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At the moment if you have let's say 3 texture nodes and you want to set a common property, such as, 'relative to parent' for example, you need to click the texture, change the properties, go to the next texture, click it, change the properties, etc...As they ALL share this common property why can't we just select all 3 nodes and change it once and have it apply to all of them? This applies for just about anything in the properties panel, this would be a great feature in my opinion, color/grayscale etc, etc.
Would love to be able to click and drag my way through the Premiere timeline (i.e. After Effects) to move quicker than switching back and forth between the Selection and Hand tools. As well as using the mouse scroll wheel to scroll up and down both the video and audio layers.
add search in gallery to help find image references
Many people render video through different pieces of software, so maintaining the original video quality through each step is important until the media is ready to be lossy encoded. For whatever reason, Premiere cant do this even when they support codecs that literally have a lossless option (h264, h265). There is a 3rd party codec that can export to lossless AVI but its old and hasnt been updated in years and doesnt handle media that are HDR or color bit depths higher than 8 bit. 264 and 265 can though.Please for the love of god add a lossless option to Premiere exports for h264 and h265 since these codecs Premiere leverages literally can do lossless.
Hello Adobe Team,In the Creative Cloud app, in the "Apps" page, I noticed that every version of premiere pro I have installed (23 & 24) now have a badge saying "Update available", but it's clearly not a version update, it's a new version (25.1). You're confusing point updates with full new releases. Stop it.
Please can we allow Audio Gain processing to happen in the background, with nortification as to when processing is complete... On Mac Studio using Sony FX6 footage running off of SSD drives, I lose a solid 5 mins or so whilst waiting for Audio Gain processing to complete on a 45 minute interview, preventing me to continue working whilst this happens.
This is a minor bug, and probably more of a personal issue but maybe I'm not the only one!When you go to export a project. File>Export>Media...The "Send to Adobe Media Encoder" button is underneath the "Media" button. 5/10 times it never fails to accidentally click "Send to Adobe Media Encoder"This then opens up Adobe Media Encoder slowing the process, having to force quit the app, etc. The idea is to move it somewhere else where an entirely separate app doesn't have to open up if you click the wrong button.Hey, maybe even a pop-up that says "Are you sure you want to open Adobe Media Encoder" Version 25.1Premiere Pro Mac
I just recently discovered the burst pop function and love it. Making those was a pain in the butt prior to this. Now it's easy. Which got me thinking, adding a scrolling number counter is the same kind of pain. Is there any way to add a function that makes it as easy as you made the burst pop? Just basically a text box that can be formatted the same way as a cell in Excel. Right now you have to add a bunch of code to add commas, get rid of decimals, add a dollar sign, etc. I create math and accounting animations so this would be really really useful. Please????!!!!
Dear Adobe Team,I hope this message finds you well. I am a user of your creative suite and truly appreciate the innovative tools you provide to creators.I wanted to suggest an idea for a new feature: a Curve Generative Tool. This tool would allow users to create generative images or patterns along customizable curves, giving them full control over the design using pen tools. Such functionality could open new creative possibilities, especially for vector and digital artists.Key features of the Curve Generative Tool might include:The ability to define custom curves using pen tools.Options for adjusting density, pattern repetition, or other generative parameters along the curve.Integration with existing design tools like Adobe Illustrator or Photoshop for seamless workflows.I believe this tool would resonate with many creators and bring a unique capability to the Adobe ecosystem.Thank you for considering this suggestion. I would be happy to provide further details or examples if needed.Best regards,MEHEDI HASAN BABU
Boa noite,Recentemente assinei o pacote Adobe e, apesar de toda a expectativa, fiquei bastante decepcionado com uma questão simples, mas importante, que acredito já deveria ter sido resolvida há tempos.O fato de o Adobe Premiere (ou outros programas da Adobe) não aceitar arquivos de vídeo no formato MKV é algo frustrante. Somos forçados a converter o formato para outro, enquanto outros programas de edição, mesmo menos conhecidos, suportam o MKV sem dificuldades.É difícil compreender como, em pleno 2025, uma suíte tão reconhecida e amplamente utilizada no mercado ainda carece desse suporte básico. Espero que essa funcionalidade seja considerada com prioridade em atualizações futuras.Atenciosamente,Fernando
I would like to see the folder structure that you can create in the Preset Browser window to translate to your local drive as well.Because everytime you re-install AME you lose the folders and groups you create in the Preset Browser window.It would be more efficient to have your presets setup in folders the way you like at a local level, so when you open AME the Preset Browser window looks the same/has the same folder structure as on your local machine.What Im asking for is currently how the User Presets panel work in AE. Hope this is a helpful feature request.
Give me more information please. In all facets of this program, give me more information.Maybe give me.... oh I don't know, what the sequence setting is? What the clip setting is? Obviously the program is reading these metrics to detect the mismatch? Maybe TELL ME THE MISMATCH.Give me more information!!!!!! I don't know what proxy file is selected, I don't know what file was matched to what file, I don't know what sequence and clip settings are mismatched, I don't know so many details of the workflow that I use every single day because it's hidden behind a dialog box I can't click out of.Over $580/yr for these kind of slights in user interfacing. Unbelievable.
