When using firefly i am not able to type a prompt or upload a related picture. It’s completely freezing. No way to get it running. This happend last week, then interrupted for a short time to return of a nonfunctional site. What’s happening there?
Please allow for image "stacks" or "groups" on Lightroom for iPad. This would be relevant for (at least) the following workflow: * Maintaining copies of both Raw and JPG images alongside each other, without seeing the images twice in the catalog; also, allows you to reject/accept both Raw and JPG forms in a single step. * Collecting in-camera bracketed images into a single group. Even with this, you'll still need Lightroom Classic to do any sort of stitching (HDR, Pano, etc), but this would at least allow my iPad catalog to stay organized until I can make it back to a computer with LrC. Thank you.
I canceled the production, but they still withdrew the token. Also, I haven't been able to use Kling AI for three days; it keeps giving me errors.
Pour réussir une vidéo sans que l’IA ne fabule, j’aimerais utiliser des images précises générées par la fonctionnalité "Text to Image" d’Adobe. Cependant, lorsque j'essaie d'utiliser ces mêmes images avec mon compte pour générer une vidéo, un message d’erreur apparaît systématiquement “Cette image inclut des Content Credentials qui empêchent son utilisation avec des fonctionnalités d’IA générative.”. Même en modifiant l’image ou en effectuant des captures d’écran, il m'est impossible de les utiliser, ce qui est très frustrant. Je suis contraint de passer par vos concurrents pour générer des vidéos à partir des images de référence créées via votre offre.
Make sure it have both of theese logos and make it a good certificate
The current Firefly interface is not intuitive or efficient enough for professional production work.Having to navigate to a separate page simply to view previously generated assets is impractical and disrupts the creative workflow. Past generations, variations and project assets should remain directly accessible within the active workspace, allowing users to compare, reuse and continue their work without leaving the production screen.Adobe should focus on developing a significantly faster and more responsive application or interface. Performance, navigation and asset management currently create unnecessary friction during iterative production.Photo production and video production should also be separated into two clearly defined workspaces. Their generation models, controls, settings, project assets, histories and export options should be organized independently. Mixing both workflows within the same interface makes the experience cluttered and inefficient.Professional creators need fast iteration, clear project organization and immediate access to previous generations. The current interface works against that process and requires a substantial redesign.
There is only one color-based Adaptive profile. The Adaptive Color profile is quite good overall and works well on most images I take. It saves a significant amount of time.Occasionally, it will not do a good job. This is often when making a picture too bright when it’s not needed. I would like to see more adaptive profiles to handle more situations or provide more options. It is clearly better than those which do not change based on the image.
Currently Photoshop is only available on Windows and macOS, forcing Linux users to rely on dual-booting, virtual machines, or compatibility layers like Wine — none of which offer a reliable, full-featured experience. Linux has a growing base of designers, illustrators, and photographers, especially in tech, open source, and Linux-native creative workflows. A native Photoshop build (or GPU/color-management-optimized support via a compatibility layer) for major distros would remove a significant barrier for this community. Even a phased rollout starting with core editing features would be a big step forward. plz
You forgot the feature to select the export video type in Premiere Rush for iOS when rendering. I don’t want mov, I also want mp4. And please remove the transparent thing when 2 black edges are there in a clip. 480p need to be with those black edges. I always have to remove the transparent overlay when using 480p clips…
Please add other aspect ratios such as 1:1, 3:4...etc in video creation models such as Veo and Kling, like you already did with Seedance. At the moment we only have either 16:9 vertical or horizontal which is very limiting.Thanks
Photoshop Focus Stacking feature for iPad is a must!Im a professional photographer and these days theres no reason for a descktop computer, especially with the combination of the recent M1 ipads pros with lightroom & photoshop apps. That being said, there are really essential features that professional photographers use.. Focus Stacking being one of them. Layering & aligning 20-30 photos one by one is a joke. Concedering the price of subscription and alternative apps that are a one time fee that already have this feature for ipad, Photoshop should of released this feature by now. Besides.. after paying subscriptions every month for photoshop &lightroom, using another app feels like blasphemy.
