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奕歌Participant

关于选择工具/套索工具/参考线的改进建议Open for Voting

一、我认为Ail软件中选择工具和套索工具需要改进,这个工具不应该使用接触式选中,例如在多个对象堆叠在一起的极为复杂的作品中,我要用选择工具去选其中的一部分对象时,本来可以使用框选可以很快选中对象,而当我在框选时,所有接触到的对象都被选中了,这极其不合理,最后只能点选配合键盘来加选,这种选择方式极为低效,并且,套索工具也是接触式选中的话,这个工具就没有任何意义了,试想,当我在圈选堆叠的对象时,圈选了要选择的对象,而我不想要的却被触碰到而选中,所以这个工具基本没有使用意,可以参考affinity和coreldraw中的选择工具,可以根据鼠标运动方向来决定是接触式选择还是框选。如下图所示,我用套索选绿橙两个对象,而无意选中很多不想要的对象:二、另外贵公司所有平面产品中都可以新建参考线,而为什么在Ai中不能新建参考线,而是要通过对象转化参考线?如果没有新建参考线的功能就应该考虑在新建页面让用户设置边距,没有这个功能,在画册设计中,就不能快捷解决页面边距问题,希望改进,就增加一个菜单命令的事。三、动态辅助线和捕捉对象,希望能做到像Affinity那样强大,在操作中,可以动态捕捉到各种点/线/角度的元素,移动对象还可以呈现离周边对象的距离,基本上不用怎么使用对齐功能,在操作过程中,动态辅助线就帮你解决了。

Gabby16bit
Gabby16bitKnown Participant

Add Dynamic Zoom in Premiere Pro! (Improving Keyframing in PP)Open for Voting

Keyframes are something we constantly use in Premiere Pro, especially for common tasks like zooming in, zooming out, or zooming to specific corners. Over time, people have come up with creative ideas to make this process less tedious and more enjoyable. I'm not suggesting getting rid of the Effects Panel, as we still need the ability to fine-tune keyframes in detail, but I think there should be a quicker, more intuitive way to work with keyframes—something more engaging and fun than constantly clicking on stopwatches.One feature I’d love to see in Premiere is something similar to DaVinci Resolve’s Dynamic Zoom. Essentially, you’d have a set of presets with quick access in the Effects tab, and Premiere Pro could apply a default zoom effect to all clips, which would save a lot of time. Another tool I’m a big fan of is a plugin called DragAndZoom Pro for Premiere.It allows you to drag a box over the area of the screen you want to zoom into, and a transform effect is automatically applied based on your selection. It’s a great feature, but the downside is that you have to press REFRESH every time you want to use it because it relies on a custom screenshot of the program monitor instead of interacting directly with it. If Adobe could integrate this functionality into the Program Monitor, with an option for direct zoom manipulation, that would be a game changer. imagine having a sub-panel where you can drag and zoom directly within the Program Monitor in Premiere, with customizable options for zoom and shutter effects. This would greatly improve the keyframe experience, making it more dynamic and enjoyable to use. I believe there are better ways to streamline keyframing, and I'd love to see more fun, creative approaches to it. Thank you!-Gabriel

Xavier50B6Participant

Ability to batch align multiple timeline clips to their individual timecodes without converting them into multicam sequencesOpen for Voting

Hello,I would like to submit a feature request regarding timecode-based synchronization in Adobe Premiere Pro.In my workflow, I regularly work with a large number of clips (e.g., 100+ clips from multiple cameras) that are already perfectly synchronized using timecode. My goal is to align all clips directly in the timeline based on their individual timecode while keeping them as fully independent timeline elements.At the moment, this is not possible in Premiere Pro. The Synchronize function only works for a small number of selected clips, and larger selections are restricted. This forces users into multicam workflows, which are not always appropriate, especially when full individual clip control is required.What makes this limitation even more surprising is that external tools such as PluralEyes have been able to perform this type of batch synchronization easily for years, including large-scale multi-clip synchronization based on timecode and/or waveform analysis. Given this, it is difficult to understand why a similar capability is not natively available inside Premiere Pro.A simple feature such as:“Batch align selected timeline clips by individual timecode while preserving clip independence”would solve this issue and significantly improve efficiency for many professional workflows (documentary, multicam productions, scripted shoots, and archival projects).This would allow editors to:keep full control of individual clips in the timeline avoid unnecessary multicam structures synchronize large numbers of clips in a single operation rely less on external tools for a fundamental workflow stepI believe this would be a highly valuable addition to an already powerful editing tool.Thank you for your consideration.