Questions

Decimator MD-HX for Progressive-to-Interlaced Preview - Accuracy vs. Export?Hi Adobe community,I'm dealing with a workflow challenge and hoping to get some real-world experience from those who've used hardware converters for interlaced preview.My SituationI need to edit UHD 50p footage in Premiere Pro but deliver final output as HD 50i. Working directly in a 50i timeline destroys my MacBook Pro's performance - effects like Warp Stabilizer become unusable and playback stutters constantly.Proposed Hardware SolutionI'm considering this daisy chain setup:MacBook Pro → Blackmagic UltraStudio Mini Monitor 3G → Decimator MD-HX → External MonitorStep 1: Mini Monitor 3G downsamples UHD progressive to HD progressiveStep 2: MD-HX converts HD progressive to HD 50i for accurate previewMy Key Questions1. Interlace Accuracy: For those using the Decimator MD-HX or similar hardware converters - do you find that the real-time hardware conversion shows similar inte

I'm using Premire Pro version 23.2.0. I'm on a custom built PC with a Ryzen 7 3700X 8-Core Processor, a GTX 1660 Super graphics card, and 32GB of RAM. I'm editing .MXF files from a Sony FX6 shot in 4k60fps on a 24fps timeline, along with .MP4 files from a Sony a7iii shot 1080p60fps, in the same timeline. I have my paused and playback resolutionsset to the lowest they can be (1/4 in program monitor and 1/8 in source monitor).  My audio is constantly dropping out, to the point where I can barely edit because I have no reference the sounds. It'll be fine for a few seconds then just goes mute. I pause, wait a second, only to play and get the same result. Sometimes I'll play it again to only get video playback, no audio. Even when rendering everything it will still drop out (I render effects, then render in to out, then render audio. I know thats incredibly redundant and unnecessary, but I thought maybe that would help. It didnt). Video will drop frames as well sometimes, but the

Hi everyone,I'm experiencing ongoing issues with multiple Adobe applications - most notably Premiere Pro and After Effects, but also across the suite. The software frequently freezes and goes into “Not Responding” mode, to the point where it’s almost impossible to work.What’s frustrating is that I recently switched to a much more powerful machine, and I didn’t have these issues on my previous setup, despite working in exactly the same way.Here’s a comparison of both systems:Old PC:Intel Core i9 12th GenNVIDIA RTX 3080 SUPER64GB DDR4 RAMWindows 10New PC:Intel Core i9 14th GenNVIDIA RTX 4080 SUPER64GB DDR5 RAMWindows 11In both cases, Adobe software is installed locally, while all project files and media are stored on network drives. This setup worked flawlessly on the old machine. However, on the new system, I'm constantly running into freezing and stability issues.One key thing I’ve noticed:When running Premiere, Task Manager shows it's using 100% of the available network bandwidth, som

I am importing large amounts of footage into a project. I put the footage onto the timeline and then edit all of the footage down into the best clips. Then I drag these clips into individual folders based on what the subject of the shot is so that theyre all organized. BUT, when I double click on the "clips" i just put in the bins, theyre not the clips that I originally dropped in! Some of them are actually clips that I intentionally cut. Please help

Title. Anytime I add footage from Iphone to Adobe Premiere it becomes overexposed, or just looks different. This was not an issue 3-5 years ago, what changed?Yes I tried Tone Mapping. Didn't work.Yeah I can work around it with color management, but this wasn't an issue a few years ago so this feels like a hug bug that I shouldn't have to constantly color manage to get around.This isn't an issue with After Effects but AE is MUCH slower to work with when it comes to just editing footage, so again my work flow is slowed down significantly, meaning a software package that I used to rely on is now slow and frustrating to use.Again, this is making the PR and AE softwares unusable. I want to work in PR but I'll have to lose time color managing footage for no reason. I want to work in AE to avoid the overexposure issue but then AE takes forever to preview videos and it's slow too. This was NOT an issue 3-5 years ago, is there any effort to fix this?Very frustrated. Been frustrated for years. B

Hello, I just started Premier Pro 2020.I have one question. Please look at the picture below.This is my Effects panel presets screen.After importing and using a preset created by someone else, several folders were created as shown in the picture above.I just did it for a test, so I don't need that folder anymore.I want to save only my own presets later.But the problem is, those folders can't be deletedDelete key is not activated even if I press the right mouse button.I've completely deleted Premier Pro, but those folders are still there.I even used a cleaner tool.Please let me know the solution.Thank you! 

