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creativedonkeyParticipant

After effects Spline Modeling with Lathe featureOpen for Voting

After effects has a Extrude modeling tool already that helps to extrude texts and shapes.I have used it to model simple things. If After effects can also have Lathe feature so we can do simple spline modeling by lathing the pen shapes it will be an aded 3D feature.  

1
thepixelsmith
Forum|Forum|2 months ago
sydneystewart13Participant

would be nice to have pages of boards within one file, similar to figma to section out the content furtherOpen for Voting

Adding pages to the boards, similar to how Figma uses pages in their design files, could help section out the creative further.Example use cases:All the content generated for a Round 1 of Creative Development could live in a page. Then Round 2 would have its own page. Batch photography creation could be segmented across pages. Lifestyle with product on one page, lifestyle without product on another, product imagery on another, etc.Essentially, giving the board even more longevity and collaboration instead of only relying on the sections tool or manually organizing.

0
Forum|Forum|2 months ago
Sam300869056tobParticipant

Control of video quality being exported so it matches what it looks like in the studio. It only downloads a compressed version that looks flat and dark.Open for Voting

I am assuming this is a feature issue and not just a bug since others have reported the same thing. The exported video quality is rubbish and there are not settings available to fix this in exporting the video. It takes a well lit video and flattens it and darkens it to the point where it is too compressed to get that quality back. 

0
Forum|Forum|2 months ago
michaljanata
michaljanataInspiring

Better Grid settings optionOpen for Voting

It would be nice to have some better tool to change Grid settings easily (any extra panel, section in Options panel etc.), not just in Preferencies.

0
michaljanata
Forum|Forum|2 months ago
Emma3dParticipant

PaintedOpen for Voting

Hello Adobe Substance 3D Painter team,I would like to suggest a few features that I believe would significantly improve the hand-painted texturing workflow. One-click Color Picker Remove the confirmation click after using the Color Picker. When pressing P and clicking on a color, it should be selected immediately without requiring a second click to confirm. Hide Mesh Parts by UV Islands Add the ability to hide or isolate mesh parts based on UV islands. This would make it much easier to paint areas that are occluded by overlapping geometry without constantly changing camera angles or manually hiding meshes. Photoshop Live Connection Add a live connection between Substance Painter and Photoshop. This would allow artists to use Photoshop's advanced selection tools (such as the Lasso, Polygonal Lasso, Magic Wand, etc.) and have the changes update directly in Substance Painter. More Color Picker Layouts Add additional color picker interfaces, such as: Triangle color picker Square color picker Wheel + triangle Other common color selection layouts This would allow artists to choose the interface they are most comfortable with. Improve Brushes for Hand-Painted Textures Expand and improve the default brush library with more brushes specifically designed for hand-painted texturing. Include better blending, edge control, texture brushes, stylized brushes, and customizable brush dynamics. Lockable Color Palette Allow the Color Palette or Color Picker panel to remain open while painting. This would make it much easier to quickly adjust hue, saturation, and value without repeatedly reopening the color picker. An option to pin or lock the panel in place would greatly improve the painting workflow. Thank you for continuing to improve Substance 3D Painter. These additions would make the software even more efficient for artists working on stylized and hand-painted assets

1
Rizum
Forum|Forum|2 months ago
DemSignParticipating Frequently

Please Put Smart Quotes in TranscriptionsOpen for Voting

I waste HOURS just fixing dumb quotes in transcriptions. It’s insane that your transcription AI thinks it’s 1995.This is the single hardest part of my workflow.

7
Forum|Forum|2 months ago
JasonSTXParticipant

Remove Prompt LimitationOpen for Voting

Would it be possible to remove, or significantly increase, the token limit for prompts in Adobe Firefly?The current limitation severely restricts the usability and creative potential of the tool. Specifically, when working with Seedance, this limit becomes a major bottleneck. Seedance can easily process very long and detailed prompts without any issues, yet the Firefly platform automatically blocks them once they reach an arbitrary length limit.Having this restriction on the platform side when the underlying workflow can handle it perfectly fine is counterproductive and limits advanced use cases. Removing this cap would vastly improve the user experience and allow for much greater creative control.Thank you for considering this request.

1
Hajar Toutsi
Forum|Forum|2 months ago
Andrei2103
Andrei2103Participant

Prompt limitationOpen for Voting

Why can’t I write long prompts? Why is there a limit on prompt length? I have a paid subscription, but the number of words is limited in Adobe Firefly. Why is that? I’m even thinking about switching to another AI just because of this. What’s the problem? How can I remove this limitation? I need to write a more detailed prompt, but I can’t because of the restrictions!

