i love the feature of font classifications but the problem is a lot of the fonts i own on my local storage, not adobe fonts, don't have metadata embedded in to classify their style correctly, so even though in my font book i have probably 100 fonts i would classify as handwritten or script, in photoshop only about 20 of those fonts get put into the correct classification and the rest would be left in the “all classes” section. so the ability to manually edit and move which fonts go into these classes myself would be a really helpful update to the font panel!
As a Creative Cloud User (single user only) I would like to to see Feature Enhancement for this level to include Passphrase protection.To move to Pro Level is not viable if you are not doing work for commercial gain.Maybe a ‘small’ annual subscription would be appropriate - but I mean small !Just an idea.No Frame.io Forum from what I see (third party operated ?) so including in Premiere Community.Sending emails to Frame.io support produced nil result - not even a no, sorry.
Hello ! Context :I'm using Premiere Pro daily with a timeline opened in my Source Monitor to have a similar configuration than the "Toggle Source/Record" from Avid. I find this workflow to be a lot more precise and pleasing than pancaked timelines, as you can anticipate exactly the start and end frame when puttings clips on the program timeline, and use the two monitors efficiently. This way of working in Premiere works actually works, but there are a few annoying bugs and small things missing that are really painful when using this workflow daily. This bug/feature which is here since a long timeline is one of the reasons this workflow sometimes feels painful (see this and this topic). The bug :Open multiple timelines both in the Program Monitor and the Source Monitor through the wheel and "Open in Timeline".Save the project and close Premiere Pro.Reopen the project.The previously opened timeline in the Program Monitor will be reopened, but the previously opened timelines in the Source Monitor will not. Even if the option "Restore open sequence when opening project" is activated from the settings. NoteIt is unclear if this behavior is intended or a bug, but from me, a sequence opened in the source monitor is still a sequence. From that point of view, the setting "Restore open sequence when opening project" should apply too ! The goal of this feature is to start working right after opening a project : everything you were working on is there and ready. So when you use a lot of sequences in the Source Monitor, this is a bit frustrating that you have to manually reopen all of those sequences for a minute or so. It doesn't feel quite right. Recorded on the latest available build : Premiere Pro 25.5.0.
Generative Credits Usage History and Transaction Log Please add a detailed transaction history log for Generative Credits. Currently, we can only see the remaining balance, making it impossible to track which tools or actions are consuming credits.A simple log showing the date, tool used (e.g., Firefly vs. partner models), and credits deducted per action is essential for usage tracking and transparency. Thank you!
Batch export subtitles in TXT format from multiple clipsI work with a lot of testimonials and would like a feature that allows me to export the transcripts generated by Premiere Pro in batch—covering multiple clips—so I can create a script or something similar based on those various transcripts.
how do I recreate the smart album for photos without keywords in the cloud based version please
How do I remove the learning community panel on the left-hand side of light room. I'm on a 13 inch Mac when I'm on the road and screen real estate is out of premium and this is just wasted space for me to do my work, but I can't figure out how to turn it off or get rid of it. If somebody has ideas of how to do that, I would be greatly appreciated!
It seems to list Adobe on the Flux 3 website so that means that granted Adobe should have early access to the API. As Flux 3 is now available on other platforms such as Picsart and Runway, I think it is only fair Firefly members have access to it as well especially since Firefly is used by many businesses looking for the current models.
Since the team needs a huge bunch of people arguing and voting, maybe “just another request” will do.I can’t afford replacing my whole workstation, I have friends in the industry that don’t have this money either, and they use microsoft only for the Adobe suite (photoshop, illustrator or indesign, mostly).We pay for your product, and our workstation’s OS should not be an accessibility issue.You already support Mac and Windows. Linux is just a few steps further.We’re using Adobe suite mostly because, so far, other products are “not enough” (yet, be aware of that).If you don’t keep up with the pace where it’s going, people will migrate to another tool.I already have some friends that ditched Photoshop in favor of Affinity (and it’s FREE dang it). The change was hard, but they made it. Entire companies did, which is quite impressive too.On my side, I’m planning to work on requesting the Affinity team to make changes that will make it “closer” to how Photoshop works, for now, because it’s the quickest workaround.And Affinity works on Linux.I already use it sometimes, when it’s easy enough.In the meantime, some people have tried to hack into Wine/Proton in order to make Adobe CC installable on Linux. I’ve done my share of research too, but haven’t digged into Wine’s code enough to make relevant changes, but it’s on the way.Check these out:https://github.com/corbindavenport/creative-cloud-linux https://github.com/bottlesdevs/programs/issues/11 https://github.com/bottlesdevs/Bottles/issues/717 https://github.com/ValveSoftware/wine/pull/310 https://gitlab.winehq.org/wine/wine/-/merge_requests/10025If volunteers can do it in their free time, you must be able to do it too.You can do it guys.You’re rich enough to book a small team of 2-3 developers just to support this, and considering the expertise they should have, it can be done as quickly as in a few weeks.And if you don’t do it, well, it means that the loss of market will be somehow deserved, sadly.
