
tromboniator
Community Expert
tromboniator
Community Expert
Activity
‎Apr 24, 2022
02:39 PM
Maybe something like this?
Set the text you want as area type. Go to the Paragraph panel (Window menu > Type > Paragraph) and set it to Justify all lines. You may want to remove any returns.
Rotate the type object using the Rotate Tool, Transform panel, or Free Transform tool, but not the Selection tool, which will rotate the box but not the type. Reshape the object using the Direct Selection tool.
Peter
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‎Apr 19, 2022
08:54 PM
My apologies to you for not looking at the problem carefully enough. I'm working on a solution that doesn't involve plugins or other add-ons, but I'm not there yet. No guarantees!
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‎Apr 19, 2022
06:26 PM
2 Upvotes
If it's not open already, open the Stroke panel by going to the Window menu > Stroke. Activate Dashed Line and set dash and gap values, as well as stroke weight, to suit your needs.
Peter
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‎Apr 16, 2022
11:54 PM
1 Upvote
To add to Ton and Jacob's (Hi, Ton and Jacob!) excellent methods, I'd like to share the one I use not only for segmented spheres but for fluted columns and for less regular divisions of any shape for which a cross-section of a 3D shape needs to be translated to a 2D view.
1) Draw a polygon with the appropriate number of points on the equator of the visible hemisphere of the final shape and a coincident circle. If you want the view of the final shape to be oblique; that is, not perpendicular to a face and not straight at a divider between segments, rotate the polygon the desired amount.
2) With Smart Guides and Snap to Point turned on, drag guides from the rulers to snap to the left and right sides of the circle and to each point on the lower (or upper: whichever defines the final visible segments) half of the polygon. Lock the guides and hide or delete polygon.
3) Direct Select (white arrow) the right (or left) anchor point of the circle and press delete to form a semi-circle.
4) Activate the Selection Tool (black arrow). Select the semicircle, copy, and paste in front, then drag the middle bounding box handle until the middle of the arc snaps to the next guide you come to. Paste in front and drag to the next guide until you run out of guides.
5) Hide or delete the guides, then use the Live Paint Bucket to color the segments and turn the segments into closed paths.
This is not quite instantaneous, but it's lots faster than explaining it, and I find it versatile.
Peter
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‎Apr 13, 2022
03:59 PM
1. Select the top object
2. Go to Object menu > Path > Divide Objects Below
3. Voilà !
This does not happen for you? There's nothing about this that would require a dialog box, as far as I can tell. And what Kurt said.
Peter
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‎Apr 11, 2022
10:41 PM
1 Upvote
1. Push the Fidelity all the way up to Smooth.
2. Be sure to start and end the pencil's route directly on the existing letter's path.
3. Draw slowly and as relaxed as you can.
4. Be prepared to undo and redo until you're happy.
5. Practice. Speed and better results will come eventually.
Peter
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‎Apr 11, 2022
12:47 PM
You're welcome! Glad you found it useful.
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‎Apr 10, 2022
11:36 PM
1 Upvote
This looks like a display-only phenomenon (not part of the artwork's structure and will not export or print) that can occur when in View using GPU mode, and disappears with View menu > View using CPU or ⌘/Ctrl + E. As I understand it, with Illustrator, operating systems, and graphics cards providing unsynchronized updates, sometimes the GPU display is not optimal.
Peter
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‎Apr 09, 2022
06:40 PM
Yes, Kurt, I tried it and got the bizarre behavior. I'll crawl back into my small space.
Peter
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‎Apr 09, 2022
03:14 PM
1 Upvote
Perhaps you have a Blending Mode applied?
Peter
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‎Apr 08, 2022
02:21 PM
Is it not something as straightforward as a transform effect applied to the paths or the layer?
Peter
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‎Apr 07, 2022
02:06 PM
Thank you, Brad, I appreciate your explanation.
Peter
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‎Apr 07, 2022
04:27 AM
See if it helps to do this:
Peter
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‎Apr 06, 2022
08:54 PM
I have tried and failed to replicate your results: it works correctly every time, except: when I think I've selected another artboard but have not actually done so; or when I've accidentally selected an incorrect artboard.
Peter
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‎Apr 06, 2022
06:48 PM
This is the usual order in which the Save As… dialogs appear:
Peter
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‎Apr 04, 2022
07:18 PM
1 Upvote
If you want to do this procedure multiple times you can make either Ton or Mike's procedure into an action (Window menu > Actions opens the panel) that can produce the desired grid quickly. With the grid selected, click inside it with the Live Paint Bucket Tool to color a square and establish a Live Paint Group. You may want to have the Swatches panel open to quickly select colors as you proceed. When you are finished coloring, go to Object menu > Live Paint > Expand, then ungroup. Select the remaining uncolored grid and delete.
Peter
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‎Apr 04, 2022
05:24 PM
1 Upvote
The (not free) plugin WidthScribe has a tool that allows precisely that.
