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So I'm not exactly sure if this is a bug or not but there is no right click menu for the selection brush. Every other marking or size changing tool has a right click menu to easily change the tools size, shape, etc. I have to go up to the bar to do this and I'm wondering why its the only tool that makes you do this. ..if this isn't a bug then its an idea to put it in as a feature.
I have a web album that contains mostly HDR photos. It would be nice if the download option didn't result in an SDR download. Downloaded an HDR enabled file type when the photo is in that format would be ideal.
Hi everyone, I frequently work in Adobe Audition and often need to move multiple clips forward or backward on the timeline. In Premiere Pro, I use the Track Select Forward Tool and Track Select Backward Tool to quickly select and move all clips from a certain point forward or backward. However, I can't seem to find a similar tool in Audition, and I’m wondering if there’s a way to replicate this functionality here. Has anyone found a workaround or method to select multiple clips forward or backward based on the playhead position in Audition? Or is there any way to use a macro or external tool to achieve this? Thanks in advance for any advice or suggestions!
It would be great to export a full timeline from Premier but instead of one video, each video clip on the timeline is exported individually. This is an option in DaVinci Resolve and I've found it to be really useful. Having to do it manually can definitely be a pain.
I have been using lightroom now for several yaers but one option which i wish would be created would be the option to have some favorirte folder options in the import dialog box. As I have two or three folder I use mainly for importing. but when I change from my sub folder in pictures for example to desktop and want to go back to my sub folder we have to go through the entire folder tree to get to that folder . So having a favorite folders option would make that easier. The same applies when a Card is connected to the computer. lightroom goes to the card first even so i do not need to go there. so then again have to look through the entire computer folders to get to my import folder.
A vector technique and style to create icons on Firefly would be very useful.
Ich vermute, mein Verbesserungsvorschlag sprengt im Moment die technischen Möglichkeiten von Adobe Firefly, aber in ferner Zukunft sollte dies möglich sein. Ein Effekte-Vorschau-Fenster, um im Vorfeld die Auswirkungen der angebotenen Effekte besser beurteilen zu können.
I'm guessing handpainting features isn't at the top of Adobe's priorities for 3d Painter, but having an unlit shader w/ alpha-test and tranparency would be a simple but tremendously helpful option for handpainters. Currently, we have to use "Base Color" in viewport which means we can't see the opacity map which is very limiting.-- or if anyone out there can share a custom shader for unlit+alphatest or unlit+tranparency, would be appreciated!
I'm not sure if this is best submitted as a bug or an idea. It's an accessibility issue, at any rate. The selection border for selected clips on the timeline in newer versions of Premiere Pro (24.4+ I think?) is quite difficult to see, at least for me with my okay-but-not-great eyesight, at least when using premiere at 4k on a 32" monitor. This isn't a "I don't like the colors" problem, this is a "I really have to study the screen to figure out what clips I have selected" problem. It's probably even harder to find the selected clip(s) for someone with *poor* eyesight! This isn't a "just get used to it" kind of issue. The new selection border is significantly thinner and not as bright as the old selection border, I can't just magically become more able to see it. And believe me, I've tried! I've sent screenshots of old and new premiere to friends and they can't find a selected clip on a dense timeline, either, until I point it out to them, so it's not just me. I can't upgrade past 24.3 because it's so difficult for me to see what's selected, that it is basically impossible for me to work. I'd really like to be able to upgrade. Please don't limit premiere to only be usable by people with really amazing vision! If nothing else, some kind of acknowledgement from someone at Adobe that this issue is even on their radar would be lovely. Or let me know that y'all are happy with it as-is so that I know it's time to move on to another editor (though I'd much rather not). Please?