SummaryLightroom Classic already provides special handling for Person keywords and allows GPS/location metadata to be removed during export. However, location information can also be stored in hierarchical keywords, and there is currently no way to identify these keywords as location information or selectively prevent sensitive locations from being exported.I would like Lightroom Classic to support two additional keyword classifications:Location Sensitive LocationThese classifications should integrate with Lightroom's hierarchical keyword system and export options.Why this is neededPhotographers often need to retain precise location information in their catalogue while deliberately withholding some or all of that information from exported images.Typical use cases include:protecting sensitive natural areas and habitats; protecting locations of endangered or vulnerable species; avoiding disclosure of fragile archaeological or cultural sites; locations on private or restricted property; locations that photographers have agreed with guides, landowners or local communities not to disclose; locations that require particular skills, equipment or local knowledge to reach safely.Removing GPS metadata alone does not solve this problem if the precise location is also contained in exported keywords.Keyword typesKeywords should be able to be classified as:LocationA keyword containing geographical information.Sensitive LocationA location keyword containing geographical information that should be protected from publication.A Sensitive Location is therefore always also a Location.Hierarchical inheritanceThe keyword types should respect Lightroom's keyword hierarchy.The following rules would provide predictable behaviour:A keyword without a location classification may contain normal keywords, Person keywords, Location keywords or Sensitive Location keywords. A Location keyword may contain Location or Sensitive Location keywords. A Sensitive Location keyword may contain only Sensitive Location keywords. Sensitive Location status should automatically be inherited by all location keywords below it.For example: Bulgaria [Location]└── Smolyan Province [Location] └── Smolyan [Location] └── Trigrad [Sensitive Location]If Trigrad is sensitive, an export could retain Bulgaria, Smolyan Province and Smolyan while withholding Trigrad.However, if Smolyan Province itself were marked as Sensitive Location: Bulgaria [Location]└── Smolyan Province [Sensitive Location] └── Smolyan [Sensitive Location – inherited] └── Trigrad [Sensitive Location – inherited]all locations below Smolyan Province would automatically be protected as well.A child location should not be allowed to override an inherited Sensitive Location status, since a more precise location cannot logically be less sensitive than its protected parent.Export optionsThe existing location privacy options could be expanded to provide four levels:Export option GPS / structured location metadata Location keywords Sensitive Location keywords Include all location information Include Include Include Remove geolocation information Remove Include Include Remove sensitive location information Remove Include Remove Remove all location information Remove Remove Remove When Remove sensitive location information is selected, GPS and other structured metadata capable of revealing the precise location should also be removed.Otherwise Lightroom could remove the sensitive keyword while leaving the exact coordinates embedded in the exported file.The privacy setting should also override the existing keyword export settings, including Export Containing Keywords and Export Synonyms. Synonyms belonging to a Sensitive Location must not accidentally reveal the protected location.Visual identification in the Keyword ListLocation information should also be immediately recognisable in the Keyword List.For example:a small location/home icon could identify Location keywords; a small flower/protection icon could identify Sensitive Location keywords.Inherited Sensitive Location status could use a slightly different visual treatment from explicitly assigned status.A tooltip could provide additional information such as:Sensitive Location — inherited from Smolyan ProvinceThe exact icons are of course a UI design decision; the important point is that Location and Sensitive Location keywords should be visually distinguishable without opening each keyword's settings.Filtering and Smart CollectionsIdeally, Location and Sensitive Location classifications should also be available for filtering and Smart Collections.This would make it possible to find, for example:all photographs containing Sensitive Location informationbefore publishing, sharing or delivering images.BenefitThis would allow photographers to maintain complete and accurate geographical information inside their Lightroom catalogue while controlling the level of location detail that leaves the catalogue during export.The workflow would remain non-destructive: no location information would need to be deleted from the catalogue simply to prevent its accidental publication.It would be particularly useful for landscape, nature, wildlife, conservation, travel and documentary photographers.
