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Photoshop displays a "Scratch Disks are full" prompt during startup or rendering even though the primary drive has ample free storage.
I’m trying to add a feature to my panels so they can be closed using the ESC key. The code below is just a basic test. When I run it and press ESC, it works the first few times. However, after about 5 to 10 presses, I start getting the attached error.I’ve tried several workarounds, including using scheduled tasks, but the error always shows up after a while. It also completely ignores my try-catch block.Can you explain why the error happens on the .close() line, and if there is a better way to close a window using the ESC key? Reference code for test:var palette = new Window("palette");palette.text = "Dialog";var button1 = palette.add("button", undefined, undefined, { name: "button1"});button1.text = "Button";button1.onClick = function () { palette.close();};palette.cancelElement = button1;try { palette.addEventListener("keydown", function (k) { if (k.keyName == "Escape") { palette.close(); } });} catch (e) { /* Ignore registration errors */ }pal
I’ve been using a competing vector program for creating braille signage and wondered if there was any plans on having this be something Illustrator or Indesign could incorporate natively so that I can stop using the other program entirely? The workflow currently with adobe products is:go to some conversion web page like brailletranslator.orgpaste text in for the conversion, copy resultsgo back into my Indesign doc using a braille font with a CA Standard paragraph style (that I’ve created) This works for making 1-10 signs, but I’d prefer to have this be something I was able to merge from a CSV file as we typically need to create 100 individual signs at a time--which the competing program will also not do. It does however have a TEXT TO BRAILLE and BRAILLE TO TEXT option from the TEXT menu and a panel that looks a little like this:
I'm a long-time InDesign user trying to help my company's motion graphics team get more use out the CC libraries that our print designers use all the time. We have robust Paragraph and Character Styles in our CC libraries, but I can't find any definitive information about whether they are accessible in After Effects or not. They appear greyed out in the Library panel, so I'm thinking they aren't usable but that seems crazy that something so useful would be cut off from a group who still uses type so much. Am I missing something or are After Effects users really limited to shared colors and graphics in CC libraries?
I saw this reference. -https://www.instagram.com/p/DcAvkW6DZVo/?igsh=bGp6d2Q0amRycm9iand really liked it. It is clearly based on images, turns them into particles, and morphs them. Is this possible in AE or does it look more like an effect in a 3D software? Thanks,J
After Effects should allow users to add multiple instances of the same Layer Style—such as multiple strokes, inner shadows, drop shadows, glows, and overlays—and freely drag them into any order.Photoshop already supports stacking several instances of certain Layer Styles, but After Effects limits each layer to one of each style and uses a fixed render order. Currently, achieving these looks requires duplicating layers or repeatedly precomposing, which makes projects cluttered and harder to edit.Please make Layer Styles stackable, reorderable, and saveable as presets while keeping the original text, shape, or layer fully editable.
Hi everyone,I’m writing to bring attention to ongoing, severe performance issues in After Effects starting from the 2025 releases. As a paying Creative Cloud subscriber, the current state of the software has severely impacted my workflow and daily productivity. I cannot work anymore smoothly with the latest AE versions.The Key Issues: Memory & Resource Spikes: Rapid, unexplained RAM/disk usage leading to lag and full app freezes. Preview & Timeline Lag: Severe slowdowns during simple composition playback and UI interaction compared to previous versions (e.g., AE 2024). System Instability: Frequent crashes and memory leak behaviors even when standard troubleshooting steps are taken (purging media cache, resetting preferences, allocation adjustments). Sudden File Incompatibility (MP4 & MOV): Files that worked fine previously—especially standard .mp4 and .mov containers—are suddenly throwing errors, failing to import, or displaying as unsupported/corrupted media without
I am migrating my multi-application video editing workstation to a new laptop. Not having a way to migrate my After Effects settings, workspaces, plugins, and scripts is incredibly disappointing and frustrating. It’s even more upsetting to see this used to be possible in After Effects a few years ago through the “Sync Settings” feature. Please add this feature back. Thank you.
