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日本のテレビ番組はPhotoshopでテロップを作ることがあります。 キーボードショートカットの opt + [ , ] を使うと、クリックせずにレイヤーの選択を移動することができ、大量のテロップを作ることに役に立ちますが、 テキストレイヤーからグループレイヤーに移動したときにPSD内にある、全てのグループレイヤーの中身が非表示になってしまいます。(レイヤーの選択をopt+ [ , ] で移動するときに、グループレイヤーに移動すると非表示になる) グループレイヤーの中には、わざと表示/非表示にしているものもあり、それがわからなくなるのは大変です。 (気づかずに作業していたら、もう後戻りできない…なんてことも) 現状、一つ上のレイヤーに移動するためには全てのレイヤーが非表示になっていることが条件なのも使いづらいです。(表示しているレイヤーのみの移動で使うことができる、これはこれで役に立ちます) なので単純に、”一つ上のレイヤーを選択”、 ”一つ下のレイヤーを選択”のショートカットを組み込んで欲しいです。 ついでに。”すべてのレイヤーを選択” もあるとちょっと便利かも…
Coming from other 3D programs, I really miss the ability to view the scene in a 4-way split view, i.e. viewing the scene from Top, Front, Side, Isometric, or Camera, at the same time. This is a standard interface convention in 3D apps for a very good reason; it facilitates quick and proper alignment of objects in 3D space. Currently, the user has to constantly shift the view and rotate around to align objects. Often, they discover that the items still haven't been aligned properly. This can be frustrating. Please consider implementing a multi-view capability into the app. It would really be helpful. Thanks!
And I am a user of Adobe Photoshop. I want to express my gratitude for your product, which helps me solve many image editing tasks.However, while working with a large number of images, I encountered the need to use the Healing Brush tool in batch mode. Unfortunately, the current capabilities of the program do not allow automating this process, which significantly increases the time required for image processing.Therefore, I would like to propose considering the addition of an automatic batch processing feature with the Healing Brush tool. This would greatly speed up the workflow and increase the efficiency of working with a large number of images requiring fine retouching.This improvement would be beneficial to many users working in the professional retouching field and could make Adobe Photoshop an even more powerful and convenient image editing tool.I hope my suggestion will be considered. Thank you for your attention, and I look forward to your comments.
When using the roto brush, once you're happy with your result you click on 'Freeze'. Once it's finished 'freezing' it still says 'freeze'. I suggest that this should now say 'Un-freeze'. It's a small thing, but it's bothered me forever.
In the Creative Cloud desktop app, why is the "manage updates" screen now hidden behind a contextual button that only appears when an installed app has detected an available update? Bad user experience.
Now that After Effects is slowly introducing features that free the user up from the horrors of layer-based compositing (e,g, the new pick-wip track matte feature), it's time that a compositing option was introduced that allows an effect to be matted using the luma or alpha of another layer. Logically, this would exist in the current drop-down that allows masks to reveal/hide an effect. In addition to using masks, there could be an option to use a layer, with a pick-wip to select, and buttons for luma/alpha and invert, just like the current track matte options. Currently the closest way of doing this is to use an adjustment layer and track matte but it can quickly get very messy and that method has many limitations especially once a composition uses 3D layers.
The Gradient Ramp effect becomes a lot more versatile when a blending mode / compositing mode dropdown menu would be added.
This screenshot was taken from a sound clip after it had filler words and pauses removed.As you can see in the latest version of Premiere there is still the issue of single frame lengths of sound are still left from deleted transcribed words and sentences. This leaves random bits of sounds silent or full of soundwaves in the middle of a sequence where the expectation would be that when a word or sentences are deleted no sound clips remain. The detection of sound waves and silence needs to improve to avoid inaccurate cutting. This is not the 1st time I have mentioned this about text-based editing and its glitches. It has improved significantly, but there is still more to do.Maybe analysing the clip can include user refinement where the noise floor and highest peak can be defined manually as well if that will help with the accuracy of the start or ends of peak detection. But the random single sound frames are very annoying. It makes the QC so much more tedious and time-consuming when using the software as intended instructed issues.V.25Win 11
spline bridge list is a very powerful new tool. itd be cool to have some randomize offset for spacing.
