Photoshop

The editable gradient map is great i constantly need the Linear Gradient to be bent, a bit like the transform warp arc feature would be amazing!The ability to squash a radial gradient as well as bend it would also be incredibly useful This would ba especially useful remaking skies.The ability to add grain into this would be great too as dither still produces banding results in 8bit 

The rendering of moving images should be done in Adobe Media Encoder

The powerful PS is really too bulky now.Maybe it’s time to make a compact version, say around 500MB, for us.🍒

Hi Adobe Team,I would like to request a dedicated default compression setting for TIFF files inside the Photoshop Preferences menu (ideally under File Handling).The Problem:Currently, Photoshop relies on "sticky memory" to remember the last used TIFF options (like choosing "None" for uncompressed). However, this memory frequently breaks or fails to stick. When this happens, users are forced to manually check "None" every single time they save a file, slowing down production workflows.Why Current Workarounds Don't Work:The standard troubleshooting advice is to "Reset Photoshop Preferences." This is an unacceptable solution for a simple sticky-menu bug. Resetting preferences wipes out customized workspaces, custom tool presets, and custom brushes, forcing the user to rebuild their entire environment from scratch.Proposed Solution:Please add a dropdown menu in Preferences > File Handling called "Default TIFF Compression" with the options:None (Uncompressed) LZW ZIP JPEG By locking this

can not uninstall neural filters (smart portrait, super zoom, etc.). Have followed forum instructions (~/Library/Application Support/Adobe/UXP/PluginsStorage/PHSP/[version-number]/Internal/com.adobe.nfp.gallery/PluginData ) find working beta version folder and remove everything in beta version’s plugindata folder neural plugins are still showing as installed

I've spent the past few years using Photoshop for work on a PC. As a part of my workflow (I make posters, social media images and such for concert venues), I'm constantly updating existing flat files: mostly .jpg images and flat PDFs for print. I've just switched back to Mac and I'm kinda shocked at the extra steps in a process that I do maybe a hundred times a day on average: PC (five steps)-Edit my .psd file-Click Save As Copy-Click on the file I want to replace (which, sensibly, changes the file format of my item)-Click Save-Confirm file quality and properties MAC (seven steps)-Edit .psd file-Click Save As Copy-Click on the File I want to replace (does not change the file format of my item)-Scroll and select the correct file format under "Format"-Click Save-Click through mandatory, non-removable dialog box warning that I'm saving over a file-Confirm file quality and properties I realize these are small steps, but the annoyance of having Photoshop nanny me through

Beim Arbeiten mit dem Polygon-Lasso verändert sich der präzise Fadenkreuz-Cursor am Rand des sichtbaren Bildausschnitts in verschiedene Pfeilsymbole. Diese zeigen zwar die Richtung des automatischen Bildlaufs an, erschweren aber das präzise Setzen der Auswahlpunkte erheblich.Gerade beim Freistellen muss jederzeit eindeutig erkennbar bleiben, an welcher Pixelposition der nächste Auswahlpunkt gesetzt wird. Der wechselnde Pfeil verdeckt beziehungsweise ersetzt jedoch genau diese wichtige Information.Ich wünsche mir daher eine Einstellung, mit der sich der Cursorwechsel deaktivieren lässt. Alternativ könnte das Fadenkreuz sichtbar bleiben und die Scrollrichtung nur durch einen kleinen zusätzlichen Pfeil angezeigt werden. Auch eine Option zum vollständigen Abschalten des automatischen Bildlaufs am Dokumentrand wäre hilfreich.Ich würde es als Verbesserungsvorschlag, nicht als Fehler melden. Sollte der Cursor in deiner Version jedoch auch mitten im Bild ohne erkennbaren Grund wechseln, wäre d

When I first reported this problem I was told it was because my wacom tablet was old, my computer was out of date etc. Now I have a brand new computer and a brand new wacom tablet and still if I am not careful my clone tool goes automatically alined when I select an area to be cloned the box ticks itself I can see it happen if I accidentally tap the pen twice in quick succession to the tablet when making a selection. Now this may be okay for you younger people with your steady as a rock hands but no matter how careful I am this is still happening by accident to me. Some may see it as a feature me I would just like to be able to turn it off.

I have two Mac Studios on which I use the Creative Suite—obviously, only on one machine at a time. On rare occasions, for academic reasons, I need to work on an old 2012 MacBook Pro that is no longer compatible with the current versions of Adobe. My use on the MacBook would be limited to Photoshop only. I was wondering if it’s possible to get just the standalone installer for this app in the old version compatible with the 2012 MacBook.

Currently by default photoshop do so with jpeg/gif/png etc. But cannot be done by default with AVIF files. I have torightclick then “Open With”, then click “Other...” and then select Adobe Photoshop. It would be nice to have direct association in “Open With”. As far as I know it is easily achievable with editing some “Info.plist” in the Photoshop pachage.Thanks!

Basically idea is when you set, let’s just say 100 megabyte to file size, export as automatically resize the image according to ratio of the image. This feature would be a really nice time saver.

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Going to go back to the previous version of PS until there is a way to turn this off or it's changed or eliminated. Seems someone at Adobe forgot that holding "Alt" while clicking a layer group is how we collapse/expand layers! Now when I try to collapse a layer group the whole thing zooms???? No bueno, Adobe.

