Photoshop

There used to be a section in the neural filters to suggest ideas for new neural filters. I couldn't think of any at the time. But one thing I often need to do in photoshop is make rounded rectangle buttons for websites and apps. I have some actions setup to shorten the path to achieve what's necessary but getting there was a long road and it could still be easier. As it is there still seems to be no way to make a rounded rectangle selection using the marquis tool.  Today I was working on one and I had a thought as to how this could work as a neural filter. Supposing I had an image with a logo that was 2500x2500px that I wanted to make into a button for a website. I select the neural filter and from there I have some toggles and sliders on the right. I can reduce the height to 100px, I can widen the canvas to 300 px with a slider, I can slide the content of the image left and right (this image was square when we started but is now 100x300 so there is no space to sli

I have run into a problem while stitching a Pano. Even though the overlap is sufficient with 30-40% overlap. (The adobe support wasnt able to solve the Problem). I tried to manually align the photos in Photoshop and thought the auto align layers would just finetune the alignment that i have already done but it totallly messed up the order of the photos and did assebmle two seperate picture. Thus I thought it would be great if there was a auto finetune layers alignment that would just finetune the mannualy done alignment. This would probably able to do the pixel precise adjustment that we humans are not good at doing while we provide the rough alignment.(the Pano stitching Software PTGui Pro is able to stitch the photos to a Pano so it is possible to stitch this set of photos together.)

I think the title is self-explanatory.Would work exactly how the Polygonal Lasso tool works, but with the Object Selection Tool. Would be another "mode" similar to Object Select's already-existing Rectangular Select and Lasso Select modes.

I love photoshop, but it really needs a way to either expand/contract a work path (like you do with a selection) or the ability to use the line tool as a work path so that you can created vectored line drawings

Hello, Adobe!I am Your customer and I would like to provide You with an idea to enhance Photoshop capabilities.I was trying to remove the lens flare - meaning the reflections of light - from my mother's picture where she has eyeglasses on, but it proved to be quite impossible. So actually I don't know whether there is an algorithm/method to do that but I don't know it. And if there is no one, then I suggest that You should consider adding some kind of a smart removal method for those, which specifically would maybe - by choice - also be a valuable feature for Photoshop, since people are editing mostly for faces (as far as I know) and shinings from glasses must pretty obviously be one of the most disturbing properties in pictures.Well, that was my idea, for now. I'm quite sure it's a very "required for".

Moving layers into folders in Photoshop is non-trivial for complicated documents. Suppose a duplicate a layer, then desire to move it into a layer group; I have to click and drag my layer towards the top or bottom of the layers panel (guessing which direction my target group folder is in) and then play a little game of wiggling my dragged layer around the edge to get the layers panel to scroll up and down unti I find the right group folder. See Blender for guidance. With Blender's "Collections," I can press M and a menu appears at my cursor with a list of existing Collection folders. This menu can fly-out to nested collection (sub-folders), and also has a button for New Collection. By selecting any item or items in my scene view (which is a lot like a layers stack) and then invoking the shorcut, I can quickly move one or more items into an oranized location. I'd love to see the ability to do this in Photoshop through a shortcut (suggesting Ctrl+M since M is the marquee tool),

This suggestion was inspired by a tool that already works in Procreate. We could call it a dynamic pattern stamp. This tool should be able to repeat the pattern at each brush tip, and flexible the settings for spacing, angle, size of the brush itself. The difference between this and a common brush with a stylized tip is that it does not work on the basis of alpha channels, that is, it has no transparency, and reproduces the colors and tones of the chosen pattern. Thanks 

Hi,Is it possible to add a feature to lock one or more layers inside a smart object layer and when changing the shape of the smart object layer, those locked layers will remain the same?!

Select Sky in Photoshop produces a poor selection compared to select sky in Lightroom. The only workaround is to use sky replacement and copy the layer mask from the sky replacement group then delete the sky replacement group. It would help my workflow if the select sky algorithm from LR were ported to Photoshop.

I have felt in the last year or so Photoshop is simply less polished than it use to be. Computer hardware has improved and given us more cores and faster drives, but photoshop still takes around the same time to open and files seem to take longer to import. Tools seem to glitch out more regularly and the overall interface has barely barely been improved since CS6. I'm pretty unsatisfied with the state of it as a project and hope the stability and performance of Photoshop is something that is addressed and brought to modern standards soon

Can we add a preference to edit the information shown in the open file tabs. I would prefer to only see the file name and not have '@ 100% (Layer Name, RGB/8#)' added to each tab. This way I could see more open file tabs when I have lots of files open.

Good Morning!!Sorry to bother.Does anyone know if it is possible to invert the Raw camera panel, for left-handers?or from windows. so that I can work with the canera more fluidly.If anyone has any tips I would really appreciate it!Thanks!

