Premiere (Beta)

When in the new color mode, the comparison view does not allow me to select shots - and therefore I cannot use this feature. I briefly get a “from selection” box pop up top left, after using the thumnail view to select two bottom right,  but these quickly disappear. Tested across a Mac Pro and MacBook Pro with the same issue on both. 

When Premier 26.5.0 launches, I get an error “The shortcut ke “Adobe Premier Pro Defaults V6.keys is invalid.”When I select Keyboard Shortcuts… from the menu, Premier crashes every time.Crash logs attached.

I am experiencing a problem with the new AI Assistant in Premiere Pro Beta.The Assistant panel loads correctly, I can create new chats, and messages are sent successfully. However, every prompt immediately returns the following error:"There was an issue processing your request. Please try again. If the issue persists, please start a new chat."The error occurs with every prompt, including very simple requests that do not require media analysis.Examples:"What version of Premiere Pro am I using?" "What can you do?" "Give me an example of what you can do."The error appears almost instantly after sending the prompt.System Information:Premiere Pro Beta 26.5.0 (Build 42) Windows 11 Creative Cloud Pro subscription Generative AI features included in plan Adobe Firefly works normally in the browser Creative Cloud Desktop is up to date System Compatibility Report shows "No conflicts to report"Troubleshooting already performed:Signed out and back into Adobe Creative Cloud Created multiple new Assi

The scopes in color mode often don't render. It's just a black box instead of the actual scopes. Happens more with larger projects, or when it's been open for awhile.PS, an opacity slider for the scopes would be nice, because they cover up a lot of the image.

I want to take the sequence settings off of only one clip and edit it freely for color 

En el modo de color, cada vez que quiero empezar a realizar un ajuste la ventana se cierra y no me deja modificar, tengo que seleccionar de nuevo la capa de ajuste y ajustar 

Hey everyone! We're excited to share a refinement to Ducking that just landed in Premiere Beta 26.5 (Build 12): Auto-update keyframes.This new option is enabled by default and is designed to keep your ducking in sync as your timeline evolves. No more manually regenerating keyframes every time you tweak a clip.What's New?With Auto-update keyframes turned on, Ducking now follows your clip changes automatically. As you trim, move, or swap out the audio you're ducking toward, the music ducking keyframes update on their own to match. Your mix stays in step with your latest edit decisions, without you having to think about it.Where to find itYou'll see the new toggle in the Ducking section of the Essential Sound panel, right above the Generate Keyframes button. It's on by default, but you can switch it off any time if you'd rather drive keyframe generation manually.Auto-update keyframes Why this mattersEditing is iterative. You move a clip, swap a VO take, re-time a section, and suddenly you

Description: I’m experiencing a bug in the current Premiere Pro Beta (version 25.6.0) related to manual masking and keyframe animation.When I draw a mask using the Pen tool or shape tools and attempt to animate it using Mask Path keyframes, the mask does not respond to changes. Even after enabling the stopwatch and adjusting the mask on different frames, the animation does not register—both keyframes remain identical, and the mask stays static.I’ve confirmed this behavior in multiple projects and tried the following workarounds:Toggling the Mask Path stopwatchManually adjusting the mask shape on different framesUsing different effects (Gaussian Blur, Lumetri Color)Resetting workspaces and preferencesNone of these resolved the issue. It seems the new masking system in the Beta is not properly linking manual mask adjustments to keyframe animation.System Info:Premiere Pro Beta v25.6.0Windows 11 Pro 64GPU: Nvidia GeForce RTX 3080 LaptopThis bug is blocking my workflow, especially for subtl

When switching modes from edit to color, my default window setting get changed, even after setting and resetting custom saved workspaces. I use 3 monitors, and windows will be hidden behind one another, leaving 1 monitor completely empty, and I have to manually find the window and bring it back to the correct monitor every time I switch.

O comando CTRL+\ (expansão/ tela cheia) parou de funcionar com a última atualização do Premiere Pro (Beta).

AI assistant feedback on audio effect to a clip (for later copy and paste to other clips audio)**Status on your request:** I can't add the audio processing effects right now. Every audio effect I tried — Parametric Equalizer, Dynamics, Mastering, Hard Limiter, Multiband/Single-band Compressor, even the basic Internal Highpass/Bass filters — is listed as available but gets rejected by the effect-add tool as "unknown." I confirmed the tool itself works (added and then zeroed out a test video effect on the same clip's video component to prove it, no visible change left behind), so this is a current limitation specific to audio effects in this environment, not something I can work around by retrying or picking a different effect name.**What that means for the EBU R128 pass:**- EQ (Parametric Equalizer / highpass cleanup) — blocked- Compression (Dynamics / Single-band Compressor) — blocked- Loudness normalization to -23 LUFS integrated / -1 dBTP true peak — blockedYou'll need to apply this

Couldn’t ******It bounces back every time I try to add a shape on the programme, making it almost impossible to add graphic on it.On way I figured out is to go to Properties, then add new layer, and choose Rectangle.

