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Noble31
Noble31Participant

QuickShape drawing mode for Brush & Eraser ToolOpen for Voting

Just like in Procreate.Draw a shape and hold your pen at the end of the stroke to create a perfect Circle, Oval, Square, or Line using your existing brush and stroke pressure.I have read lots of posts asking for this in the community and the solution offered was to use the shape tool…. That’s not a solution that’s a problem.I want to snap to shapes and lines using my custom brush with my desired pressure. I couldn’t believe how much better I felt and could draw using procreate. This feature is more than a tiny one, this feature can absolutely make or break your growth and successes as a graphic designer. I talk with lots of friends who are illustrators who work for Nike, Pacsun, Under Armour, etc on a regular basis and there’s one thing they ALL have in common. Procreate. Procreate. Procreate. Not a single one of them uses photoshop, not one. Why should I?All of their responses are nearly identical. the auto shape features are one of the “very first” and “most essential” tools they use when creating art, they can’t live without it. They probably wouldn’t have the career they have without that tool because they wouldn’t be able to make what they make. I don’t think I should have to explain why this feature is more than essential if photoshop wants to stay a viable option for digital illustration. Day by day procreate is actively taking primary attention of every designer I know and it’s going to take mine if a feature like this doesn’t get launched in the next year or so. Anyone actively wanting this feature can confirm it’s probably going to be worth leaving Adobe for.  Don’t get this wrong: I Love Photoshop. This is a cry for help Adobe. I genuinely can’t ride with you anymore if you can’t make this simple thing happen. I deserve better tools as a full time illustrator and I’d like it to come from you. Not a cheaper competitor. 

0
Noble31
Forum|Forum|2 months ago
stilophotoParticipating Frequently

P: Access Adobe Creative Cloud on Local Tab (with Metadata)Open for Voting

I would like to be able to use the Adobe Creative Cloud to be able to able to be viewed from the local tab. Sharing cloud access to other users with a license I would be able to do the Lightroom CC features like storing the metadata associated with it. So any flags, ratings, and other edits settings could be used like a traditional NAS or direct file settings. It would also be great to be able to add or delete things from those files. This would help with culling with multiple users.Additionally, it would have more flexibility to do large projects all at once and reduce the amount of downloading files to import to your own Lightroom library or working from direct files which kinda defeats the purpose of using Lightroom cloud based.

0
Forum|Forum|2 months ago
FeedbackCommunityMemberInspiring

P: Enable the pick/reject flag, star rating & tag function for albums shared w collaboratorsOpen for Voting

Insert the possibility for collaborators to be able to use the V (selected) and X (reject) flags in the shared photos and also the star rating. Additionally, contributors can't use tags in shared albums.It is very important that these possibilities are active because it helps to work the photographs faster between the various teams to which the photo albums have been shared.

41
Forum|Forum|2 months ago
Susanne01Participant

P: Add third-party lens profile into Adobe Lightroom databaseOpen for Voting

Hi there!We are a lens manufacturer and wanna add our lens profile into Adobe Camera Raw and Lightroom's official lens correction database.As a lens manufacturer, we understand that Adobe supports lens-specific correction profiles for RAW workflows, including distortion correction, vignetting compensation, and chromatic aberration optimization. We would be very interested in collaborating with your team to provide the necessary technical data and testing materials required for profile creation and validation.Could you please advise on the official submission process for lens profile integration and the appropriate contact person or technician responsible for third-party lens profile onboarding？ Cheers,

2
Forum|Forum|2 months ago
smoore1414Participant

Add “Masks” Folder Location to Project Settings - Scratch Disk PreferencesOpen for Voting

Please add the Masks folder destination to the Project Settings - Scratch Disks panel so editors can control where it’s stored.Right now, having it auto-create in unmanaged locations: Creates unnecessary project clutter Disrupts organized folder structures Complicates backup workflows For those of us who maintain strict file hierarchies (especially in professional post-production environments), centralized media and cache control is essential. Every other major generated asset type can be directed — Masks should be consistent with that logic.Y’all - Please upvote so we can get this added!!

