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Animated captions have become increasingly common in editions, many smartphone apps have stood out by creating animations for subtitles, I think that Adobe could provide ready-made animations for captions.
https://amzn.to/3XtCbmP رابط شراء المنتج من امازون <! DOCTYPE>جليانكريت أصلي من ستانلس ستيل 316 مع 4 إعدادات تحكم في درجة الحرارة وخاصية الإيقاف التلقائي والحماية من الغليان الكتاني سهل الحمل للتخييم والسفر من هولامي - 500 مل، لون أبيضعن هذه الاداة【تصميم صغير وخفيف الوزن】تُعتبر لمبة هولامي كهربائية محمولة ذات سعة كبيرة جدًا، كبيرة 500 مل بينما تزن 515 جرامًا فقط. كما أنها أصبحت بحجمها الصغير بسهولة مع شنطة الظهر أو حقيبة السفر، مما يجعلها أكبر للتخييم أو السفر أو العمل. لذا لا يوجد ما يطلبها الغلاية الخاصة بالثيرموس و بريق الشاي الكل في واحد، مما يسمح لك ما تريد به. (نصائح: الحد الأقصى لسعة خط المقياس 400 مل)【مواد عالية من الوقود الناري】صُنعت غلايات من مادة الستانلس ستيل من النوع 316 لأغراض التطهير ومادة بولي كلوريد الفينيل بروبيلين من مادة BPA بنسبة 100%، كما تشمل غلايات خاصة صحية وصحية في كل مرة. تتميز بخياطة دقيقة للستانلس ستيل 316، مما يجعلها أصلية عالية الجودة للستانلس ستيل 304. كما يضمن التصميم المزدوج الجدار، جنبًا إلى جنب مع المقاومة الكورية الجنوبية، إمكانية التعامل حتى بعد الغليان. فضلًا عن الحزمة المرفقة وغير ذلك من المواد الخام.【أربعة أجهزة للغليان الدقيق】تجربة متعددة الاستخدامات مع أربعة أجهزة ذاتية التشغيل ليفان (113-131-176-212 درجة) على غلاية كهربائية صغيرة. توفر شاشة LCD لمراقبة درجة الحرارة في الوقت الفعلي، حيث إنها تعمل دائمًا بقوة 300 وات الغليان السريع. بالإضافة إلى مستشعر درجة الحرارة المدمج، تغلق الغلاية تلقائيًا عند الوصول إلى درجة الحرارة المطلوبة. لذا انتظر 8 دقائق فقط لتذوق مشروبك المفضل.【ميزات أمان معززة】تقدم غلايات خاصة بنا مزايا متعددة ومتطورة للطلبة لسلامتك. كما تتميز بغطاء المطور بمنفذم رياضة حلقية، مما يسمح بالرطوبة والضوضاء أثناء الغليان. قل لذا وداعاً للمخاوف المتعلقة بالبخار، حيث يضمن عدم الاحتراق عند فتح الغليان. حيث تم اختبارها بدقة للتأكد من حماية الحماية، ولهذا الغلاية أن تنضم بثقة إلى حقيبتك أو حقيبة دون حماية من التسرب. استمتع بها البال حتماً اختيارك لمغامراتك.【هدية جديدة لكل مناسبة】ارتقِى تقديم الهدايا الخاصة بك مع غلاية مياه كهربائية خاصة بنا. فهي مُصممة بعناية بمقبض مخفي وحافظة الكتب، وهي مصممة خصيصًا للضيوف وواد الأطفال. كما تجعل صندوق الأقلام عالي الجودة هذا الخيار الغلاية مثاليًا لعيد الميلاد وعيد الشكر والكريسماس. لذا امنح أحبائك هذه الغلاية النمساوية المجرية والأنيقة المجرمين المثاليين وصف المنتجنقدم لكم غلاية هولامي للتخييم - رفيقك في المغامرة.حيث تتميز بتصميم صغير الحجم وخفيف الوزن. لذا أطلق العنان واستمتع بالراحة الفائقة مع غلاية التخييم الخاصة بنا، وهي قوة بحجم نصف لتر مع تأثير هائل. بوزن يبلغ 515 جرامًا فقط، تثبت هذه الغلاية المحمولة أن الأشياء الرائعة والعملية تأتي في عبوات صغيرة. ضعها بسهولة في شنطة الظهر الخاصة بك، ودع المغامرة تبدأ.الغليان السريع، في أي وقت وفي أي مكان: ارتقِ بتجربة التخييم الخاصة بك مع الغلاية عالية الأداء، والتي تتميز بوقت غليان سريع للغاية. حيث تعمل هذه الغلاية بعنصر تسخين قوي بقدرة 300 واط - مما يتيح لك توصيل الماء الساخن عبر الأنابيب في غضون دقائق. لذا قل وداعًا لمتاعب الانتظار واستمتع بمشروباتك المختلفة، وانطلق إلى المتعة والمرح في الهواء الطلق بفضل هذه الغلاية المبتكرة.تصميم متعدد الاستخدامات: تُعد أكثر من مجرد غلاية، إنها خيارك الأمثل لكل شيء بدءًا من طقوس القهوة الصباحية إلى الوجبات السريعة والسهلة في موقع التخييم. حيث يمزج التصميم الشامل بسلاسة بين وظائف الغلاية والثيرموس وأباريق الشاي. لذلك قم بإشباع رغباتك في تناول الشاي أو القهوة أو وعاء دافئ من النودلز سريعة التحضير بسهولة. بالإضافة إلى ذلك، يضمن المقبض المخفي بذكاء سهولة الحمل دون أي تنازلات عن الأداء.المتانة تقترن بالأناقة: مصنوعة بدقة باستخدام الستانلس ستيل 316 الآمن غذائيًا ومادة البولي بروبيلين الخالية من مادة BPA بنسبة 100%، غلاية التخييم الخاصة بنا ليست مجرد أداة ولكنها مميزة. لا يتحمل الجزء الخارجي الأنيق والمتين العناصر فحسب، بل يضيف لمسة من الأناقة إلى إعداداتك الخارجية. إنه مزيج من الشكل والوظيفة التي لا بد أن تلفت الأنظار في المخيم.سلامتكم هي أولويتنا: يضمن الغطاء المُجهز بمنفذ عادم متطور وفتحة هواء حلقية تجربة غليان سلسة دون صخب أو فوضى. لا مزيد من القلق بشأن حرق البخار - افتحه بثقة واستمتع بدفء المشروبات المخمرة بشكل مثالي. تم اختبارها بدقة للتأكد من التسربات والمتانة، هذه الغلاية هي رفيقك الموثوق به في كل مغامرة.