I want to work in a wide color space in Premiere, and I have a lot of experience doing exactly this in DaVinci Resolve. In Resolve, the ACES Transform / Color Space Transform node converts all my media to a wide working space, and the output transform tone maps beautifully. Critically, Resolve's tone mapping lets me push an image and fill the scopes as much as possible without breaking.In Premiere, the same approach falls apart. With tone mapping on, I get badly shifted colors and the overall image sits low in the scopes. When I try to push brightness up, the tone mapper caps me well before I can fill the scope.. it just pushes back down. I tried all the algorithms. Max RGB lets me push higher (closer to how Resolve behaves), but it introduces very odd hue shifts, and the highlight saturation control produces unnatural results. That makes grading wide-gamut footage in Premiere a real pain point.. effectively unusable.Right now this is genuinely breaking my workflow. I keep having to ro

Steps to reproduce: 1. ...  Result: ... Expected: ...  System info Application: Premiere Pro (Beta) v26.5.0.50 OS: macOS v15.7.2, RAM: 24.00 GB GB, CPUs (logical): 14"The Premiere Al agent APl's getAppliedEffects and addEffects tools donot return componentid values for effect components, makingsetEffectParameters non-functional. This prevents the Al fromprogrammatically setting any effect parameter values on timeline clips."

In 2025, we updated Premiere’s timeline to make edit operations dynamic. Previously, editing showed a static blue box, and the timeline only updated after you released the mouse. With the dynamic update, everything refreshes in real time as you edit. Since that release, a small but passionate group of editors has let us know they strongly prefer the original, static behavior, especially when trimming. We want to extend a huge thank you to everyone who shared their feedback, and especially to those who hopped on video calls with us to deep-dive into their workflows. We heard you loud and clear! In the latest Premiere beta, we’ve added a new preference to give you control over this behavior. You can now toggle this feature via Preferences > Trim > Update timeline dynamically during ripple edits. Here is a quick look at the setting in action.  Please try it out and let us know your thoughts in the replies below. We look forward to hearing your feedback!

No me deja editar, no sale la barra de la cronología en la opción de edición 

Gestion de couleur avec un mac book pro M3 latence pour le rendu des réglages 

I placed some video clips onto one sequence, end-to-end, then set the sequence Start Time to match the first clip.  Then, I asked the Assistant to move all the video clips on that sequence to their respective timecodes, so that the first frame of timecode for each clip would match the sequence timecode. The Assistant said it couldn’t do that because the clip timecodes aren’t visible to it. 

We’re excited to announce that you can now view audio waveforms and video playback simultaneously in the Source Monitor in Premiere Pro (Beta)!    This highly requested feature (739 upvotes in the Adobe Community!!!) helps editors save time and tell better stories by making it easier to line up audio cues with video. Whether you’re cutting interviews, syncing dialogue, or finessing sound design, you can now see audio and video tracks together, allowing you to edit with greater precision and efficiency.      What You Can Do with Audio + Video Waveforms  Toggle to show both audio waveform and video playback at the same time  Scrub through media while monitoring both visual and audio tracks  Set In/Out points as usual   Add and move markers with full A/V visibility  Works seamlessly with multiple audio channels    Why It Matters  Previously, users had to switch between video view and waveform view in the Source Mo

When using my Wacom Tablet in Penn Mode (which is the Standart for VFX Artist and Colorists), color Controls are not fully usable as the room for downward adjustments is very limited.Also, when using the Track Pad on my MacBook Pro M3 MAX, the HUDS are not showing.

I have two sequences that both have audio tracks in from some interviews. When I go to transcribe for text editing, it say there was no dialogue found. 

I have been using Beta 26.3 for the color mode to color grade my videos (I still edit them with the latest official release) but when I upgraded the beta to 26.5 it became unusable. It’s so slow I can’t do anything. I have tried all the 26.5 versions that have been released, including the one released today on the 25th of June and all of them are sow slow I have to uninstall and go back to installing the 26.3 version to be able to work. I’m getting really worried something important changed with 26.5 and that will continue with each new beta version and I won’t be able to work with the latest versions. And even worse, that the same bug continues to the latest official release when the Color Mode get’s released there. Am I the only one having this problem with the 26.5 versions? When I click any of the color tools it takes a few seconds to show the HUD and when I move the mouse it fakes a few seconds to show any change. It’s too slow. 

I am experiencing hangs and very slow performance when Interacting with the menu bar (file / edit / clip / sequence etc) as well as when manipulating keyframes in the Effects Control Panel. When interacting with those elements, Premiere will hang for anywhere between a few seconds to multiple dozens of seconds, and the cursor will change to a ‘busy’ icon. The application window sometimes also ‘greys out.’ Windows itself will sometimes become unreponsive during these hangs preventing me from switching applications or interacting with the start menu. This issue occurs when any project is open, including new empty projects. It does not occur when a project is not currently open. During these hangs, I notice that Premiere is loading a single thread on my system to 100%, which ends when the program becomes responsive again. The hangs are clearly visible in this process explorer graph below:  There are no other noticable increases on system load; memory, GPU activity, and I/O are appear norm