3
droopydog500
Forum|Forum|2 months ago
mariow36547633
mariow36547633Participant

Please add 9:16 to Runway Gen 4.5Open for Voting

Runway Gen 4.5 should have 9:16 not just 16:9. Please work to make that possible, I have to get a runway account to generate 9:16.

1
Forum|Forum|2 months ago
Will..Inspiring

Global option to DISABLE 'Auto Bezier'Open for Voting

I have been a professional video editor for 20 years. I work daily on video commercials for some of the biggest brands in the world.In my 20 years of professional paid work, I have NEVER even once needed or wanted to use ‘auto bezier’ on keyframes. It is a completely useless feature that for some reason CONSTANTLY resets as the default setting when creating position keyframes. It’s a waste of time for it to default to ‘auto bezier’ everytime I create a position keyframe because I then have to right click the keyframes and convert them back to linear.1) So it should NOT ever change or default from Linear to ‘auto bezier’, unless I SPECIFICALLY click the ‘auto bezier’ option. (Which I never will)2) or there should be a global option in preferences to DISABLE auto-bezier so it can’t even be clicked. This would be great; because I hate auto-bezier so much. It has wasted thousands and thousands of mouse clicks and time over the years... I literally have a preset created in every project I work on where it has position keyframes created and then converted back to Linear just to avoid it from happening by default. Thank you.

1
Forum|Forum|2 months ago
Kumardipesh438Participant

Allow Warp Stabilizer and Speed/Time Remapping on the same clip without NestingOpen for Voting

As a cinematic video editor, I frequently use slow motion and stabilization together. Currently, Premiere Pro gives an error and forces us to Nest every single clip. Nesting hundreds of clips ruins the editing workflow, makes timeline management messy, and wastes a huge amount of time. Please update Premiere Pro so that the internal 'Order of Effects' handles Speed and Warp Stabilizer together automatically, without needing a Nested Sequence.

2
Ann Bens
Forum|Forum|2 months ago
Mish_Herndz
Mish_HerndzParticipant

In-App Spell Check and Misspelling Correction for Text LayersOpen for Voting

After Effects In-App Spell Check and Misspelling Correction for Text Layers: Feature SummaryPlease add a built-in spell-checking and misspelling correction system to Adobe After Effects for text layers.After Effects is frequently used to create title sequences, advertisements, social media content, lower thirds, presentations, and motion graphics containing large amounts of text. However, there is currently no convenient way to identify spelling mistakes directly inside the application.Proposed FunctionalityThe feature could automatically detect misspelled words inside text layers and provide:A colored underline beneath possible misspellings Right-click spelling suggestions One-click word replacement “Ignore,” “Ignore All,” and “Add to Dictionary” options Support for multiple languages The ability to enable or disable spell checking A project-wide spelling review panel The option to scan all compositions and text layers for errorsWhy This Feature Is NeededSpelling mistakes in motion graphics are easy to overlook, especially when working with:Large projects containing many compositions Multiple text layers Fast client revisions Captions and subtitles Foreign-language content Templates containing editable text Small or animated typography that is difficult to reviewCurrently, users often need to copy text into another application, such as Microsoft Word, Google Docs, or an online spell checker, and then paste it back into After Effects. This interrupts the workflow and increases the possibility of formatting errors or missed corrections.Suggested WorkflowWhen a user enters text into a text layer, After Effects could underline suspected misspellings. The user could right-click the word to view suggested corrections or open a dedicated Spell Check panel to review every text layer within the project.A project-wide option would be especially valuable because text may be hidden inside pre-compositions, Essential Graphics templates, or duplicated compositions.BenefitsThis feature would:Reduce embarrassing spelling mistakes in final exports Improve quality control Save time during client revisions Keep the entire text-review process inside After Effects Improve workflows for motion designers, editors, agencies, social media teams, and template creatorsSpell correction is a standard feature in many writing and design applications. Adding it to After Effects would provide a meaningful quality-of-life improvement for anyone creating text-based motion graphics.This feature exist already in Photoshop and illustrator; why not add it to after effects as well.

0
Mish_Herndz
Forum|Forum|2 months ago
ShuttleTomParticipating Frequently

Full Screen Preview opens on wrong monitorOpen for Voting

"In Bridge 2026 with multi-monitor setup, the Full Screen Preview (Spacebar) always opens on the main monitor — not on the monitor where the Preview Panel is located. Please add an option to choose which monitor the Full Screen Preview opens on."

