Photoshop

I've been using the Variations tool for as long as I can remember. I know it only worked with 32-bit but I used it all the the time for color corrections and would like a new version for 64-bit. Sometimes it's just the only thing that will tweak that color just right.

Pleas ad a good noise filter with size etc and ad a good vignette filter instead of these parafilter

Currently you create a live gradient, then if you move your artwork (including the live gradient), either to a different location on the canvas or to a new artboard, everything moves except the live gradient, which stays in its exact location? We need to have the option so, for example, you can can put a live gradient behind a transparent object and then link them together, so when you move the layer with the transparent object the live gradient moves with it. It’s so frustrating if you have artwork with many live gradients within it and you want to move all the artwork on the canvas, or you want to duplicate your artwork and move it to another artboard, you have to go to every live gradient and move them individually. Very odd that you can’t move them along with other layers.

In Photoshop, when you go to Export, Export As, and choose a jpeg, it says you can include the copyright and contact info, but what about keywords, description and other pertinent info?  All that stuff gets stripped out of the file when using this Export As function, creating more work. What gives Adobe?  That makes no sense.

I want to make sure a user has its ruler origin reseted to document top/left.But I can't reset it by script.

Title says it all. Please give the ability to ease transitions on keyframes in Photoshop Timeline editing. While we're at it, make it possible to edit the length of multiple layers selected at once.

When you create a shape with the Shape tool, all its properties appear in the Properties panel.However, when you create a Shape Path with the pen tool, the only properties that show are Mask “Density” and “Feather”.I realize that the properties like Fill and Stroke are nestled in the top menu bar, but this seems very inconsistent with Shape Paths, which are essentially the same as Shapes.I would like be able to see all the properties that appear in the Properties panel, including Appearance (Fill, Stroke), Pathfinder, and Shape Properties.

Add the ability to paint brush strokes as lines, like in Fresco. When you draw a stroke in Fresco and hold at the end, a perfect line is drawn using your current brush. The only way to accomplish this now in Photoshop is to either Shift-tap (which draws a line from your starting point but with no indication like a rubber band) or to create a path then stroke the path with your brush. Both of these methods are outdated and cumbersome. The Fresco method is much easier and modern.

I'm using a high resolution monitor(2560x1600). As a result, all the the toolbar fonts and menu fonts are small and hard to see. I do not want to lower the screen resolution as this would defeat the purpose of this monitor.. Will the new CS6 have the ability to increase font sizes to accommidate Hi-Res monitors? Thanks Ron Acevedo

Photoshop’s Timeline has significant potential as a lightweight animation and compositing environment. Many professionals use it for:  Frame-based animation Asset preparation for video editing Hybrid pipelines (Premiere / FCP / After Effects) Game and motion asset production   However, Timeline development appears stagnant, and UXP currently does not provide sufficient API access to support serious animation workflows. Ideally, we would like to see Timeline itself strengthened and modernized. But even before that, we urgently need official Timeline / Animation API support in UXP.  Why this matters  Photoshop is transitioning toward UXP-only extensibility.However, UXP currently cannot replace JSX for Timeline automation. Missing capabilities include:  Reliable playhead control Frame-accurate timing control Document duration access Frame rate access Stable batch frame adjustment Exposure of Timeline menu commands   This creates a serious migration blocker. Studios and ind

While I don't really use the 3D tools in PS, the Lighting Effects is very useful and important to me. I use this to create a light on my subjects in portraits. I really hope that this tool would not be removed from future PS. 

The “select people” is great, it’s amazing, because you can automate the selection of clothes, shoes, accessories and things like that… However, it only works if PS finds a face first…Sometimes, users need to use that tool but the photo is cropped and not showing a face, so it won’t detect any face, therefore not showing those options, “but they’re there”…People consider allowing us to select those things even if Photoshop didn’t detect a face first

Add New Adjustment Layer  Shadow and Hightlight  Adjustment Layer Feature in Photoshop

Using PS Ipad Pro: i would like to request a feature like that of Procreate where you can EASILY save sets of swatches, favorite brushes, clear layer gesture, alpha lock.

