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As the title says, having the ability to export, not just the selected camera angle, but your entire Multi-Camera View in Premiere Pro, would be amazing for 1st draft/internal-review processes as this would give you the ability to show your team all available camera angle options, thus giving (otherwise missing) context as to why you chose a particular camera angle over the other angles. We've all been there where the "reviewer" (be it the producer, team leader, etc) upon viewing your 1st cut, asks if its not better using another camera angle at some point, not know that you might have chosen then best option (out of a bunch of bad options) already and trying to explain this to them now wastes precious time. Now repeat this exercise for numberous cuts. Having the ability for your "reviewer" to see all the angles you see and why your chose a certain angle can cut down on the "back-and-forth" saving a lot of time. Therefore if Premiere Pro had the option to export the Multi-Camera View it would be a huge time saver as not all team leaders / "reviewers" share the same office as the editor and aren't able to just "pop around" to see your edit prior to export.I know there are work arounds for this, whether screen capture software, or manually duplicating cuts and downscaling and arranging them on a timeline, but all these work arounds also waste precious time when all I need is a button to press that exports something that already exists a.k.a. the Multi-Camera View. This should be a no-brainer and should be standard on all editing software that has a Multi-Camera View. Hope to see this coming to Premiere Pro very soon pls
Currently it's up to the user to check how many catalog backups have been created, and delete the oldest ones. For people with large catalogs, the amount of disk space consumed can be significant. It would be great if I could tell LR to create a maximum of 3 backups, and automatically replace the oldest one with the newest one.
Having spent thousands on Adobe CD's for both PC and Mac ( they were not cross platform until later) . I feel nostalgic about the fact that the CDs actually worked. Recently, i've bought illustrator and photoshop, and, because i use one or the other, i change plans. Artists amongst us, understand the need to create is a sponteneous thing, but Adobe seems to not be able to change plans without something going wrong.Repeatedly, i buy PS , then find it wont sign in, wont work, cue spending sometimes 2 hours (after the 30 minutes talking to the useless AI chat bot) , with support trying to fix it. Simple question, 'i had illustrator, i've changed my plan to Photoshop, but PS "wont sign in, say's theres a billing issue, says something else.' Support reply, "so you want to change to illustrator?" No! I want Photoshop. And so it goes on, until every creative juice i had, and my precious 2 hours to do something creative, disappears into hours of watching support fix the software, browse my machine. Say its fixed, only to find nope, i still cant log in. Oh its a billing issue, (but i've used the same account for billing for over 20 years.) Excuses, wasted time, explaining basics - it just sucks the life out of everyone. I've even had one support turn off my firewall security settings and forget to put them back on when they had finished. Anyone actually find the AI assistant helpful, or just annoying?
Is it possible to prevent premiere pro from putting punctuation marks such as commas, periods and capital letters when creating captions? I would like you to just give me the words in lower case and that's it.
Center Channel Extractor 5.1 layout supportGraphic Phase Shifter 5.1 layout supportStereo Expander 5.1 layout support
I'm trying to write a simple plugin that allows me to change the shown clip keyframes of the selected clips from opacity to time remapping -> speed. I can't seem to find access to that variable in the UXP documentation, but it would be greatly helpful. I guess this would also be an idea/request to allow for changing the shown clip keyframes within a multi-clip selection. This would significantly speed up my workflow and the workflow of just about every other editor that I'm in contact with.
When using Include Subfolders, Lightroom scans folders in multiple passes. The file count (e.g. “5521 photos / 4 GB”) jumps up and down as new subfolders are discovered, suspected duplicates are filtered out, etc. The Import button, however, is active from the very beginning. This creates two major problems:1. Users can press Import before scanning is finished and end up importing only a partial set of photos — with no warning.2. The detailed progress status (remaining files, duplicates ignored, previously imported, total size) is hidden unless you click or hover over the counter. Most users never discover this. Suggested improvements: Always display the full scanning/progress status (remaining, duplicates ignored, previously imported, size selected/ignored). If Include Subfolders is enabled, keep the Import button disabled until scanning is complete. At minimum, show a warning dialog: “Scanning is not finished yet. Are you sure you want to import only partial results?” Alternatively, display a visible progress bar or a clear “Scanning complete” indicator. This would prevent confusion, ensure that users always import the full folder tree, and avoid situations where folders appear “missing” in the catalog simply because the scan was incomplete at the time of import.
With a multitrack source - if i want to choose A1 and A2 only, and bring it into a 2 track sequence, i. can't select just those channels - it adds the same number of tracks as the source, and chooses extra channels to insert. I then have to delete those clips, and then delete the extra timeline. I should be able see to just choose my source channels. It's really bizarre and something i know AVID editors despise.
In Lightroom’s Library Grid View, it’s hard to see which photo is selected. The current selection border is too thin and faint.Please make the active photo more visible (e.g., thicker border, stronger highlight, or a user setting). This would make culling and organizing much easier.
Looking through the fora here and on lightroom queen there have been a substatial number of posts looking to achieve smart collectoions that include a filter for "edited int he last n weeks/days". At present, this does not generate meaningful results because the current "edit date" criterion is modified by any minor change to metadata (such as opening the file or some LR updates etc) AS WELL AS genuine image edits. I would find it enormously useful if there was a develop edit date that indicated the last date when an image was altered (covering raw files and also psd, tif or dng saved back to LR). The smart collections are an imprtant tool and deserve a little more attention as a sorting and filtering mechanism - this is an important example
When lasso-selecting keyframes in the Effect Controls window, if keyframes are at the beginning or end of the last frame of the clip, they often don't get selected, wether fully or only partially visible. Selecting them one by one by clicking on them works, but lasso-selecting them doesn't. This is incredibly frustrating! Please fix this! The ECW should ALWAYS FULLY display keyframes, even when they are at the end of the last frame, so that they can easily be selected any which way the user wants. This issue has been ongoing and continues to persist in Pr 25.4.0 on MacOS.