Buenas tardes, creo que poder utilizar como minimo dos fotografias de referencia a la vez en I.A generativa, podria servir para enriquecer aun mas la creacion de imagenes, no solo una como es el caso, supongoque tecnicamente es posible, muchas gracias, saludos
I would like to have a stabililze Panel within prooerties window. Just like in Davinci, it would enhance the workflow tremendously. Also please make that i can you the stabilizer and Timeremapping on the same Clip without nesting it.
I feel like I'm missing something basic, and I can't quite seem to find the right search terms. Basically, I want the contents (controls) inside the Properties panel to scale along with the size of the panel. As you can see in my amazing attached image, I wanted to tweak an image just a little using the Levels mask. However, it's very tiny, so I pulled it from the panel group and dragged the window larger. I was rather surprised to see that the actual controls didn't scale with the size of the panel, leaving me with the same size control in a comically large window. Please tell me that I am missing something basic, because while this is equal parts aggravating and amusing, I'd rather have it work how I expect! (This is Photoshop v25.10.0 on Windows 10)
I've reciently been working with photoshop to creat pages for journals and the file image size provides wiggle room. When I get a page done I have to crop to the shape I need, then do save as (to whatever file type), and then undo back to before the crop with ever page. I was thinking if the was a Save Selection As, I could skip the cropping. Just control click a presetup block of the correct size and shape on a layer just for that and Save Selection As and just deselect.
I’d like to be able to accentuate the larger divisions of a 4x4 guide layout from those of an 8x8 grid layout, so that I have the benefit of the detailed 8x8 grid but don’t get lost in it when I transfer a design displayed in Photoshop to paper. Photoshop already gives us three tools that help, but don’t quite get there: 1) Line Paths could be used to set up resizeable grids, to be stroked with different colors/ thicknesses. That actually would work perfectly for associating lines with particular layers, by grouping. But for standard grids, it is inexact. 2) New Guide lets us set color independently for individual guides. Theoretically, that could be used along with W/H info and a calculator to set up a multi-color 8x8 grid—by 14 tedious steps! It’s just no go. 3) New Guide Layout effectively allows us to make thicker lines by specifying a >0 gutter. But I want to be able to superimpose that guttered, thick (4x4) layout with a gutterless, thin (8x8) layout in a different color. My only option at present involves a sort of green-screened screenshot, an awkward kludge. So I propose adding a new checkbox to the bottom of the New Guide Layout dialog: “Superimpose Another Layout.” When checked, the dialog is cloned, two “new guide layout” dialogs now displayed side by side, allowing us to specify different settings (or a different preset) for a superimposed grid. The next time we need it, New Guide Layout opens to its last-used state, and Bingo, perfect guides, with a standard keyboard shortcut (View>Extras>ctrl/comm-H) to toggle visibility!