I would love an overhall of the project manager - but the specific one feature I need is for more information on what the project manager progress window is doing when it has the analyizing project window come up - I can see in the background that it is usually copying footage already, but I need a live window into this - I want to see specific file names its copying, a percecentage copied for each file, the speed of copying progress on a per file basis, the elapsed time, etc etc. There is no way to know if the project manager has hung or frozen currrently as there is just a blue percetage bar that never seems to animate even though at the finder app level I can see progress is being made. Please fix this! Another option that I personally would love but don't know how feasible it is, is for there to be an option to avoid copying files on specific tracks (i.e. v1) I work in a collaborative editing paradigm as a freelancer, and frequently am asked to send project files back and forth, and to upload assets that have changed since the last round. Most of the time - the editors on either side have a copy of the footage which we generally have on v1 and then are making editing choices (b-roll, sfx, music) on the other tracks. I would love a way to just copy over changed media which would be on other tracks and not copy the v1 files again - but maybe there is a better easier solve then this?
I would love to be able to offset a path in Photoshop, essentially like contracting a selection by 1px, but doing so with a vector path. This would save me so much time, as I have to do this for numerous images. Offsetting the selection and making a path from the selection is not precise enough. Currently, I have to manually select groups of anchor points and nudge them over. This feature exists in Illustrator and works well. How likely is it that it could be implemented in Photoshop? I may have overlooked the ability to do this in Photoshop. If so can someone point me in the right direction? Thanks for any help!
It is currently impossible to rename an Adobe Firefly Style Kit once it has been created. This limitation can be frustrating, especially when managing multiple style kits or iterating on designs where naming conventions evolve over time.Allowing users to rename Style Kits would improve workflow efficiency and organizational clarity, particularly in collaborative or large-scale projects. Please consider adding this capability to enhance the user experience and align with the flexibility expected from Adobe's creative tools.Thank you for considering this enhancement!
Enable CTRL/CMD + Backspace to delete entire word left of cursor on layer/folder names & text boxes which would greatly increase workflow / organization speeds in After Effects and Premiere. Currently when you hit the keyboard command you insert what's either an unknown character or just a box that reads as a space when you close the edit, which isn't as useful and if that's a needed command it could be assigned to something that isn't already a standard and regular use command within an OS. So at the very least being able to reassign the command would be extremely useful but it doesn't show up in the keyboard commands as an option.
According to the CEP cookbook, the CEP engine decides which folder to use with this logic: ```How does CEP decide which extension to load?CEP first searches the product extension folder, then the system extension folder, and finally per-user extension folder.Extensions without an appropriate host application ID and version are filtered out.If two extensions have same extension bundle ID, the one with higher version is loaded.If two extensions have same extension bundle ID and same version, the one whose manifest file has latest modification date is loaded.If two extensions have same extension bundle ID, same version and same manifest modification date, CEP loads the first one that is found.``` However, if an extension load FAILS due to any issue such as a Signature Verification error, then it stops trying to load that extension altogether. So the suggestion is that in case of a failure, we work down this existing list and pick up the next best version of the same extension, e.g. in a different folder or of an older version, and load that instead. Inspiration behind the suggestion is that a user ended up with a "bad" version of our extension in their `Program Files (x86)` folder (probably by using a zxp installer) which was giving a Signature Verification issue, and we also had a "good" version of our extension in their per-user extensions folder. However, the "good" version kept getting blocked by the "bad" version.
I love the embroidery filter, this is gonna be so useful!I have an idea, we need a enamel pin and patch filter, this type of art manipulation takes so long and this could really save me hours of work a week, I'm an Art Director at a creative apparel company.Thank you!
