Adobe Premiere

The Track Mate Key plugin uses the alpha or luminance information of one clip to key or matte another clip in the same position in the timeline.In previous versions of PP the key clip’s position, size or rotation etc could be animated, and this would flow through to affect the matte for the other clip. The key clip could be trimmed and this had no bearing on the keyframes.Now in 2026.0.1 the Track Matte key plug-in does not recognise that the source clip has been trimmed and offsets the keys as if the clip is untrimmed. This shifts the values of the keyframes out of sync with the timeline, making keyframing the matte clip with Track Matte Key unusable. Please can this be fixed for the next PP update. Thanks, Tom  

I updated a project to 2026, but every single edit operation results in a five second beachball - insert edit, overwrite edit, ripple delete, Track select forward & drag, etc.    All these operations beachball and no input works, then eventually the operation happens.   None of this happens when I open the original project in 2025. I’ve reset cache, updated Blackmagic RAW plugin, restarted computer and app, to no avail. Mac Studio M1, macOS 15.7.2, Premiere 2026.0.1

Adobes Podcase enhancer site is great. I can basically plug in crappy audio, and I thnk it jsut AI clones the voice and spits at a clone with all the background issues gone. I’m wondering...does this exist within Premiere? I looked within the Essential Sound panel but I dont see it an any obvious place. please and thank you!

Font is jagged, cant seem to understand why though - Every text looks like this a bit, some more than others, but in essence all of them have issues, especially the ones with diagonal lines like the A, N, R, V etc My video seems a bit interlaced as well - so weird. I switched recently from a 2060 super to a 7900xtx - could the GPU be the issue here? I thought AMD was the overall best regarding video editing…  

I have been migrating a huge Premiere project into a Production. I’m new to Productions.I’ve been saving sequences as individual projects in the production. So far so good. But what I don’t understand is what to do with my project’s music and graphics assets. When I make a normal project, I make bins in the project that mirror the folders on my disk: 02 Media03 Graphics04 Music …. and so on. So far, I’ve been migrating the “02 Media” sub-bins one by one and turning them into projects in the production. But what do I do with the graphics and music? I want these to be available to all the projects in the production - as they have been in the (very huge) project. Help! (I’ve been avoiding learning this for years, but with years’ worth of footage for this project now, it’s time to move over!) 

O Lumetri Color funciona bem para ajustes básicos dentro do Premiere, mas muitos editores sentem falta de ferramentas de color grading mais avançadas.Tenho percebido cada vez mais profissionais deixando o Premiere e migrando completamente para o DaVinci Resolve, principalmente por causa do sistema de cores muito mais avançado e flexível.Seria incrível ver a Adobe investir mais no Lumetri Color e trazer ferramentas mais profissionais no futuro. Isso poderia ajudar a manter muitos editores dentro do ecossistema Adobe.

I am having a bizarre issue. Currently editing a 3 angle multicam sequence on latest version of Premiere (v25.2.0) on an M2 Macbook. I am editing with a drive that only contains my footage as 576p ProRes proxies. All of the footage and audio is on this one drive.  I have placed my multicam clip into the timeline and it plays smoothly. If, however, I go into multicam mode to switch between angles easily, the playback lags and stutters to a point that it's not really possible to work. One might think that this is a speed issue where my computer for some reason can't handle 3 feeds playing back at the same time, but this does not seem to be the case. If I close out multicam mode and double click on my multicam clip in the timeline, the multicam will open in the Source window. In the Source window, all three angles in the multicam sequence play out flawlessly and smooth. When I playback from the timeline, however, it is still totally choppy and laggy. In fact, every single timeli

Hey All!Has anyone tried the new studio drivers released today? Are there any bug fixes or improvements with Premiere? Has anyone run into any issues with it?  Thanks!

I haven’t seen this before. Same lighting, same camera settings (full manual wb and exposure, though af might have been on) but this time my host’s blue shirt seems to “blink” between a deep blue and more of a purple. Not exactly rhythmic, and not necessarily tied to his movements. I don’t see this in other colors, and I do see it in the scopes. I don’t recognize it as moire, but maybe it’s a weird variation? I’ve tried hue and sat shifts to no avail. Maybe some interference pattern between the sensor and the somewhat lesser quality LED point source key light. We might have to live with it this time on YouTube, but I sure would like to prevent it in the future. Lumix GH6, 4k, 10b 422 All-i on a 1080 timeline. I’ll try a quick export and see if the downsampling makes a difference. Any thoughts?EDIT: did a 1080 export, high bitrate. still shifting- sometimes between blue and teal, and the dark denim pants would bounce between blue and purple. Importantly, I noticed a constant slight puls

If I apply a denoise filter to a track in the Audio Track Mixer, it only works as long as I don’t click away from Premiere to another app, or the Finder. When I return, the effect no longer works and I need to re-apply it each time. Anyone else have the issue?

