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Hi, I would love to have an option in PremierePro to drag multiple footage to multiple tracks, not to one track as it is at the moment. As an example, if you do a soundrelay with audiostems you have to drag them one by one onto the desired tracks. For one ore two videos its fine to do that this way, but if you have to reapeat these steps for 70 videos its a bit annoying not having such an option.Same situation if you need to compare/qc videofootage with each other you have to stack them manually, which costs a lot of time.Is it possible to get such a feature? Maybe with a key pressed while dragging the footage into a seqence.CheersMichael
Suggested Feature for Photoshop Hue/Saturation Adjustment Panel (Especially with Prominent Colors):Currently, when changing a color using the Hue slider, users have to manually rotate the slider to find the target color. This process can be time-consuming and lacks precision. Proposed Feature:-Allow users to select a Source Color (the color they want to change).Then allow them to select a Target Color (the desired replacement color).Photoshop should automatically match the Source Color to the Target Color by adjusting Hue, Saturation, and Brightness accordingly.This would make color replacement more accurate, faster, and user-friendly.
hi guys - just an idea, but for scene to image why not allow a screen share - essentially capture source image from a second screen that has blender open....this way you can navigate inside a complex scene in blender, and quickly generate style frame images from a simplified blender scene....instead of using the janky built in model creator UI.....as a pro concept artist, often have a detailed 3d scene already - and would love to capture other window as a source, rotate it realtime, and hit generate
I'm copying this from Spencer Tweed's suggestion from December 2, 2019--of course, since the ideas forum is not searchable I couldn't find this in this forum, just the old features suggestion, so I'm cutting-and-pasting someone else's idea, as follows:It would be very nice to re-write the "Simple Choker" effect to perform more closely to the Nuke "Erode" node. Specifically the precision is much higher and the results more reliable. When using "Simple Choker" any feathering is lost and the matte becomes hard, it seems to exponentially get less effective the wider you go, and it does not keep the original shape of your mask very well (there seems to be a blurring effect which rounds out edges). On the other hand the Nuke "Erode" node works in pixels and no precision is lost in terms of your mask shape, so it is reliable and predictable. It is behaves much like "Mask Expansion" does for a mask (no precision is lost, it is measured in pixels, etc).
Hi there, I’d love to see an option added to both the Quick Export window and the Export workspace to automatically open the output folder when an export is complete. This simple checkbox would save a lot of time otherwise spent manually navigating to find the file for review or posting. It’s a small change that could make a big impact on workflow efficiency. Thanks for considering it!
Add how like Photoshop has a depth map, but in After Effects
Hi everyone,I'm struggling to figure out how to properly use the Boris FX Mask ML plugin in conjunction with Lumetri Color effects in Premiere Pro 25.3.0 on macOS, and I'm hoping someone can help me understand the workflow. My Setup:Premiere Pro 25.3.0 on macOSBoris FX BCC (Continuum Complete) suite with Mask ML effectThe Mask ML plugin is working and creating masks successfully What I'm Trying to Do:I want to use the machine learning-generated masks from the Mask ML plugin to isolate specific areas for color correction with Lumetri Color effects. I can create the ML masks just fine, but I'm not sure how to apply them to Lumetri Color. Several Tutorials recommend to copy the tracking data to clipboard and paste it to the opacity row of the effect as a mask but the ml maks cannot be copied. "Export Failed: Exporting shape data from layers with Mask ML contours is not supported" Specific Questions:Do I apply the Mask ML effect first, then Lumetri Color?How do I transfer or connect the ML-generated mask to the Lumetri Color effect?Should I be looking in the Effect Controls panel for mask options, or is there a different workflow for Boris plugin masks? Issues I'm Encountering:Getting export errors: "Export Failed: Exporting shape data from layers with Mask ML contours is not supported"Not sure if the ML mask data can be used directly with Lumetri Color like traditional masksWhat I Know About Regular Masking:I understand how to create masks directly in Lumetri Color through the Effect Controls panel (ellipse mask, pen tool, etc.), but I specifically want to leverage the AI-powered tracking capabilities of the Mask ML plugin for more complex subjects. Has anyone successfully combined Boris FX Mask ML with Lumetri Color effects? Is there a specific workflow or order of operations I should follow?
I would like to see an option to merge photos for multiple exposure in the Photo Merge section. It could have the typical options for merging, such as Additive, Average, Bright, and Dark.
I’d love to see Lightroom mobile include a live preview feature when capturing in DNG. Currently, we can only see the raw image without any visual effect until editing. It would be a huge creative and practical improvement if Lightroom could let us preview how a photo would look with a Lightroom preset or a LUT (look-up table) applied, live while composing the shot. This feature could include: -Live tone curve preview -Color grading simulation -Preset application preview (especially user-created ones) -Option to bake the look into the photo or keep it as a non-destructive overlay This would help photographers visualize the final look on-location, save time in post-processing, and make the camera module in Lightroom more powerful for professionals and creatives alike. Hope this can be considered for a future update. Thanks!
