For this feature where the gray dialog box appears whenever the mouse hovers over a clip, can we please get a setting to disable this? I understand its use for displaying clip information, but it's disrupting my editing workflow since it often covers audio waveforms and makes it harder to see cut points, and it becomes a real nuisance particularly in complex timelines with multiple tracks. Obviously it's as simple as moving the mouse away from a clip any time it happens, but this occurs very frequently and seeing this hover info over the timeline is something I rarely, if ever, have any need for.
It would be amazing if framerate could show up in the timeline clip hover popup box. It would be even more amazing if there were a bunch of options you could show or not show in the hover, so that the info displayed was always relevant to your editing style. For me, I mainly want an easier way to determine the frame rate of a clip on a timeline. Used to be able to right click on the clip and click on properties to determine frame rate, so no need to show different panels or click around in premiere as it was just a right click away, but now properties has been removed from the right click popup. As far as I can tell there is no way to easily see the frame rate without having to show a different panel, like metadata or info, which either requires changing my workspace layout or clicking on different panels to reveal the needed info. This is a lot of extra clicks when I just want to know if I can properly change the speed of my clips. Other good options for framerate display could be a framerate callout on the clip right click menu. Showing the framerate in the speed/duration adjustment popup would also be convinient.
Illustrator has a tool to create charts and graphs but it is cumbersome and not easy to use. Once you create a chart/graph it’s auto generated in grayscale and recoloring is difficult, the legend/key auto-created is also difficult to style or edit. Excel is better, a product that’s not even intended for graphic design is better at basic charts/graphs than a program built to illustrate things. Microsoft should not be eating your lunch like this, but they are.
I'm probably at the low end of the prosumer category when it comes to photography. I've been using Lightroom for a couple of years. I love the multiple platform feature on the new CC, but geotagging images has always been important for me (enough so that onboard GPS is a mandatory feature when I look for a camera). I had been adding locations to older images in what's now CC Classic. Are we going to get that ability in the new CC? Even more importantly, will the new AI-based search allow us to do things like pull pictures based on location? And, if so, will we be able to do things like define a radius? This was all possible when we had the maps panel, but seems to be challenging now.
Once the indexing has been completed and Lightroom CC has found all the potential faces, it would be nice to have the ability to add People Tags to pictures that were "missed" where no faces were recognized. The idea of People Tags is to be able to search for people and generate all potential results. Right now it's messy because you have to resort to keyword tags to identify people that were missed with facial recognition and makes searching and cataloging a tedious task.
I would love to be able to create smart albums (aka smart collections) in the all-new Lightroom CC. Basically, a folder that contains a set of photos based on metadata information and updates automatically. The feature set should ideally contain all the options that exist in Lightroom Classic for smart collections. Thanks!
E.g. negating search parameters such as a certain person is NOT found in these pictures
Modern mobile devices run on ARM processors, and that is the future. Look at Apple. Please develop native ARM versions of Lightroom Classic and all other Adobe products. Even with the current version of LrC, it is impossible to take advantage of ARM-based AI for noise reduction! Noise reduction takes hours, despite using a fast Snapdragon processor. That is simply unacceptable.After all, you rewrote the software for Apple in record time—why not for Windows? Otherwise, I will be forced to switch to Luminar Neo, and I could replace Photoshop with Affinity; both run natively on ARM. Adobe is still relying on the outdated x86 architecture. I urge you to change this. ARM is many times faster than x86.Many thanks in advance!
I use Adobe Illustrator as an example.Create an RGB color R 166, G 255, B 51 in an sRGB document and add the swatch to a CC Library.Change your RGB color settings to Wide Gamut RGB and create a new document.Use the swatch from the CC library, the result is a totally different color.The color in the CC library does not have a profile attached, only the numbers are used and no conversion or warning takes place.
Regardless of what format the image is you’re working on in Photoshop, when it comes to ‘save as’ I would like it be shot jpg every time as the first choice so I don’t have to scroll to an option. This would save seconds every time. Not much to ask for a simple option.
Bring back the Source/Master Clip workflow to the new Color Mode interfaceI am testing the new Premiere Pro Beta, and while I like the idea of an updated color workspace, the current design breaks a vital professional workflow for long-form editors.When editing an hour-long sequence with tons of cuts on my A-roll, I need to color the original source asset once so that it automatically updates every single cut across the entire timeline without affecting my B-roll. In the old Premiere layout, this was easy using the "Source" tab in the Lumetri Color panel.The new Beta Color Mode removes this native Source/Clip toggle entirely. Forcing me to use the Effect Controls panel (which disconnects from the Lumetri Scopes) or manually group dozens of cuts is highly inefficient and creates unnecessary clicks. Please add a dedicated, native Source/Master Clip grading option directly inside the new Color Mode panel with fully integrated scope feedback before this moves out of Beta.
Some times I forget to plug in the cache drive and Premiere (and AE) automatically sets the cache to the internal drive, which forces me to go through preferences to set up the external drive cache again. This shouldn’t happen, and there should be a dialogue asking me to plug in the drive before setting it to the internal drive automatically.
Could work like "layer cleanup" tool where you can delete all hidden layers at once. Instead this links all unlinked masks at once so when you resize things and realize something is unlinked, you don't have to hunt for which layer it is.
Photoshop/Firefly does a respectable job with faces behind flat panes of glass. But it has no idea what to do with a face behind a curved glass surface (car windows). I understand how the algorithm works, and why it failed, but if Firefly were a genie...
I'm using Adobe premiere Pro on my android device but still not received this and so many features like colour correction, lock layer, masking
Premiere pro needs a feature to automatically place markers on beats of audio tracks such as 1bar, 1/2 beat, 1/4 beat etc. Elements had this yet now it's gone and is an industry standard technique.
I’ve never understood why the Native Properties Panel doesn’t allow users to adjust the Pixel Layer and Layer Mask property sliders within the same tab. When working with high-volume projects where efficiency and retouching speed is key, being able to skip having to manually click on the layer mask to adjust its feathering non-destructively is a massive pain. The Properties Panel already makes poor use of the amount of space it takes up. There is lots of dead space and area there to use.Users should have the option/choice to condense both tabs (Pixel Layer + Layer Mask) into one to save time.
Allow us to assign a persistent target folder within the Project panel for .mogrts similar to Solids Folder in AE.Currently whenever you import a .mogrt from a library, a “Motion Graphics Template Media” folder is created at the top level of the Project panel. If you reorganize those files, rename/move the folder, or delete the folder and then import another .mogrt, the Motion Graphics Template Media is recreated at the top level again.
I have been having to save all of my .eps files to .ai just to be able to get a quick preview of them on my desktop. otherwise, i have to open the .eps file just to see what it is. It is a huge time waster. thanks.
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