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ColinJRKnown Participant

P: Guided transform lines that snap to edgesOpen for Voting

As an architectural photographer, I am constantly reaching for the fantastic guided transform tool to straighten things out. The one thing I can think of that would make the tool better would be if the lines automatically snapped to edges it sees in the photo. It would make setting the lines much easier using a laptop trackpad in particular, but even a mouse can be jumpy when you’re looking at the loupe view to snap your lines. Of course, I would want a modifier key to temporarily disable the snap feature if for any reason it wasn’t doing what I wanted.

0
Forum|Forum|7 months ago
ColinJRKnown Participant

P: Set a few more lines of info and toggle it on and offOpen for Voting

I frequently find the loupe info overlay view options frustratingly limited. It’s a great tool to have, but to me it would be more useful if I could set a few more lines of info and toggle it on & off with the keyboard shortcut as opposed to cycling through two more limited sets of info. It would also be nice to be able to set the font color, opacity, and size. I made a mockup to show what could be:Loupe info 1Loupe info 2Loupe info concept 

0
Forum|Forum|7 months ago
roekone
roekoneParticipant

A way to link layer visibility to camerasOpen for Voting

I use Stager to mockup products. Sometimes I need to emphasize product features by moving pieces around to expose internal workings and zoom in. I make separate layers for this as well as creating new cameras for the different angles. Rather than manually hiding and showing layers, it would be awesome if I could link  layer visibility to each camera. So when I enable camera 1, layers 1-3 are visible and all others are off. Camera 2 enables visibility to layers 4-7 and hides 1-3. 

0
roekone
Forum|Forum|7 months ago
Nacho SKnown Participant

Improve “Move Playhead to Cursor” fluidityOpen for Voting

Hi Adobe Team,Many of us use the “Move Playhead to Cursor” function constantly in Premiere, especially when working on large timelines with many tracks. It’s incredibly helpful because it lets me avoid having to travel all the way up or down the interface just to grab and drag the CTI. Being able to jump and scrub directly from wherever my pointer is saves a lot of time and keeps the workflow focused.In Avid, the timeline feels more “open” in the sense that you can move around it very freely unless you’re in a specific selection mode. Premiere, on the other hand, keeps you effectively in a selection-based interaction all the time, which is why “Move Playhead to Cursor” becomes such an essential tool for navigation and scrubbing.That said, I’ve noticed the behaviour can feel quite jerky when scrubbing while holding the command. It seems to repeatedly re-register the action instead of behaving like a continuous, fluid motion. Ideally, it would respond as a single activation, and then while held, allow smooth back-and-forth movement that tracks directly with the pointer.Resolve has a similar functionality, and when you hold and scrub there, the movement of the current time indicator feels much smoother and more responsive.TDLR: keep the current shortcut and behaviour, but make the held scrubbing action continuous and fluid rather than repeatedly re-triggered.Thanks!

0
Forum|Forum|7 months ago
Jonathan25823177ciw1Participant

See an overlay of where the clip's true end or start is when trimmingOpen for Voting

When dragging the ends of an already trimmed clip, we should see a ghost, low intrusive overlay that shows where the true end or start of the clip is. Like in the snapshot, I thought PP was doing this with that little dark grey bar to the left of the nested clip, (“oh wow a feature I didn’t know about!”) until I realized that wasn’t the start of the clip- the start of the clip is where it’s shown. PP must have been glitching with that grey bar. 

0
Forum|Forum|7 months ago
geekazineInspiring

Remove space when cutting textOpen for Voting

When you’re text editing, stopping to do something again is time consuming. I am talking about the pauses that stay in when you cut out a section of video via text. 98% of the time it’s something that could’ve been removed. I cannot run the filter “pauses” because it will chop out important audio pauses I need while I’m showing a product. image below is an example. this is 2 seconds of dead space that stayed in after I cut a mistake out. I have to go back, highlight the two ellipses, and delete again. I know this is not recommended for all, but I would love some sort of setting that says “Don’t leave open spaces after a cut”. I put in a suggestion last year about making the pause length more robust - where it would remove x.x second (short) pauses, but anything over that would be preserved. This setting could add a option that says “x.x space left when deleting words or sentences”. If I miss this correction, it sounds and looks like this:  