0
Forum|Forum|2 months ago
AlanbphotographyParticipant

P: (Masking) fill the center of an outline selectionOpen for Voting

Hello, I often use masking to brighten up a place in the photo, especially for portrait pictures. I always start by selecting the outline of the place I want, except that unfortunately Lightroom Classic doesn’t offer (or maybe a secret function?) to be able to fill the inside of the selection. Because it would save valuable minutes on retouching since I’m not a fan of the automatic skin detection tool. (I often have strange effects on the contours of faces, arms, hands when the background is not the same color. Which is understandable when the colors are a bit similar). I can take about 15 minutes or more for some masks to fill the inside. And even by removing the gradual outline of the brush, to fill the inside and go faster, I often end up with small unpainted spots (setting the exposure to +2.00 to check the entire mask). This option would allow me and could allow us Lightroom users a huge saving of editing time in photography. And as a professional photographer, this time saving is considerable when there are many photos to edit. Thanks in advance,

1
Forum|Forum|2 months ago
ShuttleTomParticipating Frequently

Studio DisplayOpen for Voting

Hello Adobe Bridge Team,I would like to report a long-standing issue with the Preview Panel in Adobe Bridge 2026 on a Mac with Apple Studio Display (5120x2880 / Retina).PROBLEM:The Preview Panel does not scale up images to fill the available panel space. Instead, images are displayed at their native pixel size, resulting in large grey/black borders around the image — even when the image resolution (e.g. 2100px wide) is smaller than the physical display resolution (5120px).This makes the Preview Panel practically useless on high-resolution Retina displays, as images appear very small regardless of panel size.Affected features:• Preview Panel (floating or docked)• Full Screen Preview via Spacebar (opens on wrong monitor in multi-display setups)• "Generate Monitor-Size Previews" option in Preferences → Advanced does not reliably fix the issue and resets after every Bridge restartSETUP:• Mac with Apple Studio Display (5120x2880)• Adobe Bridge 2026• Multi-monitor setup (Studio Display + 2x Dell U2415)REQUEST:1. Add an option to scale up images in the Preview Panel to fill the available space (similar to "Fit to Panel")2. Fix the "Generate Monitor-Size Previews" preference so it persists after restart3. Allow Full Screen Preview (Spacebar) to open on the monitor where the Preview Panel is locatedThis issue has been reported by many users since Bridge 2020 and remains unfixed in Bridge 2026. It significantly impacts professional photo review workflows on modern Retina displays.Thank you for considering this request.

0
Forum|Forum|2 months ago
Olivier Rh�aume
Olivier Rh�aumeParticipant

Hide or remove individual files from the "Recents" list (without deleting the source file)Open for Voting

Currently, in Photoshop, the only way to clean up the "Recents" home screen is to clear the entire recent files history (File > Open Recent > Clear Recent File List). There is no way to target and remove just one specific file from the list.The Feature Idea: I would like to request the ability to remove individual files from the "Recent" list (whether they are stored locally or in the Creative Cloud) without actually deleting the physical file from the disk or cloud storage.How it could work: Simply add a small "X" icon (or a "Remove from Recents" option in a right-click context menu) on the corner of each file thumbnail/list item on the Home screen. Clicking it would immediately hide that specific file from the active Recents list.Why this is important: * Privacy: If we are working on a confidential project or presenting our screen to a client, we might want to hide a specific project from the home screen without losing our entire search history or other active projects. Workspace Organization: It allows users to quickly clean up their workspace by removing finished or irrelevant drafts, keeping only the active files they actually need to focus on.

0
Olivier Rh�aume
Forum|Forum|2 months ago
PKHarmon
PKHarmonParticipating Frequently

Manually sorting of colors in LibrariesOpen for Voting

Could we please get manual sorting back for colors in Creative Cloud Libraries? Automatic sorting is fine, but I usually need to arrange my palettes in a specific visual order, and drag‑and‑drop was the most useful way to do that. Thanks for considering it!

0
PKHarmon
Forum|Forum|2 months ago
Timothy.Spear
Timothy.SpearInspiring

P: Change order of edit/detail iconsOpen for Voting

I do NOT follow the prescribed order from Adobe: Edit -> Light, Color.... My normal flow is to eliminate distractions first. So I 1. Crop/Rotate. 2. Enable Camera Optics 3. Geometry 4. Then start the Adobe flow of "Edit (global) > Light, Color.....   It would be nice if we can change the order of the icons/panels to match how we think.

2
scot.hacker
Forum|Forum|2 months ago
TenTin
TenTinInspiring

An option to disable the "Font Live Preview"Open for Voting

Thanks to the new text panel design (!) that is disgusting (sorry, no offence intended). I find it to be resource-intensive, particularly on my Windows 11 24H1 system with an i7 CPU. Whenever I select a text layer and hover over the fonts list, it consumes huge resources of my system. I would like to request a toggle option to disable the live preview of the fonts (this option is nonsense for me). 