After Effects has become an apalling mess and Adobe is a joke of a company. Why on earth are the new features etc., being driven by your marketing department instead of what users want and need? We're in a ridiculous position where updating After Effects with the hope of fixing one lot of bugs just introduces a whole load more. Can someone with a bit of backbone at Adobe suggest to their bosses that they are f***ing the company? The ONLY reason I still have CC is because they offered me money off when I went to cancel, but I'm slowly shifting my workflow away from Adobe completely because they cannot make a decent piece of software. Adobe, please DO YOUR JOB so that I can do mine!
I've been a Senior Editor for 24 years now. My specialty is editing multicam footage. When I've only got 10 cameras, it's okay. But more often than not, I get between 20 and 40 different sources, because most of the time, I'm called in to edit major shows. I come from the AVID world (where we see labels in multicam, as shown in the image below).I'm more often asked to do my projects in Premiere these days. Not being able to see the labels on my timeline is really annoying. I need to find my bearings quickly. For a number of reasons, such as observing whether I'm using a source too often or fixing the same problem on a source every time I edit, it's crucial that I can see the labels directly on the timeline. It's a no brainer!Thank you for considering my request and to the other editors, share, vote, make this request a reality!!!! Martin Julien
I’d really love for the “Remove Extra People” button to be removed or removable. It is in my way almost 100% of the time that I try to use the removal tool on Lightroom Mobile. I’m sure it helps some people, but for working professionals who don’t remove people from photos because it’s unethical, it’s a persistent hindrance. Thank you for considering.
It would be great to have this ‘nest/comp’ UI breadcrumb in Premiere Pro like it already exists in After Effects. Especially when you have more than a couple levels of nests in your Premiere sequence, it's often a pain to navigate back through the different levels of your nests. AE breadcrumbs showing the direction of the comps (nested) Premiere doesn't show the nests in any particular order of the levels, so it gets pretty confusing to know the flow of the nests once you have a couple in your sequence.
Hi, there please add turnable tool for photos like Adobe Illustrator expect it turn photos in photoshop thanks
Make a romantic video with trees swaying with wind blowing flowers in rainy night with dim lights
Feature Request: Filter Photos and Videos by Date RangeLightroom Mobile on iOS currently does not provide an option to filter photos and videos using a custom date range.It would be very useful to have a “Date Range” filter, where users can select a start date and end date and see only the photos/videos captured or imported during that period.For example:Start date: January 1, 2025 End date: March 31, 2025 Show only photos and videos from that periodThis would be especially useful for users with large Lightroom libraries, making it much easier to find, organize, tag, move, or manage media from a specific trip, event, or period.Please consider adding custom date-range filtering to Lightroom Mobile for iOS.
As a long time multicam user, I would be grateful if there was a feature where, when editing multicam clips and selecting the respective camera, a different label color would appear for each camera. This way we could have a better overview of our edit and also select label groups and pasting some effects or flatten only the cameras that we want.
In 2026, when you mouse over clips in the timeline, there’s cross dissolve boxes on the clip on booth sides.Nice feature, to turn that off. Should be easy.
In summer there is a lot of small insects in the air, which results in lots of small black dots in the sky.Unfortunately Dust removal cannot detect it as a dust, so I have to remove them one by one with Remove tool, which is not comfortable.It would be nice to improve this.Or is there any trick I'm missing?
아트보드에서 마우스 중간 휠을 굴리면 자유롭게 아트보드가 줌인 줌아웃이 빨리 빨리 되면 좋겠습니다.
estou desde de manhã tentando gerar algum vídeo usando frame, testei Kling, Veo, Starway. e nenhum modelo de parceiro está funcionando, tenho um projeto que preciso entregar hoje. só aparece mensagem “ocorreu um erro”.testei diversos prompts diferentes o que mostra q não é erro do prompt e sim da plataforma. preciso que seja corrigido o quanto antes!!!!!!
Premiere Pro has filler detection like “uhmm” and “aahs”. Other online editing platforms such as Descript and Riverside can also detect outtakes in addition to finding fillers. Plus, they can also filter out abrupt cuts. If Podcast can do these, it will go toe to toe with Descript and Riverside
Not so much a feature request as much as a thank you for this tool! I shot an event recently that had music playing loudly on speakers, and it was audible in both the shotgun mic and lav mic and I was really concerned about how I was going to make that audio work in the edit, but there was literally nothing I could do about it on the day. Enter: fixing it in post. The Enhance Speech feature in Adobe Podcast removed the background music like it was nothing and left the voices sounding natural! I am amazed, and forever grateful! Thank you to the team who built this - keep up the excellent work!! (And higher ups, please never kill this feature, it’s a real life saver!)
2-part. First, add a transcript that follows along. Second, when the transcript is edited by the user, that word is fixed in the audio. For example, if someone says "brown" but the system mishears and makes it "browth", I can find the word, correct it, and the AI will rerun that word correctly. This would have a HUGE use-case and draw untold numbers of content creators to Adobe products.
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