Adobe Premiere

Bonjour, Je rencontre un problème avec l'effet flou gaussien. J'ai un mac M3 avec une carte graphique metal 4 et j'ai uniquement le Flou gaussien hérité. Premier est a jour, j'ai déjà effacé le cache et réinitialiser les préférences, je ne trouve pas de solution. Quelq'un peut m'aider ?  Merci d'avance. 

After working, foolishly, on a new project in the latest upgrade (26.0.2) and masking is a mess, so need to save it out to previous 2025 version - is this possible?    

Cannot find my previous topic about this issue, so I have to start a new one, and I have an update.The issue: when inside a multicam if you try and change settings in the Lumetri color panel for some of the tracks there, the active window looses focus as soon as you do it, and the Effect Controls window will say “Multiple clips selected” though you select only one clip, obviously. This is how it looks:restarting Pr, applying another instance of a lumetri, deleting cache, resetting preferences - nothing helps, or helps for one second. The issue always comes back. This issue started to happen in Premiere 25.6.x, goes on in the current 26.0.2Steps to reproduce: start a project, import your files create a multicam sequence. I used 2 cameras + external sound in wav. start working with multicam.  go inside multicam (ctrl+click), apply colorgrading to the video tracks, apply a podcast preset to the external mic audio track. At this point or later when you adjust the colors in the Lumetri tab

Hi, I am very confused as to what settings need to be adjusted in Premiere to be able to use my iPhone 17 Pro Apple Log 2 HEVC footage (4k 60 fps) and apply a LUT via Lumetri. Scouring the net and AI none of the settings are worded as they are in the application and I have played around with no luck.I’ve been using Premiere for many years but this is my first foray into using Log footage. I understand the concepts but can’t get the correct combination of setting in Premiere.Please forgive me if this has been asked before. George

¿Me pueden ayudar? No se porque no me deja eliminar las pausas, tengo la ultima version de premier pro y tambien la beta. Adjunto imagen

Hey forum,Searched high and low for a solution for this - seems like Mac people had this problem but nothing in stone fixed.After using Premiere for a few minutes the mouse cursor will "stick" to a cursor.For example between switching the Arrow, Razor and Move tools the mouse cursor won't change.Image below shows what I mean, since it should be showing the razor instead of the default mouse icon.One thing that instantly fixes it for a minute is switching between workspaces - though it comes back very shortly.It's not a program crashing bug, but extremely infuriating since I keep messing up edits since I don't know what tool I'm using.What I've tried:-Resetting cache and prefs while booting Premiere.-Uninstalling and Reinstalling using the Adobe Uninstaller tool-Create new workspaces-Create new keyboard preferences-Disable Import WorkspacesUsing:-Windows 10 64 Bit-Premiere Pro CC 12.1 KentosAll the best.Example Pic:

Guten Morgen,Seit der Version 26.0 habe ich ein für meinen Workflow sehr störendes Verhalten beim Speichern von Projekten festgestellt.Adobe speichert neue Projekte bzw. Änderungen standardmäßig nicht mehr im ursprünglich vorgesehenen Projektordner, sondern automatisch im zuletzt geöffneten Ordner. Dieses Verhalten weicht deutlich von der bisherigen Arbeitsweise ab und führt in der Praxis sehr schnell zu falsch abgelegten Dateien.Zwar lässt sich das über „Speichern unter…“ manuell korrigieren, allerdings ist das im täglichen Arbeiten unnötig umständlich und fehleranfällig – insbesondere bei vielen Projekten oder hohem Zeitdruck.Daher stellt sich für mich die Frage:Handelt es sich hierbei um eine bewusst eingeführte Änderung in Version 26.0 oder um einen Fehler in den Programmeinstellungen bzw. ein mögliches Bug-Verhalten?Für eine Klärung bzw. eine Option, den Standard-Speicherpfad wieder fest an den Projektordner zu binden, wäre ich sehr dankbar, da das aktuelle Verhalten den Workflow

Ich habe jetzt in kleineren Projekten die Beta Versionen von Premiere ausprobiert, ein nerviges Problem, wenn man den Enkoder neu installiert hat, steht beim Renderer “Mercury Playback Engine GPU Beschleunigung (Cuda), in der Konfiguration redert er dann übergebene Clips. Schließe ich den Encoder und öffne ihm im gleichen Projekt  den Encoder wieder dann steht beim Renderer …… Software. Da hilft nichts mit irgendwelchen Vorgaben, die Zeile ist ausgegraut. Es ist ein Win11 AMD System 64 GB Geforce 3080TI. Auf einem zweiten Rechner win11 48Gb  AMD Geforce GTX 1060 rendert er ohne Probleme über die GPU

Hi everyone,for a while now I’ve been running into a problem with Sony S-Log footage in Premiere Pro.My usual workflow was: Import Sony S-Log footage In the Project panel: right-click the clips → Modify → Color Enable Override Media Color Space Select Sony S-Log3 / S-Gamut3.Cine This always worked fine in the past and immediately converted the footage out of the flat log look.However, this no longer works at all: The override is selectable, but nothing changes visually Even if I intentionally choose a completely wrong color space, there is no effect Restarting Premiere, new projects, different clips – same result So it seems the Override Media Color Space is being ignored entirely.Has anyone else experienced this?Is this a known bug or a change in Premiere’s color management?And if this function is broken now: what is your current, technically correct way to convert Sony S-Log3 to Rec.709 in Premiere Pro?What confuses me most is that I can barely find anyone online describing

after the last update of premier pro there is no longer the option to crop a clip/image/video with handles but only with % (right, left, bottom, up). when applying the crop effect and using the pen mask tool, i can use handles but i can’t succeed to get to the result that the cropped area is left and all the rest is erased. it weas so much easier before, why did you change it? how can i set an area manually to be cropped easily?

