Questions

I'm running into an odd, intermittent, serious problem. I sometimes can't add more than one marker. I can always create one marker just fine, regardless of whether there are already markers, but after that, nothing happens when I do the usual methods: pressing M, clicking the menu Markers > Add Marker, or right-clicking the timeline and clicking Add Marker. Those menu commands are not grayed out. No additional markers appear anywhere: the timeline of the Program Monitor or the Sequence panel (perhaps not the right name), nor the Markers panel. Nothing is added to the History panel either.  My focus is on adding sequence markers while the Program Monitor is active, but this problem also applies to clip markers. After I spent my one sequence marker and could add no more, I was able to create one marker on a clip, but only one. Once it happens, this problem is persistent, at least for a given sequence or clip, during a Premiere session. Restarting Premiere some

Now I can change only 5 seconds forward or back using the mouse.There were no restrictions before. Why did you create them? It's stupid. 

I have a 3 camera, 5 mic, round table discussion that is an absolute mess. On top of the 5 lavs, I have 1 boom recoding, and 3 camera's nat sound recording. I'm dealing with a 30+ audio channel Multicam mess on my hands.   Does anyone have any suggestions on how to bring this all in and make sense of it all? Get the cleanest sound with way less audio channels? Please help! 

Hi,Question to experts. I'm getting clips to be played out of the UHD HDR OB van. It works in HDR. The clips are converted form SDR versions. On the editing suite they look ok, but in the OB they are dimmed. Please have a look at three screen shots. Lumetri Scopes for Rec709 (of course SDR clip on the timeline), Rec 2020 and Rec2100. Rec2100 simply shows lack of full dynamic range. Now - if you look at the fourth screen shot - showing test bars from the OB you can see full dynamic range in Lumetri Scopes in Rec 2100.BUT - this dynamic looks overexposed on my Canon DP3120. See picture. Lowering the exposure -1,2 makes the histogram correct on the monitor (picutre) BUT it is too low on the Lumetri Scopes in Premiere (getting to the range of Rec.2020) So bit confused here..How to up-mapp SDR footage to achive full scale in Rec.2100?Rasing Exposure, Whites, Highlights of course makes the whites goes up but the whole picutre is getting too bright.. Am

I'm experiencing terrible input lag when I do multicam editing, I have 2 cameras, using medium-quality proxies, and the footage is in an SSD, it actually plays fine, but I'm editing a concert, and when I hit the key to change camera there's a random delay before premiere executing the cut. (Shown in the video) It actually takes away the benefit of using multicam because I have to adjust almost every cut because it didn't land where I wanted, and it's driving me crazy and taking a lot more than it should because of this.  Also when I want to stop playing (to adjust the cuts) it keeps playing for several seconds, it has reached around 30 seconds after hitting space. (Not shown in the video) It usually starts with no problem, but the lag begins when I make an adjustment to a cut I didn't like. If I keep going it gets pretty bad, I restart Premiere and the cycle repeats.  Ryzen 5800H (8 cores, 16 Threads)RTX 3060 32GB RAMVersion of Premiere 23.2. Cle

How can I now edit subtitles in the Captions window?I love working in this window.  

Ive been trying to fix this for hours, and unaware how. Basically, any clip with text or overlays become highly tinted purple and extremely vibrant. Ive change my colors in project settings, my render settings in media encoder, yet it only worked on 2 text pieces. Ive also been rendering them in to out. What am i doing wrong?

 I check the video through Quicktime player. It has a normal sound.But when imported to Premier pro, the sound disappears as shown in the picture.I want to know how to solve this problem. Note: This file is obtained from data recovery. I don't know if it affects the use or not. 

Title basically says it. I'm having constant crashes with perfectly stable blackmagic cinema AND Prores footage not only while encoding but often times scrubbing it as well. This is my basic setup Windows 11Intel Core i9-14900KFMSI PRO Z790-P WIFI (MS-7E06) (U3E1)NVIDIA GeForce RTX 4070 Ti SUPERMy home computer doesn't crash at all doing this stuff. I do have a 5080 gpu but even back when I was on my 3090, it just never happened. I've done Hirems Boot USB apps, hardware memory tests, the whole smash far as I know and no hardware errors are ever detected. I wondered if the GPU itself could have a physical issue the system just isn't reporting. Any ideas would be appreciated. This is my work computer and I do video production full time. I COULD swap the GPU with the one in this little side office we use for podcasting if that might help but I just don't know what to do at this point.

Hey,I want to know if there's a way to make both program and source monitor at the same place (window). So I can toggle between them in the same panel/window. Since both are seperated (right and left). Is there a way to make it on the same window or by using a shortkey to display one instead of another but in the same window ?

Le programme premiere pro se bloque à chaque importation d'éléments sur la timeline. En effet, à chaque element glissé le logiciel ne répond pas pendant 30s en moyenne que ce soit wav, mp4 ect....  lorsque j'appuie sur play pour jouer le moment sur la timeline. Cela rend donc le processus de montage très contraignant. J'ai vidé le cache media et activé le gpu acceleration. Cela n'a pas aidé. Auriez vous des pistes de solutions ?  Merci d'avance

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Generative Extend causes a subtle but noticeable color shift, making it useless untill fixed. I'm working with ProRes 422 HD Vlog footage with Panasonic's 709 convert LUT and everytime I try ot use Genereative Extend there is a slight shift in exposure and contrast. Is there a setting in the timeline that I am not aware of that can fix this problem ? Herb Sevush

Je possède une version officielle de premiere et il manque de nombreux effets . comment les récupérer ? Merci

Hello, I'm about to start setting up a Production project for a feature length documentary. There will be two remote editors. If each of us has a local external offline hard drive (each drive perfectly mirroring each other), and we use an online storage (such as LucidLink) for the Premiere Productions file - should the Productions file link seamlessly to each of our offline drives? Or is there a different, better workflow?