1
christianc88284162
Forum|Forum|2 months ago
johanParticipant

ruido de fondo eliminado, opcion eliminadaOpen for Voting

por que eliminan algo que ya funcionaba, importo un audio y solo deja mejorar la voz de 0% a 100% queriendo mejorar todo en una sola barra, por que eliminan la otra opcion que te permitia mover que tanto ruido de fondo se podia eliminar o balancear, ahora todo lo hace en UNO y queda horrible

0
Forum|Forum|2 months ago
Binil AbrahamParticipant

bloom effectOpen for Voting

I would love premiere to have a list of featuresbloom effect halation effect object tracking and stabilisation - so that i dont need to go to ae to do the job depth map so that the background colors can be manupulated. the object masking tool creates a halo effect near the ears its not accurate Profession video de noiser or de grain

0
Forum|Forum|2 months ago
Binil AbrahamParticipant

When i create a project in a certian directory, i edit the video and while exporting, I need to choose the directory again to save the video, it should bring in the directory path automaticallyOpen for Voting

When i create a project in a certian directory, i edit the video and while exporting, I need to choose the directory again to save the video, it should bring in the directory path which i used to open the project in the export page automatically. Cause every edit file has a different directory for me. It will make my life easier.

0
Forum|Forum|2 months ago
Margot GabelParticipant

Compare upscaled results to starting imageOpen for Voting

When upscaling an image with Firefly, we should be able to compare the results before and after upscale.

0
Forum|Forum|2 months ago
MaaaritParticipant

Feature Request: Option to Ripple Audio Track Keyframes When EditingOpen for Voting

Currently, when I create keyframes on an audio track in Adobe Premiere and later make timeline edits (such as trimming or rearranging clips), the keyframes remain fixed at their original positions. This often causes misalignment between audio adjustments and the edited sequence, requiring tedious manual corrections.A valuable enhancement would be to introduce an option similar to “Markers → Ripple Sequence Markers”, allowing users to choose whether audio track keyframes should maintain their relative timing and move with the edits (ripple) or stay locked to their original positions. This flexibility would greatly improve workflow efficiency when making structural changes after detailed audio adjustments. Example Use Case:When recording a voice-over and mixing “live” using submixes, it becomes extremely cumbersome to make changes later—such as closing a gap before an interview soundbite (O-Ton). Without ripple functionality, every keyframe adjustment must be manually realigned, which slows down the process and increases the risk of errors.

5
Forum|Forum|2 months ago
Adobe Employee
inSided SuperAdminAdobe Employee

Test bug reportOpen for Voting

I want to check bug reports in this new category

0
Adobe Employee
Forum|Forum|2 months ago
Matthias.G.ermanyInspiring

use remove background mask layer to create a correct cutting path by "Create work path from selection"Open for Voting

Your background removal tool has seen significant improvements over the past month. However, why is the quality of the path generated by the „Arbeitspfad aus Auswahl erstellen“ in German Photoshop <<Make Work Path from Selection>> function so poor?In my daily workflow, creating clipping paths for stock agencies and product libraries remains extremely time-consuming. Even in 2026, such clipping paths are still required. Yet, the current automatic path generation produces flawed angles and far too many anchor points. The resulting clipping path is useless and is rejected by database systems!Please help me speed up the manual creation of clipping paths in Photoshop 2026 by modernizing the "Make Work Path from Selection" function and fully leveraging the background removal engine. It is crucial that the process doesn't place thousands of points—using perhaps only 10–15% would suffice—while still delivering a satisfactory result. Humans are capable of this; it would be great if the AI ​​could do it, too.   

