Questions

I'm editing in Premiere Pro CC 2018 and for some reason, my footage becomes washed out as soon as I adjust curves in Lumetri Color. BEFORE I ADJUST ANYTHING:AFTER ONE CLICK ON THE CURVES:Would appreciate any help available thanks!

Hey everyone, I am just starting to create my own .morgrt files for use in Premiere, but whenever I try to import them, I can't find the files created. This 'Wyatt speech' mogrt is in my Motion Graphics Templates where all the other .morgts are saved, but it does not show up in Premiere.I have also tried searching for it, to no avail.When I do drag and drop it directly from my File Explorer into Premiere, I get this error:I have downlodaed other templates online and they work just fine, so I'm not sure what I'm doing wrong. Thanks!

Hello, I'm using Lumitri Color on a clip. When I export it, the color does not match the program monitor.Doesn't matter if I export h.264 or ProRes. Or if I export directly from the program, or with Media Encoder. The result is the same.In the screenshot, the left window is the program monitor, the right is in adobe AME.

Hello folks. I am dealing to get something very specific with track matte but I don't know how to do it. I guess it is not imposible to achieve so most probably I am missing some steps as the results shown is not what I need.  I want to see a video inside a "glass window with curtains and frames" while there is another video in background.  Video for background is in V1, video for inside the window is in V2 and the window is in V3.  The window is a still image. I have two versions for the "glass", one being white and the other being transparent. The frames are black and around the window there is a frame white and another frame pink. There are pink curtains holding from the top.  What I need is to see the V2 video only inside the "four glasses" without losing the curtains and the window frames including the + inside.  This is what I did: I drag track matte in V2 and assign it to V3. I get the effect but not as expected because I don't s

Premiere Pro v.25 does not see my camera as a device or media drive so I cannot easily import footage directly from it into a project. Lightroom and Lightroom Classic have no problem recognizing my 10-year-old DSLR (Canon EOS 5D Mark III) as a "device" in their import modes. (I'm on an iMac M1 and connect the camera via Mini-USB.) I realize Lr and LrC are intended for photography, but DSLRs shoot video too and so you'd expect Pr to recognize any camera as a device for importing media when you're in the Import mode.  Btw, my Canon records on both CompactFlash card, for which I have no standalone card reader, as well as SD card, for which I do have a card reader. But the CF holds more data (64 GB vs. 32 GB) and records data faster (160 MB/sec vs. 90 MB/sec), so I'd prefer to record on CF rather than SD—and find an easy way to import videos into Pr.  I'm left with two possible workflows:Launch Lightroom.Import the video seamlessly from the Canon into Lr.Expor

One issue I am encountering with AI-powered tools in Adobe Premiere Pro 2025 on Windows 10 is the slow processing speed during tasks like color correction and audio editing, which can hinder workflow efficiency. How can it be resolved?

Does someone have had any luck trying to send am Adobe SRT signal to OBS? I've been trying to configure it in mac to send the signal to OBS in a Windows pc i'm using for my remote editing sesions, I haven't been able to get any signal via ethernet (my computers are connected directly via lan) nor wifi (via my network)

Hola a todos,Me voy de viaje por 4 meses y no tendré facil acceso a Internet.¿como puedo utilizar mis productos adobe sin conexion?Gracias por las respuestas

Hi there, is there any way to view multiple video tracks at once if you choose to view your multicam sequence as individual clips on the timeline instead of the nested view? Thanks!

Our team has an expansive archive of .MOV files that playback natively in MacOS and Quicktime. Apple's FCP, Compressor, Motion, and even Davinci Resolve can handle the files, but they cannot be imported into Adobe's Premiere Pro nor transcoded with Media Encoder.  These MOVs were created as part of a workflow to rewrap the MXF files to MOV (before Apple could natively playback MXF files).  I'm assuming since every other NLE can play them, it's a simple tagging issue within Premiere Pro that would hopefully be a software fix... 

I have a membership in Adobe Stock and I'm running the latest build of Premiere Pro CC. I'm logged in to Adobe Creative Cloud. Premiere Pro CC shows I'm logged in. Today, I was editing a video and I needed music. I used the "Sound" tab in Premiere Pro CC and found a piece of music I thought would be a good match for the short video I was editing. I clicked the LICENSE button and was presented with an empty pop-up box with a spinning circle that never went away. I closed the box after several minutes and tried again. Same thing. I saved and closed the project, shut down Premiere Pro CC and restarted it, reloading the project. I tried to export the video and was told that the project included low quality, unlicensed assets that I should license by clicking on the shopping cart icon next to the asset in the project panel. I clicked the shopping cart icon and got the same pop-up with spinning circle. After several minutes of nothing happening, I closed the box. Interest

The application runs smoothly for everything else. The rendering is instantaneous. My computer has good specs and runs Windows 10 64 bit. I have CUDA enabled. Only when I try to move clips does everything freeze up for about 20 seconds. I tried disabling CUDA, creating proxies, changing the SSD that the previews are saved onto, even swapping out the source files for lower quality versions, all to no avail. I believe the issue has to do with rendering previews since there is no problem when I disable all the visual tracks. The files I'm working with are fairly long, so maybe that's part of what's causing the problem. I have no idea how to fix this issue, but it's making editing virtually impossible. Thanks in advance to anyone who may know a fix.

hi all. just got the shuttlexpress from contour design.   i cant make this work on premiere 24. the driver is installed correctly but its dont effect the program even if i set the 'global settings' with diferent keystrokes, the keystrokes dont work in premiere.   any solution?

