Feature Requests

Dear Adobe Team,Please consider adding Hebrew language support for voice-to-text transcription in Premiere Pro.There are thousands of users in Israel who are currently forced to rely on expensive third-party plugins just to transcribe Hebrew audio.This creates a major barrier for editors and content creators working in Hebrew, especially when it comes to accessibility, subtitling, and efficient editing workflows.Moreover, the Audio Enhancer tool also becomes much less effective due to the lack of proper Hebrew support, which limits the usability of otherwise powerful AI tools.We sincerely ask you to include Hebrew transcription support in future updates. This would make a significant difference for a large user base and show that Adobe truly supports a global creative community.Thank you in advance!Best regards,Paul Styler

In the latest 24.4 version of Premier Pro, you can zoom in and out by mouse-scrolling on the program monitor. This is good for those who want to add effects precisely but not for editing at a fast speed   I really hope there's a way to revert the change so my productivity goes back to 100%

Hi Adobe Team,I’d like to request the addition of Arabic transcription support and the ability to set Arabic as the app language in Adobe Premiere Pro.Currently, while Adobe Premiere Pro offers transcription services, it does not support Arabic, which is a key language for many video editors working in the region or with Arabic-speaking audiences. Adding Arabic transcription would enhance the user experience for those of us working with Arabic content, making it easier to create accurate subtitles, captions, and workflows.Additionally, it would be extremely helpful if Arabic could be included as an option for the interface language of the app, to accommodate native Arabic speakers and improve the usability of Premiere Pro in Arabic-speaking countries.Why it matters:It would streamline video editing and subtitling for Arabic-speaking editors and creators.It would support content creators working with Arabic-language videos, enhancing accessibility and productivity.It would allow for a m

I’m sure a lot of editors like using text editing by cutting and pasting text to manipulate dialogue in a timeline. That’s cool, but not my workflow.  Instead, I use the text window to build dialogue edits from a paper edit - which typically involves multiple interviews and multiple clips with multiple cameras. So I prefer to build it sequentially, selecting from one source to a fresh timeline. IThe Text window very good for this (better than searching the old way with time codes on a paper printout that get you in the general area) … but the window needs some slight modifications to make it great. Larger text window to search: When you’re building from a paper edit, to accurately find the right section requires at least three or more words for an accurate result. But the tiny window makes it very awkward to do this and modify a result. Cannot fathom why this window is so small when the interface has so much space there. Keyboard navigation: It would be great to be

Please, add Georgian language in Premiere Pro auto captions 😕😕

Please make the effect go into a twirl up/down function. Takes in too much room. And add a general Reset Button.

The title says it all. More and more editors are doing animations directly in Premiere Pro. Now, Davinci did it first and I'm suprised that Adobe still hasn't improved Premiere's keyframe editor considering After Effects has been leading that for years. Everytime I want to create bezier.. it's just tedious and especially in that tiny little space that I have available. Would love to have new tools for keyframe editing and better yet, let us assign shortcuts. just my two cents. I still love premiere and I think it still does a ton of things better than DV, but lacking behind the competition is a bad look being such a long player in the game.  Good luck dev team!

With the new Update 25.1.0 Premiere has introduced a new Look&Feel to the User and I don't like it. Honestly... get rid of those round edges and stop pretendig to be like DaVinci Relsolve. There have been just too much of changes introduced recently and the thing with the round corners maked me angry. Please bring back the way it has been, the current state sucks. BE MORE LIKE PREMIERE! 

Please add mouse buttons key bind functionality.  I want to add edits and delete clips with one hand and eat my peanuts with the other.  Efficiency is a key part of editing. Thank you.

Still waiting on this to be directly integrated with Premiere Pro.Thank you.

Text editing it an amazing feature. But in a long interview, the response time to see you result can be quite slow. But there's no quick way to see if PP is actively searching or if it just didn't find anything. Some kind of progress indicator would be great to indicate that PP is tring to find it, found it or found nothing. I"m thinking a small colored dot:if yellow, it's searching,if red, no results,if green, it's done and here is the first result.

Generative extend should really be a tool under the ripple edit rather than having it's own permanently visible icon.

In After Effects you can turn a layer into a Guide Layer, whereby when you export the layer is ommitedIt would be great to have this feature in PremiereI guess it woul dbe called Guide Track

Credo che possa essere molto utile per rendere il flusso di lavoro più agile, avere la possibilità di assegnare uno shortcut al contagocce per la color correction.Cosi da evitare di fare kilometri con il mouse a chi lavora su più schermi.