Hi,I've been a photoshop user for a number of years. I am not some amazing advanced user - buy I pay my money for the product and expect improvement over time. Uhhh it's not really becoming easier or BETTER for people like me. FIRST: My short term need is put some type in a ps document, and make it look like it is embroidered. I wasted money on something from Envato Elements, that couldn't even be installed. I looked on YouTube most of the videos about PS embroidery are people trying to sell you their "actions" or "templates" or something. ANY THOUGHTS (I am on the latest version as of 11/09/2024) For those of us who aren't professional - we want a tool that ALSO offers more simplistic solutions. Example given - Alien Skin Eye Candy (or whatever it was called). Photoshop still LACKS simplistic ways to put waterdrops on something, put rust on a subject, motion trails, textures, displacement maps (automatically) etc. (many of the things that Eye Candy has). My request above is another example - an embroidery look. Please don't tell me 42 steps - I'm not an advanced user. I want something with a few settings I can adjust, not 23 layers and adjustment layers and 8 other things. AI - very disappointing. I feel like Adobe got it out because other companies already had this. But it's lackluster, and honestly seems to be getting worse with each release. When it first came out, the Eraser Tool took text off of a billboard or shirt or whatever and replaced it with the background; now with newer versions it has gotten WORSE - it's trying to replace text your 'erase' with something that looks like text, but is not legible. Great Example for lousy AI: I create some text, select the text area - and use Generative AI to fill it in with embroidered thread. FORGET IT. It has no clue what to do. It's literally clueless that (a) there is text and (b) what thread or cloth or string is. I don't want to have to watch 75 videos to "trick" the AI tool into doing what plain English should tell it to do. EMBROIDERY - So, c'mon photoshop - how in a few simple clicks, or instructions - make type look embroidered? I saw this link here:https://community.adobe.com/t5/photoshop-ecosystem-discussions/embroidery-effect/m-p/10496804#M249305 Somewhat complicated Phrustrated in Philly
Hello, I have been trying to load a project and I keep getting an error pop-up saying:Video Filter missing: RGB CurvesVideo Filter missing: Color Balance (RGB) Does anyone know how to resolve this issue on a M1 Pro Macbook?
Hi there. First post here.I am a 2D animator, more specifically a traditional hand-drawn, frame by frame animator. (Just like a traditional Disney animator, but I use Photoshop)Here's my showreel: (link removed)My website: (link removed)I would like, if at all possible to help the design team to create a better, more professional timeline, for traditional animators.I love the fact that I can animate in PS but as it stands, the timeline and other animation tools, are quite sketchy and clunky in some regards, but still awesome in other regards. The list of things to improve is rather long, but not incredibly complex. It is mainly an issue of interface design, but also improving or adding just a few crucial tools. This could turn PS into an unbeatable animation app.I know Adobe Animate exists, but it doesn't offer "bitmap" animation, and doesn't have all the great painting tools of Photoshop.The sad thing is that other industry standard, traditional animation tools aren't that great either, such as Toon Boom or TV paint, which are also buggy or very clunky and so old-fashioned it's painful.I dream of a simple but efficiently designed Timeline, tailored for hand-drawn animation.I'm not seeking something complex such as rigged animation and bones and whatnot.Photoshop is amazing for illustration, it could be just as amazing for us traditional animators.I hope, if anyone knows how to, that I could communicate with some design team to work with them, simply as a friendly consultant, to guide them to implement some effective and much needed updates.ThanksSykosan
I've always found it odd that you can't simply update your current custom workspace, surely this would be a simple feature to implement by adding a new item at the bottom of the workspace dropdown menu?