4
TenTin
Forum|Forum|2 months ago
DavidParke
DavidParkeKnown Participant

Make fit to fill (speed/4-point editing) possible when cutting a source sequence *as individual clips* to the program timeline.Open for Voting

In Premiere Pro, Fit to Fill (Change Clip Speed) currently works when: loading a single source clip in the Source monitor and set In/Out, or loading a source sequence as a nest and perform a 4‑point edit. However, if “Insert and overwrite sequences as individual clips” while working from a source sequence (typical “reel” workflow), Fit to Fill is not available. To use Fit to Fill, I have to match‑frame back to the underlying clip in the source sequence, set In/Out again there, then perform the 4‑point edit from that original clip. That breaks the flow and ignores the In/Out I already marked in the source sequence.My common workflow: I build source reels as sequences (dailies, selects, etc.). I load those sequences in the Source monitor with “insert/overwrite sequences as individual clips” so I can cut pieces of those reels directly into the main timeline. Sometimes I want to do a Fit to Fill: I mark In/Out on the source reel and In/Out on the program timeline and expect Premiere to adjust clip speed to fill that duration. Right now, Premiere only behaves and gives the fit to fill option if the source sequence is treated as a nest. When it’s “individual clips,” Fit to Fill doesn’t honor the source sequence’s In/Out and can’t complete the edit. It’s greyed out. The workaround is: Match‑frame to the underlying clip in the source sequence. Re‑mark my source In/Out on that clip. Then perform the Fit to Fill 4‑point edit from that clip. This works technically, but it’s clunky and loses the editorial context of the reel.Requested behaviorPlease enable Fit to Fill / 4‑point editing when cutting from a source sequence as individual clips. An option I am sure the Adobe engineers could implement way better: If I have In/Out set on the source sequence in the Source monitor and In/Out set on the program sequence, Fit to Fill should: Match‑frame to the clip at the source In point inside the source sequence. Respect the source sequence’s In/Out selection (or, at minimum, the duration). Adjust that clip’s speed to fill the program In/Out, the same way it does with a normal clip Fit to Fill. In most real‑world cases, my Fit to Fill range lives inside a single clip in the source sequence, so this is straightforward. If the marked source range spans two source‑sequence clips, Premiere could either: fit only the first clip, or show a Fit Clip dialog with an option like “Span multiple source clips (change speed across them)” to handle the more complex case. Conceptually, the editor’s expectation is:“I marked the section I want in my source reel and marked where it should go in the timeline; Fit to Fill should adjust speed to make that happen, regardless of whether the source is a single clip or a sequence set to individual clips.” Why this improves workflow Editors who cut from reels, dailies sequences, or selects sequences can stay in that context instead of bouncing back and forth to original clips via match‑frame. It makes Fit to Fill consistent with other 4‑point behaviors: four points are set, so Premiere should honor them regardless of source type. It reduces extra operations (match‑frame, re‑mark In/Out, then edit), which adds up significantly on long‑form jobs. Even if there are edge cases with multi‑clip spans, having Fit to Fill work for the common “single‑clip inside a source reel” scenario would be a big quality‑of‑life improvement for editors who love working from sequences in the Source monitor. (although the math to fit to fill when spanning multiple clips really shouldn’t be that hard)

0
DavidParke
Forum|Forum|2 months ago
FeedbackCommunityMemberInspiring

P: Sort by more fields, sort by multiple fieldsOpen for Voting

Metadata fields provide an opportunity to liberate us from the difficulties of using the file system (filenames and directories) for sorting and searching. The Lightroom sort options should take advantage of this. I would particularly like to sort on the Title and Caption fields, and to use multiple sort criteria, as in Sort by Title and then by Capture Time.

