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It would be great if it was possible to add camera raw masking options, people finder and other advanced options to the normal select subject section.
I recently reviewed the release notes for Substance Painter version 10.1.0 and noticed the following statement:“Note: This version of Painter now uses Qt version 6 which affects the support of Python and JavaScript plugins. See below for more details.” This update introduces changes that affect plugin support, potentially causing compatibility issues with existing Python and JavaScript plugins. According to the principles of semantic versioning, such breaking changes should be indicated by incrementing the MAJOR version number. In semantic versioning, the format is: MAJOR.MINOR.PATCHMAJOR version changes introduce incompatible API changes.MINOR version changes add functionality in a backward-compatible manner.PATCH version changes are for backward-compatible bug fixes. Given that the shift to Qt version 6 affects plugin compatibility—a significant change that can impact users' workflows—it might have been more appropriate to label this release as 11.0.0 instead of 10.1.0. This would alert users and developers to the potential need for adjustments before upgrading.I'm bringing this up to understand Adobe's approach to version numbering in Substance Painter. Clear and This is that the unforeseen update broke our internal tools, causing workflow disruptions. It’s frustrating to encounter breaking changes in a MINOR version update, which goes against standard versioning practices that many developers depend on.I urge Adobe to follow established versioning conventions in the future to help users manage updates and avoid unexpected issues.
In previous versions of Premiere, audio clip names were visible when tracks were fully collapsed. Now in 2024, they only show up if you increase the size of the tracks by three or more steps. I'd love to be able to see the names of the tracks when they are fully collapsed. My projects usually have tons of audio clips and an average of 35-100+ audio tracks. Seeing the names of which audio clip is which greatly helps my workflow. Now I have to increase the side of my tracks in order to see the name of the clip and it can be a time-consuming and messy process when wanting to work with fully collapsed tracks.
Hi there. Can we have minimum AND maximum filter in the same window ? I’m not using them enough to assign shortcuts or to memorize if black or white will grow. Half of the time i pick one for the other and have to close and dig again inside the menus... I would love it if they were joined.
swapping between clips should be available also vertically, not just horizontally. this way you can swap clip A with Clip B bewtween different track. see an example:
Right now there is only one global setting for transition length, but I use different lengths for different types of transitions. I'd like to be able to set the default length separately for each transition type. This would save me a ton of time.
You provide the ability to save metadata (tags) to a file but do not provide ability to do so for video, why??? This would be great as i wanted to import my files into a new catalog and bring the tags along with it.
Hi there,I have a feature suggestion for premiere pro "Render and Replace" feature:Please make Adobe Premiere Pro's "render and replace' process a background task that auto cueues and completes in the background as I continue to edit 🙂 Thanks Nick
We have a rather large tenancy. Currently, if we need to add an admin role for an user, we must do it on a per case basis. If we had a group, with all admin users in this group, then add an admin role to the group, this will cut down admin overhead and automate this procedure. As a sync currently runs from the Azure AD to Adobe, any new admin user will be automatically added into the group and assigned a role.
Hi, Changing the brush size by leaning the pen (i.e. the more inclined the pen, the bigger the brush size) is a common feature in PAINTING software, which Photoshop lacks, and would be very welcomed by the painting crowd. I've used a similar feature on Painter 11, MyPaint 1.0 and Gimp 2.8.6, and I find it really useful, since it allows a faster and less stressful access to a HIGHLY REPETITIVE TASK. Thanks for your attention, Antonio.
When doing panoramas of buildings, it tends to warp the building in a circular result. Similar to using a fish eye lens. The tools in the upright do not solve this problem. The guided tool really distorts the building even more. And when I am forced to take the picture from a low angle, there isn't a way to make it seem level. The best I have found is that using Auto and then doing the vertical slider does a medicore job.
Ich habe Clips, welche mit einer Sony AX700 Kamera in der Zeitzone von Singapore (UTC+8) aufgenommen wurden. Wenn ich diese in ein Premiere Projekt auf einem Rechner in der Zeitzone MESZ (UTC+2) importiere, wird das Erstellungsdatum um -6 Stunden verschoben anzeigt. Ich möchte, dass als Erstellungdatum das effektive Datum / Zeit - ohne Zeitverschiebung ! - angezeigt wird.Ich habe in Premiere Pro kein Metadaten-Feld gefunden, welches das bietet. Mit exiftool habe ich herausgefunden, dass in den MP4-Dateien (Sony XAVC) ein Feld 'Creation Date Value : 2023:08:27 05:42:05+08:00' existiert, aber dieses scheint von Premiere Pro nicht gelesen zu werden!? Hat jemand dieses Problem auch schon gehabt und eine Lösung dafür?
