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I took this picture yesterday afternoon. I forgot to bring a polarizing filter and hoped ACR would help me but I am struggling to find any real value in the parameters I have used. I really want the reflection of the car removed..
Camera Raw 18.4 should include a preference to return automatically to "Fit in View" after crop operations. Earlier workflows were faster because the image always returned to the full-screen view after validating a crop. Please add a user preference to choose between preserving zoom level and returning to Fit in View.
macOS 27.0.1 / Photoshop 27.11 / ACR 18.7This possibly dates back to when Intersecting Masks first came out.It has been bothering me for a very long time. To create an intersecting mask, you create two masks that intersect with one another.And when adding the second mask, the default behavior of the brush is ADD, you press alt/opt to switch to SUBTRACT. As long as you stay in ACR, nothing will go wrong. But if you close and re-open ACR, and go to that very intersected mask, the default brush behavior of the second mask becomes SUBTRACT, and you have to hold alt/opt to ADD. You find this bug only in ACR, not in LrC or LR.Lightroom got the cursor indicators mixed up, though.
This post applies to Camera Raw and is the primary feedback thread for the Blemish Removal feature. Blemish Removal can be found in the Remove edit panel for Camera Raw. Blemish Removal helps automatically remove distracting skin blemishes, such as acne and other temporary imperfections, while allowing you to tune the appearance of permanent marks, such as freckles and moles. Once enabled, your image will be scanned for people, and any detected blemishes will be automatically removed. For refinement, you can adjust the result using the Amount and Fade sliders, choose which person the removal applies to, and restore any areas you'd prefer to keep. Batch removal is also supported; simply select the "Blemish" checkbox under "Remove" in the copy settings dialog. We would love to hear your feedback on Blemish Removal! Please give it a try and let us know what you think:How is it useful? How could it be more useful? What could we do to improve your experience? Josh Bury, Camera Raw Engineeri
Opened image (TIFF or DNG) via LightRoom ClassicDuplicated layerOpened new layer in ACRSelected Remove toolSelected remove PeopleTwo people selected, one of which I did not want to removeCursor changed to Zoom toolUnable to exit that Zoom mode to select the person I did not want to removePressing H to change to Hand tool did not helpSeems there is no way to deselect the selected peopleTried restarting PS; rebooting computer.. no joy in MudvilleWhat _did_ work was from the main PS window, was to select the distracting person via the lasso tool and use Gen AI to remove with the prompt "remove person".####Mac OS Tahoe 26.2Mac Studio M2 MaxPS v27.11ACR v18.7
Bonjour à toutes et à tous. Lorsque je veux attribuer une notation ou bien une étiquette à mes images, un son d’erreur se fait entendre. Aussi, CR18.7 me prescrit les raccourcis suivants (+ capture d’écran) : Note 1 étoile : & Note 2 étoiles : é Note 3 étoiles : “ Note 4 étoiles : ‘ Note 5 étoiles : ( Etiquette rouge : § Etiquette jaune : è Etiquette vert : ! Etiquette bleue : ç Aucun de ces raccourcis ne marche. De plus, lorsque je vais sur le site d’Adobe, les raccourcis prescrits sont les suivants : Note 1 étoile : 1 Note 2 étoiles : 2 Note 3 étoiles : 3 Note 4 étoiles : 4 Note 5 étoiles : 5 Etiquette rouge : 6 Etiquette jaune : 7 Etiquette vert : 8 Etiquette bleue : 9 Pouvez-vous m’aider à résoudre ce problème ? Mon flux de travail est actuellement très réduit et je perds énormément de temps. Je précise que lorsque je clique sur “Commande + 4”, cela attribue 1 étoile à ma photo. J’ai essayé toutes les autres touches du clavier, rien ne marche. Merci d’
With the new update 18.4.1, it’s now impossible to have an image always cropped to non-transparent pixels.There used to be a checkbox ensuring your photo didn’t have any transparent pixels while making Geometry changes and now it’s replaced with a button.That checkbox was optimal for my workflow.Now the behaviour is a bit odd. If “Enable Expand” is unchecked, it will be cropped to non-transparent pixels only if you’re not doing any Geometry changes. For example the Angle setting will stay within opaque pixels, but Rotate won’t. But it should! Is it a bug or a feature?Today constraining crop is a button in the top right of Crop & Expand. The work I do needs to be fast, and this new feature isn’t. I have to click that button every… single… time because I’m doing Geometry changes all the time. It’s time consuming. The checkbox made sure I always had 100% opaque pixels. No hesitation, the real deal no matter what.While editing Geometry, I knew exactly the outcome of the crop because th
ACR is using all 24 GB of VRAM and does not appear to release it. Earlier, I was using an RTX 5070, so I assumed that 12 GB of VRAM might not be sufficient. However, I have now upgraded to an AMD RX 7900 XTX with 24 GB of VRAM, and I am still experiencing the same issue.Any masking or scaling operation in ACR immediately consumes almost all 24 GB of VRAM. The memory is released only after I completely close ACR.
