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Helloooooo,I'd like an update to how trim paths works please! Currently, if you apply a taper to a stroke, and animate a trim paths, the taper will scrunch up as if it is a percentage of the drawn stroke that is trimmed, NOT via the overall path length. This results in having to animate the too and trying to balance out the animation which isn't perfect and is a bit of a faff!It would be great if the taper stayed constant and was unnaffected by the trim path, so this can just be animated cleanly with a single set of keyframes on the trima paths out.I think that this should be made the default, as I cannot think of a case where you would want to have the current implementation. However it is always good to have options, so it would also be great if there was a little toggle on the trim paths effects to switch between the two.Thanks
Rounded corners are making a style comeback. And they are used all the time for retro styles. But I need to put something in a rounded box, there is no way to do it. I've watched every video on youtube claiming to have a solution, using roughen edges, etc. Even the strange shap layers in premiere don't have rounded corners. Illustrator has it. After Effects has it. Why doesn't premiere? Because they want me to interrupt my workflow and jump into After Effects when I'm still editing and figuring out timings? No I can't use a track matte, because I have to move things around via a nest etc. Rounded cornes via the crop tool. That's it. We can make this happen.
Problem:It is hard to keep an eye on Rotobrush 3 not going off the rail when rendering. Solution:Update viewport each time Rotobrush has generated at new frame.
We would be happy to improve the synchronization of many short video files with one audio file in a simpler way, similar to the synchronization of one file by right-clicking and then syncing -so that it would be possible to click on all the files together and it would split itself into layers and what is needed and do the synchronization itself in the best way.
The blur effect Fast Blur has been depricated. Sure, Gaussian Blur theoretically superceeded it. But one of the main issues with Gaussian Blur in both Premiere Pro and After Effects is that the contrast enhancement creates hard transitions to black and negative values. AE's Fast Box Blur has an algorithm with much less contrast but maintains all positive values which for higher blur values of full video/images is often more preferred. Can we please have Fast Box Blur in Premiere Pro as well? We are not able to create blurs without negative values at the moment without third party plugins.I wouldn't mind if multiple blur algortihms would get merged into a single Blur plugin with a dropdown menu to choose the algorithm. The more options the better. State of Gaussian Blur: State between Fast Blur (depricated) and Fast Box Blur from AE: uni.Blur for comparison, alternative algorithm/appearance/quality:
Rotobrush are becoming central part of After Effects workflow so it important to optimise it alot more. Freezing is taking way to long and should be generated parallel in the background not blocking the user from working for a long time. After freezing rotobrush sequence it feels quite slow compared to exporting the mask as luma videoclip. Would be nice with the option of cache to disk. The option of fine-tuning the quality of Rotobrush would be a big help. The ability to make guided keyframes throughout the sequence would optimise the result and ensure not wasting the users time. Another idea would be to have a option for masking individual areas with different colors, just like you would to in mocha. The more the masking process if optimised and automated, the more the user can start working without wasting time fixing masking errors up.
Please turn set Audio auto tagging to OFF in the Preferences. Re-installing or resetting preferences or whatever and boom its on. Big Pita. Why do we need two places to control this feature. Preferences and Ess Sound Panel. The latter is more than sufficient.
HiCan we have square brush on remove tool, it can go on corners easy. and please it can rotate too. Thank you
In the home tab of Photoshop (where it displays a grid of previously opened docs/images) , if you could enable shift + select and open multiple images at once.. 2. I think this would be helpful as would have to go back to the explorer to find those images, or resort to opening one by one. Thanks!!
