustment layers directly to clips based on their label color—for instance, applying a preset blur effect to all “Mango” labeled clips at once, without manually zooming in and hunting for each one.2. A feat

Hi Adobe team, I’ve been using Premiere for over 15 years, and I’ve never had to write one of these posts — but this new update with dynamic audio waveform scaling is really causing issues. Right now, if I lower the volume of an audio clip in the timeline, the waveform visually shrinks with it. On paper this might seem useful, but in practice, it’s completely counterproductive for anyone trying to edit to music or match cuts to beats. Lowering the level of a track shouldn’t erase the waveform. I need to see those transients, regardless of whether the audio is set to -3dB or -30dB. This might work for people doing rough cuts or basic dialog editing, but for music editors, or anyone doing precise rhythmic cutting, it breaks a fundamental part of the workflow. I now find myself raising clip volume temporarily just to see the waveform again, which is ridiculous. At the very least, there should be a proper preference toggle that decouples the waveform from volume keyfram

Hi, bitte macht das in der nächsten Version von Adobe Premiere wieder unbedingt rückgängig, dass offensichtlich direkt in das Premiere Projekt importierte Vektorgrafiken aus Adobe Illustrator nicht mehr scharf gerendert werden. Das ist, ich muss es so sagen, für mich ein Unding, denn mein Workflow verlangsamt sich dadurch immens und meine Videoprojekte leben von den scharfen Text- und Logografiken aus Illustrator. Das war so genial und intuitiv, dass man die .ai Dateien direkt scharf ins Premiere Projekt ziehen konnte. Bitte unbedingt wieder möglich machen. Bitte, bitte, bitte. Schnell.

The ability to add keyboard Shortcuts for Soloing or Muting Audio Tracks/Toggling Output on Video Tracks. Currently have to create workarounds automation software, would rather not do that.

Sometimes I like to select a word from an interview to change the intonation of a sentence, let's say 'am' as an example. If you have everything in a rushes timeline, whenever you cut the word out (let's say you eat into the word like 'camera'), the text feature automatically jumps in the timeline before you can copy and paste the clip you just cut out and you can no longer search for that word as premiere doesn't recognise it anymore as you've cut into it. Also if you leave a word in the text box and switch to another sequence, after a bit of lag it automatically jumps in the timeline if that word is already present in the new sequence, so you lose your place and have to hunt for where you just were in the timeline. Very frustrating so would love to see this updated!