I find myself tweaking some effects over and over in the same way. Yeah, we can save an ‘Animation Preset’ (a confusing name). But I would like to have a simple button to set the current status of an effect to be default, so the next time I apply it, it will be automatically featuring these settings
Add a Watch Folder feature, where footage are automatically imported if added to a specific watch folder
I frequently incorporate speed ramps into my work, but the current implementation in Premiere Pro makes the process unnecessarily difficult. Unlike After Effects’ Time Remapping, Premiere Pro’s speed ramping constantly changes the clip length, making it frustrating to refine the timing of edits.Requested Improvements:Consistent Clip Length – Implement a speed ramping method that does not automatically alter the duration of the clip when adjusting speed keyframes. This would allow users to experiment with different speeds and easing without affecting the overall edit structure.Time Remap-like Behavior – Introduce an option where speed ramping functions similarly to After Effects’ Time Remap, enabling intuitive keyframing and easing without disrupting the timeline.Workflow Integration – Provide a way to achieve smooth speed adjustments without requiring Dynamic Link to After Effects. Keeping the entire process inside Premiere would streamline the editing workflow. These improvements would significantly enhance the usability of speed ramping in Premiere Pro, making it a more flexible and intuitive tool for editors. Thank you for considering this request!
I would strongly suggest adding an optional Professional/Desktop Workspace Mode to Photoshop on iPad.As a long-time desktop Photoshop user, I find the current iPad interface unnecessarily limiting, especially considering the processing power and screen capabilities of modern iPads.I would like the option to use:Multiple open documents displayed as tabs at the top. A desktop-style menu bar with direct access to Image, Layer, Select, Filter, View, etc. Dockable and customizable panels. Faster access to filters and advanced editing tools. A customizable workspace that can resemble, or ideally sync with, a user’s Photoshop desktop workspace. Full support for keyboard, trackpad, and Apple Pencil workflows.The current touch interface could remain as the default, while Professional/Desktop Mode could be optional for users who prefer a more complete Photoshop experience.With increasingly capable AI-powered creative tools offering fast and accessible workflows, I believe Photoshop’s greatest competitive advantage is its professional depth, precision, and control. Simplifying the iPad version too much reduces that advantage.The iPad is now capable of being a serious professional creative workstation. Photoshop for iPad should allow users to take full advantage of that capability.Thank you for considering it.
Praktisches Beispiel: Dieser Workflow funktioniert mit ChatGPT bereits heuteInteressant ist, dass ich einen großen Teil dieses Workflows bereits heute gemeinsam mit ChatGPT nutze.Ich fotografiere häufig sehr viele Bilder einer Situation. Anschließend zeige ich ChatGPT mehrere ähnliche Aufnahmen. Gemeinsam wählen wir aus, welches Bild bleiben soll und welche Aufnahmen aussortiert werden können. Dabei geht es nicht nur um technische Schärfe, sondern beispielsweise auch um Gesichtsausdruck, den richtigen Moment, Bildaufbau, störende Elemente und die allgemeine Wirkung des Fotos.Danach zeige ich das ausgewählte Foto in Lightroom. ChatGPT analysiert es und schlägt mir konkrete Einstellungen für Belichtung, Kontrast, Lichter, Tiefen, Weiß, Schwarz, Temperatur, Dynamik, Sättigung usw. vor. Nach meiner Bearbeitung zeige ich das Ergebnis erneut und wir entscheiden gemeinsam, ob noch Änderungen oder lokale Masken sinnvoll sind. Bei störenden Personen oder Gegenständen wechsle ich anschließend gegebenenfalls zu Photoshop.Das funktioniert erstaunlich gut – ist momentan aber sehr umständlich. Ich muss Screenshots erstellen, sie ChatGPT zeigen, die vorgeschlagenen Werte lesen und anschließend jeden Regler in Lightroom selbst einstellen. Danach folgt häufig wieder ein Screenshot zur Kontrolle. Bei Hunderten oder Tausenden Fotos kostet dieser Wechsel zwischen KI und Lightroom sehr viel Zeit.Genau deshalb wäre eine direkte Integration so interessant: Die Intelligenz und der Dialog sind bereits vorhanden – es fehlt die direkte Verbindung zu den Lightroom-Werkzeugen.Ich würde mir wünschen, innerhalb von Lightroom beispielsweise sagen zu können:„Vergleiche diese zehn Aufnahmen und markiere die drei besten.