Peter
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‎Apr 03, 2022
02:47 PM
1 Upvote
Hi, Niko,
You can make it a feature request yourself at https://illustrator.uservoice.com/ if you like, and, with a post in this forum containing a link to your feature request, ask other users to vote for it.
Peter
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‎Apr 03, 2022
01:28 AM
1 Upvote
To the best of my knowledge, no, it is not possible.
Peter
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‎Apr 01, 2022
05:30 PM
1 Upvote
In a crude attempt to analyze your design I made a group including three identical keys to which I applied 3D Extrude, then played with the lighting. The shading should have been the same on all three, but the rightmost was drastically different. I selected the offending key and nudged it .001 inch, and the lighting corrected itself. Perhaps you might experiment with that idea and see if the results are favorable.
Peter
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‎Mar 30, 2022
10:13 PM
You're welcome! I'm delighted that it was useful to you.
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‎Mar 30, 2022
07:39 PM
2 Upvotes
When you combine shapes using the Shaper Tool and select the resulting shape, if you look at the top of the Properties panel you will see that you have a Shaper Group, which does not behave as an ordinary shape, or group of shapes, does. Select the Shaper Group (flower and pot), then go to the bottom of the Properties panel and click on the Expand button. If the panel is not sufficiently elongated you may need to drag the bottom of it downward to expose the button. Alternatively, go to the Object menu and go down to Expand.
You should now be able to set the rectangle over the flowerpot group and use the Shape Builder Tool in the expected fashion.
I hope I've explained this well enough to help. If not, please feel free to ask for a better explanation.
Peter
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‎Mar 29, 2022
11:21 PM
This would be an excellent feature. A Feature Request for it was entered nearly five years ago, but it has not been implemented, Please go to https://illustrator.uservoice.com/forums/333657-illustrator-desktop-feature-requests/suggestions/20490016-make-eyedropper-tool-usable-in-color-picker-dialog and vote for it and, if you wish, leave a comment for the engineers giving your reasons for wanting the feature.
Peter
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‎Mar 28, 2022
10:05 PM
At the bottom of the Character panel you can select Snap to Glyph options, and with Smart Guides activated you can align objects to live (not outlined) type. Unfortunately, this does not affect the way the Align panel works with type, but dragging an object while Smart Guides are active gives accurate alignment.
Peter
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‎Mar 28, 2022
02:44 AM
1 Upvote
Next time something strange like this happens, open the Layers panel to see if there are extra items selected.
Peter
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‎Mar 27, 2022
11:12 PM
Hi, Diana – I have no explanation for why the asterisk is visible after you have started to create a path. You may need to try resetting the preferences to see if that will clear up the problem. You say "When I don't have this problem the brush icon is not there" – is there a × instead? That should occur if you engage the caps lock, or if you go to Preferences > General and engage Use Precise Cursors. If that is acceptable, I would suggest using that setting until someone more knowledgeable than me offers a solution to the asterisk problem.
Peter
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‎Mar 25, 2022
09:49 PM
Is the logo vector paths, or is it a raster image? If the latter, look for a source for a vector version or rebuild from scratch. Or edit the color in Photoshop.
Peter
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‎Mar 25, 2022
04:58 PM
I believe that the difference is that Dead Taco is applying 3D Rotate (Classic) and you are applying 3D Extrude & Bevel (Classic). Quite different results.
Peter
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‎Mar 24, 2022
11:40 PM
1 Upvote
It's not necessary to select the objects on the artboard, nor to select them in the Layers panel (by clicking to the right of the targeting circles ((a matter for a different discussion)) which will produce the colored squares. Click(to highlight) on or to the right of the object image or name and drag to the destination layer.
For multiple objects that are not adjacent in the layers panel list, CMD/CTRL + click items to be moved, then drag when all are highlighted.
For multiple items that are adjacent in the Layer list, shift + click the first and last items to highlight them and all items between, then drag to the new layer. You will see in my example that the ellipse and rectangle are not themselves highlighted, but they are indented to show that they are contained within the group, which is highlighted.
Peter
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‎Mar 23, 2022
11:32 PM
2 Upvotes
It's not clear to me what you are asking for. Do you want to retain the points between A and B and between C and D, or is removing those points "not an option" because it doesn't give you a straight line from A to D? Do you want to retain the angles BFE and FEC? Retain distance BC? My approach to this problem would depend on these requirements.
If you simply want AD to be a straight line, with points B and C wherever the blue line intersects the red, I would just draw AD, use the Shape Builder Tool to remove the segments you don't want, and joint the remainder.
If you want to retain all the points but have them aligned to AD, you might rotate the original path + AD so that AD is horizontal, align all the points to horizontal AD, then rotate back by the negative of the previous rotation.
And there are several ways to interpret your second question: Could you please elaborate, possibly with a diagram?
Thanks, Peter
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