Hi! Been wondering why we dont have Lens Flare/reflection remover option for the AI, like on newer samsung phone's it's build in but it's not the best always. And it would be better if you could already in the app remove flares and mirroring. That's about it😅 I'll be waiting.
I use Bridge and the attached Camera Raw to most of my image editing.(Iuse them as my 'Digital Darkroom' before any possibe editing in Photoshop which I do not always find neccessary to my work).A part of my workflow in Camera Raw is to create a number of 'Snapsjhts' during editing.In both Camera Raw and on the Bridge thumbnails - I very much miss some kind of notification symbol, that indicates to me that there is a number of snapshots related to the specific image.Will be very useful to have ...RegardsKeld Vinther
Dear Adobe! Please add to Premiere Pro the ability to represent project resources as a tree! (as in Davinci or Media Composer). In the current view of the project window, it is absolutely impossible to work quickly with a large number of different resources and folders!
It would be even more helpful if translate captions in Premiere Pro could support Thai language as well.
I would like the tutorials that used to be included on the app to be reinstalled. I pay for the app. I paid for it because it came with amazing step by step tutorials. Now it's just “discovering “ other people’s shared images which is of no practical use to me. Why do away with this feature for those of us who pay for the app? I'm not interested in paying for the desktop version where apparently the tutorials are now only available as I'm not a professional photographer and the app suits my needs. Can you not reconsider reintalling this option for paying customers?
when you create a layer stack, it would be great to have a +/- on each layer. and a drop down border that you can raise or lower. (+/-) so that when you put an effect on top of the stack you can extend its effect to all layers underneath, or limit its effect to one, two three, or whatever is directly under it. SO for example you could apply LEVES adjustment to other underneath layers indivudually, instead of the entire stack. it would be great to specify levels, blur, dirt, a bunch of other filters to specify what they effect under them instead of them hitting EVERYTHING without discrimination. we also need some spline and selection based masking tools. hopefully this all makes sense. ive been using photoshop for 31 yrs, and i know substance is newish, but these tweaks would be fantastic please.
Please enable the ability to change color of the work area bar. It is difficult to see.Thank you.MacOS 15.5 - Premiere 25.2.3
Smart objects are fine but sometimes saving complex image in 32 or 16 bit ppix , A height map for example . with lots of pixels just to update smart objects takes forever . it's especially annoying when you need an immediate feedback from filters applied on a smart objects . The whole system is non-destructive but slow and not real time . A huge speed up would be if we could use RAW format which saves huge files almost instantly . But then it takes manual update of smart objects and RAW size/channels popups . PLease Adobe look into it and make it quick and seamless please. Perhaps with text side files that a smart object could reed necessary info from.
This has been going on for long time now, haven't had time to post about it as I resent having to spend so much of my time doing so. Adobe, please make you metadate panels in Ps, Br and Lr the same. Please make them work properly and make them consistent to each other. I'm about to lose my mind bc of this. Photo 01 shows that i am unable to scroll down any further, note the scroll bars have topped out. What IS that? I can't work like this. Can't see entire fields. Photo 02 show nice big readable metadata fields in Lr, bravo. HowEVER, if you go into Lr's metadata "edit presets" you get Photo 03, completely useless metadata fields that make me want to jump off a bridge. The "Rights Usage" field only allows one to see ONE LINE at a time. Omg. I have one client who loves to pack info into these field, it used to be so easy and smooth, now its a ridiculously frustrating and amature affair. How does Adobe allow this sort of thing to happen and continue? I hold out no hope that Adobe will care, respond or help. After all, the ridiculosly ineffiecint or non-working things I've reported over the years continue or go without response. One would think that a person using Ps etc for 25+ years would be of some value to them, but no. Just fix the metadata stuff, Adobe. It ridiculous that we have to struggle with this considering what we spend. using up to date 2019 mcbook pro [Mod: Moved to the Lightroom Classic forum]
In the parametric equaliser, you are able to keyframe all the different values except the Low Pass filter (LP). Playing with the other envelopes doesn't give me the same scope of control and not being able to alter it over time is a bit frustrating! Am using it in the effects rack in Multitrack Editor. Opening up the "show envelopes" menu shows every value except for the Low Pass.
It 's nice we coud apply non destructive filters on smart objects but sometimes it's necessary to have real time feedback FX effects provide . For example would be nice to select a channel , not only layer alpha to chose what emboss effect works from . An update to bevel&emboss FX options please . I know it's possible to do with group's blend if but it complicates the layer stack a lot . Would be so much nicer just as an option in emboss fx. Also would be nice it respects 16/32 pixel depth to show stepples emboss too. Could be useful to produce real time height to normal map for example.
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