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The UDIM numbers are not useful for game engines, yet they are essential for painting and baking across multiple parts of the mesh in Substance Painter. Instead of having to look up what part 1004 is, it would be nice if I could export it with the name I put on the tile within Substance Painter.
I want to make sure a user has its ruler origin reseted to document top/left.But I can't reset it by script.
For years now, I've lived with Premiere Pro rendering "previews" of all the audio files in the entire timeline when I simply want to output just a short work area, but why? I don't get this behavior!I'm working on a 90 minute film but when I export a short work area I have to either wait a massive amount of time for Rendering Required Audio Files that are not in the work area to finish or create a subsequence of that work area, which renders very fast (but that's a multistep workaround).Image shows a 1 min 38 sec work area with about 75 audio clips to create previews of 2500 audio clips requiring an hour. Seems like Rendering Audio Previews could be done in the background rather than waiting until the moment a quick render of a litle work area is needed.I've lived with this weird, annoying, time-suck for years.Anyone know why?
The AI for masking is brilliant. What would be nicer is if when I send an image to edit in Photoshop, it sends the mask too. After all, it's already created. Alternatley, If I open an image in Photoshop's ACR, and I create a mask, why can't it open with the mask as a layer. It seems, again, since the mask is already created, it should be no problem, barely an inconvience. Thank you for your consideration, Vito S.
I would like to request that the Adobe DNG Converter be installable, updated, and managed directly through the Creative Cloud Desktop application.Currently, DNG Converter is distributed as a separate manual download that requires users to periodically check for updates, download installers, and manage version control outside the Creative Cloud ecosystem. This creates unnecessary friction, especially for photographers and workflows that depend on timely camera-profile updates.Integrating DNG Converter into Creative Cloud would provide several benefits: Automatic Updates: Ensure compatibility with newly released cameras without requiring manual monitoring. Consistent Workflow Management: Allow users to manage all Adobe photography tools from a single interface. Improved Security and Reliability: Reduce the risk of running outdated versions due to missed manual updates. Better Enterprise Deployment: Simplify administration for organizations that rely on Creative Cloud for software lifecycle management. DNG Converter remains an important bridge tool for many Lightroom and archival workflows. Bringing it into the Creative Cloud update model would align it with the rest of the Adobe photography ecosystem and significantly improve usability.Thank you for considering this enhancement.
Professionals do not keep their assets on the C drive. Adobe has always recommended against it. Searching the C drive takes longer than any other drive. This makes locating take astronomically longer than it should. I’ve attached a quick video that demonstrates most of what I’m talking about. EXCLUDE DRIVEIt’s a cool new feature to search the other drives after searching the selected drive. But we need to be able to to exclude certain drives. SKIP AND RESUMESometimes I’m searching for an asset and this new feature will find one with the same name. There isn’t a way to tell the search “no, this isn’t the file, keep searching” or essentially “skip & resume search” or “skip and keep searching”. Being able to exclude C drive would be awesome. Being able to exclude whatever drives or folders we want to choose would be the best. This is a big deal to me because I'm relinking years of projects that now have assets on a new RAID I spent a month and a half setting up. I need link media to not search the C drive every time.Right now for example if I start a “locate” on H drive it goes through H, I, K, Q, then C before D, E, F, and G. C takes many times longer to go through than all the other drives combined. So I have to stop the search when it reaches the C drive. Then locate from D. I could just always start from D but this may also take more time than starting from the drive I think the asset is actually on. This may seem petty, but I have thousands of assets from many years of work that I’m finally able to organize on a RAID and get off of about 20 external hard drives plus internal drives. These assets are for over 600 different very large sequences across many projects. So everything is very time consuming and getting to the “locate” point is exacerbating when it hits the C drive. I’ve been editing video and using premiere for over 20 years. I’ve always known the OS and Software go on the C drive and assets go on a different drive. Like a quick search shows “Yes, Adobe generally recommends separating media assets from the operating system (OS) and applications to optimize performance in applications like Premiere Pro. Using a dedicated secondary drive for footage, projects, and media cache prevents the OS drive from becoming a bottleneck, which reduces lag during editing.” So we should be able to locate assets on drives other than the C drive. It’s also annoying that when I click locate it defaults to C drive. This requires excessive scrolling and clicking…
Beim Benutzen von Firefly kommt es immer wieder zu Kapazitätsengpässen und ich kann nur durch probieren Feedback bekommen, ob eine Generierung durchgeführt werden kann oder nicht. Das kostet Zeit und Credits eine automatische Anzeige nach Ampelsystem wäre ein Hilfe.