I would love to see in-app raw->jpeg conversion. I import raw pictures, edit some of them and they keep sitting in cloud forever. Once in a while I find out they occupy too much storage, so I have to: Actual workflow: Filter and select raws Export to jpegs Delete raws from cloud Import previously saved jpegs Spend couple hours reinstating photos into now empty albums Cry about lost tags and so on Workflow I would live to have with the better result: Filter and select raws Chose "convert to jpeg", set conversion parametres Be happy
I have some payd presets and sometime it add them twice or more. It is really annoying to delete manually dublicates . Also will be really good to have a choose more theme one preset or group of presets to delete and sort them. That's will be awesome I you will do .
I recently needed to migrate my files from one CC account to another. I was informed that it was on my school's admin to fix the migration invitation, which they cannot do. I tried to create a .CClib file of my files, but was unable to upload it to my new account. It just looked like this (white box appeared and nothing else happened): My only option was then to download all of my 100+ stored cloud files onto my computer. But for some reason you cannot download several at once - but you have to download each file individually. Also it doesn't say "download" it says "export a copy". So I had to do that over 140 times. So the "Idea" (which is more of a strong encouragment out of anger) is to be able to download several files at once from Adobe CC.
I think I missed something, or the only way to copy and paste settings from one photo to another in Lightroom for iPad, is through a buried menu item. Make it simpler (buttons, gestures…) to copy and paste settings, as well as auto sync. What about a simple copy settings from previous photo button as well? It’s as tho Lightroom Mobile is missing its batch features, which is its raison d’être.
I recently upgraded to Photoshop 2024. In the new version, the default use of the green + button in the top left corner of a file window has switched from the classic MacOS input of "reisze window to match its content" to the newer "enter and exit full screen mode". This is both unnecessary as the letter f in Photoshop already toggles among the 3 full screen modes, and it's also actually a trap - since Photoshop doesn't have any way to exit that window from full screen mode once I’ve clicked the familiar green button (expecting it to do what it’s always done). Please upgrade Photoshop so that the green button reverts back to its traditional functionality? Or at least please make a way to exit full screen mode once I’ve accidentally activated it? Thank you
Hi,I’d like to suggest a feature that would significantly enhance the editing workflow in Premiere Pro, especially for those working on longer projects like feature films. Currently, when I cut clips in dailies I have to manually drag clips to the start and need to move them to the beginning of the timeline, I have to manually drag them all the way to the start. This can become quite tedious, especially when working with multiple scenes spread out across a long timeline.It would be incredibly helpful to have a shortcut or function where, after selecting one or more clips, they automatically align to the beginning of the timeline without requiring manual dragging one after another. This could be something like a "Snap to Start" option or a "Move to Beginning" command an automatically aligns while cutting across scenes amongst different editing complex timelines. It would streamline the process and reduce the stress of constantly repositioning clips during complex edits.This feature would save a lot of time and effort for editors who often work on projects with multiple cuts and scenes.Thank you for considering this suggestion
Hi there,I’ve been using Character Animator for some time now, and it’s fantastic for creating engaging animated characters. However, I believe a new feature could greatly enhance the workflow: the ability to add video backgrounds directly within the program.This feature would allow users to integrate reaction videos and other dynamic content easily. For instance, many content creators on YouTube make reaction videos, and having animated characters respond directly in front of the video they are reacting to would create a smoother and faster workflow. Right now, I have to switch between different programs to achieve this, which adds extra time and complexity to my projects.With video backgrounds, you could:React to YouTube videos, trailers, or any other footage while animating a character in real-time.Use live-action footage to interact directly with your animated characters, creating engaging composite scenes.Add dynamic, animated backgrounds that change as your scene evolves without needing external editing tools.This feature would be invaluable to animators looking to streamline their creative process, particularly for those producing reaction content, reviews, or even live commentary.I'd love to hear if others in the community feel the same way, and I hope the development team might consider this for a future update!Thanks for your consideration!