Working on an animation project and I ran into an issue with a piece of text where the percentage was supposed to be listed. The text read “...greater than or equal to %25 of...” and I flagged it as a typo. However, when I tried to fix it, no matter what I did or where I copied the text from, my “25%” formatted to “%25”. Was working in v26, but the issue carried over when I downgraded to v25 as well.Haven’t had this issue with any other project. I just tested it in another recent project (also v25) and was able to type the percentages okay, so not sure if this is project specific, v26 specific, or user/formatting error. Saw another couple posts on the Photoshop forums with the same issue, but no real fix.Two things I noticed/did to resolve the issue.For some reason, Hindi digits was checked. I got my project file from another editor, so maybe they had it enabled. Unchecked that box. It may help others, although I saw no change. I selected all my text, went to the Text settings on the s
Hi There,I'm doing a School of Motion tutorial, and am a little confused on a very basic function.When I hold cmd, the anchor point of a shape layer does not snap to either the center or corners etc. When I hold cmd on other layers, like a vector shape or comp, the anchor point snaps.Would you have any idea why this isn't working for shape layers? I've tried toggling the snapping box on the toolbar, and that doesn't seem to change the functionality.Thanks!
Still spending hours rotoscoping frame by frame?With the latest version of After Effects, Object Matte introduces a faster, AI-powered way to isolate subjects—so you can create clean mattes with just a few clicks.Object Matte combines one-click selection + manual refinement + smart tracking, making rotoscoping significantly faster and more intuitive. What can you do with it?Instantly select and isolate objects using AI Automatically propagate mattes across frames Refine edges (like hair and fine details) with dedicated toolsPut it to use in your workflow: Remove or replace backgrounds (no green screen needed) Apply effects to specific objects Create clean composites for VFX and motion graphics How to use it Import your footage and add it to a composition Select the Object Matte Tool Click or drag to select your subject Let After Effects propagate the matte across frames Use refinement tools (like Refine Edge) if needed
I can't play through my sequence in Adobe After Effects my time bar keeps resetting mid session when I try to preview.
This strategy of dropping new features unannounced into a beta release isn't good enough. There seems to be a growing disconnect between users' needs and what Adobe is actually doing, and honestly it feels like the overall strategy is driven entirely by marketing people and has nothing to do with our requests or modern needs.Look at this forum, there are YEARS of requests ignored and bug reports coming up again and again. Every update just feels arbitrary at this point. The rotobrush improvements were great, but a long time coming. I often think AE is going to go the same way as Animate because it already feels like a legacy product because of such a profound lack of innovation - or maybe you have big plans for it? It would be nice to know.
So I open a file through either Recent or from selecting a file on the Welcome screen when I open AE… and go to save it, and it saves into the last folder I had used from a previous different client job. This has been a PITA for years now. PLEASE FIX!
I'm sure this has been posted before on here, but for visibility and emphasis how does AE not have a relinking system like Premiere after 10+ years?? I'm working on a particular project where despite all the assets being scattered across mutliple folders on a server, AE insists as relinking one by one. Most times I don't have this issue as it finds them on it's own, but for whatever reason it's going very slow, manually relinking file by file. This is on a collected project. Regardless of the reason or situation, it wouldn't be an issue if we had a relinking system like Premiere's file manager for footage. Is there some technical reason Adobe hasn't addressed or improved such an important function on large AE projects after a decade??
In after Effects, it is easy to drag a layer in time. For compositing, this can give problems, when it happens accidentally. Please make a ‘smpte’ lock - that keeps Layers on their time whatever happens. The current layer lock locks all modifications - that is not suitable to prevent time change, while working on color and effects.
