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When working with Time-Remap on a nested comp, I often need to use two viewports simultaneously. Currently, the “Synchronize Time of All Related Items” preference makes this workflow very difficult, since both viewports are forced to stay in sync.The only way around this is to repeatedly toggle the setting on and off in the Preferences menu, which interrupts the creative process and breaks flow.Feature Request:Please add an override control (such as a checkbox in the timeline or viewport panel) that lets the user quickly enable/disable synchronization without diving back into Preferences.This would allow:Keeping one viewport at the master comp’s time while freely scrubbing the nested comp with Time-Remap in another.Faster iteration when animating or troubleshooting nested comps.A non-destructive, per-comp or per-viewport override instead of a global preference toggle.Impact:This would significantly improve usability and speed when working with time-remapping on complex, nested setups.
That's that, a simple remove, even with a right click would do.
Currently, the only way to delete transitions is to zoom in and manually, carefully select them, one at a time, while holding SHIFT, and then pressing delete.It would be far easier to just be able to select clips normally, and then hit one key that only deletes the transitions on those clips, while leaving everything else intact.Technically, the Palette Gear does have this feature (they put it in at my request) but that's the only way to get it, currently.This is item #5 in my spreadsheethttps://docs.google.com/spreadsheets/d/1dVJb7kI_ZETLavrplfARgn9gL8HUpvkq6A0jCPxqA3w/edit#gid=1133868629
Adobe, bring back the Quick Share button that was at the top right of Photoshop (it was just removed with the April release of Photoshop 23.3)The reasoning for removing it is stated as "due to low usage, desire to simplify the options bar UI, and redundant functionality to other export functions."But there is no other export function (that I am aware of) that allows you to send an image directly to another device via AirDrop -- This was extremely convenient as I didnt have to save/export a file onto my HDD everytime I wanted to send something to my phone or tablet.Please bring it back and tuck it away somwhere if you have to.
I'm a documentary editor that uses the text / transcript function to search for dialog in stringout sequences and build out edits in edit sequences that I have pancaked. It's extremely frustrating that when I switch from my stringout timeline to my edit timeline, the playhead continues to search for the word I was searching for in the text window. I know a workaroudn would be to disable the Follow active monitor feature but this would be less ideal for searching for bites. An ideal solution would be that the search function in the text window should be specific to each timeline (or clip if searching in the source window.) So when I click down to my edit timeline the search is cleared, and then when I switch back to my stringout the keyword is there.
na parte de traduzir videos com IA, deveria ter como dizer o texto final, tipo, definir o texto final para a IA pegar esse texto e considera-lo para fazer a tradução do vídeo ficar bem parecido com o texto solicitado!
i knew the good and sincere intentions behind properties panel are. i knew it made lotta people life easier just for its existence. but from the moment it launched. properties panel in adobe walks at snail speed. things we could adjust or tweak in there are need more improvements. i found myself keep going back to layers to open up a certain props cause it never shown in properties panel. so i think adobe need to amp up the properties panel if the intentions are to minimize opening up things just to adjust.like all shape layer values gotta be in there. for starters. cheers!
Lightroom curves are really difficult to finetune.It could be great to be able to create/select a point on the curve and move it with the arrow keys by tiny steps (Photoshop does this very well).
I would like to suggest to add Adobe Color to Firely. This would allow creators to instantly create color palettes from colors from a generated photo or the entire moodboard. For example, when creating from images: the user would click the •••more tab > Adobe Color > Create palette from image. The palette would then generate and appear on the moodboard as rectangular shapes.
Hi, I moved from MC to Prem about a year ago, one feature I greatly miss is the ability to use phantom marks! If I mark an in / out on the timeline, Phantom marks show the dynamic in / out points in the source monitor. It's super helpful as you can jump to the in, mark it and you can easily see your out point. I'd love to see this feature added to Prem, anyone else miss Phantom Marks? Thanks
I do a lot of documentary editing with often 12 hours of b-roll. If a director asks for an alternate b-roll shot of a specific object it would be great to be able to search for that object and have all instances of it highlighted on my timeline (or created as a new sequence). Likewise, I often have multiple interviewees, so it would be great to search all of my b-roll for every instance a specific person appears.
Hi, I moved from MC to Prem about a year ago, one feature I greatly miss is the ability to use phantom marks! If I mark an in / out on the timeline Phantom marks show the dynamic in / out points in the source monitor. It's super helpful as you can jump to the in, mark it and you can easily see your out point. I'd love to see this feature added to Prem, anyone else miss Phantom Marks? Thanks
As the title says, having the ability to export, not just the selected camera angle, but your entire Multi-Camera View in Premiere Pro, would be amazing for 1st draft/internal-review processes as this would give you the ability to show your team all available camera angle options, thus giving (otherwise missing) context as to why you chose a particular camera angle over the other angles. We've all been there where the "reviewer" (be it the producer, team leader, etc) upon viewing your 1st cut, asks if its not better using another camera angle at some point, not know that you might have chosen then best option (out of a bunch of bad options) already and trying to explain this to them now wastes precious time. Now repeat this exercise for numberous cuts. Having the ability for your "reviewer" to see all the angles you see and why your chose a certain angle can cut down on the "back-and-forth" saving a lot of time. Therefore if Premiere Pro had the option to export the Multi-Camera View it would be a huge time saver as not all team leaders / "reviewers" share the same office as the editor and aren't able to just "pop around" to see your edit prior to export.I know there are work arounds for this, whether screen capture software, or manually duplicating cuts and downscaling and arranging them on a timeline, but all these work arounds also waste precious time when all I need is a button to press that exports something that already exists a.k.a. the Multi-Camera View. This should be a no-brainer and should be standard on all editing software that has a Multi-Camera View. Hope to see this coming to Premiere Pro very soon pls
Currently it's up to the user to check how many catalog backups have been created, and delete the oldest ones. For people with large catalogs, the amount of disk space consumed can be significant. It would be great if I could tell LR to create a maximum of 3 backups, and automatically replace the oldest one with the newest one.
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