It would be so awesome if you could choose a default playback speed in premiere pro.I would LOVE to be able to edit at 1.5x

I'd like to see an option to reverse colors on audio tracks. I am used to having my labels bright colors because I can see it more clearly. Before UI update it looked like thisAnd after UI update it looks like thisAs you can see after UI update colors on audio track are reversed (what used to be background color is now audio color and vice versa). It makes it quite hard for me to see the audio.I am aware that one way to make the background color darker on audio tracks is to use darker Label color but then everything is dark and hard to see for me.I'd appreciate if there was just some tickbox that would allow me to reverse the colors.

It seems that whenever I switch to CBR or VBR 2-pass, the Hardware Encoding capability dissapears in the Export settings on Apple silicon (M2 Max). If these codecs already have hardware support, why does this dissapear for these settings? Would be great to use the full power of Apple's chips. Thank-you.

You can delete all empty video and audio tracks but not all empty caption tracksevery time you create a new caption, it puts it on a new track, even if the 20 below it are emptythis is very annoyinglet me control which subtitle track captions appear onlet me delete all empty caption tracks with two clicks  Thank you.  

Is it possible instead of creating new problems in updates - add support for multi -language subtitles? Better I will have a new language support for creating subtitles than new problems with sound. Thank you

This one seems to have been floating around on the forums for a couple of years but we are still pleading. Production Sound Mixers take the time on set to properly label their audio tracknames. Editors need to see these in the Premiere Pro timeline, like this:  In Premiere, the current trackname labels of [Ch.1], [Ch.2].... are not descriptive enough.Currently, tracknames are found under "iXML", buried at the very bottom of the Metadata panel, behind numeruous drop down menus. This is not adequate.  Having this simple piece of metadata in the timeline will save a huge amount of time and headache and is an absolute necessity in professional editing software. Thank you!

The ability to select a portion of a clip in the timeline just does not exist! I edit podcasts which are difficult enough as Premiere doesn't handle hour long timelines with hundreds of cuts very well. The current method is using a blade tool and cutting the beginning and end of the clips and then pressing delete, or having to scroll the playhead and using CMD+K. The range tool is just select and delete. Why does not exist? Its 2025.  See here:https://www.youtube.com/watch?v=5OnwrzCeEZw Every 4 months I pay Adobe the equivalent of a full lifetime license of Davinci Resolve Studio and Premiere "pro" is still lacking basic features like this. Adobe I am getting tired! Please add this.

I love seeing this step taken. What I'm requesting and most hopeful about is having media intelligence analysis which can be used in other programs or surfaced outside of Adobe. I already have a media asset manager and find clips through it before importing into Premiere. So, though it's great having a quick intelligible search to pull up the imported clips, I generally don't need to search my media once in premiere and I don't fancy using Premiere as an asset manager. So I would be most excited about using adobe media intelligence as another tool in the effort to auto-tag clips, with those tags being accessible to DAMs and MAMs.

Given that most people view content on phones these days, it would be essential to allow users to add and use their phones as a monitoring source, particularly for audio output. Right now, we can send it through the monitor speakers, headphones, etc., but not to our phones. It would be ideal if we could somehow send it directly to our phones within the App. I realize there are some buirgeoning workarounds, like through an NDI or something similar with low latency, but an in-app/ system integration would be ideal. I know many professionals would love this feature for monitoring and correct traslation accuracy. The reality is that we need to master for phones, too, so we should be able to add them directly and seamlessly into the workflow, and not have to adjust retrosonically. Please take this suggestion seriously, and vote up on it if you would like to see it implemented as well.  As for now, please also share any current workarounds you have sucessfully employed to acheive r

 I don't see that we are paying any less than a regular English or Hindi speaker. Please add Tamil language option too. for the transcription page.

Let's say you have 2 tracks, each with multiple clips: Track A: [---A1---]           [-----A2-----][--A3--]            [----A4----]Track B:       [--B1--][-------B2-------]         [-----B3-----] When you nest them you end up with two sequences, looking like this: Seq A:   [----------------------------------------------------------------]Seq B:         [------------------------------------------------] You've lost the snap points at the beginning/end of the original clips, which makes it hard to apply temporal edits. What's the easiest way to split your nested sequences so that you get your snap points back?  With splits, your sequences would then look like this: Seq A:   [---------|---------|--------------|---------|---------|-----------]Seq B:         [--------|-