Feature Requests

It would be a nice quality of life improvement, if you could export a list from all offline media during or after the scan.I don’t only talking about a file list but with their last known location that is shown during scan/relinking.This would make quick communication way easier with lots of missing files spread over different paths.Just export a file list (txt or csv) and send it of to the person that gave you the project to search for the missing stuff instead of compile the list yourself manually.

Any time I move my Magic Mouse over the image, if my finger moves even a micron, the image zooms wildly in or out.  It happens all day long, and I know I'm not the only one!  So basically, unless you click on the drop-down menu to adjust the size, please let us turn off the scroll-zoom capability. Lock that size until actual adjustments are made.  And if scroll-zoom is still popular, then have it be an Option- modifier move, that only activates but that means.  Thank you for your attention to this matter!

In a proxy-first or proxy-only ingest workflow, when a 25i high-resolution source is later connected to a pre-existing 50p proxy, Premiere Pro incorrectly inherits the proxy's interpreted frame rate (50fps) and applies it to the 25i source, causing it to play back at double speed.Importantly, this issue does not occur in the reverse workflow: when a 25i source is ingested first and a 50p proxy is generated from it, toggling between proxy and high-res works correctly. The problem is exclusive to the proxy-first path.Context:This is a real and growing workflow challenge for broadcasters and post-production facilities transitioning from interlaced (25i) to progressive (50p) acquisition. Archive footage shot in 25i must regularly be cut alongside new 50p material. Using 50p proxies for archive 25i clips is desirable because: All 50 fields per second are represented as individual frames, enabling frame-accurate editing Progressive proxies play back more efficiently on laptops and office w

Swahili is spoken by over 100 million people across East and Central Africa, yet creators still rely on manual or external tools for subtitles. This slows down workflows and limits accessibility. Supporting Swahili would:Speed up editing workflow, Improve accessibility, Empower a fast-growing creator market This would be a big step toward true global inclusion.

Building production UXP panels at a broadcaster to restyle broadcast → online sequences (different caption styles).Issue: UXP can access CaptionTrack objects but lacks APIs to:- Edit caption track styles  - Copy/move caption track items between tracks- Modify caption item propertiesImpact: Cannot automate caption workflow despite full video track/MOGRT support existing.Request: Add UXP APIs for:1. CaptionTrack.setStyle() or applyTrackStyle()2. Caption track item copy/move between tracks  3. Caption item property editing (similar to ComponentParam for MOGRTs)Caption-heavy newsroom workflows cannot be automated without these APIs.Thanks for considering! 

We're building UXP panels at a newsroom to automate broadcast → online sequence conversion. Issue: Custom sequence presets (.sqpreset) cannot store Caption Tracks. Every new Online sequence requires manual caption track creation (~30sec x 20 items = 10min daily handwork).Impact: Blocks sequence preset automation despite UXP having createSequenceWithPresetPath() API ready.Workaround: Save template sequences in projects (many extra steps).Request: Add Caption Track support to .sqpreset format so automation workflows can create complete sequences with caption tracks included.Real production workflow blocked. Thanks! 

Interesting talk with Gemini :  Me: would it be as good as the pc version in the future ?  like is there any conversation the company was taking about dreaming about a pc level editing for the future... you know? Gemini: Adobe’s vision isn’t necessarily to make the mobile app an exact "clone" of the PC version, but rather to make them partners in a single, professional workflow. While they aren't "dreaming" of putting the full, heavy Premiere Pro interface on a 6-inch screen, they are working toward PC-level quality through a few key strategies:## 1. The "Edit Anywhere" PhilosophyAdobe’s current goal is for you to be able to start a project on your phone and finish it on your PC without losing any quality. [1, 2]  * Seamless Sync: Projects from the new [Premiere on iPhone](https://www.adobe.com/products/premiere/app.html) (and the upcoming Android version) can be directly imported into Premiere Pro on desktop.* Unified Engine: The new mobile app is powered by the same high-quality rend

нарисовать часть анимации(в крывых) и зацыклить ее, полезно под бит музыки, допустим  хочу чтобы клип менял прозрачность под бит с определеным рисунком, и увиличение кадра по бит 

The Align panel options used to sit to the right, alongside, the text alignment buttons, but now the Align buttons are all at the bottom. We click those buttons a whole lot you know! Moving them to the bottom requires me to now scroll to use them, and scrolling is great but if you scroll with a mousewheel sometimes it gets stuck on drop down menus and starts scrolling the content of a menu. So you now have to be nervously cautious about where you put the mouse as you try to scroll down just to get to a button that really belongs where it used to be. Absolutely no reason to have moved it. Would really like this panel of buttons right back where they used to be please!

My #1 biggest issue with Premiere Pro is how fast the timeline moves when I put my pointer past the timeline on the left or right.  I am generally just trying to move my pointer to the next cut, but I end up flying two minutes down the timeline and then I have no idea where I was at.  When I can remember, I will carefully move my mouse to the edge of the timeline which will move the timeline slower. But it's always hard to remember that when I am cutting quickly. Has anyone figured out a way to slow down the scrubbing?  Slowing down the mouse speed in the Mac preferences does not work.  Thanks.

As of 2026, State mandates are now requiring Descriptive Audio (DA) captioning for cable television and YouTube videos. DA is when sound effects are also transcribed: a car horn showing the word "beep" for example. This issue is now a high priority for government television stations and non-profits, and includes online video content as well. Currently there is no option beside text captioning in Premiere.