So I like to organise, and whilst I think it's great that Lightroom has its own cloud that I can store files in a jpg format, it seems like this could also be done for the creative cloud app too and yet it isn't. Talking to an agent and according to this old post (https://helpx.adobe.com/nz/creative-cloud/help/cloud-document-faqs.html#uploading-and-managing-files?product=Creative%20Cloud%20Desktop&product-version=6.4.0.361&mv=product&mv2=accc) I found that you used to be able to upload jpg and others but can't now. I feel like this makes me less flexible. Now I can't use the creative cloud storage as a place to organise all my cloud files, I can see that they are accounted for by showing me how much storage I've used, but I can't see my jpgs from lightroom cloud in my creative cloud and this is frustrating. Picture a family tree, the creative cloud app should and does act like a parent that gives access to some of the files saved from the other apps (the children) which could be photoshop as a psdc file or maybe adobe reader. But because i can't see all the files, I have to go into other apps now to access them e.g. jpgs in lightroom which is essentially like an uncle because now I'm having to open a different app rather than see all the files together (under one lineage or common ancestor). It makes me feel like using the creative cloud app to manage and organise files is redundant. I can't use it as a second brain/back-up as I may be missing out on some files that i showed or sent to a client, and I could be using this program for years. Now if I need to look back at a project on creative cloud, it won't show the files from the weird uncle or aunty (in this case jpgs from lightroom). I would have to remember that they can only be accessed from lightroom, which means double the level of file management. Also because file management doesn't really exist in the lightroom cloud other than by album which isn't very helpful. In essence, if I can use an adobe app like lightroom, then I should be able to see what ever file type my creation is in the creative cloud file management section. This would make it a place that houses all cloud files of all the apps and better suits the name creative cloud. I hope whoever reads this understands me, and maybe I'm being daft and if I am excuse me I'm new to all this, but I used to use lightroom classic a while ago. I've never felt like such a nerd, and even if this feature isn't adjusted, I hope you had a laugh at least.
Issue: Packed maps are not displaying correctly in the 3D view as intended. Details:In my case: ORM Map: R = AO, G = Roughness, B = Metallic Normal + Height Map: RGB = Normal, A = Height (or RG = Normal, B = Height) While the full texture is correctly applied to the corresponding material property, the specific channels (e.g., R, G, B, or A) defined in the Output node's "Usage" tags panel are not being used as configured. Instead, the entire texture appears to be applied indiscriminately. Steps to Reproduce: Right-click in the node canvas and select "View Outputs in 3D View." Each output routes to the correct material parameter (e.g., AO, Roughness, Metallic), but the individual channels specified in the Output node's "Usage" tags panel are not isolated as expected. This can be observed in the accompanying screenshot. Relevance: For game development, utilizing packed maps is a standard optimization technique to minimize texture memory usage. Accurate channel mapping from packed textures is crucial for this workflow to function as intended. Images to support the above information below:
Hi Community,I’m looking for a way to extract detailed metadata from text layers in Premiere Pro. Specifically, I want to retrieve the following properties for each text layer:Font FamilyFont StyleFont ColorOther relevant text-related attributesIs there any built-in feature, script, or external plugin/tool that can help achieve this?If scripting is involved, any examples or resources would be greatly appreciated.Thank you in advance for your assistance!
3D SBS in the GenAI Age? How to easily create and run it on devices such as the Spectacles?With Runway and Luma Leia being able to create all-around 3D from just an image, shouldn't it be a no-brain that it would be easy to generate 3D SBS projects for export?Being able to dial the correct intensity for each device, 3D movies such as Avatar can exist for many others.I have an AE Template and Blender to do the 3D/4D effects for Luma (I cannot find the link but it must exist somewhere on the internet, I still have files, I can look for both later).The no-glasses and glasses 3D development died and needs to be fully brought back in the GenAI Age.It should be easy to export/run these things with ease on the Spectacles, XR, VR, and 3D SBS devices.
Photoshop now has webp image support, which is great, but it does not work when generating image assets using the File->Generate->Image Assets workflow. Presently, it just gives an error with 'Unsupported extension: webp". Considering Adobe is advertising 'full support' for webp in photoshop, this seems like an oversight. Please roll the webp functionality into the generate image assets workflow. Why is it valuable to me:WebP files are particularly useful for web development. The generate image assets workflow is also very web-dev friendly. I would be using this combo constantly if it were possible. Instead I have to slowly export-as my way around multiple documents. The current situation feels like stepping back in time.
Close Gap in sequence only works when there's nothing above track one, but who ever simply uses just one track. Is this how it's meant to be?
Salve, sarebbe bello se ci fosse la possibilità di creare ombre automatiche nei video tramite green screen rispetto ad una fonte di luce, o ad un punto luce, variabile a mia scelta, senza che io sia costretto ogni volta a crearle- Grazie
I think an adapted version of the "take" feature in Cinema 4D would be very useful in After Effects. I would really like it.
Can we have the build nr added to the Version instead of just the latest for the installed software. Same goes for AME.