2
c.pfaffenbichler
Forum|Forum|2 months ago
mihinduep33865670zkcgParticipant

Why the "Next Era" of Adobe Belongs to AI-Driven InterfacesOpen for Voting

Subject: Deep Integration: Why the "Next Era" of Adobe Belongs to AI-Driven InterfacesDear Adobe Leadership Team,I recently read a deeply analytical piece on MakeUseOf titled "It's officially the end of an era for Adobe," which discussed the shifting dynamics of the creative software market. The article outlines how historical dominance—built on engineering marvels like PostScript, strategic acquisitions like Macromedia, and the transition to the Creative Cloud subscription model—is facing unprecedented friction from agile, cloud-native competitors and regulatory barriers.While some market analysts view this as the sunset of an era, I believe it actually signals the dawn of an even greater one—provided Adobe treats Artificial Intelligence not just as an auxiliary tool, but as the foundational user interface for all its creative applications.AI isn't a threat to Adobe’s legacy; it is the roadmap for its future.By systematically embedding generative and assistive AI as the core interface layer across Photoshop, Illustrator, Premiere, and the rest of the Creative Cloud suite, Adobe can fundamentally redefine how human creativity happens. Rather than forcing creators to navigate deep menu hierarchies or complex manual workflows, an AI-first interface turns software into an active collaborative partner.This transformation would solidify Adobe's future in three distinct ways:Lowering the Barrier, Raising the Ceiling: It democratizes high-end professional design for beginners while vastly accelerating the workflow of seasoned professionals, ensuring your user base continues to grow. Defeating Point-Solution Competitors: Emerging AI startups only handle single tasks (like basic text-to-image or video generation). Adobe possesses the unique advantage of an end-to-end ecosystem. An AI interface that natively bridges vector design, raster editing, and video production under one cohesive neural canvas would be entirely unmatchable. Evolving the Value Proposition: It changes the public perception of the Creative Cloud from a strict "unavoidable subscription utility" to an "indispensable creative engine" that actively adds hours back to a creator's day.The history of Adobe is defined by bold tech leaps—from desktop publishing in the '80s to the cloud pivot in 2013. The market may be shifting, but by fully embracing AI as the absolute future of user interaction, Adobe won't see the end of its era. It will simply author the next one.Thank you for your time, vision, and ongoing dedication to the creative community.Warm regards,Mihindu Pulukkody.(I am an Adobe enthusiast)  

0
Forum|Forum|2 months ago
EPICDirector
EPICDirectorKnown Participant

P: Import folder colors when using File>Import from another catalogOpen for Voting

Folders with images are color coded for progress through my workflow. These disappear when using Import from another Catalog.

1
JohanElzenga
Forum|Forum|2 months ago
ANU29869497po8nParticipant

Request for Adobe Premiere Pro to support WebM filesOpen for Voting

Dear Adobe Support Team,I am writing to request that Adobe Premiere Pro add support for WebM files in its video editing software. I have found it frustrating that WebM files are not currently supported in the software. WebM is a popular video format used by a lot of people on the web, particularly for online content such as YouTube videos.Currently, I am unable to import WebM files into Premiere Pro and edit them directly, which limits my ability to work efficiently and creatively. It would be very helpful if Adobe could add support for WebM files in the next version of Premiere Pro or through an update.I rely on Premiere Pro to produce high-quality content. The lack of support for WebM files makes it difficult for me to work with content that has been recorded or exported in this format. This has caused frustration and delays in my work, which could be avoided if WebM files were supported.I believe that adding support for WebM files would greatly enhance the user experience and help Premiere Pro stay competitive in the market. Many users, including myself, would greatly appreciate this feature.Thank you for your time and consideration of my request.