Dear Adobe Team,I’d like to report an issue with the Dynamic Link functionality between Premiere Pro and After Effects.When I attempt to use the "Replace with After Effects Composition" feature on a clip that has a built-in Premiere Pro effect applied — specifically the Crop effect — the import fails and I receive the following error message:“Importer reported a generic error.”This is quite frustrating, especially considering that both Premiere Pro and After Effects are Adobe products and are expected to work seamlessly together. A built-in effect like Crop should not break the Dynamic Link functionality.Ideally, if an effect is not fully supported in the Dynamic Link process, the system should still allow the clip to be transferred to After Effects — even if the effect is temporarily ignored — rather than causing a complete failure.I hope this issue can be addressed in a future update. Thank you for your attention and continued development of these powerful tools.

Ive been recording my gameplay via OBS and have recorded my gameplay and mic audio in different tracks. When i put the finished recording into other editing software i can freely see both a track for my game and mic. When inserting my video into premier i only get one audio track which ismy game sound no seperate track for my mic. Ive looked for a solution on youtube and google but am masssively stuck with no solution. Ive tried converting from mono to stereo and making more tracks but it just duplicates my game audio.    

Saludos a todos. Tengo un problema al exportar los subtítulos en STL. En la ventana de "Configuracion de exportación STL al darle a "exportar Subtitulos" lo pongo en Pagina de coddigo: 850 (Multilingüe), Tabla de códigos de caracteres: Latin y en Código de idiomas: 0A (Spanish). Al exportarlo, las Ñ me las convierte en M. He probado muchas posibilidades, como dejarlo en Estados Unidos en vez de en multilingüe, cambair Latin por otros, o cambiar el codigo de idiomas a varios otros idiomas y nada. Sin embargo el XML o el SRT los exporta bien. ¿Alguien me puede ayudar en esto?, ¿os pasa a los demás? Gracias 

Hola! Estoy teniendo un problema al exportar, me aparece un cartel que dice error al compilar la película, error de procesador acelerado, no se puede producir el fotograma, etc. Código de error: -1609629695.Ya intenté cerrando y volviendo a abrir el programa, muchas veces. También hice modificaciones y eliminé los clips que estaban en menor calidad, solo me quedaron clips que están en 4k, y estoy intentando exportar en 4k o incluso en calidades mas bajas UHD, HD. En cada intento aparece el mismo cartel. Alguna solución?? 

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Hi, I am using some nice transitions from Mixkit, however, all of the presets were made in 1080p size. When I use them in 4K or vertical sizes, they don't work well (please see the attachment)Using "Scale to frame" or "Fit to frame" sometimes works, but sometimes it doesn't.How to fix this?

I'm delivering a movie to a distributor and having a hard time getting the correct audio embedded in the QT. Their specs are:Audio must be embedded in the movie file (5.1 surround, if available, and stereo L/R - 8 tracks, each track assigned to its own channel and labeled accordingly) Stereo L/R or Lt/Rt must be stereo paired in the movie file. See below for audio specifications. CH 1: LeftCH 2: RightCH 3: CenterCH 4: LFE/SubwooferCH 5: Left SurroundCH 6: Right SurroundCH 7: Stereo L (or Lt)CH 8: Stereo R (or Rt) They told my mixer to configure sound for multiple mono. I'm confused in regards to the track type/output assignments when initially creating the sequence. When I set a track type to mono, it looks like the output assignment assumes that it's 1 of a dual mono stereo pair. So do I set the first 6 track types to adaptive? And then the last two tracks as mono for the Stereo L-R and then pan each accordingly?Does anyone have experience with embedding 5.1 and stereo in a Quicktime

I just started a project for a client where one of the clips sent to me is is the unusable .DAT file format. I haven't had much luck looking for decent repair options online, does anyone know of any reliable services for this issue?  

  Please remove this, or just add an option to hide this

Ich besitze drei verschiedene Bluetooth-Kopfhörer:1 × Google Pixel Buds Pro 21 × ältere Beats-Kopfhörer1 × Jabra Evolve2 Bei den ersten beiden Kopfhörern ruckelt die Wiedergabe und der Ton kratzt komplett, wenn ich ein Video in Premiere Pro abspiele (siehe Video).https://youtube.com/shorts/hkSCp1JpRgsMit dem Jabra Evolve2 funktioniert alles problemlos. Wenn ich den Sound direkt über die Laptop-Lautsprecher wiedergebe, läuft ebenfalls alles einwandfrei.https://youtube.com/shorts/9xjf8C4Bd78 Ich habe bereits unter Voreinstellungen → Audiogeräte alles ausprobiert, gegoogelt und so weiter … aber leider keine Lösung gefunden. Hat jemand von euch eine Idee? 