The reflection removal tool works well until adding denoise filter to the image. the reflection returns to the image once denoise is finished. it does not matter in what order the two tools are added to the image, the reflection returns.
When opening RAW in ACR and using Crop (C) tool from left or right of the image it actually starts moving the GUI rather than cropping the image, not sure what version this has been changed, but before i never had this issue, please make GUI have lock option so when cropping images it would never try to resize GUII understand there is way to aim and select the right resize tool but margin for aim is so little and its waste of time, GUI should be set up once for most people don’t need to constantly be able to resize the side bars of ACR GUI
I am using Camera RAW v16.4 and LrC v13.4. A recent RAW photo had a particular item of purple colour but it shows as more like blue when imported to LrC - when using 'Camera Standard' profile. I Have not observed other colours to be quite so obviously different. Shown below, camera faithful, camera standard, and the out-of-camera JPG : Observe the centre image (camera standard profile) is more blue'ish than purple. Looking at the Adobe profiles and all the camera profiles shows that only camera standard, portrait and landscape have this colour shift - I also included the Canon G9x standard (tweaked to show for the G7x), as I understand this uses the same sensor, it too resembles the JPG colour much better: Whilst I can certainly work around this, I thought I'd report the issue as I expected camera matching profiles to be close to the out-of-camera JPG, as it appears to be with the G9 profile.
ACR masks become misaligned after copying and inverting, or after AI DenoiseSteps to reproduce: Open several photos (I usually work with 30–50). Select all photos (Ctrl+A). Open Masking and select Subject. Without deselecting the photos, rename the mask to “Subject” for all of them. Deselect all photos. Manually edit each mask on each photo using brushes, adding/removing areas, etc. Select all photos again. Select the previously created “Subject” mask and copy it with Invert enabled. Observe that the manual edits to both the original and inverted masks are now misaligned or applied to the wrong areas. Both masks must be manually corrected across all photos. Related issues: Masks sometimes become misaligned if created or edited before running AI Denoise. The same problem occurs with the Remove tool: if objects are removed before running AI Denoise, the removal edits shift by a few percent afterward. These issues can result in substantial rework when processing large ba
This post applies to Camera Raw. Lightroom Classic and Lightroom Ecosystem feedback can be found here. Previous Early Access Feedback can be found here. Generative Remove makes it easier to remove unwanted objects and distractions with a simple gesture, even on complex backgrounds. For more accurate results, be sure to include the object's shadow in your selection and/or expand its size. Detect Objects uses AI to find the objects underneath a brushed area. The masked areas will now appear larger than the Early Access version of this feature. You can also circle objects for quicker selection now. We have also updated the spot selection experience to make it easier to manage variations, switch the fill type, refine the selection area, or re-generate as needed. Batch updating is also now supported for Generative Remove spots. As Generative AI analyzes portions of the image that have been cropped out, Camera Raw has the ability to tog
camera raw geometry bug
Camera Raw 18.7: Select People fails because ML model is not loaded / People model not provisionedI'm having a persistent problem with Select People in Adobe Camera Raw 18.7.System Adobe Camera Raw 18.7 (18.7x2743) Photoshop 27.10.0 Windows 11 NVIDIA GeForce RTX 3080 Laptop GPU The symptom is that Masking > People reports:“Unable to select people in this photo.”This occurs consistently with photographs containing clearly visible people. Select Subject, however, now works correctly.I originally also had problems with Adobe AI models failing to download. Interestingly, connecting through a VPN (UK connection routed via the Netherlands) allowed the Select Subject models to download and Select Subject then started working.I have since completely rebuilt the Camera Raw ModelZoo by renaming:%APPDATA%\Adobe\CameraRaw\ModelZooand allowing Camera Raw to create a clean ModelZoo while connected through the VPN.The fresh ModelZoo successfully downloaded the Select Subject components, incl
Hello everyone, as a user of lovely fuji x100v I often use digital crop function that makes from 35mm a 50mm or 75mm lens.. this function crops the jpegs but in raw it is stored just as metadata.. my problem is that when these raw files are opened in bridge it doesnt read the crop info and shows it as full image.. also when converting via adobe dng converter from raf to dng it doesnt detect the crop so my composition is off .. So I was hoping adobe could fix this because the metadata is there and I could have a cropped image already with option going back ( like a preset already applied) .. there is one unofficial plugin for ligtroom and one other manufacturer implemented this in his dng converter but it is apllying also demosaic or how is it called and the dng is 30% bigger in size so a no go for me.. My simple workflow is bridge + camera raw.. Also it would be cool if there was option to save a manually cropped edit as preset because camera raw ignores manual cro
I am the poster this threands. That is not the question!!! That is totally bug!! But the manager classify my threads as Question!SOOC of Lumix S9 with Vlog color profileRW2 of Lumix S9 was opened in ACR 18.6It can be clearly observed that the consistency of color is severely inaccurate!This condition is identical with Lumix S1M2SOOC of Lumix S1M2 with Vlog color profileRW2 of Lumix S1M2 was opened in ACR 18.6It can be clearly observed that the consistency of color is severely inaccurate and red is supersaturation.Besides the bug I reported above, there is another thing that Adobe needs to improve. I hope Adobe can introduce a layered and graded color grading workflow, similar to the color grading interface in DaVinci Resolve. Because in either ACR or LR, once a color profile is applied, you cannot apply another color profile on top of it. This also means that Panasonic RAW files in ACR cannot have V-Log applied and then have LUTs applied afterward.
