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When a violation of the guideline tail is detected, the ability to suggest alternative words that are less likely to violate the guideline would make it easier for users to handle.
Hola, quería saber si es compatible el lightroom mobile con la captura conectada al equipo (tethering) del mismo modo que lightroom classic con el que no he tenido ningún problema. Los dispositivos que estoy utilizando son, Nikon z7 y Samsung TAB S7+ conectados por usb-c. Muchas gracias
I have a suggestion. When I use "ALT + right mouse button" to enter the mask drawing mode, the color picker can't absorb the gray scale of the mask. As a result, I can't draw the gray scale transition precisely, because when picking colors, it can only pick up the colors of the external materials instead of the gray scale shown by the mask.
Hi there,I hope everyone is well.Im working on an animation with 3 locked comp windows open with the corresponding comp timelinesstacked beneath the previews. I like how one can move the stacked timelines up and down as needed and of course the tilda keyshortcut for expanding each of the timelines.However, I am finding it difficult to differentiate between the stacked timelines as they are all the same colour.It would be a lot easier if the comp timelines could be changed to specific colours for easier selection in lieu of the dark line that seperates the stack. Even if they could be changed to different shades of grey, this would help immensly in regards to selecting the correct timeline to be expanded with the verticle system already in place.Below is a photo of the idea:)Thanks for listening and i hope my suggestion makes sense!
WhatsApp exports audio files in an ogg container in the opus format, which Audition won't import. Can you please add? It's free and open source http://opus-codec.org
Premiere Proのversion updateで整列と変形が下に移動して非常に不便!!!!please move it up on the property panel..
Please change render order of Intrinsic Crop. It should operate the same as putting the "Crop" effect on as the first effect on a clip. Here is what the render order should be.Intrinsic Crop > Other Effects > Motion Why?Crop is normally the first effect applied. Other graphic adjustments are then made: transforms, blurs, glows, shadows, rounded corners, etc. Anytime I want to add other effects, Intrinsic Crop becomes useless (Nesting the clip as a workaround sucks). As it stands, 90% of the time I start with Intrinsic Crop and then have to switch to the Crop effect and redo the crop. Main ExampleCrop > Transform is one of the most common effect stacks.Transform effect allows Motion Blur (Motion > Position does not)Try using Intrinsic Crop and then using a Transform effect. Currently, the entire effect stack renders and then the Intrinsic Crop is applied.In other words, the image moves INSIDE the crop. This same argument applies for Drop Shadows, Glows, Rounded Corners, etc. Upvote if you agree
Please add keyboard modifiers for Intrinsic Crop in the Program Monitor via direct manipulation. These should work even if user is in the "Transform" mode. Mac:Hold ⌘ or ⌥ and click and drag an edge to freely crop the selected clipAdd Shift to constrain proportions Win:Hold Ctrl or Alt and click and drag an edge to freely crop the selected clipAdd Shift to constrain proportions
Similar to how match exposures works, is there a way to add a 'match white balance' that can bring images as close as possible to a similar white balance for situations like flourescent or recycling lighting?
There is no way to batch or bulk rotate images on Lightroom Mobile on iPad?! If I rotate an image under the crop menu and copy and paste these settings, it doesn't paste the rotation. There is also no way to select images from the library and then rotate them across multiples (like in Classic). I'm a pro and use Lr Mobile on iPad to edit the majority of my photos as on a whole it's much quicker, but this massively slows down my workflow. The only way to currently rotate an image is to do it one by one which is extremely cumbersome. Please could you implement two updates: 1. Add rotation to the copy & pastable settings under the crop menu 2. Add the ability to batch rotate images from the library using the select function (add rotation to the settings in the bottom menu bar alongside "ADD TO / COPY / PASTE / SHARE / DELETE" I'm pretty baffled these functions aren't part of the software already, is this something I've missed? Hopefully someone can chime in and correct me! Thanks, Darren
I would like to see the presets that I have marked as favourite, as their own section in lightroom mobile.It's a feature already present in the desktop version.
The new update removed support for the "loupedeck control surface", could you please add it back?