I really want to add a hand drawing function that draws with a mouse to the mood board. It's uncomfortable because we don't have this feature in real-time meetings
Vegas is an old plugin which allows some pretty unique looks within AE.Can this be added to GPU acceleration? When I add it to a adjustment layer at the moment it takes over 0.5 a second to render each frame. Not great.
Please add "Match Crop" to video output settings next to "match source"AND DISPLAY the current crop dimensions, currently you can only see them WHILE cropping and have to memorize themI just want to draw the crop and render everything inside of it, not sure how scaling or aspect ratio relates currently after drawing the crop, the output preview still shows it uncropped, there is no button to apply or reset it so then you have to use settings to manually adjust the output framing so i'm not sure why "crop" exists as is, its seems weird but I may be missing something
It would be great to have the Adobe Express' ai animated captions system integrated into Adobe Premiere Pro.It would save much time since captions animation in Premiere Pro still doesn't have the ability to highlight words as the speaker talks. That's a very popular feature seen in social media, and having to export from premiere pro and then upload again in adobe express in order to do that is not a good workflow.Adobe express editor is a great idea, but still slow and limited compared to Premiere Pro, so it would be great to have this feature inside Premiere.
When you create a shape with the Shape tool, all its properties appear in the Properties panel.However, when you create a Shape Path with the pen tool, the only properties that show are Mask “Density” and “Feather”.I realize that the properties like Fill and Stroke are nestled in the top menu bar, but this seems very inconsistent with Shape Paths, which are essentially the same as Shapes.I would like be able to see all the properties that appear in the Properties panel, including Appearance (Fill, Stroke), Pathfinder, and Shape Properties.
Add the ability to paint brush strokes as lines, like in Fresco. When you draw a stroke in Fresco and hold at the end, a perfect line is drawn using your current brush. The only way to accomplish this now in Photoshop is to either Shift-tap (which draws a line from your starting point but with no indication like a rubber band) or to create a path then stroke the path with your brush. Both of these methods are outdated and cumbersome. The Fresco method is much easier and modern.
I would like to have the option to add a border to the photo during the exportation on Adobe Lightroom desktop like the mobile application offers
Photoshop’s Timeline has significant potential as a lightweight animation and compositing environment. Many professionals use it for: Frame-based animation Asset preparation for video editing Hybrid pipelines (Premiere / FCP / After Effects) Game and motion asset production However, Timeline development appears stagnant, and UXP currently does not provide sufficient API access to support serious animation workflows. Ideally, we would like to see Timeline itself strengthened and modernized. But even before that, we urgently need official Timeline / Animation API support in UXP. Why this matters Photoshop is transitioning toward UXP-only extensibility.However, UXP currently cannot replace JSX for Timeline automation. Missing capabilities include: Reliable playhead control Frame-accurate timing control Document duration access Frame rate access Stable batch frame adjustment Exposure of Timeline menu commands This creates a serious migration blocker. Studios and independent creators who rely on Timeline automation cannot fully migrate to UXP-based tooling. Without Timeline API access, UXP cannot support professional animation workflows. If Timeline is to remain part of Photoshop’s future, it needs: Strengthening as a feature Official UXP-level API support Even minimal API access would immediately unlock professional-grade animation tooling. Is Timeline development still active?Is Timeline API support planned for UXP? Clarification on the roadmap would be greatly appreciated. Photoshop is an extraordinary tool, and its Timeline companion has unique creative potential.Many of us genuinely love working with it — we simply want to see it grow, not fade. Thank you.
I am furious. I NEVER signed up. I have had my money taken out for 3 months now (actually longer now that my bank is tracking it) and I had already reached out to cancel months ago what I NEVER had in the first place. I am disabled and terminally Ill. You just took my money to get home from the hospital. I AM NOW STRANDED.THIS HAS TO STOP. I spoke to the police. This is considered fraud. I expect 3 months of refunds back AS SOON AS POSSIBLE (and that is being lenient or else I will pursue with the law.) A file has already been opened with the OPP and bad business bureau. I will not accept a "one month" refund. At LEAST 3 months if it becomes a problem I will pull my bank statement and ask for the entire months and months worth back that you stole. This has turned myself and everyone I know off of your program. Very unprofessional and fraudulent. Especially prying on the very poor folk. Fix this instantly.
this would be a huge help. The auto mask feature is sometimes very useful, but other times, I felt myself weighing the pro's and cons of bringing the image into photoshop simply to be able to use the pen tool. I really wish Adobe would consider bringing the pen tool to the LR adjustment brush menu's Thanks
Adobe Bridge could have AI for selection of best frames, eye focus, background, exposure etc for bursts of wildlife photos. Also AI search for adobe bridge.
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