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skahnParticipant

P: Slider Sensitivity and Target Area improvementsOpen for Voting

The Lightroom Desktop sliders are incredibly difficult to activate. The "hot spot" appears unreasonably tiny. I find myself unable to grab and move the sliders. I do NOT have this problem with Lightroom Classic. I appreciate the more modern UI of version 8.4 over version 14.4; however, the usability has taken a serious step backwards. Please offer a setting to more closely similate the slider responsiveness in the older Classic version.  

0
Forum|Forum|1 year ago
dmitry_9729Participant

Projects to organise files in FireflyOpen for Voting

Would be amazing to be able to create folders / projects in the "Files" section to sort generations. With a high volume of generations, going back to something that was generated 1-2 weeks ago becomes tedious. I have to scroll through a lot of recent gens to get there.

1
Forum|Forum|1 year ago
Mike Choo
Mike ChooInspiring

Add an option to choose frame rate when importing image sequencesOpen for Voting

Importing image sequences could be improved by allowing the option to choose a frame rate to be interpreted at. When working in projects that require mixed rates (e.g. if adding cel animation to live action and the cel is animated on 2s) having image sequences import at the standard rate Hernán Lindenbaum suggested having a frame rate box next to the checkbox for marking as an image sequence in the import dialog - this could show the project / system default value but be able to be overwritten at this point. This seems like the best place for it, as it would be accessible and visible in a logical place. The big time saving would be in not having to manually update the interpretation of the sequence, as well as changing the length of comps that were created at the same time. This would be especially useful on when importing multipass EXR sequences with Create Composition turned on - this is a really useful feature that can create comps for all the passes, as well as a contact sheet and an assembly comp, but if it comes in at the wrong frame rate then both the source sequence and all the resulting comps need to have the frame rate and comp duration adjusted manually. With something like RD Compsetter this isn't too bad, but when dealing with a lot of sequences being able to avoid it altogether by setting it at import time would be great for quality of life. On a related note, I'd love to see an option for per-project import framerate settings - I've been caught out in the past when moving between projects on different frame rates and importing as 24fps into a 30fps project (for example), and only realising later once work has been done (Hernán Lindenbaum also mentioned this as an idea). @10440662 - please advise if this should be split off into a seperate request! Cheers

4
JohnColombo17100380
Forum|Forum|1 year ago
KP Seiler InstParticipant

Make subclips from a multicam source sequenceOpen for Voting

On a project where I have recorded interviews with one camera, my workflow is to go through the footage and make subclips for each topic or comment from the subject. From there, I can build a sequence from the subclips.I'm now working on a project where the interviews were shot from two camera angles. I would like to be able sync the cameras in a multicam sourcfe sequence and then make subclips from that, then build the sequence and choose camera angle as needed once the subclips are in the final sequence. I'm open to other workflow ideas. As of now, I'll probably be placing and labeling markers in the multicam source sequence. Then use the markers as the indication of the begining of and ending of the segement I want to use.

0
Forum|Forum|1 year ago
Mr RocketParticipant

Feature Request : Label-Based Clip Targeting & Highlighting in Premiere ProOpen for Voting

Dear Adobe Team,I hope you're doing well. I'm a long-time user of Premiere Pro and truly appreciate the robust editing tools and flexibility it provides—especially for long-form content projects.I'd like to suggest a feature that could significantly enhance workflow efficiency, especially when working with dense timelines involving short, effect-heavy clips.Recently, while editing a 40-minute project, I labeled certain clips with specific colors (e.g., “Mango”) to identify the ones that required special treatment—such as an adjustment layer with multiple blurs and custom masks. These clips were only 2–3 seconds long, and spread across the timeline, which made them hard to locate and work with consistently.Here’s what I’d love to see in a future update:1. Ability to apply effects or adjustment layers directly to clips based on their label color—for instance, applying a preset blur effect to all “Mango” labeled clips at once, without manually zooming in and hunting for each one.2. A feature to isolate or visually highlight only the clips with a selected label color (e.g., dimming all other clips in the timeline), so we can focus on those specific segments across all tracks more easily. This would save a huge amount of time, especially when dealing with short, scattered clips in large sequences. It would also make color-labeling a much more powerful organizational and creative tool in the editing process.Thank you for your continued support and innovation. I truly believe this feature would benefit many editors working in fast-paced or detail-heavy environments.Warm regards,