Export MP4 has 30sec of black add… but my out is marked!!! 

Issue – The last 2 versions of Premiere (at least) have had issues with WAV files playing, and after trying many different things to fix it, I’m sure it must be a bug in the software introduced with the updates. When importing WAV files into the timeline they will play for a while, and then after short period, or a few moves of the playhead, they will stop. In text based editing, transcribing does not recognise that there is any audio there at all. Opening old files that had perfectly functioning audio previously, now plays no audio despite the files still being there. Adobe can find the files on my PC (I checked through reveal in explorer), and clearing the media cache and resetting to default settings has not changed this. The files do not work when using render and replace, or if opened in Audition from Premiere.MP4 and MP3 sound work fine. To begin with the clips have a waveform in Premiere but this disappears when the file is saved and then reopened.    Steps to reproduce –  1) Im

I had the exact issue of an another thread for a while and finally found a fix that no one seems to mention.Setup: Windows 10, Premiere Pro 2023, Nvidia RTX 3050, footage shot in HDR (MOV, ~60fps).The problem: With hardware decoding enabled (ImporterMPEG.decoder_pref = hw in the debug console), colors appeared cooler/washed out compared to software decoding. Switching back to SW decode showed correct colors, but with higher CPU load.What I tried that did NOT work:Tweaking color flags in Premiere's debug console (ColorSpaceConverter.AttemptFinalPixelFormatConversion, Host.ColorConversion.EnableDisplayColorManagementForSWRenderer, etc.) Nvidia Control Panel dynamic range was already set to Limited — no change Disabling IntelEncoder.UseHwAccEncoding to prioritize NVENCWhat actually fixed it: Enabling HDR on the monitor.The footage was shot in HDR. With the monitor in SDR mode, Premiere's HW decoder was mishandling the HDR color space, displaying it incorrectly. Once HDR was enabled on the

I am exporting directly from Premiere, not via AME. I have used some mogarts but I have made sure all the fonts are there and synced. I keep getting an error half way through the export stating "a font that is required has changed restart the export."   I have tried a few fonts, Algerian, Arial, I have made sure they are authorized and I keep getting this error. The first time it exported ok, and ever since, all exports fail with this error. I cant go through AME.   Obviously this is somthing new as I never got this issue till 2020, does anyone have any ideas on what the cause is please?

I'm putting together an editing demo reel, and I noticed the color was off for some RED/R3D 6K footage when rendering it for smoother playback. Long story short, when I render the R3D footage within the timeline or export it using Quicktime Prores 422 HQ (or 4444 or 4444 XQ), the grade looks much more contrasty, with blown-out whites and crushed blacks (see attached screenshots for example, including scopes). Prores 422 vanilla and 422 LT are both rendering the grade correctly. No other types of footage in the timeline exhibit this problem when rendered, including Fuji X-T3 4K LOG mov, H.264 mp4, older Prores 422 HQ mov exports of this same R3D footage, etc. I have hunted down numerous settings and tested them, and none of them seem to be the culprits (see below for details). It looks like a new problem with the codecs themselves, at least when it comes to R3D footage. Prores 422 HQ has always been my go-to for archival copies of my work, and I've used it numerous times over the years

what is happening here? why the now legacy is like that and when i drug the Gaussian Blur is like suprise me??? where is the shapes?

Issue I am experiencing severe system instability and a massive memory leak while using Premiere Pro. Randomly during a session, the software freezes and becomes completely unresponsive. On Windows 11 25H2, Task Manager showed RAM usage maxed out at 90%+, whereas on other builds (24H2/23H2), the system would freeze even when RAM usage was stable at 50%–60%. Even after closing the program, the memory is frequently not released by the OS, necessitating 3–4 full system restarts daily to continue working. This happens whether I am working from Suite Studios (Cloud) or from local 2TB NVMe storage.Steps to reproduce 1. Open Premiere Pro and load any project. 2. Add a text layer to the timeline and begin trimming the layer. 3. Continue standard editing tasks (scrubbing timeline, trimming other clips). 4. Observe the UI becoming sluggish, followed by a total system hang/freeze.Expected result Stable performance and responsive UI during basic text manipulation and trimming, with proper system-l

I use Premiere Mobile on both my iPad and iPhone. I was working on a project on my iPhone. When I opened Premiere Mobile on my iPad, I expected the project to be there, but none of the iPhone projects were available on the iPad.  How do I get the Premiere Mobile projects on my iPhone to sync and be available on my iPad?  Thanks,

I can't merge the files on the timeline using a hotkey . The unnecessary tracks are locked. What's the problem ?🙄