I'm trying to create a .mogrt from within Premiere Pro, using the Properties panel. When I add a new rectangle layer to the graphic, it appears at 300x200 with the anchor at the center, 150x100. When I change the size of the rectangle to 960x540, the object scales around the center, but the anchor point numbers in the interface don't change. When I then try to set the anchor so that it scales from the top right, and that point is centered in the composition (the rectangle takes up the lower left corner), the anchor moves to a very different point on the object (the guide is centered). Premiere Pro 25.0.0 build 61Windows 11 Pro 23H2 build 22631.4602Lenovo T16

Hello,I would like to request your help please.We had subscribed to Adobe Premiere Pro to edit the stereoscopic videos recorded on Canon EOS R5 C Full-Frame Hybrid Camera with RF5.2mm F2.8 L Dual Fisheye Lens. These videos are meant to be viewed as immersive 3D videos on Apple Vision Pro. In spite of trying so hard and following help videos available on YouTube, we were not able to do do this successfully. We had two problems with this - Firstly, we could not view the edited clip as a proper rectangular video on the Vision Pro. It was still showing up as 2 shots, side by side for right eye and left eye. Secondly, we could not stitch the clips to create a single video. As a result, we had to stop the subscription to Adobe Premiere Pro.We have a sample stereoscopic video here, if you would like to take a look at: https://drive.google.com/file/d/1Q3XOwo0sPIcxPtG-zwePlSb_MccJS-VP/view?usp=share_linkLook forward to hearing back from you.Thank you.

Estoy intentando exportar una película en 4k y me sale este código de error.Probé cambiando el fotograma que cita e incluso eliminpe efectos de estabiklización, pero aún asdí sigue tirando este error: Error de exportaciónError al compilar la película.Error de procesamiento de GPUNo se puede procesar el fotograma.Escribiendo con el exportador: QuickTimeEscribiendo en el archivo: F:\Armado V07_4k_final-_1.movAlrededor del código de tiempo: 00:14:44:08Pr egundosComponente: EffectFilter del tipo GPUVideoFilterSelector: 17Código de error: -1609629695

Hello!I stumbled upon a bug. I cannot perform copy and paste function with Lumetri effect from Premiere Pro to After Effects and vice versa.I uninstalled everything from Adobe, including hidden settings and cookies, performed clean installation and it still doesn't work. Doing "replace with After Effects composition" - it works only with Warp Stabilizer, but ignores Lumetri effect. Doing Edit > Copy in Premiere Pro, then choosing After Effects and Edit > Paste also doesn't work.I'm really frustrated with Adobe. I pay a lot of money and basic functions just don't work.

Is there any diferences screen shot by Export Frame in Pr & screen shot by Sanagit? I mean pixel loss.   

So I downloaded Youtube Subscribe templates from my account at Artlist and when I open those folders there are usually first 3 folders (Fonts, Help, Premiere Pro) and if I open the Premiere fodler there are a .prproj file and also a folder called "Assets".I want to import them somehow into Premiere so I can have them in my Grapihics templates window so I can use them in all my projects, but I cant seem to understand how to do it correctly.I tried dragging the entire folder into the project bin but then I only get tons of weird files that I cant drag-drop onto the timeline. I also tried to import them via the "Install motion graphics" button and also the "Add aditional folder" buttons in the Graphics templates window and that doeasnt seem to work either?! Im confused...... I want all my templates to be shown like this: 

Buongiorno, riscontro problemi con l'audio di Premiere quando metto canzoni mp3 scaricate da computer, ma quando le metto nella timeline, non si sentono e mi da l'errore MME, ho provato a contattare l'assistenza del mio computer e reinstallato l'app molte volte e cercato di risolvere per conto mio, ma non è servito a niente (ho già reinstallato i driver di output del computer), grazie

Hi All, I’m editing 4K 59.94p H.264 footage (MP4 4:2:0) from the Canon R6 in Premiere Pro 22.2 (stability reasons), and my final exports are almost always H.264 for social media platforms. As H.264 isn’t Smart Rendering-compatible, I’m trying to figure out what the most time-efficient and practical workflow is for this kind of footage. I prefer not to use proxies as I find them cumbersome..  My key questions:How do you typically handle native H.264 4K 59.94p footage like this?Do you transcode on ingest, and if so, to what format?Are there workflows that allow using rendered previews during H.264 export, or is that only possible when exporting in intermediate formats? The goal is to minimize export time without compromising too much on quality or storage overhead.Curious to hear how other handle the workflow for H.264 footage.Thanks in advance! 

Hi! Please share if you have a solution. When I'm using my iPhone 15 pro max to make videos, using airdrop to get them to my Mac and then import these videos to premiere pro to start editing, Premiere pro changes the color settings of each clip and make them look very high exposed and sometimes the color scheme more matte than the original video on the phone. How do I ensure that the videos stay the same when I import them to premiere pro?