Pre Pro crashes if I try to render more than a few seconds of the timeline, even if there's only 1 clip in the timeline. Also it also crashes if I try to input too long a clip to the timeline. It never used to do this. What is wrong?  3840x2160 50p ProRes

When you have moved media from one computer or hard drive to another, one may see diagonal lines (sometimes referred to as "danger stripes") on clips in the Timeline. What does this mean and how do you fix this issue? Hopefully, this FAQ will help you solve this issue. What do the diagonal lines mean? This means that Premiere Pro cannot locate the the proper clip, even though the media exists on your hard drive. The correct information that is required by Premiere Pro to identify the correct clip is on another computer or hard drive, and the application cannot find or reconcile it. A different piece of media with the same clip name is substituted by Premiere Pro. Stripes in a clip indicate the sections of the clip where no media can be found according to Timecode info. How did they get there? When you see diagonal lines after moving media to another computer for a project, this means that clips are not carrying essential metadata from one machine to the next.  If a

I need clarity regarding the sequence setting for iPhone 16 Pro Max. It is looking over saturated, over exposed and skin tones are bright pink.In Sequence Settings > Color Management , I am not clear on the Color Setup setting I should use. The options are Direct Rec 709, Direct HLG and Direct PQ. I am using the first one, Direct Rec 709. The Output Color Space is set at Rec 709. In the Lumetri Settings, what setting should be used in HDR Graphics and is this affecting the saturation and color? What Viewer Gamma should be used, 2.4 Broadcast? Or Quicktime? In Source Clip, I have used Overridew to Rec 709. In Sequence Direct HLG, I have selected Direct Rec 709 (SDR) with Rec 709 Color Space. The Working Color Space is set at Rec 709.Can you advise?

I am currently working on a project in Premiere Pro Version 22.6.2 and trying to add effects to one clip with the "Replace with After Effects Composition" to link it to After Effects. However, every time I try this After Effects and/or Premiere Pro both crash, and I have have to force quit the applications.   I am using After Effects 22.6.0. In my creative cloud I do not see an update for After Effects so I am assuming that's not the issue. Also, I tried creating proxies but that didn't seem to make a difference either. The computer I use is a Mac Mini macOS Monterey Version 12.5.1. Based on the information I gave, does anyone know what the problem could be? Thanks!

Bonjour,  Tout est indiqué dans l'objet, j'utilise la dernière version de Premiere Pro et impossible de trouver l'effet "tracé dynamique".  Quelqu'un aurait il une explication/solution pour le récuperer?  Merci d'avance 

HiI'm developing a hidden panel in Premiere, and I need it to be launched automatically when Premiere starts.So I added this to my manifest.xml:<StartOn> <Event>com.adobe.csxs.events.ApplicationInitialized</Event> </StartOn>  This works fine,  the panel is started automatically, but when I open it and then close it, it closes Premiere too.By the way, I don't have this behavior in Premiere 24. Any ideas ? Thanks

edit: This issue is resolved. How I resolved it is in my next post. Thank you everyone for your quick and informative responses! I haven't edited a video in 2 weeks. Now when I try to use the Dip to Black transition effect on a clip to fade to black - the effect fades to black for half the transition, then fade out of black in the second half. I'm not putting half the transition on one video clip, and the other half on the other. It's supposed to end at the one clip. I can extend the clip to the end of the entire video and it works properly. Then move it back and it does it again. It doesn't matter when or where this effect is added. It only operates based on whether or not a video clip is next. I've attached an image showing this. None of the previous Dip to Black fixes work on this issue, which is why I'm posting this new possible bug. You can't even go to Effects Controls, and change the Alignment. It already says End at Cut, but it's ghosted out. Additionally, there's no

Hi, everyone, Could you see my attached video? I just can't move my cursor off the screen to change the parameters in the properties panel. Any solution without moving the premiere window to left?

First of all, I want to address that I know I'm a fool for recording in the conditions I did, but I didn't have a whole lot of options and had more faith in my lapel mics than I should have. I have tried using Denoise and Enhance speech, but the first creates that underwater sound if I get anywhere near enough noise reduction, and the other seems to not be able to distinguish the background noise from the interview. I understand this may be a lost cause but if any one has any ideas on how I could improve the quality that would be much appreciated.

Decimator MD-HX for Progressive-to-Interlaced Preview - Accuracy vs. Export?Hi Adobe community,I'm dealing with a workflow challenge and hoping to get some real-world experience from those who've used hardware converters for interlaced preview.My SituationI need to edit UHD 50p footage in Premiere Pro but deliver final output as HD 50i. Working directly in a 50i timeline destroys my MacBook Pro's performance - effects like Warp Stabilizer become unusable and playback stutters constantly.Proposed Hardware SolutionI'm considering this daisy chain setup:MacBook Pro → Blackmagic UltraStudio Mini Monitor 3G → Decimator MD-HX → External MonitorStep 1: Mini Monitor 3G downsamples UHD progressive to HD progressiveStep 2: MD-HX converts HD progressive to HD 50i for accurate previewMy Key Questions1. Interlace Accuracy: For those using the Decimator MD-HX or similar hardware converters - do you find that the real-time hardware conversion shows similar inte