In the broadcast world, we need our captions to denote when music is playing and also any kind of ambient sound like laughing, clapping, etc. It would be wonderful if we could run the transcript feature on a finished show and have it note music and SFX in the transcription, which could then carry over to the captions when we create them from the transcript. It would also be great if the system could learn speakers that are used regularly. For example, if we have show hosts that are always the same every week, it would be great if the AI could learn and recognize the same voice from show to show and have that reflected in the transcript/captions. Thanks for your consideration.
I'd like to be able to export After Effects composition markers to a .csv as I can do in both Premiere Pro and Audition (and be able to import .csv markers from these programs, as well). Additionally: Something I've found is that Premiere Pro and Audition export their markers in different ways in their respective .csv files. It would be nice to standardize the .csv to streamline export/import into other Adobe programs. I'll post a separate feature request for this.
When exporting/importing markers between programs, I've noticed that Premiere Pro and Audition handle their .csv columns differently. Ergo, it takes an extra step of manually reformatting the .csv exported from one program to import into another. Please consider standardizing the .csv columns to make for easy export/import of markers between programs. (And please consider adding Marker export/import to After Effects.)
It seems this still has not yet come over from LRC? Is this planned? There are quite a few posts asking for it but just "not available" responses. Is this the correct forum to try to get interest on this?
Could the devs please add in a bounding box (with central and corner points) that appears around all selected objects in the Composition window? It would be really useful for the alignment of multiple objects, and could also be used for the transforming of multiple objects without having to attach objects to a null. Also if it would be possible to use the alignment tools with these it could be really handy, for example an option to 'Align section to centre/right/left/top/down'.
Premiere Pro does not fully support high contrast mode in Windows. With the exception of title bars and menus, the product does not respond to high contrast mode in Windows. I am using the dark mode and the font of menu options is light grey, not easy to read, especially with small menu fonts. Hope there will be a solution for windows soon.
Mask tracking progress panel should perform in background in progress window, so we can still edit while mask tracking is done or we can track multiple tasks simultaneously. This will be revolutionary!In general, motion tracking in premiere must improve alot. For example enable users to use tracking data (keyframes) and apply them to text or object so it follows the same path.Tracking process depends totaly on CPU and even does not use all CPU capacity, Acceleration is a must !
When we edit i camera raw we can select subject, sky and background to name a few masking options. i was out last saturday taking photos in a pine forrest with mist. I got green chromatic aboration amongst the branches which had the white mist background but when removing it it also effected the green growth on the ground such as blueberry bushes. The masking tool is very intelligent these days and it would be great if we could be more selective on where to remove chromatic aboration rather then just a global removal tool.
grave unos videos en modo cine desde un iphone 13, los descargue en un pc y se puede visualizar sin problema, pero al subirlos a premier pro y premier beta, se cargan pero no se reproducen, le doy clic en ver o visualizar o reproducir pero no funciona.
Hi! 🙂Banding caused by LED light during concerts is a big problem in the concert industry. A fix would be much appreciated!Millions of concert photographers suffers from this kind of banding, even if their cameras have anti-banding. Would be great for the music community if Lightroom could overcome this problem.Best regards,Klaus
Hi Everybody, Now if there's a way to do this, hoorah, but I really don't think there is and there should be. Photoshop needs to have linking capability similar to InDesign and After Effects where I can create an array of elements/objects and link them to various external images. Right now, in Photoshop if you Link to File (or Re-link to File) and you have four instances of this link, it will change all of the linked images. This is good, but if I have e.g. 4 different thumbnails (or storyboard frames) I don't want them all to change. The only way to create separation with this linkage is to flatten the image which is destructive and resets the scaling % and anything else similarly, fx etc. that was done to it which makes more work. So I then have to do that all over again or everything has to be embedded for every single instance. It would be SO NICE to just be able to "pop and swap" externally linked images to make an array without having to flatten and re-purpose each one. I've tried a number of things including embed file to reset it, then attempt to link to another external image. Photoshop still then re-connects all the other instances/objects to the original external image and converts/relinks them all. As far as I can tell, there's no way to do this and if I have an array of 24 externally linked images...that's a lot of work that would be a breeze if I could just swap out the externally linked image with another one using the push of a button and not change the entire set. Thanks for reading.
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