I shoot video using the Red Epic camera, which shoots super high resolution video. I often pull high-res photos from the camera and use them in Lightroom. However, I'm hoping to add a feature that supports anamorphic lenses. These lenses shoot natively-stretched pixels. Meaning, the images are stretched vertically 2:1. It's a classic way to shoot movies, and I wish Lightroom supported a way to select the pixel aspect ratio so the images can be viewed undistorted. Currently, I have to stretch them in Photoshop and export. Which is a bummer because the Red Camera's raw files are supported in LR, and I would love to use those files straight from the camera rather than make new ones. Anyone else agree?
The updates for the versions I mentioned in the title don't work. Camera Raw keeps claiming my RTX 3070 GPU isn't supported. So, I can't use it. Only version 18.4.0.0 works.Here are screenshots of the messages I receive with the latest versions. And here with version 18.6.0.0Apart from Photoshop itself, which does support my GPU:Therefore, I cannot take advantage of the latest Camera RAW features. This is unacceptable.I already submitted a bug report for versions 18.4.1 to 18.5, but without success. You haven't fixed the problem in this version.Here are the logs for version 18.6.0.0As well as those of the version that works for comparison.I also upload my dxdiag file for analysis.I even got another NVIDIA GeForce Studio driver update today, version 616.56. But it didn't fix the Camera RAW issue. So I'm still stuck on the working version 18.4. It's really frustrating 😤 knowing that I'm paying for the software.
I am seeing a significant performance regression with AI Denoise in Camera Raw 18.7 on a 2023 Mac Studio with an Apple M2 Ultra.SystemMac Studio (2023) Apple M2 Ultra, 24-core CPU 128 GB unified memory macOS 27.0.1 Camera Raw 18.7 Photoshop 2026 Sony A1 II RAW files, approximately 49.8 MP (8640 × 5760)ProblemAI Denoise on comparable Sony A1 II RAW files previously completed in under 10 seconds on this same Mac. It now typically takes approximately 15–20 seconds.I reproduced the problem by opening a Sony A1 II ARW directly in Photoshop/Camera Raw, so Lightroom Classic, its catalog, previews, and the location of the Lightroom photo library are not involved.During a recent Camera Raw Denoise test, Camera Raw estimated approximately 20 seconds. While Denoise was running, Activity Monitor showed the Mac remaining approximately 86–94% CPU idle. GPU History also showed relatively low GPU activity rather than sustained heavy utilization.Camera Raw Preferences > Performance identifies the Ap
Pressing G used to add a linear gradient mask. Now it brings up the new Grid layout. J used to apply the radial mask. Now it does nothing. What’s going on with the KBSCs? I’m not sure if there are others that have changed. The brush took, still works with K.
This is feedback rather than a question. I have just returned from visiting a site of ancient buddhist caves in China. The delightful Buddhist statues are behind wire mesh grids for protection. This makes photography virtually impossible. However, i took a few photos and reflection removal worked to remove the wire grid!
Lightroom is capable to convert JPGs into DNG. The DNG Converter unfortunately currently is not. Please add JPG support to the Adobe DNG Converter. Thank you very much for considering!
J'ai un problème. Toutes les versions depuis Camera RAW 18.4.1 à la dernière échoue de fonctionner sur ma machine. J'ai une RTX 3070 Ventus, Je suis sur Windows 10 22h2 entièrement à jour. J'ai 32 Go de Ram. J'ai la dernière mise à jour du driver NVIDIA. C'est à dire la 610.88. Mais à partir de la 18.4.1 de Camera RAW, il ne reconnait plus mon GPU. Impossible de l'ouvrir dans Photoshop. Un message indiquant que "Camera Raw nécessite l'accélération du processeur graphique pour retoucher les photos". Donc pour lui, c'est comme ci je n'avais pas de GPU. Dans les paramètres de Photoshop pour aller dans les propriétés de Camera Raw, au niveau performance, je vois ce message "L'accélération graphique Camera Raw n'est pas prise en charge par votre système". J'ai déjà cliqué sur "Réinitialiser la prise en charge GPU", "Purger la mémoire cache". Redémarrer Photoshop. Mais sans résultat positif. Pourtant Photoshop lui-même détecte bien mon GPU et il est bien utilisé. Pour le moment, je suis obli
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