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Photoshop currently lacks native support for exporting images in base64 format, a crucial feature for web developers who often embed images directly into HTML or CSS.Adding the ability to export images as base64 would greatly improve the workflow for developers, eliminating the need for external tools or manual conversions. This would make it easier to integrate images seamlessly into code and enhance productivity for those working on web projects.Considering that base64 is a widely used format in modern web development, including it in Photoshop would help maintain its position as an essential tool for digital professionals.
When pasting images from the web into Photoshop, it would be incredibly useful if they were automatically inserted as Smart Objects. This would preserve the quality and allow for non-destructive editing right from the start.Adding a setting that lets users choose this as the default behavior would streamline workflows, especially for designers and developers who frequently work with web-sourced images. It would eliminate the need for extra steps and help users maintain flexibility in their edits without losing image quality.This feature would be a valuable time-saver and enhance productivity for many users working with web assets.
I think many iPad users would love a quick way to merge all visible layers into a new top layer function. Thanks
Viewer currently has a size limit of 4,096 x 4,096 pixels. This limitation should be removed or increased to accomodate large resolution and print work. Photoshop's limit is 300,000 x 300,000 pixels.
Please can you update Cloud based Lightroom so that we can find photos that are Not in any Album. Also it would be very useful when viewing a photo the information panel included WHICH album the photo was In. This feature has been sorely needed for such a long time and would really help those of us who like to keep our images organised. THANKS!
Currently editing the view such as orbiting, panning, dollying, and framing, does not get recorded with the undo and redo history actions. This is inconvenient because if you make a mistake you have to manually get back into the right position, and it can be impossible to 100% recreate an exact view.
I don't see dust and scratches filter in photoshop for iPad. For those of us using film based photos this would be a great tool addition.Thanks
Hello all, I'd like to share a frustration/feature request I have with the Photoshop UI. On Windows 11, when moving between Photoshop and, let's say, Illustrator, the pull-down and context menus appear differently. Illustrator has the clean, spacious, rounded look of Windows 11, while Photoshop has the- in my opinion- more crowded and harder-to-read Windows 10 menus. See the photos below. I asked Adobe Support if there was an option to make Photoshop's UI consistent with the look & feel of the other Adobe apps. They said that this difference is by design. But... why? If you use Adobe on a Mac, all of the apps have an identical look & feel. Why not on Windows? Why does Photoshop look like it's running on a different opperating system? I know I'm nit-picking, but when I have these programs open side-by-side, the differences are distracting. And, the menus are harder for me to read in Photoshop. I recognize that Adobe won't force a whole new UI on their users, but please, just give us the option. All I'm asking for is a little "Windows 11 Menus" checkbox under preferences that will give me peace. And, while we're at it, can we please have dark menus on Windows? Why is this exclusive to MacOS? That is all. Thank you for indulging me. Windows 11Ps 25.12Ai 28.7.1
Adding a copy and paste settings option to the gallery view would enable batching of this process across multiple selected images.
I have to create a lot of stringouts at my job where I'm essentially removing any unusable footage from what our team captured. I'd love to be able to have Premiere analyze the movement in all of my footage and have it give me a visual representation of the movement in each of my clips making it easy for me to identify footage that I should remove. Would save me SO much time. Thanks!
Hiya - be great if ME watch folders/set them up to be able trim 10secs off the front or back end of a file. Sorry if this has been discussed beforeBe good to hear everyoneones thoughtsCheers
can you setup watch folders to trim 10secs off the front and back end of a file thanks
Dear Adobe team, the replacement from Dust & scratches with gaussian blur is very unfavorable.These are 2 completely different effects.Please reintroduce the Dust & scratches effect or add a good replacement.