Hi would you please make the Photoshop font browser/font list fully support the selected Dark UI theme?Currently, Photoshop's font browser still uses a light/white background for the font list, even when Photoshop is set to the Dark Theme.For comparison, Adobe After Effects already displays the font browser using a dark interface when the Dark Theme is enabled. The attached screenshot shows the difference between the two applications.Why this is necessary:Reduces eye strain, particularly when working in low-light environments or for extended periods. Improves comfort and accessibility for users who intentionally use the Dark Theme. Provides a more consistent Dark Theme experience throughout Photoshop and brings Photoshop's font browsing experience more in line with other Adobe applications 

I cannot confidently tell my clients that no ai was used when it is so deeply integrated and maybe it runs on certain selection tools without me meaning to. For example, in Lightroom when synchronising settings from a custom preset that existed before ai was put into Lightroom, a statement about ‘ai processing’ shows up, even when I have not done any actions based on ai processing (no generative healing, no special denoise or lens blur)I would like a zero ai interface so I am not accused of even accidentally using it. The images I am dealing with are highly dependent on being seen as documentation and not manipulated by any pixel generation.At least it would be great to have a no-ai switch or working space that can stamp in the metadata that no ai was used.

Are there any suggestions/solutions for those of us who wish to disable or block AI tools like Firefly or the generative AI within Photoshop? I understand I don't actually have to use tools I do not wish to use within Adobe programs, but I think it would also be nice for some of us with strong ethical opposition to generative AI to have an option for it to not consistently pop up in our feeds or have our work training AI models without permission (hence why I disabled the content analysis option for my account).   Title edited by mod

Due Screen users. I thought if an idea for Due Screen users , and the idea is that if you have two screens then it would be very good to able to add your tool of your choice on the other screen . Maybe a panel that could be undocked from Photoshop and then add the tool of choice to that panel and then to be able to move it to the other screen . This could be Brushes, Actions or anything in the tools sections .

Forced AI is generating a resurgence of open source tools. Adding an “Non-AI” or “AI Free” option to installations and apps would be highly advisable. Furthermore, a lot of individuals are already running with limited hardware and resources, and these AI features are burning up computer resources rendering simple tasks like cropping a jpeg almost impossible. For the longest time the only thing preventing me, as well as a lot of other users, from switching to a Linux OS has been the power of the Adobe tools. However, as Adobe keeps up with this forced usage and installation of AI they will start to lose more users to programs like Davinci and Darkroom. 

Please make live mask with expressions  something like layer2A*layer3R / layer4G referencing channels of  other layers. I am so tired with doing copies of smart objects and putting them in clipping groups  that clipping another group  with channel mixers smart object adjustments   to extract red channels to be then put through Blend if  with black becoming transparent .  All this  makes a hell of a layer stacks and hidden clipping groups  I then couldn’t understand a thing within  just next day . No need for any nodes like in Nuke.  Just make  an expression driven layers  with explicit layers access.   

adjustment filters and smart mask  we could just use code generated by chat GPT or cloude .  I am so missing  height  to normal map  conversion, re-normalization,  slope and vector based displacement  done in native resolution  instead of the pain of sbs implementation.   Preferably using GPU for speed. 

All images in Photoshop now have the Generative Fill toolbar floating across the bottom and it gets in the way. It's not possible to dock that toolbar anywhere in the UX and while there's an option to "pin it" to a location, that toolbar location is pinned for only for a specific image.  If you are working on multiple images and select a different open image, the Generative Fill toolbar jumps back to floating over that newly selected image. IT'S ALWAYS IN THE WAY and covering up the bottoms of my images! I assume most folks (like me) are not using Generative Fill with each and every image, so I'd rather that the toolbar behave like the other tool sets and options (eg. having it across the top of the screen or as a docking panel on the side).   

I have a file that I work on as an ongoing project and I would like to be able to pin it to the PS start page and there is no ability to so. Now I realize I can just open the folder to get to the project but I want to be able to pin the project to remind me to finish it (i.e. so I can't use excuse "out of sight, out of mind"). Extremely low end suggestion and figure it doesn't hurt to put it out there.

Generative AI models such as Google Nano Banana can take 1–3 minutes to produce each result. During that time, Photoshop prevents us from switching tabs and continuing our work.AI generation should run in the background. We should be able to edit another document and receive a notification when the result is ready.When testing multiple prompts or variations, these delays quickly add up. Background generation would remove a major workflow bottleneck and make Photoshop far more productive.

Gostaria de sugerir a criação de um recurso de histórico contextual por objeto ou camada, permitindo desfazer e refazer alterações somente no elemento selecionado, sem afetar as demais modificações realizadas no projeto.Atualmente, os comandos Ctrl+Z e Ctrl+Shift+Z percorrem o histórico geral do documento de maneira linear. Isso significa que, para voltar a uma alteração específica feita anteriormente, é necessário desfazer também todas as ações realizadas depois dela, mesmo quando essas ações pertencem a outros elementos da composição.Por exemplo: estou criando uma manipulação de imagem de uma sala de aula que contém uma mesa, uma caneta, um lápis e uma folha de papel. Primeiro, altero a tinta visível da caneta de azul para vermelho. Depois, adiciono uma escrita ao papel e modifico a cor do lápis.Se eu decidir desfazer apenas a mudança realizada na caneta, atualmente preciso voltar várias etapas no histórico. Com isso, também perco temporariamente as alterações feitas no papel e no lá

Remove is a powerful tool when it comes to objects but it doesn’t do as well for text. Especially small print. If I am remastering an old magazine that was published pre-digital and all of the source material is lost to the ages, for example. Often, straight remove just takes surrounding pixels and fills in the space and this can often mangle any image detail that’s underneath the test. Imagine a sheet of lined paper with hand writing in pencil on it. If I were to take an eraser and erase the pencil, it erase the text revealing the white paper underneath. Well, the current remove tool in Photoshop will botch this concept up. So rather than erase the text and leave white page underneath, it’ll grab pixles from the blue lines as well and use those to remove the text. Especially when the text in question is a smaller object on the image. This problem is magnified when you text overlayed on a complex background. It often leaves obvious rectangular blocks where the original text could be or