15
Mina|KawaiiEngine
Forum|Forum|2 months ago
real_5081Known Participant

Relinking media is far too slowOpen for Voting

Premiere desperately needs a more intelligent way of relinking media. Sometimes I need to quickly open a large project to look for something but I have to wait a full age of man before I can actually look at anything in my sequence because relinking is so ABSURDLY slow!   Can we please have the option to relink only the media from a specific sequence and not the ENTIRE project. It's just one the many unnecessary slow downs, and all these little bottlenecks are by far the worst part of editing in premiere

0
Forum|Forum|2 months ago
mo_8237Participant

Trim mode viewer auto-maximize like AvidOpen for Voting

I would like to request an improvement to the Trim Mode interface in Premiere Pro. Currently, when entering Trim Mode, the program monitor splits or provides a layout that feels cramped compared to Avid Media Composer.I want an option to automatically switch to a dedicated, large dual-monitor layout—similar to Avid's Trim Mode—where both the Source (outgoing) and Program (incoming) frames are displayed in full size across the screen.The current dynamic trim workspace doesn't provide enough visual clarity for precision frame-by-frame trimming on complex timelines. Having a native, spacious Avid-style trim interface would significantly improve the cutting workflow for long-form and narrative editors.Thank you for considering this request!

1
DJP2014
Forum|Forum|2 months ago
Tatsuya356939261wdgParticipant

Add sRGB / NCLC 1-13-1 Export Option to PremiereOpen for Voting

Feature Request: Add sRGB / NCLC 1-13-1 Export OptionPremiere Pro can correctly recognize media tagged as NCLC 1-13-1 as sRGB, but it cannot export H.264 or ProRes with this tag.Our CG workflow uses an sRGB / gamma 2.2 viewing environment. Premiere currently exports H.264 as 1-1-1, which causes it to appear darker than the original sRGB PNG in color-managed players.I tested changing only the metadata, without re-encoding:Primaries: BT.709 — 1Transfer: sRGB — 13Matrix: BT.709 — 1Range: VideoThe resulting 1-13-1 H.264 closely matched the original sRGB PNG in:macOS QuickTime PlayerWindows Media PlayerVLCRVPremiere ProPremiere and RV also correctly recognized the modified file as sRGB.Please add an export option for sRGB / NCLC 1-13-1, especially for H.264 and ProRes. Ideally, users should be able to select the output primaries, transfer characteristics, matrix coefficients, and range independently.This would be very useful for CG, animation, web, and other sRGB-based workflows.

0
Forum|Forum|2 months ago
jackwodehouse
jackwodehouseParticipant

P: Satellite detection in remove toolOpen for Voting

There are a lot more satellites in the night sky than there used to be and it’s a nightmare trying to remove them all manually from multiple exposures of a night scene. I love the AI-powered removal of dust and people and was thinking it would be great if Lightroom could also detect satellite streaks in night photos. The attached is an example of a single exposure with at least ten satellite streaks - just one from a series of 150 photos for a timelapse/star trails composition. 

0
jackwodehouse
Forum|Forum|2 months ago
Massimo BaschettiParticipant

Richiesta di reinserimento degli strumenti di analisi BPM e griglia musicale in Adobe Audition 2026Open for Voting