Between updating MacOS and updating Adobe, PluralEyes (formerly Red Giant, but acquired and killed by Maxon) has finally stopped working. It's end of life/"limited maintenance mode" has finally hammered the final nail in the coffin and there's no way for the program to be opened, much less be used with the Premiere integration feature. My proposal is both simple/elegant and probably very difficult to implement: allow the current Synchronize feature to be fully upgraded:allowing multiple framerates (anywhere from low frame rates to high frame rates - 1-240 or even higher!)multiple clips (or takes) in a single track and multiple tracks (or angles) to synchronize using only audio waveforms (and even increasing gain of existing, scratch-audio level waveforms in the background, if necessary) to find commonalities and sync automagically. The user would simply select clips, right-click and select Synchronize. The following prompt, not unlike how it currently works, would allow the user to select the master audio track to source primarily - its result would be quick and have any unmatched clips put to the end of the sequence. This kind of hodge podge, mix-and-match solution existed in PluralEyes and did it quite well, and so I believe it could be accomplished again for those who do not have access to Timecode-based alternatives when filming with multiple cameras/bodies/etc. This saves both seasoned and new editors anywhere between minutes to hours (depending on the scope of a project) of any multicam project from manual syncing. Does this exist? If so, teach a man to fish.
1. I drag a series of video files to Media Encoder.2. I wait ages for it to import all video files.3. The original preset command is to create an exact copy of the high bitrate 4k file like anybody is doing that.4. I select all, right click the PROXY PRESET that is used most often by most people in all realms.5. it creates 184 NEW COPIES NEXT TO THE ORIGINAL COPIES.6. There is no way to select only the high bitrate copies to delete those, leaving only the proxy files.6.5. Individually select each and every high bitrate copy, and delete. You still haven't even started the proxy workflow yet.7. ????8. Pay Adobe hundreds of dollars every year.Why?Like what is this accomplishing?
Scene Edit Detection often makes cuts where there are not any camera changes, a slight move of the subject, a flicker of light, and sometimes nothing visible at all might make a cut in the timeline. Perhaps a helpful parameter would be a sensitivity switch. Also, it would be nice to restrict the cuts to the video as that was the only track selected.
Hello,As a new user in Premiere Pro, the UI could make it easier to nudge values for different parameters similar to Photoshop, where the arrow keys can be used to change the values easily while reading the numeric field. Also, nudging the keyframes with the arrow keys similar to audio sequencer would be awesome. Thanks.
When I'm culling I want to see my pictures in color aswell as black/white. My current workflow is to hover the mouse over a black/white preset, to see the preview on the main monitor, and the second will show it in color. I think it would be nice if the there was an option to auto-overlay presets - or maybe even the embedded preview - on the second monitor to see if a edit would be right for a picture much quicker and already while culling. Maybe an addition to Grid/Loupe/Survey/Compare/Slideshow. The user selects the new tab and can choose from her/his preset list, and whatever gets chosen there doesn't get applied to the picture, it just behaves as if the mouse was hovering over a preset on the main screen. Now thinking further, there could be the original picture on the main screen, and like four previews for specific presets/edits on the second monitor to see simultaneously.
Hey! I'm not sure if this is the right place to suggest features for the software, but here goes!- It would be really cool to be able to group elements together so we can either edit them all at once or move them in the workspace with a single click to select them all.- To be able to select multiple objects directly on our workspace by dragging and clicking, similar to how it works in Illustrator or Figma.That's all! And by the way, quick question: when will it be possible to add images?
I wanna link each key to an In or Out point. If I change the In point, the position of all keys change
Was hoping that Adobe can update Firefly to produce high esolution bump and displament maps using the Gen AI functions? It would be very powerful and efficient for quick 3D models.
Hello, Premiere Pro enables comprehensive array of video effects. As such, the UI could prompt the user about applying overly flashing or flaring automations in the sequence, that might be a photokinetic concern for the viewers of the movie. Thanks.
why is auto tone so bad sometimes?it cranks up whites to +50 resulting in blown out face.... smh please improve it with some AI magic 😄
Hi, can you explain to me whether is possible to make bar for generative fill prompt resizable? Prompts today are quite complex and it looks only way to compose them effectively is to do that outside of Photoshop and later copy them into "prompt window" for execution. I guess would be really handy to make prompt window resizeble or "openable" for editing with possibility of saving drafts and executing later after confirming final stage. It will be similar like saving presets for many tools (curves, color adjustment, …) and we can work inside Photoshop. In adition we can create our database of prompts on one place accessible from Ps. — Save and/or execute!