1
jamieclarke
Forum|Forum|1 year ago
ronnieh42536431
ronnieh42536431Participant

Please change audio waveform scaling back — it’s breaking music editingOpen for Voting

Hi Adobe team, I’ve been using Premiere for over 15 years, and I’ve never had to write one of these posts — but this new update with dynamic audio waveform scaling is really causing issues. Right now, if I lower the volume of an audio clip in the timeline, the waveform visually shrinks with it. On paper this might seem useful, but in practice, it’s completely counterproductive for anyone trying to edit to music or match cuts to beats. Lowering the level of a track shouldn’t erase the waveform. I need to see those transients, regardless of whether the audio is set to -3dB or -30dB. This might work for people doing rough cuts or basic dialog editing, but for music editors, or anyone doing precise rhythmic cutting, it breaks a fundamental part of the workflow. I now find myself raising clip volume temporarily just to see the waveform again, which is ridiculous. At the very least, there should be a proper preference toggle that decouples the waveform from volume keyframes. Turning off Dynamic Waveforms altogether isn’t a real solution either — then you can’t see gain changes at all, which creates a new problem. Please consider reverting this behavior, or making it optional. I can’t think of another NLE that handles waveforms this way — and there’s a reason for that. This isn’t just a preference, it’s about usability and clarity. Editors rely on visual waveform data to make creative and technical decisions. Hiding it based on volume settings makes no sense. Thanks for reading — I genuinely hope this gets addressed soon.

1
ronnieh42536431
Forum|Forum|1 year ago
pp4841592
pp4841592Inspiring

AI Vektorgrafiken in Adobe Premiere Pro 25.3.0 nicht mehr scharf gerendert.Open for Voting

Hi, bitte macht das in der nächsten Version von Adobe Premiere wieder unbedingt rückgängig, dass offensichtlich direkt in das Premiere Projekt importierte Vektorgrafiken aus Adobe Illustrator nicht mehr scharf gerendert werden. Das ist, ich muss es so sagen, für mich ein Unding, denn mein Workflow verlangsamt sich dadurch immens und meine Videoprojekte leben von den scharfen Text- und Logografiken aus Illustrator. Das war so genial und intuitiv, dass man die .ai Dateien direkt scharf ins Premiere Projekt ziehen konnte. Bitte unbedingt wieder möglich machen. Bitte, bitte, bitte. Schnell.

1
pp4841592
Forum|Forum|1 year ago
Ziad_TossonParticipant

Ability to scale up preview icon in project panelOpen for Voting

when I'm reviewing media in project panel i hope i can enlarge the thumb icon, i know i can double click to preview the footage, but sometimes we need to scroll through stuff rapidly, and need to know which is which

1
MarekMularczyk
Forum|Forum|1 year ago
Yaneev T
Yaneev TKnown Participant

Internal physics engine - 2D and 3DOpen for Voting

It is past due, for AE to have its own internally integrated physics engine, which can be much more powerful and integral to the workflow, than any 3rd party solution can offer.

0
Yaneev T
Forum|Forum|1 year ago
Federico29547811a150Participant

P: Option to move the edit panel to the leftOpen for Voting

Hi again, I would like to insist in the possibility of moving the edit panel to the left, I work with this software 8hr a day and I would find the edit panel much more confortable in the left side. I think it is a very simple option to add in the program. I hope you can consider it. Have a great day!

3
.random..
Forum|Forum|1 year ago
Kovich24Participant

P: adopt/train adobe's denoise program for astrophotographyOpen for Voting

Has there been any possibility to adopt/train adobe's denoise program for astrophotography? This could allow astrophotographers to use photoshop for best demosaic and 10-bit hdr editing and take advantage of the HDR market, while other astro programs lag behind.  Two issues I notice with the current denoise algo: 1.) Oversaturates color fringing and star abberations  2.) May oversharpen and bring in too much detail with minimal noise benefit around groups of stars (think Deep sky, not widefield milkyway).           

0
Forum|Forum|1 year ago
tinad37831855Participant

P: Remove Tool Markers - Colored OverlayOpen for Voting

Please create a function to toggle on and off all of the "remove tool markers" at once, as well a keep the current one by one editing step.  REASON:  If you have several images that are similar and you copy/paste the edits to the next image(s), by activating all of the markers at once, you can reshape the colored overlay to match the differences from the previous images and receive a similar desired result as the previous image(s).  This would prevent having to click on each marker one by one to shape the colored overlay, which is teidious and time consuming, and sometimes causes us to miss or overlook a possible necessary edit. 