Sono un utente professionista di Adobe Audition da oltre 25 anni specializzato nel sound design e nell'editing audio multipista per il settore del fitness musicale ad alto livello (Indoor Cycling / Aerobica ecc). Per il mio flusso di lavoro chirurgico sulla forma d'onda, utilizzo ancora oggi con enorme soddisfazione la storica versione Audition 3.01, che ritengo imbattibile sotto molti aspetti musicali. Con questa nota desidero sottoporre alla vostra attenzione una forte richiesta di feedback a nome di una vasta fetta di professionisti dell'audio: il reinserimento del motore di estrazione e analisi dei BPM e della griglia temporale basata sui quarti musicali, strumenti che erano nativi e perfetti nella versione 3.01 e che sono stati successivamente rimossi nelle suite Creative Cloud. Oggi, nel 2026, il mercato multimediale è dominato dai contenuti short-form (Reel di Facebook e Instagram, TikTok, Shorts di YouTube). Chi lavora nel montaggio audio e video ha la necessità assoluta di sincronizzare i tagli, gli effetti e le transizioni perfettamente a tempo di musica (Beat-matching).La rimozione delle funzioni di calcolo dei BPM e della gestione dei loop musicali costringe noi professionisti a utilizzare software esterni di terze parti, interrompendo la fluidità del lavoro all'interno dell'ecosistema Adobe. Poiché i vostri programmatori possiedono già questo codice nei vostri archivi storici, implementarlo nuovamente nella versione Audition 2026 (magari migliorando l'integrazione con la timeline di Premiere Pro) rappresenterebbe un valore aggiunto straordinario per tutta la community di creatori di contenuti.Sperando che questa richiesta venga presa in seria considerazione per i prossimi aggiornamenti, vi ringrazio per la dedizione nello sviluppo di questo storico software. Cordiali saluti, Massimo Baschetti Istruttore Certificato & Sound Designer per il Fitness Musicale

0
Forum|Forum|2 months ago
esraParticipant

P: The full list of people invited by email to a shared album should be displayedOpen for Voting

Ich würde mir wünschen, dass in Lightroom Desktop die vollständige Liste der per E-Mail eingeladenen Personen eines freigegebenen Albums angezeigt wird. Momentan ist diese Information auf dem Desktop nicht oder nur eingeschränkt sichtbar.Für Fotografen ist es wichtig, jederzeit sehen zu können:wie viele Personen Zugriff auf ein Album haben, welche E-Mail-Adressen eingeladen wurden, welche Berechtigungen die einzelnen Personen besitzen.Diese Funktion würde die Verwaltung freigegebener Alben deutlich verbessern und viel Zeit sparen.Vielen Dank, dass Sie dieses Feedback berücksichtigen.

2
Rikk Flohr-Retired
Forum|Forum|2 months ago
timc60105938Known Participant

Transcription: Rename speakers in timeline modeOpen for Voting

Please make it more intuitive to rename speakers after transcription without having to manually pull up the source file and open the text option in the source file. When attempting to rename speakers in the timeline mode, automatically bring me to the source file and into the rename option… save me some steps and make this more intuitve please. 

1
Stan Jones
Forum|Forum|2 months ago
Enchanted_passion5E88
Enchanted_passion5E88Participant

Creative Cloud app / Font management improvements: grid view, categories, etc.Open for Voting

Fonts.adobe.com has a great UX. But after installing fonts it is hard to find them in the Creative Cloud desktop app. It would be great to have some of the same features like the website in the app, like: Grid viewThe iOS CC app has this feature but sadly the desktop version doesn't have it yet.Adobe Fonts website also has a text size slider and a sample text input field which would be also great. CategoriesWould be great to be able to categorise fonts by projects, styles, etc. to find them.Thanks you very much for listening!

2
Forum|Forum|2 months ago
pix123Participant

P: Zoom in on the actual focus point.In Development

Zoom in on the actual focus point. On the Canon R5 and certainly other models, it is possible to zoom in on the magnified view at the exact point used to focus. With the large images, you don't have to first look for where the sharpness was measured and achieved. I would also like this for Lightroom Classic. When clicking on zoom, jump directly to the point where the sharpness was measured and NOT always to the same point for each image.

4
Rikk Flohr-Retired
Forum|Forum|2 months ago
robkendrew
robkendrewParticipating Frequently

P: Center-radiating "linear" gradientReleased

Is there any way in LrC to create a linear gradient that radiates out equally from the centre rather than always graduating from the top or bottom?   ON1 Photo RAW has this feature and it was a really useful way to accurately mask a section of the image. I suppose one could replicate it with a very large flat radial gradient but I wondered if there was a keyboard modifier that did this to the LR linear gradient that I'm missing or is this something for the next upgrade?

7
Rikk Flohr-Retired
Forum|Forum|2 months ago
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