Currently, the Rotate View Tool performs a GPU-based canvas view rotation without affecting document geometry. Guides remain locked to document coordinates and do not visually rotate with the canvas view.For precision workflows (architecture, product photography, horizon correction), this creates a visual disconnect between the rotated view and guide alignment.Proposed EnhancementIntroduce an optional preference:“Display Guides Relative to View Rotation”When enabled: Guides visually rotate together with the canvas view Guide positions remain document-coordinate based No change to actual document geometry Purely a rendering-layer transformation This would function similarly to how overlays or GPU-rendered UI elements adapt to canvas transformations.Technical RationaleSince Rotate View is already handled at GPU/display level, applying the same transformation matrix to guide rendering should be feasible without altering document data structures.This maintains backward compatibility

This is a no-brainer that should make its way ASAP into 13. Provide users with a way of tweaking their brush settings and then SAVING OVER an existing brush preset, rather than having to create a new one. The brush preset system that has been in place since 5 is a broken user experience. You always create a "throwaway" brush (tip) when you Define Brush Preset, and then you customize its settings and create a New Brush. Then, if you don't like those settings and want to improve them, you are stuck having to create yet another brush preset, and eventually deleting the others. Come on guys, we need something just a little more polished. It's been over ten years now. Fix some basic stuff before launching into crazy new directions like 3D. For the most intuitive user experience, the workflow should be revised. Creating brushes should be a two-step process: 1. create a "brush tip" - these are the sampled pixels only, with no Brush configuration data attached 2. create a "brush" - by selectin

In Photoshop’s main document view I use Z + left mouse drag (Scrubby Zoom) for fast, smooth, continuous zooming while retouching.However, inside Filter → Liquify, zooming with the same workflow is not smooth: it updates in jumps/steps, feels laggy, and is significantly slower and less comfortable. Please make zooming inside Liquify use the same continuous “scrubby zoom” behavior as the main canvas (including tablet pen mapped to LMB), so the zoom speed and smoothness are consistent across Photoshop. Steps to reproduce  Open any image in Photoshop. Hold Z and drag with Left Mouse Button → zoom is smooth and continuous. Go to Filter → Liquify. Hold Z and drag with Left Mouse Button → zoom changes in noticeable steps/jumps.  Expected resultLiquify supports the same smooth continuous zoom (Scrubby Zoom) as the main Photoshop canvas: fast, fluid, precise zooming. Actual resultLiquify zoom is stepped/jittery and slow; not smooth like the main canvas. Why this mattersLiquify is used for

In the 26.11 release, the Tone Curve UI has become a mess. Inside the curve graph, there is an unnecessary gradient background that professionals don’t need, and there is no option to turn it off. More critically, in CMYK mode the Yellow and Black curves are almost completely invisible, yet this was released publicly. This really needs to be fixed.   Yellow channel curve in CMYK mode.   Black channel curve in CMYK mode (drawn in white, completely invisible)   

I find the General setting "Resize Image During Place" a bit misleading, since in reality it only downscales, and does not upscale in relation to pixel dimensions. I take it the current functionality accounting for PPI is very important to people working on print, but perhaps somewhat useless and even a pain for others, who work solely on digital, etc. Hence, I propose the following improvement: Under "Resize Image During Place" add a sub-setting "Upscale to Match Document PPI" (or "Fill Canvas up to Document PPI", just "Ignore PPI" or whatever is a proper name) that would make the "Resize Image During Place" to ignore PPI and work only with pixel dimensions, thus also upscaling the placed image to fill the Document until it meets either Document borders or its full size in Document's PPI, which ever comes first. This new sub-setting would be enabled only when "Resize Image During Place" is checked, and otherwise disabled. Something like this: Perhaps another option

When I use the Color Sampler Tool and place sample points, the Info panel shows point readouts as #1, #2, ….I need these point readouts in HSB, but Photoshop keeps defaulting them to RGB, so I must manually change RGB → HSB for every new point. This becomes repetitive and wastes time.Please add a preference so the Color Sampler point readouts (#1/#2/…) can either:  be set to a default mode (e.g., HSB), or remember the last used mode and apply it to new points.  ❗Note: this request is only about the placed sampler points (#1/#2/…), not the color readout when simply hovering the cursor. System infoPhotoshop 27.3.1 (arm64), macOS 26.2.0, Apple M2 Max, 32 GB RAM 

By now I have muscle memory using the old classic system when using adjustments. But Photoshop has been adding more buttons to this and I would like it to be more customizable. Either being able to turn visibility on/off buttons or move the buttons around.Thank you for reading.

As is shown on the picture, I think a sub menu could really help artists with a million brushes find their brushes.

Please, just lik they are applying in CSP and procreate, it would be so much more friendly to artists who uses Photoshop for their works.

I would like the history panel snapshot to remain visible at the top at all times. Currently when the panel gets full, you have to scroll back to get the snapshots visible. 

If you really want to LIBERATE our creativity, ACCELERATE our work and DRIVE new mediums, then liberate all left handed people from the weight of finding extra solutions to navigate and work fluently in your apps. Thanks! Yes, I'm also saying this because Photoshop for Ipad looks such a Right handed app. So please have mercy on us left handed people!!