CFexpress card (I can only check Type B) are not detected as (photo) devices like XQD and SD cards are. That results in those issues: Card is not be ejected automatically after import (to me, the worst thing) Add and Move can be used, where Add is a total no go, Move doesn't bother me personally Please don't blame the OS for this. Adobe can easily fix this by adding two lines of code checking if there is a DCIM folder in the root of the device or not. Of course that's only a workaround. But I'm pretty sure Adobe board has best contacts to Tim C®ook and this can be fixed in an instant teaming up with Apple, when blaming MacOS. I suppose Adobe will exactly do this, instead of working on a solution. Honestly, there isn't much difference between SD and CFexpress shown by Disk Utility of Monterey 12.4, viewing the info for the Sony MRW-G1 (can read/write XQD and CFexpress Type B) and SATECHI for the SD Card. In the attached screenshot, I checked the info for the devices, not the volume partitions. Geetings,Roland
As the title states, I'd like to be able to add warp stabilizer on a clip even if the clip dimensions don't match the sequence, and even if the clip has been slowed down or time remapped.
I will often duplicate a sequence in order to make a new version before making major changes - keeping the workflow nondestructive.I don't recall ever leaving the default name "[sequence name] Copy", and will usually proceed to change the word "copy" with the version. It would be extremely useful if instead of "copy", Premiere would name our duplicated sequences based on number - so even if I named my sequence "rough cut 3", it will proceed to name the duplicate "rough cut 4". Perhaps one would be able to modify this behavior in the settings as well.
It's too tedious to have to right click and go through two context menus just to enable time remapping. Make it accessible through a keyboard shortcut, or better yet, revamp the whole time remapping layout so that you can ease the keyframes easier. All in all, it feels like the feature is clunky and outdated.
I just changed my computer to apple m3 and found that my regular change to color effect is gone. For some reason, many of my previous projects cannot use the change to color effect. I tried to use Lumetri that you recommended, but of course it is not a replacement and it is very time consuming. I had to go back and edit and use the change to color effect on my old mac and export the alpha to use on apple m3. I want the change to color effect back in Premiere Pro Thank you From User.
Now that AI is in full swing would it be possible to use it to make selection based on a text description. For example. A landscape image with a pond: 'Select the water' or 'Select the river'? This would be incredible useful and since Photoshop is using AI to analyze the image it might not be too big of a stretch to have it accomplish this task. It would be amazingly useful: select people, select cars, select animals, select water etc.
I would like Lightroom Mobile to have the ability to crawl the device photo library and mark old photos that have been imported as such, not just photos that have been imported from that specific device. It already quickly detects duplicates when you try and import duplicates, some sort of workflow to do this in the background and mark them would be nice to have.
I would like to see more filter options on the device tab. A few I would use are:- Photos marked as imported or not- Camera body/ lens- Filter out exports from the Lightroom app to the system app. Would help avoid importing edits that came from Lightroom back into Lightroom
I think it's interesting that the OCIO config titles are taken from the folder names as it allows for custom titles separate from the config file name itself but it's problematic at the same time. Currently the ACES version and config build version is mentioned but not the OCIO version. I personally think the names should be the same as the config file names to completely and properly reflect what is being used so it can also be referenced against other configs in other software if needed. Like Photoshop for example... Furthermore the Description field should not give a generic description of how AE handles the config. It should contain the actual description of the config itself like in Photoshop. AE: PS: I hope this will be considered and improved. Thanks for reading.
After Effects is set up to read the folder names as OCIO config titles and will pick the first in order as default when either opening a new project, or switching from Adobe managed. I think this is problematic because ACES 1.2 is a legacy config that nobody should use ideally. (removing it in next release would be even better imo, ACES 2.0 will release soon and there'll be too many pre-installed configs). The ideal would be that the Studio variant with latest ACES version and the latest OCIO config version is picked by default. Furthermore I think AE should remember the chosen settings (even if it's custom) when exiting the software or switching back and forth between OCIO and Adobe managed.
I urgently want an option like Federated ID / authentication via Microsoft Azure or Entra. There is a corresponding solution for Creative Cloud for Business. However, this is not available for offices with fewer than 50 users.It would be much more convenient for our users if they could simply log in with their credentials from the Microsoft environment to use their Adobe products.
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