Questions

I just updated to Premiere 26.0.1 and have noticed in the Source Monitor after I’ve selected In and Out points that if I adjust those points while in the audio of the clip it then creates separate In and Out points for the clip.  Now when I drop that clip into my timeline it does not have the same points for Video and Audio.Can anyone tell me why?  Or at least how to disable that feature? 

I recently noticed my Source and Program monitors colours don’t match in my projects, source is slightly lighter than program. It doesn’t just happen with this clip, but all that I’ve tried so far. High Quality Playback is turned on for both monitors.Any help would be great :)  

What the hell have you done to nested sequences?? I can no longer simply create a 3-channel video..every time I try to drag a 1080 sequence into my 5760 it brings in the source files from that sequence which defeats the whole purpose as all the scaling goes all over the place. 

I'm using Premiere Pro 26.0 on Windows 10.Please tell me the name of the shortcut key that moves the selected clip to the playhead.Could you tell me...? 

I wanted to have a handwritten animation in my video, so I screen recorded myself writing in photoshop. Green background, wrote a handwriting layer [to trace] in red, and then recorded myself tracing the red with blue. Opaque brushes, no transparency. In ultra-keying the separate colors out, I have found there to be certain elements I am unable to get rid of. As you can see, I have the red-turned-gray selected in the key color, but despite messing around with the sliders in every way, the color won't disappear. Also, I have tried to key out the outline of the photoshop brush cursor in premiere as well, but it oddly disappears and reappears in certain frames, and always blinks away the minute I move my cursor to select it with the dropper tool. Some of these issues seem to go away when I render and replace the composition, but that removes the transparency I've been working to achieve. Why is this so finicky? The keying is also super inconsistent across cuts of the same footage source..

After installing Premiere Pro 26.0.1, I tried running my UXP plugin using UXP Developer Tool, but it fails to load.I get the following error message:The plugin does not run at all.Before upgrading, it was working properly in the previous Premiere version.Premiere 25.6.2 Version is OK

Ok, just updated to v 25.1 opened my projects in progress to find out that none of them uses my iGPU to decode.Went on checking it with different formats that are decoded (h264 8-bit 4:2:0, h265 8-bit 4:2:0, h265 10-bit 4:2:0, h265 10-bit 4:2:2) by the iGPU - all of them show 0% load. What is going on, guys? Why is it "new version - new bugs" thing every time? My CPU immediately started being loaded more, like by 60% all the time, even though my GPU does the decoding, whereas on the previous versions the average CPU load was 20-30% with the iGPU doing all the decoding job. Yes, I tried reinstalling both Premiere Pro (as well as resetting its cache, preferences and plugins via the start+shift menu) and all the drivers.  Steps to reproduce? Open a project or create one, import a knowingly decoded video, put it on your timeline, press Play. Watch the the Windows Task manager - Performance graphs. i7 14700K, RTX 4080, 64 Gb ram, SSDs, Win 11 24h2

@Adobe, I wonder If it would be possible to hide the Bitrate Settings/Target Bitrate Slider a bit deeper in depths of the software. (exporting via Premiere) As you might know we alle have a lot of time and we love endless clicking and scrolling. Especially this feature is not used very often and it also kind of not important for professionals.Another idea would be the lock the access to this feature with 2 factor authentication or password security? Would that be safe enough preventing users to use this feature?Kopfschüttel! 

Maybe I'm missing something, but since updating, the only way I'm able to change font size is using a slider which has no numerical values. I have projects that rely on specific font sizes that I use, so I need to be able to see the numerical values. Please tell me where I can find that info.

This is never going to be resolved until they actually update what is wrong. So I just ahve this to say: NEVER EVER EVER EVER UPDATE YOUR ADOBE PRODUCTS WHEN THEY FIRST COME OUT. PERIOD. YOU WILL REGRET IT. On to the rest of the post:Having weird, going to call it "lag" issues? I hope I can explain it better below. When I am editing my videos, for some reason now the time line cursor will stop (I uploaded an image to show below, just in case I am not using the correct terminology). The video keeps playing. Then the cursor will jump to the time on the timeline and then stop again. Then it will continue to do it, it will stop for 3-5 seconds, then jump to the correct location. It is very difficult to edit when you glance down at the cursor line thing in your timeline only to see it lagged or sitting at the wrong place in the video edit and you have to stop the video for it to "catch up." Now before you say it is the files and the size, wtc, I wanted to remind you

After you work on the timeline and go to the export tab (Range: Source In/Out), if the project window is active instead of sequence, Premiere Pro 2026 exports from the original material. So no edits are included in the export. We tried this both on Mac and Pc. Mac doesn’t have such an issue but Pc does. I haven’t faced any similar issues in Premiere 2025 or before.

Hello, I have been trying to export a video clip as a GIF that will automatically loop when opened with a web browser or uploaded to social media or Youtube. I can't seem to get the loop part of the GIF to work, and I can't find a check box or something that will enable that as an option. I have resorted to just exporting my short video clips as regular video, then uploading to a 3rd party GIF creator online.  Is there a way to create looping GIFs straight out of Premiere? If not, I feel like this should just be a checkbox setting (loop or not loop). Thank you for your help. S

In cs5 i think you could just open a new project and go into advanced settings and change the frame size but in adobe premiere pro cc you can't?

I made the mistake of opening an older version of a project file while my Production was open, and Premiere got into a weird state where it went to the opening screen when you launch the app, and I couldn't move past it so I had to force quite. When I relaunched Premiere, the Production seemed to revert to a version from sometime yesterday. This despite the fact that I obsessively save every five minutes, and I had last closed and fully saved the Production around midnight yesterday. I checked autosave and of the two bins that contained the cuts I've been working on, one I was able to find a copy from fifteen minutes earlier, but the other bin hadn't autosaved since yesterday at 8:30pm. Is there another way to recover this Project file? I am of course on a tight deadline and dread losing almost a day's worth of work. Thanks!