Let me explain; MIDI instruments/pads/synthesizers are absolutely imperative to audio production. it is not a feature that a producer or musician can do without, it's not something that can be overlooked. A quick Google search on "Adobe Audition MIDI Instrument Support" reveals posts across forums whether it be Reddit, Adobe, or some other random production group forum that instruct users how to rig up a number of different work arounds to use MIDI Instruments in Audition. You'll also find a number of people who have switched to another DAW as a byproduct. Excluding the functionality is nonsensical, the reasons that I've read primarily on this forum are as follows:1) "Audition is not nor does it claim to be a music 'production' or 'creation' software, it's instead an 'audio editor'" - Okay? Except, no. Whether intended or not, Adobe sets the expectation of Audition being a full functioning DAW. The product isn't named "Mastering" or "Audio SFx", it's called "Audition", which provides a mental visual of Audio Production software. Also, the product supports Audio Interfaces, has recording functionality, has send/side chain functionality, it has the functionality that is found in virtually every DAW excluding one of the most important things; Midi. 2) "Audition is going down the path of integration with Premier"And? Is that to suggest that Movies/Video media has no need of sound effects/music? I have a Library of over 4,000 cinematic themed MIDI Instruments/Pads/Synths that I would love to use to add sound effects to my videos; Integration with Premier furthers the need for MIDI, not reduces. 3) A lot of people don't want it; Or it's nicheReference Google search above; Thousands of videos wouldn't exist if it were niche. Not to mention, there so many Adobe users of Lightroom/Photoshop that play an instrument and would love to record but don't know where to start in the mainstream world of products like Abelton, FL Studio, etc. but would likely be willing to try working with a product line they're familiar with. All in all, the people who don't want it lose nothing by having the functionality addad. The people who want it would gain everything. I would use Audition hands down if MIDI were available. The interface, the integration with other Adobe products like Premier, etc. make it a perfect tool; Excluding it's lack of MIDI. So for now, it's back to Abelton/cancelling my Adobe subscription.
Shape color is applied only after clicking on "OK" button in Color Picker dialog. It is better if the color changes immediately to preview the result. \ Best regards, Stephan
Hey! would love to create a hot key to be able to find the "show clip keyframes->Time remapping" option. I hate having to right-click and scroll all the way down, and sometimes the window closes because I have to scroll through all the options. thanks!
Please go back to the old export window. Either that, or separat out the tools panel from the export panel. Every time I export, I have to resize and move the export panel away from where I have the tools panel (as a tiny box between source & program monitors), then resize and move it back. Totally unnecessary steps.
Add multiple lines to Title and Caption fields
I've been doing timelapse work from Lightroom to After Effects (using LRTimelapse) for years. I've been doing my own crazy HDR merge workflow for years as well. Now that we have high dynamic range support in Lightroom, I was disappointed to see that it doesn't go into After Effects - with every setting I've tried, it shows up as an SDR file with primary colors mapped on the >100 IRE sections. So instead of bright highlights, I get bright yellow solid blobs, etc.I don't know if this is more of an After Effects thing or a Lightroom thing, but work together folks!Anybody know of a solution for this? Or can Adobe support their own file formats consistently across their own applications, please? I can eventually get there by exporting 32 bit TIFFs, and then converting those to EXR for drive space/speed concerns, but it is super slow and takes up ungodly amounts of drive space with I'm working with 32 bit 45MP stills.
HelloPlease Support Arabic Typing in Montion Graphics Templates
I use subsequences a lot. As soon as they are created I want to organize them, by naming & putting in relevant bin.In Avid, as soon as you create a sub clip or subsequence (that use the *same* command/keyboard shortcut btw) and it creates the sub clip/sequence it selects the name entry ready for overtyping. Which is very useful. It's also predictable where it puts subclip/sequence - in the last place you had it put them. Which is reset by holding alt as you make the subclip/sequence - where it offers a list of open bins, or 'create new bin' as an option. In Premiere I create subsequence - which creates it loose in the project that the sequence is in, I think, and loads it into the source monitor (which I guess is useful to someone). I then have to 'reveal in project's to rename & move to the project&bin I want it in. Generally this is to a different project in the production - e.g. Gfx/Name supers or Gfx/locations or Sfx/WooshTransitions. I guess this would be tricky in PP as all bins in a project are 'open' - which is why productions is a thing 90% of my work is in Premiere but I still miss some of the Avid features...)
Not allowed to save image with greater width than 8192px when saving for web. Seems like a silly arbitrary limit, imposed by Adobe. Please remove
Add texturing capability in sperate parts of the 3d model on advance 3d. Because I can't add a screen on tv through advanced 3d I have to rely on element 3d for that.
My question is whether there are plans to add new languages for transcription. I am especially curious about the Polish language?
It would be incredibly valuable to have the ability to shuffle the order of photos in Lightroom Mobile, Lightroom for Apple TV, and published web albums. This feature would enhance the viewing experience, especially for shared albums, allowing viewers to see photos in a dynamic and non-linear way. A shuffle option could be a game-changer for presenting work creatively and keeping the experience fresh for repeat viewers. Please consider adding this functionality across these platforms to make Lightroom even more versatile for users!
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