Mask edges are not visible while rulers are enabled within Premiere Pro 2026. After creating a simple rectangle mask using the new mask tool, the edges are not visible unless you have “Show Rulers” turned off in the View settings. I’m not sure why there would be this correlation so it must be a bug.Show Rulers turned onShow Rulers turned off 

I went to go nudge an audio clip in the timeline by one frame using alt+left/right yesterday (like I always do) and it is no longer working. The keyboard shortcut for nudging a clip by five frames left and right still works, and nudging up and down still works, but not nudging one frame left or one frame right. I’ve tried uninstalling and reinstalling premiere, resetting the original settings, etc. and nothing works. How can I fix this?

I know it's a silly one but I'm working on Premiere and sometimes I use that menu. It opens downwards from where I click and since I click it only when I'm on the bottom of the screen, the menu only shows some options and an arrow down to display the rest. What I want to do is to make the menu open using all the screen it needs in order to show every option. I know that's possible, I mean every other app does that. If it wasn't clear enough I leave some photos. (ignore the language).This is how it opens:And this is how I want to open directly without me having to scroll down:

Hey all, I did some quick research on this but came up short. I’ve got voiceover recording working directly into the timeline, and Premiere is automatically laying down the files as expected, but the naming convention seems odd.Right now each take is being named things like:    •    Audio 3    •    Audio3_1    •    Audio3_2    •    Audio3_3and so on.What I’d like instead is to define a custom base name, for example:    •    Voiceovers_1    •    Voiceovers_2    •    Voiceovers_3Basically I’m wondering:Is there a place in Premiere where I can control the filename prefix for voiceover recordings before they are created?I checked Preferences (Timeline, etc.) but didn’t see anything obvious there.Also:Is this naming controlled globally, per sequence, or per track?Trying to keep things clean because I’m doing a lot of VO passes and would rather not end up with a pile of generically named audio files later.Appreciate any guidance.

I shot some 59.94 footage on a Canon R6II with the intention of interpreting it as 23.976 for solmo. The footage was shot with 1/125 shutter speed. I have done this with no problem many times. When I interpret the footage to 23.976 and create a new sequence using these clips, when I play the footage if feels like 12fps. When I shuttle frame-by-frame through the clip, every other frame is duplicate. I have tried to replicate the problem by recording new clips on the R6II and the footage slows done fine and looks slow and smooth as it should.. Is there a setting or something I missed that could be causing the duplicate frames?

We just got a new PC with Premiere Pro 2025 Version 25.0.0 (Build 61).  When I import .mts files and drag them onto the timeline there is no audio track (on a known good file - checked in VLC).  We've got an older system with Version 24.6.1 (Build 2) that doesn't have any trouble with the same .mts file.   I was able to convert the file to .mp4 using VLC and edit the program successfully in 25.5.0, but that's time consuming.  Is there a way to get 25.0.0 to accept .mts files?   PC - Dell Precision 5860 Tower OS - Windows 11 Pro for Workstations, Version 24H2 Basic steps - Import known good .mts file, drag from bin to timeline Expected results - A video track AND an audio track

I’m using Adobe Premiere Pro version 26 and attempting to cut out a person using the Object Mask tool.I select the Object Mask tool, drag over the person in the Program Monitor, and Premiere correctly detects the subject. The mask then appears under Unassigned Masks.I drag that mask to Opacity, but instead of isolating the subject, I only see a white outline of the mask on a black background. The person is not cut out and there is no fill applied.I’ve also tried inverting the mask, but the result is the same—just the white outline with a black background.So far I haven’t seen other editors reporting this issue with the Object Mask workflow in version 26.What step might I be missing to properly isolate the subject?

When click shift + 3 always effect control just opend wherewher it was. Now it appears as a new window. It makes a lot of tabs and the shortcut useless

Font is being cut off from the box height on premiere pro iPhone. Only way I know how to lower the font size is to pinch down but that also shrinks the font box. Any suggestions? 

Hi There, (Kevin!)I am running a Mac Studio Ultra M1 - 64 gig ram, running off a Graid on 2K Arri .movs and switched to '25 and I can't hear the audio its dropping out so much. I am unable to edit. Its coming straight out the mac Studio speakers so no external complications. The audio that is dropping out is 48K 24 bit. I set the project setting to 32bit float, can I change the project audio setting back to 24 after I have ingested into '25?Can't find anywhere to do that...Any other suggestions - I have tried the obvious ones, ram, video playback quality,  render audio in timeline...emoji man shrugging...Rupert

I’m curious at what happens on my device or what gets sent to the cloud with Adobe’s AI features. Object MaskTranscriptionGenerative ExpandMedia IntelligenceEnhance Speech All the things I’m curious at where the processing happens! Thanks in advance for your help.