Problem: There is no way to transcribe a specific clip in a sequence, and select one block of transcript to create captions from that specific block of text. I have created a vertical cut down of 46 seconds, from a video of 26 minutes. I want to create captions for JUST that 46 second cut down. I do not want 26 minutes of Premiere trying to spell words it can't understand. I don't want to fix 26 minutes of Premiere being useless, I want to repair 46 seconds and even that is annoying.Workflow Streamlining: The CC button creates an entire sequence of captions, ignoring the in/out points set by the user. I have a 10-minute video, I only want captions for a specific 15 second clip as the wind is too disruptive for accurate captions in software. There is no way to isolate that 15 second clip to be transcribed and captioned. I must suffer with transcribing the entire sequence of windy, jarbled audio that is more often than not incorrect, and mislabelled by Premiere. Steps:1. Create in-out points on your timeline.2. Transcribe the entire sequence because Premiere will ignore your in-out points.3. Highlight a specific paragraph of transcribed text.4. Click "closed-captions" for that specific block of transcribed text, while you have your in-out points set, because you assume it will only do that section of highlighted text, because it is highlighted.5. Create captions for the entire sequence because Premiere will ignore your in-out points.6. ???7. Pay $35 every month.I truly believe a more streamlined and selective caption interface for current users would be incredibly helpful. This is an idea request that should have been implemented at caption-creation onset. Now several months later this is still the most cumbersome caption software in professional use case I have worked with.
When working with the region Of Interest, unfortunately there is no shortcut to crop. Please add that to the contextual menu when right clicking the icon.
I am a concept designer who occassionally works on Illustrator but mainly Photoshop.Photoshop started making good and bad changes, but Fill feature is critically to me.please see below for my "Closed" line drawing I did with the brush.I am trying to color this object in dark gray.apply paint bucket inside the drawing.. TADA! What is the point of paint bucket tool here?.. applying background color to the entire layer?is that it? Is this a glitch?Many designers, digital painters I know like to block in the vague shape with the Paint Bucket tool.This change fundamentally changes the way I work, and simply adds multiple more steps to the painting process. I am not saying the Photoshop and all its features must stay as it always has been. But please, do not deteriorate what's already good. I already have seen complaints about the "Fill" function when I arrived here, I 100% agree with the professional photographer who asked for restoring Fill function.
Dear Adobe Premiere Pro Team, I’d like to suggest an enhancement to streamline the trimming process. Currently, trimming multiple clips to the playhead requires several steps. It would be highly efficient to have a shortcut that instantly trims selected clips to the playhead position with one click. This could function as a “Trim to Playhead” shortcut, cutting all selected clips on the right or left of the playhead in a single action. This tool would save time in complex edits, making workflow more intuitive and responsive. Thank you for considering this improvement! Best regards,Prince R. Asamoah
Working in broadcast often means exporting 16 audio channels. Often simmilar to this convention: Channel 1 - Stereo TVIS left Channel 2 - Stereo TVIS right Channel 3 - Stereo English mix left (conforming to EBU-R128) Channel 4 - Stereo English mix right (conforming to EBU-R128) Channel 5 - Stereo dipped M&E left Channel 6 - Stereo dipped M&E right Channel 7 - Mono sync track Channel 8 - Mono English voices (narration, guide VO, comms) Channel 9 - Stereo dipped sync effects left Channel 10 - Stereo dipped sync effects right Channel 11 - Stereo dipped natural effects left Channel 12 - Stereo dipped natural effects right Channel 13 - Stereo dipped spot FX left Channel 14 - Stereo dipped spot FX right Channel 15 - Stereo dipped music left Channel 16 - Stereo dipped music right To be able to deliver like this we create a Audio Track Layout with multiple submixes to accommedate this:In other applications you can hide(or make shy) tracks, making life simpler for the editor. Some busses, are just to create a mono output. No one needs to see or touch these.Thank you for considering.
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