47
Riaanvdb
Forum|Forum|2 months ago
svens82Inspiring

Premiere Pro needs to evolve for modern social media editingOpen for Voting

I've been using Premiere Pro for many years, and I genuinely love the software. It's still my primary editor because it's fast, reliable, and integrates perfectly with the Adobe ecosystem.However, I honestly feel that Premiere Pro is slowly falling behind when it comes to modern social media editing.The editing industry has changed dramatically over the last few years. Today, YouTube Shorts, Instagram Reels, TikTok and Facebook videos are a huge part of professional video production. Unfortunately, Premiere still lacks many features that have become standard for this type of work.Some examples:Responsive text backgrounds with rounded corners. Individual background boxes for each text line instead of one large rectangle. Modern text animation presets for social media. Word-by-word caption animations. Better kinetic typography. More caption styles. AI-powered subtitle correction (too many words are still transcribed incorrectly). Better responsive text boxes. Easier creation of reusable title templates. Animated text highlights. Auto-sizing shapes that work correctly with multi-line text. …One simple example:If I write a title over two lines, Premiere only creates one large background based on the longest line. It isn't possible to create separate rounded background boxes for each line without complicated workarounds or building a custom MOGRT in After Effects.This feels like such a basic feature in 2026.I appreciate that Adobe has recently added new transitions inspired by Film Impact, but I think Premiere still lacks many built-in effects that have become standard in modern editing.For example:Film Burn Modern social media overlays Torn PaperMany editors, myself included, still need third-party plugins just to achieve effects that are common across today's social media platforms.The biggest issue for me, however, is text animation.Creating engaging captions shouldn't require switching to After Effects, building a custom MOGRT, or purchasing third-party templates. These should be native tools inside Premiere Pro.What makes this even more frustrating is that software like CapCut already offers many of these features out of the box. I completely understand that CapCut targets a different audience, but professional editors shouldn't have to rely on consumer-focused software just to create modern captions efficiently.Premiere Pro is still one of the best editing applications available, but I believe it's time for Adobe to invest much more heavily in features specifically designed for today's content creators.I'd love to see Adobe focus on making Premiere the best tool not only for traditional film editing but also for modern social media production.My biggest feature requests would be:Responsive multi-line text backgrounds (one rounded box per line) Modern built-in social media text animations Word-by-word caption animation presets Better kinetic typography tools Auto-resizing text containers More built-in effects commonly used in social media editing. More modern title templates and caption presets Better Motion Graphics tools directly inside Premiere Pro without requiring After Effects for common tasks More keyframe presets and animation presets (bounce, pop, overshoot, elastic, smooth reveal, etc.).Professional editors shouldn't have to choose between the power of Premiere Pro and the convenience of social media editors. Premiere Pro should offer both.I truly hope Adobe continues investing in this direction. Premiere Pro is an amazing editor, but I believe it could become the undisputed industry leader again by embracing the needs of today's social media creators.Greetings,Sven

0
Forum|Forum|2 months ago
Emma3dParticipant

HandPaintedOpen for Voting

Hello Adobe Substance 3D Painter team,I would like to suggest a few features that I believe would significantly improve the hand-painted texturing workflow. One-click Color Picker Remove the confirmation click after using the Color Picker. When pressing P and clicking on a color, it should be selected immediately without requiring a second click to confirm. Hide Mesh Parts by UV Islands Add the ability to hide or isolate mesh parts based on UV islands. This would make it much easier to paint areas that are occluded by overlapping geometry without constantly changing camera angles or manually hiding meshes. Photoshop Live Connection Add a live connection between Substance Painter and Photoshop. This would allow artists to use Photoshop's advanced selection tools (such as the Lasso, Polygonal Lasso, Magic Wand, etc.) and have the changes update directly in Substance Painter. More Color Picker Layouts Add additional color picker interfaces, such as: Triangle color picker Square color picker Wheel + triangle Other common color selection layouts This would allow artists to choose the interface they are most comfortable with. Improve Brushes for Hand-Painted Textures Expand and improve the default brush library with more brushes specifically designed for hand-painted texturing. Include better blending, edge control, texture brushes, stylized brushes, and customizable brush dynamics. Lockable Color Palette Allow the Color Palette or Color Picker panel to remain open while painting. This would make it much easier to quickly adjust hue, saturation, and value without repeatedly reopening the color picker. An option to pin or lock the panel in place would greatly improve the painting workflow. Thank you for continuing to improve Substance 3D Painter. These additions would make the software even more efficient for artists working on stylized and hand-painted assets.

0
Forum|Forum|2 months ago
keith864Participant

Please copy the Render Queue from After Effects and incorporate it into Premiere. Reason: helpful list of renders with links to the render's location on the drive. It's saved me many times.Open for Voting

Please copy the After Effects “Render Queue” incorporating it into Premiere. Reason: helpful list of renders with links to the render's location on the drive. It's saved me many times.AE Render Queue with clickable links to saved drive locations. 

0
Forum|Forum|2 months ago
Eyemo
EyemoKnown Participant

External USB Device Support in Premiere MobileOpen for Voting

Add support for editing with media remaining in place on external USB-connected drives (such as via the Files app) on iOS and iPadOS. LumaFusion is a great example of a iPhone/iPad app that allows this (as do Resolve and Final Cut on iPad)

1
Eyemo
Forum|Forum|2 months ago
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