Dear Adobe engineering team,First of all, let me express my deep respect for your excellent work, Adobe products have always been indispensable creative tools for photographers. As a photographer who focuses on the starry sky, I often chase those distant and bright points of light in the cold wind at night, recording the mystery and beauty of the universe. However, in the post-processing of these precious starry pictures, I encountered a challenge: how to efficiently achieve star alignment and clear presentation of comet tracks.1. Background and needsStarry photography often requires multiple shots with different exposures taken in the same location to capture rich details ranging from faint deep sky objects to bright nebulae and galaxies. However, the rotation of the Earth causes the stars to appear slightly shifted in the image, affecting the quality of the final composite. In addition, for moving objects such as comets, it is often difficult for traditional alignment methods to accurately track their trajectories, resulting in comets appearing blurred or broken in composite images.Second, functional requirementsWith this in mind, I asked the Adobe engineering team to consider two features:Star alignment function:The ability to automatically identify and precisely align stars in photos eliminates displacement due to the rotation of the Earth and ensures clarity in the composite image.Supports batch processing to improve post-processing efficiency.Flexible parameter adjustment options are available to accommodate different focal lengths, exposure times and weather conditions.Comet alignment and trajectory synthesis features:Identify and track the position changes of moving objects such as comets in successive photographs.Cometary tracks are synthesized automatically or semi-automatically so that they appear in a continuous, clear form in the final image.Adjustment options such as track brightness, width and transparency are available to meet different creative needs.Third, expectations and prospectsI believe that the addition of these two features will greatly improve the efficiency and quality of starry photographers' work, allowing us to focus more on capturing the grandeur of the universe rather than getting bogged down in tedious post-processing. Adobe has long been synonymous with innovation and excellence, and I look forward to witnessing the birth of this feature with you to bring new breakthroughs in starry photography."Thank you again for your hard work and unremitting efforts! Look forward to your reply and further discussion.
Hi,Productions are amazing, but file organsation and duplication is an issue. From what i understand about Productions most people structure Productions similar to us which is:At the top layer have your main projects:EP 1EP 2...Have a folder/bin called "Assets" which has separate projects called...FooatgeAudioGraphicsThese are varied between Production houses, but the general concept of having your footage and other assets separate to your sequences, i believe is generally established.WHAT PRODUCTIONS NEEDS- Video Usage, Audio Usage collumns to recognise where files are being used across all projects in the production. When clicking the drop down menu, you will see the Project name, Sequence Name, and Timecode the file is used.- When deleting a file from a project, if it is used in ANY sequence WITHIN THE PRODUCTION a warning appears asking if you are sure as it is being used in a sequence. (Just like with a single project file)This would absolutely change the game for Productions. It would make it flow so much easier.Especially, when cleaning up unorganised workflows, or deleting files no longer needed etc.I have some others but i will write those in a different post.Many thanksMat
Provide a way to create new pages completely from scratch by laying out the position of the picture frames and text frames instead of using just the provided templates. I like to do my own layouts that match the text. Also can we have double page layouts where they are linked and cannot be broken apart.
Dear Adobe Community, I'd like to address an important workflow challenge regarding the interaction between Warp Stabilizer and speed-modified clips in Premiere Pro. Current Issue:When attempting to apply Warp Stabilizer to a clip that has already been speed-modified (e.g., slowed to 50%), we receive an error message stating that warp and speed effects cannot coexist on the same clip. This creates a workflow bottleneck requiring nested sequences. Proposed Enhancement:It would be incredibly beneficial if Warp Stabilizer could:1. Access the original footage at 100% speed2. Perform stabilization analysis (on the small portion on the timeline)3. Automatically apply the speed modification while maintaining stabilization Benefits:- Streamlined workflow- Time savings- Reduced project complexity- Better organization of sequences- Improved final output quality Would love to hear the community's thoughts on this feature request and whether you've encountered similar challenges in your workflows. This would eliminate the need for nesting sequences and streamline the editing process significantly.
I just got back from holiday, loaded up my work machine only to find I now had two versions of every single Adobe program installed, the old 2024 and new 2025 versions. I've never used Auto-Update so this has never been an issue, but had enabled this some time before going on leave. I had a look through settings to find the 'Remove previous version' button only to find that I had to do it separately for each program.Having that option separated for each program is obviously a necessary function for people who need an older version of a select number of programs, however I think it would also be good to have a button somewhere that enables 'Remove previous version' for all programs for when that isn't required. Just a thought.
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