0
Forum|Forum|1 year ago
.random..
.random..Inspiring

P: (Masking) Add a Smudge / Push tool for refinementOpen for Voting

Lightroom’s new masking tools are powerful, but refining a mask’s edge still lacks precision tools that Photoshop users rely on. One feature that would significantly improve control is a Smudge (Push) tool for masks — similar to the Smudge tool in Photoshop. This would allow us to: Push or nudge mask edges inwards or outwards with a brush Correct fringes and overlaps manually without re-masking Refine object edges (hair, fabric, architecture) visually and intuitively   Current methods like subtracting a brush or adjusting feather are too coarse. We often need subtle manual tweaks, especially after AI masking or Range Masks. Please consider adding a “Push” or “Deform” brush for masks — even a basic version would be a major upgrade for local editing.

0
.random..
Forum|Forum|1 year ago
.random..
.random..Inspiring

P: Unified Batch Processor across Lightroom / Photoshop / BridgeOpen for Voting

  The current workflow for batch processing is fragmented and inefficient. Simple batch tasks require switching between Lightroom, Photoshop, and Bridge — often using outdated or redundant panels like Image Processor, Export Presets, Actions, or Scripts. What we need is a single, unified batch processing tool that allows us to: Convert between formats: TIFF, PSD, JPEG, PNG, WebP Change color spaces (e.g., ProPhoto → sRGB → FOGRA39) Resize images by long edge, width, height, percentage, or megapixel target Rename files using dynamic templates (EXIF time, sequence, metadata) Apply actions, develop presets, ICC profiles Preserve or modify metadata     All of this should be achievable without manually chaining exports across three different apps with conflicting settings and limited output options. A proper cross-application batch engine is long overdue — especially for photographers working with thousands of files across color-managed workflows.      

0
.random..
Forum|Forum|1 year ago
Justin36853830lql2Participating Frequently

Keyboard Shortcuts for Soloing or Muting Audio Tracks/Toggling Output on Video TracksOpen for Voting

The ability to add keyboard Shortcuts for Soloing or Muting Audio Tracks/Toggling Output on Video Tracks. Currently have to create workarounds automation software, would rather not do that.

2
MyerPj
Forum|Forum|1 year ago
Bernardo349139256y3hParticipant

Clean UI Mode / View-Only Mode for User-Created ScenesOpen for Voting

Hi Adobe Aero team,I’d like to suggest a feature that would be very useful for creators: a Clean UI or View-Only Mode that hides all interface elements — such as buttons and editing tools — during preview. This would be especially helpful when recording AR experiences or presenting them to others in a more professional, distraction-free way. Even a simple toggle in the settings or Overrides panel to hide the UI during playback would be a great addition. Thank you for considering this, and for all the work you do on Aero — it’s a fantastic tool! Best,Bernardo

0
Forum|Forum|1 year ago
NO-ID2815921779keParticipant

Petition to update text featureOpen for Voting

Sometimes I like to select a word from an interview to change the intonation of a sentence, let's say 'am' as an example. If you have everything in a rushes timeline, whenever you cut the word out (let's say you eat into the word like 'camera'), the text feature automatically jumps in the timeline before you can copy and paste the clip you just cut out and you can no longer search for that word as premiere doesn't recognise it anymore as you've cut into it. Also if you leave a word in the text box and switch to another sequence, after a bit of lag it automatically jumps in the timeline if that word is already present in the new sequence, so you lose your place and have to hunt for where you just were in the timeline. Very frustrating so would love to see this updated!

3
Mike Dziennik
Forum|Forum|1 year ago
FlyingFourFun
FlyingFourFunLegend

Feature Request: Move Selected Clips to -> BINOpen for Voting

Is it possible to request a feature that would allow you to select clips, right clip, and move to bin, without scrolling to find the bin.  basically, something similar to how moving an email to a folder would work. The main reason, selecting multiple clips to sort into bins once inside premier requires you to hold them while the system scrolls, and its slow, sometimes you can accidentally let go and they drop into what ever bin was there at the time, or you make a mistake... would be nice to have a "move to bin" and then the bin names pip up in context menu.

