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Hello, I am in a state of complete paralysis due to a traffic accident. I cannot use my body below the neck. Therefore, I am editing videos with the help of a special mouse. Because of the [Headmouse link removed] feature, I do not have a scroll wheel and can only use left-click and right-click functions. A scrollbar is absolutely necessary to move to areas outside the frame that are not visible. For healthy individuals, the changed interface may seem simple and visually appealing. However, for disabled persons like me, using a scroll wheel is not possible. Therefore, a scrollbar is an essential feature. Thank you for reading.
This has been an forever issue and still nothing changed for years ever since language option moved to account settings. You've already setup user account sync what's so hard to include user language preference with the account data? Where's our subscribscription payment the company spent on exactly? Nobody would want to remember to check and set to the right language first EVERY TIME they setup creative cloud on a new machine. And people always only find out after new installation done and had to remove and change language preference and re-install apps again. Is there any actual Product Manager here on the forum or all your service here just letting users cover eachother?
Hello. Not sure if this is a bug or on purpose but it's inefficient so perhaps remove that and also maybe add a keyboard shortcut to hide selected elements. In blender it's H or Alt-H.
I synced my clips using multi-camera, and now the footage has a yellow selection border around it when I want to preview my footage. It's very distracting. Changing the timeline to a non-multi-camera sequence does not remove the yellow border. Requesting the option to disable the yellow border for multi-camera sequences.
i would like for you to add a setting so that the selected pictue in the "timeline" below is darken like the rest of the pictures when its marked as rejected. this makes it easier to identify which pictures hav been rejected without having to look at the small rejected flag. the white outline on the picture is enough to highlight which picture is selected in the "timeline" see the pictures included to see what i mean. both pictures are rejected but is not darken when selected. and when going through pictures to select which one i like and dislike this makes it confusing.
I want to follow a friend from the email sent to me when they shared an album with me. Currently the only option I'm seeing is to open it in the web browser I want to open it in the app and start following him.
Evey year, when it is time to renew our Adobe Service for our School, I have to jump through hoops contacting support to find out who our new "Accoutn Manager" is, because it always changes. And apparantly, the only way to get a renewal quote or invoice for the upcoming renewal is for the Account Manager to initiate that themselves. I would be WAAAAAY easier if we could do this through the Admin Console, or at the very least if there was a spot that lived in teh Admin Console that would always show us our current Accoutn Manager name and email address, so we know who to reach out to so we can request the renewal quote/invoice. Please make this happen! It would make everyones life so much easier!
I use the badges to see at a glance which photos have adjustments, but now the "Photo is in collection" badge is cluttering up the badge field (is that a new badge?) This particular badge is completely useless to me, so I'd like to be able to turn it off without turning off the "Crop" and "Adjustment" badges. Please allow users to select *which* badges are displayed in the filmstrip (and/or any other locations). Thank you!
Seeing if there is a way to add a feature that would take a custom track style and set it as the default in the Essential Graphics Pane. After the Producers at work do captioning, we have to set it to top justification and centered with white text and a black opaque background. I created a track style with all those settings, but it has to be re imported each time Premiere is open.
Microsoft has this for many of their products. I had to call Adobe for help because there is no option to repair an installation in Lightroom Classic. Uninstalling and reinstalling just put it back the same way - with missing functions.
I would like to be able to have different Crop versions of an image, e.g. different aspect ratios for different purposes (different social channels, wallpapers on different screens, different print sizes, etc). I can do this with Virtual Copies, but that creates a new separate copy of all edits that are disconnected from the original source. I would like to be able to create a limited version of a Virtual Copy where all edits except cropping are still live-linked to the original source file and the only variable that changes in the limited Virtual Copy is the Crop. i.e. I could change Exposure or White Balance or Masks, etc on the one original source file, and all the Crop-Copies would inherit those changes within their Cropped Aspect Ratios. In the current implementation of Virtual Copies, I would either need to go make those edits again on each copy (manually or sync), or delete the Virtual Copy and re-create and re-crop a new Virtual Copy to inherit the new edits. I would like to be able to do all edits in the original source file and have the different crop-only versions stay in sync with it.
please make the beta versions for adobe audition photoshop and more free forever like free install like fl studio free update
I would like to suggest that the Adobe Photoshop design team add a starburst creation function to Neural Filter.
it's on the tin. Both are industry standard, I don't see any deep image implementation at all (I may be dumb and looking in the wrong spot), and EXR is basically an entire menu set for importang one image sequence, and often poorly if properly at all. Sure multilayer EXR is a pain at times, but the current integration is jarring, atypical of adobe, and seems to have gotten no updates or support for the better part of a decade at least.On the other hand, just rewriting the software from the ground up with modern standards would also solve this. it's a crying shame unreal can manage global illumination and tesselation of millions of verts, then instance those, all at over 60FPS, but on the same hardware, AE runs your computer at max, struggling to spit out some text and shapes with motion blur.