It would be great to have a built-in project management panel in Adobe Premiere Pro, especially for Premiere Productions.A simple dashboard could show project status, progress, and responsibilities, with features like:Kanban-style boards (To Do, In Progress, Done) Deadlines and assigned team members Visual progress overviewThis would improve collaboration, transparency, and efficiency like a lightweight monday.com inside Premiere. Let’s do it :) 

It's been some time since introduction of an automatic transcription feature in Adobe Premiere and I would really love to see an option to transcribe in polish language. It'd make my job a lot easier and MUCH faster. Please cosider. Thanks!

Hello Adobe Premiere Pro team, I would like to report an issue with OTIO export/import in Premiere Pro. I tested OTIO round-trip behavior using a sequence that contains both transform keyframes and speed keyframes (time remapping keyframes).  What I tested   I created clips in Premiere Pro with:   Transform keyframes (position / scale / rotation) Speed keyframes (time remapping / variable speed)   I exported the sequence as OTIO Then I re-imported the exported OTIO back into Premiere Pro    Result   Transform keyframes were preserved correctly However, speed keyframes were not preserved In other words, time remapping keyframes were lost during OTIO export/import round-trip    Expected result   OTIO export/import should preserve speed keyframes, just like transform keyframes At minimum, Premiere Pro should be able to round-trip its own OTIO export without losing time remapping keyframe information    Actual result   Edit order, cuts, and some other basic information a

Dear Adobe Team,I would like to share an issue that has been a challenge for me for quite some time. First of all, I am grateful for Adobe’s user-friendly approach and pricing policies. As a student, I was able to benefit from affordable local pricing throughout much of my education.However, since Premiere Pro does not currently support Turkish transcription, I have had to either purchase third-party plugins (which are difficult to fit into my budget) or spend a lot of time manually creating subtitles. I am sure there are thousands of users like me who have been waiting for this feature.I kindly ask you to consider adding Turkish language support for transcription in future updates.Thank you for your time and support.

In short, make the curves adjustment like the adjustment in Lightroom Classic.The scopes window gives us information about the image, but that information is not easily translated over to the curves adjustment in Lumetri. At the bare minimum it’d be really useful to have a scale on the X-axis of the curves adjustment, but superimposing the histogram on the curves window would be even better. Additionally, it’d be very useful to add a point selection tool to the curves adjustment so that selecting a highlight or shadow point in the program window is super simple.

Hi guys,   Can I increase the size of the thumbnails of the images in the markers tab? Have a look at the top right of the attached image to see what I'm talking about.   I'm trying to get a quick look at all of the shots that I've marked in a timeline, but the images are so small that it's annoying to have to squint at my monitor to see them. Any help would be greatly appreciated. Thank you so much! 🙂   Have a great day y'all!   Mod note: Title changed slightly to reflect the feature request.

Ha!  I had to create the How about a Feature Request Form THAT ACTUALLY WORKS!?!?!??!  just to get past the “Let’s see if that exists B.S.!” that would GO ABSOLUTELY NOWHERE!!!!Here’s my real request:Please make a feature whereby we can assigned assets from ANY Project File to be ADDED to a Template file.  I use the same assets over and over and over, and I need a FAST way to ADD them to a pre-defined Template File, rather than opening my Template Project and copy & pasting, or worse yet, RECREATING them OVER and OVER, and OVER.  Also, could we just have the option to have a Universally available Captions Style?  Tho the Add to Template would accomplish the same thing, so let's prioritize that one.  Thanks!

The masking and tracking tool somewhere between v26.0.0 to v26.0.2 changed locations and icons. Changes like that can be difficult to find and it feels like they are being moved around just to create confusion. after so many years with all my plugins for Premiere, I am leaving. It feels like you are trying to kill your own business. I most have LrC and Photoshop, but the huge cost to add Premiere cannot be justified.

Hello Adobe Team, I would like to request support for the Georgian language in the automatic captioning feature of Adobe Premiere Pro. Georgian is a widely spoken language, and adding it to the auto-captioning system would be extremely helpful for content creators from Georgia. Currently, we are unable to generate accurate subtitles automatically, which makes the editing process more time-consuming. It would be greatly appreciated if you could consider adding Georgian language support in future updates. Thank you for your time and consideration. 

Please add Adobe Podcast in Premiere Pro, it's far better than the enhanced speech option

I would like to request support for morph target animation (also known as shape keys or blend shapes) when importing GLB/glTF files into After Effects.Use Case:In common 3D workflows (e.g. Blender → GLB → After Effects), character animation often combines:Armature (bone-based) animation for body movement Morph target (shape key) animation for facial expressions (e.g. blinking, mouth movement)Currently, After Effects imports and plays armature animation correctly, but does not play morph target animation, even when it is properly included in the GLB file.Expected Behaviour:When importing a GLB file containing morph target animation:Shape key animation should be recognized and played alongside armature animation Morph target keyframes should be evaluated over time, similar to how they function in Blender or other glTF viewers Ideally, morph target channels could be exposed for further control within After EffectsActual Behaviour:GLB imports successfully Armature animation plays correctly

Although it is possible to organize our effects and presets in folders, we often have some specific effects that we use much more frequently! It would be very useful to be able to put colors on the presets to quickly identify them!!  Additionally, I would like to request that we set our presets created from a traditional or third-party transition as the default transition! In the image for example, the Red preset is a transition created through settings I made in the blue transition! I can set the blue transition as default, but I can't set the red one!

I don’t think I’m the only one who has dragged a window (sequence/effects/etc) by mistake.I also don’t am the only one who feels like it is such a pain in the backside to drag the correct window to the correct original position. I feel like this user experience (dragging windows) could be made much smoother. Anyhow, it makes sense to add a “lock workspace” option to precent windows being dragged out my mistake.