The new masking method is absolute garbage. I can’t even change the size of an oval mask and keep it relative. My shape has 4 bezier curves now which mess with the entire oval shape. I want to mask my subject with an oval mask and just resize the oval. But if I touch any of these points it messes up the entire mask shape.  What goober designed this? Thinking of moving to Capcut. Every upgrade gets worse with Adobe. Two months ago my 2nd monitor output stopped working. They acknowledged it was an issue but are too lazy to fix it. 

Hello! I am trying to load the official "Blackmagic Gen 5 Film to Extended Video.cube" LUT into premiere pro and I'm getting an "unable to load selected file" error. I pulled the LUT directly from Davinci Resolve's LUT folder. I've tried loading it through the creative and basic correction tabs of Lumetri and I get the same error each time, see attached screenshot. All of my other LUTS load fine. I tried contacting Blackmagic and they just told me to contact Adobe. I'm using premiere pro 2020. Has anyone encountered this problem?

Up until today my workflow was as follows: Download source footage from overseas videographer on Frame.io AND download a “proxy lowest” vesrion of the same files; Import Full res into Premiere; Link proxiesusing the Frame.io low res versions.Today I got an error message saying proxy media and full resolution media must have matching audio channels. Preventing me from linking the two.These proxies have no audio and the full res files have 4 separate audio channels. But until today it wasn’t an issue. I edit on a windows laptop and it takes forever for me to encode proxies from 4K LOG 10bit footage so this was an absolute life saver…Any luck from someone that is using a smilar workflow and might know a fix?

I’m not having the wonderful experience with the new color management i expect. I thought it was a feature of my Intel MacBook Pro and its GPU but it seems others are having this problem. If I apply a Lumetri creative LUT and i’m in an Aces color space timeline I get a weird solarised effect. This happens if I select Aces or Rec 709 in the color space box. So i’m assuming the LUTs are not designed for Aces color space. So is there a work around for this ? There should be a way to block or grey out the Rec 709 LUTs so they cant be used if that’s the reason.Or can the LUT be applied on export to Rec709 ? Is there a plan to tackle this problem in a future release ?Thanks Jonathan

Last week, I accidentally allowed an upgrade to proceed, assuming there wouldn’t be any major problems. That was a mistake. Constant crashes, clips disappearing without reason, ridiculously laggy preview scrolling, and processing that stutters for no apparent reason. I’m having the worst experience I’ve ever had. I tried updating Premiere Pro, resetting presets, and clearing the media cache, but nothing helped. I wanted to downgrade, but too many processes have been completed since the update, and there’s a huge amount of data to back up, so I just don’t have the time. It was my mistake to carelessly allow the OS update, but the repercussions have been massive. If anyone reading this is considering upgrading their OS, absolutely DON'T do it right now.

How do I revert to the old mask tool in the new 2026 update without having to roll back? I really don’t like it I’m sorry to say. 

I have another question while migrating from CEP to UXP.I’m trying to retrieve the sequence video frame rate.I referred to this sample:https://github.com/AdobeDocs/uxp-premiere-pro-samples/blob/main/sample-panels/premiere-api/html/src/sequence.tsIn the example, it uses: const videoFrameRate = await settings.getVideoFrameRate(); However, when I try this, I get the following error: settings.getVideoFrameRate is not a function I checked the type definitions here:https://github.com/AdobeDocs/uxp-premiere-pro/blob/main/src/pages/ppro_reference/types.d.tsand I could not find getVideoFrameRate() defined there.So I’m wondering: Was getVideoFrameRate() introduced in version 26? Or is this an error in the sample code? Is there an alternative way to retrieve the sequence video frame rate in UXP for Premiere Pro 25.6.2? For reference, I am currently using Premiere Pro version 25.6.2.

As an Assistant Editor, I have to make EDLs of archival footage/stills/audio used in our sequences. I’ve been exporting the sequence (from our Production) as a Premiere Project, Generate Source Clips, then deleting source clips unrelated to archival (ex. production footage and audio). I then use Simplify Sequence and Flatten all multicam sequences. However, for some reason, the multicam audio remains in the sequence, even when the multicam sequences are completely empty. Is there a way to remove all empty multicam audio clips? Or flatten multicam audio (if it’s empty, it’d flatten to nothing)?

Mi é stato installato l’aggiornamento a Premiere Pro 2026 in inglese, mentre la precedente versione (2025) era in italiano.Come posso ottenere la versione 2026 in italiano?

A client wants the copyright symbol (®) to be superscript on a set of captions. Is there anyway to do this. I can only edit an enitre line of caption at a time. 

Hi there!  New to multicam editing. I have a 1hr 15min recording with 2 cameras that are made up of seperate clips and an external audio recording. I figured that the easiest way of me putting it together was to sychronise everything then nest the seperate cameras and create a multicam sequence from those nested sequences.  Now my problem is that I want to grade the cameras to make them match better. I thought that putting an adjustment layer in the nested sequences made the most sense. While this has worked in those sequences, the effect does not seem to translate to the multicam sequence. Is there something I’ve done wrong? A particular setting that needs to be turned on?  I have already edited the multicam sequence so I’d rather not add the adjustments to every individual clip. And I can’t add an adjustment layer to the multicam sequence as the cameras need different grades. Is there another method that could work?  Any advice would be appreciated!