Hello, the community in classic Lightroom, the latest version with noise reduction by AI, I find it fantastic and I use it absolutely all the time every time. On the other hand, would it be possible to bring a button or a function so that I can have the choice so that the original raw files no longer appear and so that only the raw files processed with accentuation appear? Otherwise I'm losing a crazy amount of time to remove the original files one by one and that doubles the number of photos and even doubles the weight of the report on my hard disk. if I ask for batch processing by AI, it's because I no longer want to have the original raw files in the dupsiser but only the accented raw files. Thank you for listening. Bonjour, la communauté dans Lightroom classique, la dernière version avec la réduction de bruit par l'IA, je trouve ça fantastique et je m'en sers absolument tout le temps à chaque reportage. Par contre serait-il possible d'apporter un bouton ou une fonction pour que je puisse avoir le choix pour que les fichiers raw d'origine n 'apparaissent plus et que seul les fichiers raw traités avec accentuation apparaissent ? Sinon je perds un temps fous à enlever les fichiers d'origine un par un et cela double le nombre de photos et de surcroit double le poids du reportage sur mon disc dur. si je demande un traitement par lot par l'IA c'est que je ne souhaite plus avoir les fichiers raw d'origine dans le dossiser mais bien seulement les fichiers raw accentués merci de votre écoute {Mod: Signature link removed to comply with Community Guidelines: SignaturesWebsite addresses or links in signatures will be considered spam and a breach of the community guidelines, which could lead to your account being banned. }
I would love to be able to right-click an image and choose "find similar in catalog" Please, please please! Thank you ❤️
Hello everyone!I am a retoucher and to speed up things I do my work disabling file compression while saving.When the job is done and approved, I made an action to just open the file select a group of layers and then it saves the file.Quite happy about the result in terms of time wasted while working, which is almost done, but this way I make the life of my NVME shorter and I lose a lot of time running the final action and archiving the files.I know PS can save in background while we work but we cannot create smart object till the saving process is ended. So almost every image I am stuck for 2 minutes.I have 5950x and it is a shame I cannot use the full potential of my CPU, but even the cheap cpus have 8 threads now.Please let me know what you think about itThank you
Compared to other NLEs, Premiere Pro still has an outdated UI that feels uninspiring. Working with its current style and color palette becomes monotonous. I spend hours working within Premiere, and its operation leaves me feeling fatigued and unenthusiastic. I believe that offering more options for customizing the interface's colors and perhaps allowing users to create custom themes within the application would breathe new life into it. This way, those who prefer the classic UI can stick with it, while users who enjoy making changes can explore fresh themes and color schemes.
In metadata there's a big missing one : location. It could be great to save the location when you edit a pic and then share in the library's iPhone. Or better, you can directly replace the pic and don't make a copy ! More easier !
It would be really useful if the creation date and time for sequences could be captured and made visible in metadata. This would help determine which is the most recent version of a sequence which has been duplicated for backup purposes in the editing process. A bit like keeping versions of sequences. Peter
So apparently Lightroom mobile cannot open these files at the moment, produced by OnePlus 12 camera app in HEIC enabled 10-bit color. I mainly shoot this type because editing in mind and it would be nice if supported in Adobe mobile ecosystem.
I have a 14" macbook which I use both connected and not connected to a 32" 4k external monitor. There's a pretty big difference in physical size between the 2 monitors which results in personal preference differences to the lightroom classic UI elements. Particulally thumbnail size and panels (width or visibility).So when I switch from using the laptop screen to the external monitor, my first few minutes are spent adjusting the size and locations of UI elements for the new screen. Couple ideas to streamline this and be more friendly to the user:a) lightroom remembers and applies the last state of the UI elements on a per monitor basisb) someway for me to save and apply layouts (kinda like UI state presets)mike
I've only recently discovered output modules and tokens, and they really improved my rendering experience. However, one feature that is clearly missing is the ability to add incrementing numbers to file names automatically. That way it would be possible to quickly render new outputs for revisions without having to add version numbers manually.
So I'm assuming this isn't a feature in premiere as I can't find anything about it, but here goes. I'm working on a wedding, and I am doing the finishing edit now. I have hundreds of light leak overlays in a bin, that I want to implement into the timeline to use as transitional elements. The annoying thing is I am having to set the blend mode to screen on each single clip once I place it in the timeline. Now, before you say just copy and paste atrributes from one to the rest, this is not a solution that will work because I have to choose the overlay from the bin, and place it, and without the transfer mode already activated, I can't properly see how the overlay will look and interact with the footage. So that said, what I am hoping to do, is to either batch set the blend mode inside the bin, so that when I grab the overlay and place it into the timeline, it defaults to already having the screen blend mode active, or another solution that could produce the same result would be just putting all of those overlays on 1 particular track, and setting the blend mode of the track. Does anyone know if this can be done, and how you would set it up? If so, please let me know. If not, it might be worth making it a feature request. Thanks in advance.
Please add an option to move paths together and add scaling to selection/group. I have often found the need to move my paths for various reasons or scale them.. I would love the option to be able to move them as a group, as moving individually is painful and time consuming. I use paths for my daily workflow, because I like the finite control I have over specific strokes and the ability to adjust the pressure manually.
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