“„Welche davon würdest du löschen und warum?“„Entwickle das ausgewählte Bild natürlich, etwas wärmer und mit schönen Hauttönen.“„Das ist mir zu gelb. Mach es etwas neutraler.“„Die Personen sind noch zu dunkel. Erstelle eine Personenmaske und gleiche sie dezent an.“„Übertrage diesen Stil auf die restliche Serie, passe aber jedes Foto individuell an.“Die KI sollte daraufhin direkt die Lightroom-Einstellungen verändern, statt mir lediglich zu erklären, welche Regler ich selbst bewegen muss. Alle Änderungen sollten weiterhin vollständig sichtbar, nicht-destruktiv und jederzeit korrigierbar bleiben.Noch spannender wäre es, wenn Lightroom aus diesem Dialog lernen könnte. Wenn ich beispielsweise häufig sage „zu gelb“, „Gesichter etwas heller“, „weniger Sättigung“ oder bei der Bildauswahl bestimmte Aufnahmen bevorzuge, könnte sich nach und nach mein persönlicher Bearbeitungs- und Auswahlstil entwickeln.Damit würde Lightroom nicht einfach eine weitere automatische Bildoptimierung bekommen. Es wäre vielmehr ein persönlicher fotografischer Assistent, mit dem man sprechen kann und der gleichzeitig direkten Zugriff auf die vorhandenen professionellen Lightroom-Werkzeuge besitzt.Mein Wunsch wäre letztlich sehr einfach: Ich möchte möglichst viel Zeit mit Fotografieren verbringen und möglichst wenig Zeit mit dem Abarbeiten von Tausenden Bildern am Computer. Die kreative Entscheidung möchte ich behalten – die repetitive Arbeit darf die KI gerne übernehmen.
fallas en la aplicación! edita un vez pero luego no se puede corregir! muchos problemas ultimamente!
I'm having an issue where my stylus's eraser button (side button) no longer works as an eraser shortcut in Photoshop, even though it used to work fine before.My setup:Laptop: Lenovo Yoga Duet 2020 (2-in-1 tablet with built-in active pen, non-Wacom) Photoshop version: 2024 (please let me know if I should share the exact build number from Help > System Info) OS: Windows 10Symptom:Pressing the pen's side button no longer triggers the eraser tool in Photoshop. I confirmed this is NOT a hardware/driver issue — the pen's button works perfectly for erasing in OneNote and other native Windows Ink apps. This means Windows Ink itself is working correctly; the problem seems isolated to how Photoshop interprets the pen's eraser signal.What I've tried:Reset the Eraser tool (right-click in options bar > Reset Tool) Confirmed "Spring-loaded Keyboard Shortcuts" is enabled in Preferences > General Checked layer isn't locked (transparent pixels lock is off) Briefly tried forcing WinTab mode via PSUserConfig.txt (UseSystemStylus 0) — this actually broke pen input entirely, since my pen has no WinTab driver support, only Windows Ink. Reverted this change.
Hi there,Please could anyone tell me if there is a way to (or why we cannot) reorder the colours in the drop-down colour palette…?I have created several colour groups and swatches (lower down the list than shown in the image below), but there doesn’t seem any easy way to simply reorder it so the colours and groups I use most are on the top… It would be so much easier if I could just move my favourite / regular colours by clicking on the line and moving it up or down the list. This would seem an easy thing to implement, but no-one seems to know why the functionality is not already there. What am I missing, and can anyone help?I note there is not even an “Adobe Indesign” category in the drop-down list for Feature Requests, so I’d like to know where I’m supposed to be sending this… ?R A B
I've been playing with the unreal engine server plugin in Nuke and it is really useful. You can link to unreal engine and render passes from the nuke interface as well as update camera lights etc and then comp. Really useful and would be great to have in after effects. Thanks
The CreativeCloud Desktop App shows a red badge indicating that I have notifications in the CC Menu. But really, these messages rarely require my attention as they seem to be mostly marketing Adobe Live events, font releases, etc. When I see the red dot in my menu bar, I think that my apps need updating. I'm becoming desensitized to this because, more times than not, the notifications are announcements instead of needed updates.It's not that I don't find the list of announcements valuable - I just feel that they inappropriately use the notification alerts. As a paying customer, I don't understand why I'm being encouraged to look at marketing material.
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