Hi,I have been going crazy looking for a solution to how to solve the 'blank frame' glitch when creating a looping composition using the loopOut() expression.I tried the current/previous solutions which involved adding a keyframe on the penultimate frame or manually setting the final keyframe value -1 frame. These worked, but I was still getting a visible animation glitch happening.My final solution, for a perfect loop with zero visible glitches or blank frames, was to open the pre-comp layer (the original composition that you're trying to loop) and for every layer that reaches the final frame, drag it beyond the end. These layers may appear to run to the very end of the comp and appear as though they reach the final frame, but manually dragging the end of the layer 'off' to the right of the comp was what was needed for that final 'missing' frame to show in the precomp loop.So, starting with a Time Wrapping comp that is showing a blank frame:1. Double-click the comp to show the content
PRO TIP for After Effects users using AI Assisted Coding tools - here's a short RAG (Retrieval Augmented Generation) you can use as part of your First Prompt or System Prompt to ensure your Coding Assistant writes compatible code --------------------------------Must be ECMA3-compliant (ExtendScript's engine) — no let/const, no arrow functions, no template literals, no array/object destructuring, etc.Must work across all language versions of After Effects.Use Scripting and Expression matchNames instead of localized display names wherever possible - this is critical for cross-language compatibility.Must work on both macOS and Windows.Targets After Effects version [** insert version number **] and newer.-----------------------------If you want to learn other insightful After Effects scripting and automation tips, I've got a LIVE Event with CreativeCOW on 23rd Aug. I'll be covering the GUTS Prompt Framework which will help you immensely get more out of your prompts.I will also cover the us
I've already managed to add the effects, but where did the subtitle files go? I can't find them. I don't know where they went. How can I get my screen back to how it was before? My screen beforeMy screen afterwards I can already do the part about adding shadows. But how can I access my previous caption text again?Thanks in advance to anyone who can help!
Gradient rendering issue (Grayscale) in Lottie/Bodymovin after After Effects 2026 (v26.0) update Issue: After updating to After Effects 2026 (v26.0), all gradients are being rendered in black and white (grayscale) when exported via the Lottie (Bodymovin) extension. The same project worked perfectly in the previous version (v25.x). Details: Setup: I am using standard Shape Layer Gradient Fills (not Layer Styles). Symptoms: All gradients in the project lose their color data and appear as grayscale in the exported JSON file and Lottie players. Suspected Cause: It seems like a compatibility issue between the new Color Management system (OCIO/Color Engine) in AE 2026 and the Lottie export data structure. Tested Workarounds: Changing Project Settings (Color Working Space to 'None') or saving the project before export does not resolve the issue in v26.0. However, the file exports correctly when opened in AE 2025. Environment: After Effects Version: 2026 (v26.0 or later) Extension: Bod
I do a lot of UX Motion work, and often times, need to do icon animations at a 1:1 for what engineers will output. I understand that AE is a tool that renders pixels, but it would be fantastic if there were a way to continuously rasterize vector assets within a comp. Sometimes, we’re working at 24px x 24px comps. So jumping from Figma to AE can be a pain. I understand the reasons behind “why” we cap out the zoom and why I see the aliasing, but without jumping to another tool like Rive, it would be fantastic for AE to just let me see as clean as I can.. even if its incredibly limited in its use case.Vectors only? Does it disable if I add a raster image? What happens if I add an effect? I’d imagine it would also need to disable as well. Would be great if it didn’t. TLDR: Rive and Figma have spoiled me on seeing vectors crisply in a viewport… and given the amount of UX work I do, it would be fantastic if AE could offer the ability to do the same, even if it weren’t available in ever
WEBM export
When deleting a layer which is being used for an essential property, the following warning is shown. However, there’s no way to do a reverse ‘Reveal in Timeline’ command to see where a layer might be connected to a comp’s EGP.It would be enormously helpful if this alert could list the comp(s) that would be affected by the layer deletion.
I run a lot of script panels in my standard workspace, and often get popup dialogs stating things like:‘Unable to execute script at line 828. Execution halted’or‘Script cannot run while a modal is waiting for a response’.It would be really helpful when trying to identify which script is throwing an error if the popup dialog box that contains the error put the script name into the header bar, which at the moment is blank.Currently, diagnosing which script is causing an error requires clearing the workspace then adding things in one at a time, which can become very time-consuming. This change would remove a lot of that time, which means we can spend it on animation instead :)Example visualSummary: When a script error occurs, please add the name of that specific script into the popup error dialog to aid identification.
i'm using After effect 2017 when i goes and want to edit ease handle so handle doesn't appear please help to appear my handle to edit ease in speed Thank you
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