Already installed adobe fonts are missing/do not show in Premiere Pro whenever I start up my computer without Creative cloud desktop running in the background. the font is installed in the adobe fonts, but it does not load in Premiere Pro and defaults to the first font I have at the top of the fonts list. Only way to fix this is to close premiere pro, run creative cloud desktop and then reopen premiere pro. This bug is very annoying and is slowing me down for no good reason.  PC specs: Windows 11 running on cpu: AMD R9 7900Xgpu: RTX 40802x32GB 6000mhz CL32 ddr5 ramdriver: geforce game ready driver ver 565.90

I've been converting vhs tapes to digital and have noticed there always seems to be a slight lag.  I found that rendering the footage before exporting really helped with the video playback as an mp4 file. Right now I have three clips combined on one timeline and no matter how I export it the lag and artifacting is horrible.  Even scrubbing through the footage just creates more problems.  Even rendering before exporting hasn't helped the footage. I have the latest drivers for my gpu and have tried to turn off cuda acceleration but still haven't gotten anywhere with having the footage playback smooth and normal.Screenshots of timeline

Intel(R) Core(TM) i9-14900K 3.20 GHzRAM: 128 GBW11 Pro64 BitsNvidea 4070TiDD 4TYes i do update media encore, visual C and the last premiere pro from creative cloud.I don´t know what to do, every time i just click play it crashes, every time i paused it crashed. almost for everything PremierePro just crash, please help.

buenos dias, estoy exportando ( renderizar) un video de boda y cuando lo visualizo una vez terminado se ve distorsionado, he exportado así: H.264 / 1920X1080 (1,0) / 23,976fps / progresivo / 203 ( 75% HLG, 58% P Q )aceleracion de harwaware / 00:24:06:07 / VBR ( a 20 )  1 pase / destino 20.00 MbpsAudio: AAC+ version 2 / 64 Kbps / 48 KHz / Estéreotamaño de archivo estimado: 3677MBademás pico las opciones de: procesar a la maxima profundidad y usar calidad de procesamiento maxima y flujo optico.Por favor, alguien me podría ayudar y decir que estoy haciendo mal y como exportar correctamente para que no se distorsionen las imagenes? Mil gracias de antemano

Hi all, I am developping a panel for Premiere Pro and have a little questionWe have video montages with a lot of shots and we have to export them one by one, in several formats. So we developed a panel to automate the process, and it works fine, but I believe it could be improved. For each shot we export multiple videos: one of good quality, one not so good, and for each quality, one with styling (text...) and one without. So for each shot we export 4 videos. Now I see that MediaEncoder can run jobs in parallel when they use the same source. But  I don't know if it's possible to use this feature when using MediaEncoder from CEP. I call MediaEncoder using the  app.encoder.encodeSequence(...) while I loop over the clips to trigger the encodings. But then in MediaEncoder they run sequentially. Is there a way to make them run in parallel ?Thanks

Hi I uploaded my footage to the timeline and give all of them different colors and there aro no effect, plug in etc on them (just lumetri color on the video) and once I use the razor tool and click for a cut it turns all my audio channel to this color, doesn't happen all the time though. Anyone has experienced this or have any solutions?I am using Aode Premiere Pro Version 25.1.0

Inserting files onto the Timeline and sort order them automatically based on the timestamp ¿

Premiere pro 2025- I cant see my captions at all in the preview! Helppppp

Trying the new Text-Based Editing in 23.4.    However, it does not appear to be working correctly... or at all.   I have a clip on sequence that has been automatically transcribed. I can go to the "Transcript" window, and highlight text. I can right-click on the text and all options appear - Cut, Delete (Ripple), Delete, etc. When I choose "Cut", for example, the text does not cut in the "Transcript" window and no cut is made in the sequence.   Same issue if I load the clip in the "Source" panel. I can hightlight the text, right-click to show the "insert" and "overwrite" options, but neither function inserts the clip into the timeline.

Hello,I use Paragon APFS for Windows (for mac interoperability). When a Premiere project is created on my APFS drive, it is created without any problem. But when I modify the project and I try to save it, Premiere tells me that there is an error : the file can't be saved and I have to save it on a new file. Saving it on a new file works fine, but it's a pain to save my projects this way.I thought in first that it was a bug of the Paragon APFS software, but I tryed to do the same thing with After effects. After effects works fine, it saves its files the right way, without having to rewrite a new file each time !Any idea ?

Edit: Sorry for the first message structure, it came out rude in my opinion.On v 25.1 I (think) I suddenly have white menus. It seems eye soaring because of the contrast and I can't seem to be able to change it. Was it always this way?  Made sure I have dark theme on Windows 11 and also on Premiere. but the menu stayed white.  Not sure if it was always this way. It suddenly became very notorious.  Thank you!  

Version of the app: 25.1.0 (build 73)Platform and OS version: macOS 15.3.2 (24D81) (computer specs in signature but was able to recreate on two separate M1 Max 2021 MBPs)Basic steps to reproduce the problem: In both projects and productions, load a clip or timeline/sequence into the source monitor and try to go to 1:03 by typing "103" with the number-pad on a full-sized keyboard. Do the same in the program or timeline panels. Timecodes starting with 1, 2, or 3 do not populate without typing a 0 first, therefore initializing the input.Expected result and actual result: Typed timecode should not require a 0 to initialize. Jumping to 1:03 in the timeline should just require "103" to by typed on the 9-key number-pad. What's happening is "103" is only typing "03," therefore only jumping to :03. The "1" is being completely missed. This also happens with 2s and 3s. Typing "206" to go to 2:06 jumps only to :06. "321" to go to 3:21, since there is no 0, 4, 5, 6, 7, 8, or 9, does absolutely noth