2
FlyingFourFun
Forum|Forum|1 year ago
vitoldk50363599Participating Frequently

Enable Adobe Media Encoder to Generate Peak Files and TranscriptsOpen for Voting

Please add support in Adobe Media Encoder (AME) for generating audio peak files (.pek) and transcripts in a dedicated preprocessing phase. This would allow AME to operate as a headless preparation tool, ensuring assets are ready for immediate use in Premiere Pro without needing to open the project manually.

0
Forum|Forum|1 year ago
romain_2955Participant

Keep the Brush setting during a working sessionUnder Review

Hi There !Maybe i don't know how to do it, but :It would be cool to get, like photoshop or Zbrush a Brush parameter saving settings. I explain myself :If i use the Basic brush, changing to the Soft, or any other brushes...Once i come back to my Basic brush during my working session, to keep the changed setting i made, without making a new brush preset saving. ( Otherwise, i will get 100 presets for size changing etc...)Like photoshop or Zbrush. I'm doing a lot of hand painting in Substance, but it is a lot of pain to have again and again, changed setting everytime i swap brushesThanks !!!!

3
Forum|Forum|1 year ago
Vitigreen
VitigreenParticipant

P: Batch Rating, Flagging and KeywordsOpen for Voting

On the desktop version of Lightroom CC I (and many other photographers I know) use batch rating and flagging to select a large amount of keepers or reject photos I might later want to delete. This works by selecting multiple images and than pressing the corresponding number (0-5) to star, p to pick, x to reject and u to unflag. As the promise of the iPad was to be a professional working device it would immensely speed up my workflow. I don't think this would require any change in the UI (because most of us use Lightroom with a keyboard), although adding a star bar and flags would make it easy for the touch users as well. Batch keywording and metadata editing would help with the organization of the photos and one could easily correct a time delay if the camera wasn't set up properly. This would definitely need new buttons in the UI, but I think it's worth it in the long run.

25
Forum|Forum|1 year ago
Sempoo
SempooParticipant

Geometry mask with mesh object treeOpen for Voting

The geometry mask should have a mesh object tree hierarchy, like in the original program from which it was imported into Painter.

0
Sempoo
Forum|Forum|1 year ago
Kevin J. Monahan Jr.
Kevin J. Monahan Jr.Legend

Find and Replace Expletives with Tone or Audio FileOpen for Voting

Hi Community, Hello Premiere Pro Team, I'm here at MAX with my colleague, JD. He would like a feature in text based editing to Find and Replace Expletives with Tone or Audio File. Please upvote this excellent request!   Thanks,Kevin

2
Forum|Forum|1 year ago
Ritwik371758731chiParticipant

Feature Request: Action Recorder (Like Photoshop) for Adobe Premiere ProOpen for Voting

Dear Adobe Premiere Pro Team,I hope this message finds you well.As a regular user of both Adobe Premiere Pro and Adobe Photoshop, I truly appreciate the powerful features each program offers. I am writing to suggest a feature for Premiere Pro that I believe would significantly improve workflow efficiency for many editors — an "Action Recorder" feature similar to Photoshop’s Actions.In Photoshop, the ability to record a series of tasks and replay them with a single click saves a tremendous amount of time, especially for repetitive processes. Bringing a similar feature to Premiere Pro could allow users to automate sequences of edits — such as importing media, applying effects, renaming clips, adjusting audio levels, nesting, or setting keyframes — all triggered through a single button or shortcut.Currently, while presets and templates are helpful, they don’t cover more complex or multi-step tasks. An action recorder would empower users to streamline custom workflows, improve consistency, and reduce manual repetition — especially in high-volume editing environments like weddings, social media content, or YouTube production.I believe this would be a valuable addition for both professional and casual users and would make Premiere Pro even more powerful and user-friendly.Thank you for continuously improving Adobe products and listening to community feedback. I sincerely hope this suggestion will be considered for future updates.Warm regards,Ritwik Ghatak.From INDIA.

0
Forum|Forum|1 year ago
ipanema451Known Participant

P: Built-In Duplicate FinderOpen for Voting

With all the great AI stuff Adobe is rolling out, I con't understand why Lightroom classic doesnt have a duplicate finder function.  I have used both Teekesselchen and duplicate finder for years and they are ok imo but not near as good as Peakto or Excire.  I currently am subscibed to peakto would rather give Adobe my money (because I aready do).  Excire is expensive for a plugin and it does not make sense to me why this technology is not baked into lightroom.  Is there a reason im not aware of?  Is in coming?

1
Forum|Forum|1 year ago
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