If all footage is transcribed I would like to be able to search a key phrase and have a sequence automatically genrated with all clips containing it. This would save countless hours of building strings of scenes when you are looking for the right take.
i haven't seen this reported anywhere elsewhere so it seams like I'm an edge case, but essentially Audition for me is acting like programs do when your CPU is taxed 100%. The whole program is just extremely laggy, the whole window takes ages to move then I try to drag it around, it takes a long time to open effect windows, the playhead is laggy, ect... It's worth stating that my PC is pretty overpowered for Audition so there shouldn't be any issues like this and there weren't any before. It's just acting like my PC is working too hard but it's not, i have no idea why this would happen besides some weird bug.
This is about the generative fill tool provided in Photoshop beta version currently.I tried to add several famous personalities, for example: hollywood actress, bollywood actors etc but no matter what, the AI just doesnt recognize any single of them and rather adds weird distorted images which looks almost like aliens.The other thing which I would like to mention is that most of the times, if human pictures are added by generative fill, either the face or hands are distorted too much which looks like alien pictures or those are made too much "surface blurred" which doesnt really blend well with the background and surrounding people in the existing photo.This should be good features to have to be corrected.
I'm missing EBU R128 meters / loudness meter, instead of the 'old' peakmeter.Is it possible to have this as an option?tia, chris
Add burn & dodge brush to Substance Painter
Hi, just a small improvement for the 'remove attributes'-option in Premiere.By default all attributes are selected when choosing this option. But I find myself often deselecting all those attributes except the one I need to remove. I can not imagine you need to remove all attributes (video AND sound) for a clip in one time (if so, wouldn't the option 'clear' be a better way.) It already bothered me a bit, but not enough to complain about it. But at the moment I am working for an e-learning programme which has a lot of sequences and clips. Because I made a color correcting mistake I need to remove the Lumetri attributes of a lot of clips in a lot of sequences and replace it with an adjusted one. For every clip I first need to deselect all attributes every time until only Lumetri is selected. This way it takes a lot of time (and patience) to change everything.I think it could be more efficient. Thanks,Itam.
Hey,I have a script idea for Automation Blocks and maybe someone can help get it going. When working on clips that need further fx in another app like AFX or Fusion I like to create a seperate track for those clips and when I get them back to also place the new clips in a nested sequence so if there are several versions I can all place them ontop of each other so that all versions are available in case I need to go back to former version for some reason.Right now this is a manual process of selecting the clip nesting it, naming it to the shot number and moving it to the bottom most track. It is not to much work at all but maybe could be automated. Some nice features would also include the option to add handles so if the shots get longer there is a bit of a wiggle room(maybe not placing the nested clip right at the start of the Sequence but offsetting it in sequence it is comming from so that it still aligns properly; not sure if this is possible) without the need to move around clips inside the nest...And if several clips are selected to coose if the user wants to place them all in one or separate sequnces(much like the pre-comp command in AFX)
Hello, I have a small suggestion to make for material height blend node.I would like the Mask output to be exposed as an additional output on the Material Height Blend. Often times after blending two materials together, I would like to use the mask to do some additional adjustments, for example to alter the normals, to be used to create additional masks. It is technically something I can do by myself but I would just like for this change to be made on the Substance team side so we don't have a duplicate material height blend node with this additional feature.It should be a really quick change and shouldn't have any impact on the node's performance. Thank you!
Why does the same transcription feature from Premiere Pro not exist in Audition? This would be a game-changer for anyone who uses Audition for making podcasts or radio stories.
In Substance Desginer is it possible to add multiple bake maps with different settings (e.g. Color Map with Random Color, Color Map with Vertex Color...).Is it plan to add this feature to future substance painter versions?
I know brush rotation can be changed with the left and right arrow keys but it baffles me why bust roundness cannot be adjusted with the up and down arrow keys I really do feel the brush system needs a complete overhaul with other apps much more capable on the ipad these days.
I am calling out the Adobe about this 4years issue. They didn't do anything to fix the problem. PLEASE SOLVE THIS. AND READ ALL THE REVIEWS AND COMPLAIN FROM ANOTHER USERS HERE IN COMMUNITY.
Hi,Recently, we wanted to use advanced Adobe Firefly Services, like Custom Models, Adobe Firefly API services, etc. However, they are not available for VIPMP customers, only available for ETLA customers.It will be good to have also for VIPMP customers. References:https://developer.adobe.com/firefly-services/docs/guides/get-started/https://helpx.adobe.com/enterprise/using/assign-users-to-firefly-custom-models.html Best,Olaf
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