Description:I would love to see a feature in Lightroom Classic that allows users to view one photo in a grid layout with different presets applied. Additionally, users can save specific groupings of presets to view on one photo in grid mode. Here’s how I envision it working: Preset Grid View: The selected photo appears in multiple grid cells, each showcasing a different preset. Users can instantly compare how various presets look side-by-side. Custom Preset Groups: Users can create and save groups of presets to apply in the grid view. These preset groups can be customized for specific editing styles, workflows, or client preferences. Save and Export Grid: Users can save the grid view as a preset comparison for future edits Why It’s Useful:This feature significantly enhances the preset selection process for photographers and editors. The ability to save preset groups means users don’t need to search for specific presets repeatedly, improving speed and organization. It’s a perfect way to present different stylistic options all in one view at the same time. Optional Extensions: Allow users to save preset grids as templates for use across multiple projects. Enable batch grid comparisons for multiple photos simultaneously. Add quick toggles to apply all presets in a group with one click.
As a professional graphic designer and digital artist, I'm writing to request the implementation of simultaneous multi-layer liquify functionality in Adobe Photoshop. This feature would significantly enhance workflow efficiency and creative possibilities within the software.Current LimitationThe existing liquify tool, while powerful, requires artists to modify each layer individually, creating unnecessary time investment and potential inconsistencies when working with complex artwork containing multiple layers. This limitation becomes particularly apparent when working with:Character illustrations with separate line art and color layersProduct design mockups requiring shape adjustmentsPhoto manipulations with multiple adjustment layers Proposed SolutionDrawing inspiration from Clip Studio Paint's implementation, the feature would allow users to:Select multiple layers in the layers panelApply liquify transformations simultaneouslyMaintain consistent deformation across all selected layersPreview changes in real-time across the entire artwork Business ValueThis enhancement would:Reduce production time for complex artworkImprove accuracy in multi-layer transformationsStrengthen Photoshop's competitive position in the digital art marketAddress a common pain point in professional workflows Technical ConsiderationThe feature could be integrated into the existing liquify interface with the addition of a "Apply to Selected Layers" option, maintaining Photoshop's familiar user experience while adding powerful new functionality. Thank you for considering this feature request. I believe this addition would significantly benefit the entire Photoshop community.
Want to place Anchor points to specific locations (up / down / left / right) or short cut key to locate themI want to be able to easily switch the position of the anchor point of a shape or text layer to the center or edge etc.テキストシェイプレイヤーのアンカーポイント の位置をデフォルトで簡単に中央や端に移動できるツールを実装して欲しい
Bonjour,Merci pour la fonction transcription qui marche de mieud en mieux au fil des versions, mais une faute de grammaire en français revient systématiquement : l'absence de trait d'union entre un verbe à l'infitinif et un pronom :Les tournures interrogatives demandent des traits d’union avec les pronoms personnels (ou le pronom démonstratif ce) : est-on fatigué ? viendrez-vous avec nous ? comment allez-vous ? habite-t-il près d’ici ? est-ce qu’il s’en ira bientôt ?L’impératif non négatif nécessite l’usage d’un trait d’union entre le verbe et le pronom personnel complément (direct ou non) qui le suit : donne-lui tout de même à boire ! ; prends-la ! ; rendez-les ! ; excusez-moi ! ; laisse-moi, laisse-moi donc tranquille ! Il en est de même avec l’impératif des verbes pronominaux qui nécessite l’usage d’un trait d’union entre le verbe et le pronom personnel qui le suit : lève-toi ! ; dépêchons-nous ! ; asseyez-vous !Il existe des tournures analogues avec les pronoms en et y : prends-en un peu et allons-y ! va-t’en d’ici ! laisses-en un peu ou retournes-y (avec dans ce dernier exemple un s euphonique avant chacun des traits d’union)toutes les formes du style : nous-même, toi-même, moi-même, etc. Merci
Suppose you have 50 different folders in the "Project" section and some folders are collapsed and others are uncollapsed. Tthen you use the search bar, and after resetting the search, then all folders will be collapsed. Proposed feature: When the search bar is reset, then the collapsed/uncollapsed state of all folders should return to their last known setup.
1)May I request to include in the MASK the suntract background. Its good that there is subtract subject when we want the radial mask to affect the bacground only. But there is no subtract background when we want the radial mask to affect the subject only. Many thanks. 2) pls also include the lips, eye sclera, eyebrow, iris and pupil in the person mask option. 3) the point color is very very important
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