As a beginner i would find it helpful if i hover over a greyed out item and would see some tips on why it is grey. In my case it was because i changed the image to a Smart Object and the menu item IMAGE/Apply Image... was grey

Full functional Wrap tool and Puppet Wrap tool is not available in Photoshop for iPad. Pls. provide it

So Some thing I Really wanted to have is Plugins on the Photoshop for web, so even though it has limited features, it will still have unlimited Plugins, maximazing the features of Photoshop without slowing the loading of photoshop on the web. Also. I really wanted to have a stock adobe Photoshop or any Adobe product in general, a plugin, a one that can search google or anywhere for free images, I know that Adobe Stocks exists, but sadly I have no money as a student, and can't access the Photos without spending enormous amounts of time on the web. For school accounts thats the pain. a bonus suggestion is that if you have a lightweight edition for on the web so that some old computers don't need to make their computers go brrr before loading Photoshop for web, and a Professional edtion, of course, for no hard drive but insane ram people for some reason, any comment or continued disccusion that is helpful is highly appricieated. Thanks in advance!    (Please note the image attat

I'm a real estate photographer, and I think this idea come to life would solve all my problems forever. With interior and exterior still photos there's almost always some color cast. Example - solar panels look blue instead of gray from sky reflection, ceilings and walls in rooms with hardwood floors and wood cabinets look orange/yellow. Now imagine if I could go in, brush over the blue tinted solar panels I want to change to gray, and be able to drag the blue saturation slider down WITHOUT affecting the sky?! This would seriously be a god-send. I live in Camera Raw. As of now I use the sponge tool to desaturate one thing without affecting the other. What do you think?

Congrats! Nice version! Add Polygon mask, please! And some items of top menu.

Eye dropper in krita has a blend setting where you can set the eye dropper to 50% blend and instead of getting the color, you get the mix of your current color and the color from the canvas. its a great feature. It is possible to add it to photoshop?

My suggestion is if you have something masked in photoshop you will see the background and the frame of the image. The background could have color or be transparent. The frame has asset information and a ruler if needed. See Normal Working area screenshot attached.What if you could make the background and the frame see through? To see perhaps another application running or the desktop? I use "see through" not to confuse the word transparent. See Suggested working area screenshot attached. If I were needing some image from another app or desktop one way I would make a screenshot or open another image and stack in layers under the outlined image. It will still be incased in the frame. If I was able to "see through" the frame and background, I could use photoshop in so many new ways.What are your thoughts on this?Thanks, TR

I would like to suggest that Adobe add the MKV format to Premiere so you do not have to convert MKV files to MP4 files before you can edit them.

I feel like this has probably been requested before – but let me just say that it'd be great to be able to more easily pick colors from a CC library when the Layer Style dialogue is open. Almost any time I'm adding a stroke, or outer glow, I intend to use a color from a shared library. Currently, I use the eyedropper tool and click/drag over the library palette, but this method is clumsy. Draggin the eyedropper over the canvas toward the library palette pans the artboard across the screen, often to its edge. It works... but it isn't as intuitive as the app could be. I'd love to see the color picker include a tab for Libraries, so that these colors could be acessed more seamlessly outside of the main interface palette.

In Adobe Camera Raw (ACR), the HSL tab can be expanded to view and adjust everything at once. It would be nice if it could be done on the tab of the adjustmet layer of Photoshop. Curve or Level (RGB, R, G, B) So that can see and change it at once.   Also, This is extra, but it will be more intuitive if the color of each channel is reflected in the histogram, as is the curve at the level. It's not necessary, but there's no reason why it shouldn't be applied.

How will the feature help your workflow? When dealing with multiple PSDC files shared team-wide for review, a significant quantity of emails are received with notifications that there are "New comments" on file xxxxxxxxxxx. The file names are always truncated. Because the team uses long file names where the beginning of the file name is more likely to be shared global features of the file and the end of the file name is where the specific identifying features of the file name are described, the notifications emails from Adobe are less useful than they could be because, at a glance in the email  the end of the file name is never seen and so  it is not clear in each of the emails which file is actually being alluded to. Although the subject line understandably has limitaions on length, there is no value to users in having file names truncated within the body of an email where there less concern about number of characters. There is plenty of white space within the body

I make posters which require me to create various versions for different media sizing within the same document. Instagram, facebook, print etc.  I would be nice if within the same document I could differentiate guides for different media. So for example, I have a set of guides for instagram that I can switch on or off, then a set for facebook. This feature, or the ability to change the color of individual guides.  Currently I have a document with so many guides on them and it's impossible to see which guide is related to which size of the poster.  And I don't want to create a fresh PSD for each media size as the differences between them are only slightly positional differences. 

Serait-il possible de supporter le format d'image QOI dans Photoshop ? Ce format de fichier est open source, spécifié par Dominic Szablewski depuis novembre 2021, et c'est une excellente alternative au format PNG (compression sans perte), avec un encodeur et décodeur très rapide. Les détails de l'implémentation tiennent en une seule page !Références :Site de Dominic Szablewski : https://qoiformat.org/Page Wikipédia : https://en.wikipedia.org/wiki/QOI_(image_format) EN:Would it be possible to add support within Photoshop for viewing/editing/saving QOI image files? This open source format was specified by Dominic Szablewski and is pretty new (first announced in November 2021), but it's a very good alternative to PNG (as it is lossless), with an extremely fast encoder and decoder. The implementation details fit in a single page!Please find the references here:Dominic Szablewski's website: https://qoiformat.org/Wikipedia page: https://en.wikipedia.org/wiki/QOI