When jumping between keyframes in the Effect Controls Window (ECW) by clicking on the "Go to Next/Previous Keyframe" buttons, the current clip should remain open, ALWAYS, even if the keyframes the user navigates to are outside the visible bounds of the clip. This is the logical behaviour users expect, and it would make it so much easier to delete out of bounds keyframes, since it wouldn't require that users re-click on the desired clip to reload it into the ECW to be able to delete the out of bounds keyframe(s). Surprisingly, the current unwanted behaviour of jumping to another clip when navigating between keyframes (or moving the playhead out of bounds) also happens even if the user disables Pin to Clip in order to be able to see all of the keyframes in the ECW! Please fix this so that it makes sense and works according to users needs and expectations. Thank you!
Really would like to be able to organize my presets groups into folders and be able to rename the the folders/groups too. It would be easier to navigate if I can sort them by season or type specific.
Would be great to be able to select a folder in my Project tab and send all comps in that folder to ME. For example, I have a FINAL COMPS folder in which are several more subfolders, all organized and containing several comps each. Currently, I need to open ALL folders and then select ALL comps, while unselecting the folders...
Some commands have very large shortcuts and they are tools that we use all the time like creating nulls and adjustment layers. I would love to have some buttons in the timeline panel to quickly create Nulls, Adjustment Layers, solids and cameras. There is a lot of space between de quick search field and the buttons for accessing the flowchart, shy layers, ect (attached image).
Hi everyone, I’ve been using Adobe products for over 10 years, and as a wedding photographer Lightroom is the core of my workflow. I’d love to suggest two features that could really change the game for event photographers: AI Face Detection for Faster Image SearchAt weddings, I often get requests like “Can you send me a photo of ......?” A built-in face detection tool (similar to PicTime) would make it so much easier to quickly find specific people during or after events. AI-Driven Preset ProfilesSomething like Imagine AI, but integrated into Lightroom—an AI profile that learns from your edits and applies them consistently. This could massively speed up workflows and personalize results. Lightroom is already an essential tool, but these additions could make it revolutionary for photographers who handle thousands of images under time pressure. Would love to hear if others would find this helpful too!
Add a new output template that would export every texture stored in the Project, like the output Mesh_Maps template. I have additional baked maps stored in there and It would help a lot to export them all at once instead of one by one
Dear Adobe Team,I am reaching out to emphasize a critical requirement for countless designers and print professionals worldwide: native support for CorelDRAW (.cdr) files in Adobe Illustrator.Every day, professionals like myself receive and work with .cdr files from clients, agencies, and print houses. The lack of compatibility in Illustrator forces us to rely on converters or purchase additional software, which is inefficient, costly, and disruptive to workflows.Adobe Illustrator is the industry leader, and adding .cdr support would:-- Eliminate the need for external tools and reduce workflow friction.- Attract a significant user base currently dependent on CorelDRAW.- Strengthen Illustrator’s dominance as the universal vector design tool.The demand for this feature is not limited to a few individuals — it is a widespread, ongoing industry pain point. By prioritizing .cdr compatibility, Adobe would be addressing a long-standing gap and providing immense value to its loyal user community.I strongly urge Adobe to take this request seriously and begin development on .cdr support in Illustrator. This single feature could transform workflows for millions of creative professionals worldwide.Thank you for your attention to this matter. I look forward to seeing Adobe take the lead in solving this pressing need.Sincerely
Currently peak files are either generated on import or manually, but when doing it manually I've found there can be a bug where it will forever refuse to generate certain peak files from then on no matter what you do, and of course the infamously hopeless "Clip -> Generate Waveform". Because of those issues, I keep it set to automatically generate on import, but I often have to find something else to do while the peak files generate as it makes every other process very slow. It would seem a simple answer to fix the 'Generate Waveform' bug, or if I could select on import whether to generate peak files for a specific import, and not another. E.g. I'm editing a two camera shoot, both rolling almost all day with multiple audio channels on both, but I only want one camera's audio and the zoom audio. I could import one folder, tick yes to generate peak files, and import the next and leave it unchecked, etc. Pretty much any level of control over what and when peak files are generated would save me so much time, and greatly improve the workflow. Let me know if you agree or if I'm missing something!
I was (and still am, I guess) so, so excited about the launch of the new CC. However, I was extremely disappointed to find that there is no local adjustments folder to add custom brush presets. I chatted with an Adobe Support rep and they said that it "may be added in the future" and to post on here.I cannot believe that I have to post on here asking for Adobe to add a main chunk of my workflow back into Lightroom. I can't be the only one whose LR workflow is affected by the lack of this capability.
Looking for a way to automate videos that need regional ratings bugs and legal lines. Ideally we can do this en masse, just set up a template of: - Regional Ratings bug placement for ## seconds- Video of various lengths- Translated legal lines to come in for the last ## seconds Is there a way to export this through encoder or Premiere? The goal would be using it for any video, not just setting it up for one specific video a batch export just set-up for that one.
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