The filtering options within mobile are poor. Please expand them to include at the absolute least filtering by all file types, not "kinds". photogrsohers shooting raw + jpg may want to delete all jpg, and that goes for HEIF too. Why is there a limit of raw, photos, videos and not other file types? Please add this, it's an important part of workflow.
Sometimes I'll have shared an entire gallery of edited images and then at a later time I want to re-edit the entire gallery with a different look. It would be great to have an easy way to save the original edited version all at once for all the images in the gallery (or those selected) instead of having to create a snapshot of each image one by one before applying the new edits. Would love to be able to select multiple images I want to create snapshots for and then there would be a submenu available under the '+' sign next to Snapshots that gives the option to create snapshots for 'all selected images'
I use an external cache drive on my MacBook, but somettimes I start up Premiere without it plugged in. This resets Premiere's cache path to the defaultI would be nice to get a dialogue asking if you want to quit instead, before it resets it
The new "People" mask features in Camera Raw and Lightroom are so much more powerful than Select and Mask in Photoshop. I love being able to select pupil and iris, facial skin, hair, clothes, etc. without having to refine the masks in Select and Mask. Please add these awesome features to the selection tools in Photoshop!
For those like me who don't use the Magic Mouse or Logitech MX Master... I believe it would be a great idea to implement Timeline navigation with the mouse's Scroll Button. This function is already present in Audition, for example, and saves a lot of time when scrolling the Timeline.
Greetings! Even though 32-bit float (and the potential peaking that can be SAVED from this wonderful godsend of an upgrade) is supported in Premiere, the waveform image in sequences [seems to be] rendered at 24-bit and confuses users/editors. So if it's peaking and I want to reign it in, I can't see past the peaked flat area - or mesa. It just brings the mesa down. I really wish the waveform generated from a 32-bit float was procedurally updated/accurate as the gain/volume is adjusted, pretty much like it is handled in any other video/audio editing software, including Audition! Audio-wise, peaked files can be normalized/volume lowered/recovered (and sounds GOOD!), but it makes volume level keyframing very hard to manipulate, not unlike controlling volume blindly. Are we using this wrong or is it just a simple oversight? *Note: A not-so-user-friendly work around is to Render and Replace/Send to Audition for the waveforms to look correct/accurate, again.
Requesting a native way to edit 32 bit float files in adobe premiere, other softwares have that abillity; DaVinci resolve, Audition and so
I noticed that if the prompt is short when you generate an image, it will append a series of numbers at the end. However, this number gets cut off if the prompt is too long. Is there a way you guys could make it either put the full prompt and number without cutting it off, or a truncated filename with the number? File management gets combersome when you have files with (1), (2), etc at the end . Thanks!
It would be pleased to see thet we can connect a layer to displace effetct as displacement map, instead of separated file only. Displace effect could be a bit more adjustable with more, or more precise settings.(possibly normal maps can be used as an option too) 😉
My company uses a series of drives and drive systems across windows and mac.Often when I open AE files on a different computer/mount drive in a different order my source files are coming up as missing. Often this is as simple as a change of letter name.For a simple example F:/Online_Media_EP01/archives/shutterstock7283412478ndbecomes G:/Online_Media_EP01/archives/shutterstock7283412478ndIf I could simply edit the file path tab in the project window I would not have to nagivate through potentially 10s of folders and then find the file in potentially 10s of files with very similar names.Thank you!Louis
The change in "Clip Appearance" in version 25.1 makes it hard to see the borders. This should be fixed. In particular, when the track is narrowed, the borders become even harder to see.This is very inconvenient when editing on a small screen, such as a notebook. ver25.1で変更された「クリップの見た目」が、境目を見にくくしている。修正すべきだ。 特に、トラックを狭くして表示した時、境目がより見にくくなる。 ノートブックなど、狭い画面で編集する時、とても不便である。
Do you agree of having windows/tabs within premiere pro that can be locked from being shifted accidentally while editing.. I believe the sequence timeline is a good example. Sometimes when I have multiple sequences open I accidentally undock or shift around a sequence messing up my layout.
A few feature requests for Lightroom: 1. Auto exposure (not just auto tones) 2. Auto exposure (or tones) that prioritises skintones (so to expose for the subject, not the whole image) 3. a liquify tool 4. AI culling, similar to that in AfterShoot
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