1
Forum|Forum|7 months ago
ril3ydxKnown Participant

P: Improve Select Subject to use the "select people" without detecting a faceOpen for Voting

The “select people” is great, it’s amazing, because you can automate the selection of clothes, shoes, accessories and things like that… However, it only works if PS finds a face first…Sometimes, users need to use that tool but the photo is cropped and not showing a face, so it won’t detect any face, therefore not showing those options, “but they’re there”…People consider allowing us to select those things even if Photoshop didn’t detect a face first

1
Forum|Forum|7 months ago
fierce_mentors7737Participant

Disappointed in AdobeOpen for Voting

I am writing to express my concerns regarding the performance and usability of Adobe products, which often do not seem to align with the features and capabilities your company advertises. As a dedicated user of your software, I feel it is essential to provide feedback to help improve the experience for your loyal customer base. First, I have encountered consistent performance issues across several applications, including Photoshop, Premiere Pro, and After Effects. These tools often lag or freeze, even on systems that meet or exceed your recommended specifications. Crashes occur more frequently than expected, leading to lost progress and disrupted workflows. These stability problems undermine the reliability that Adobe promotes as one of its core strengths. The subscription model also raises concerns. While it is presented as a cost-effective solution, it is often expensive in the long term, particularly when updates do not address persistent bugs or add meaningful value. Furthermore, losing access to the software and project files upon subscription lapses creates unnecessary user challenges, contradicting the seamless usability promised in your advertising.Compatibility issues also persist. Updates frequently introduce new bugs or cause conflicts with other software and plugins, making workflows unnecessarily complex. Although your products are advertised as cross-platform solutions, there are noticeable discrepancies in functionality and performance between the Windows and macOS versions, which hampers productivity. I have also found that the user interfaces of many Adobe applications are not as intuitive as advertised. Features are often buried within menus, and the learning curve can be steep, especially for new users. While I appreciate the robust capabilities of your software, more explicit guidance, and more accessible resources would significantly enhance the overall user experience. Customer support is another area where there is room for significant improvement. Delays in receiving assistance and unresolved issues have been frustrating. Many users, including myself, feel that our feedback is not acted upon promptly, leaving long-standing concerns unaddressed. Lastly, while innovative in concept, the Creative Cloud ecosystem has its own challenges. File synchronization is often unreliable, which can disrupt collaboration. Additionally, the advertised " ample storage " is insufficient for handling more significant projects, forcing users to pay for costly upgrades.I believe Adobe has the potential to provide the exceptional experience it advertises, but these recurring issues need to be addressed to bridge the gap between user expectations and reality. I hope you will consider this feedback seriously and take steps to improve your products' performance, usability, and overall customer experience. Thank you for your time and attention. I look forward to seeing how Adobe addresses these concerns in the future.

3
cubid
Forum|Forum|7 months ago
alexmet400
alexmet400Participant

Nano Banana in PNG formatOpen for Voting

Hello Adobe Firefly Team,I’m writing to report an issue with the image generation output format on Firefly (https://firefly.adobe.com/generate/image).Until recently, when using models such as Nano Banana Pro and the regular Firefly image generator, the output images were provided in PNG format, which preserved full quality without compression artifacts.However, starting today, all generated images are delivered only in JPEG format, which applies lossy compression and results in noticeably lower image quality. I’ve attempted to specify PNG output directly in the prompt text, but this does not affect the format — the system still returns JPEGs.Could you please advise whether there is a way to force PNG output for generated images? If this is a temporary change or a bug, I would appreciate any insight on when the PNG option will be restored. If there is a specific parameter or setting I can use, please let me know.Thank you for your help!

1
droopydog500
Forum|Forum|7 months ago
jhgfuoipdfg8oi35njker8Inspiring

"Creative Cloud Mobile" Subscription TierOpen for Voting

I would like to propose the creation of a new subscription plan called "Creative Cloud Mobile." This plan would be tailored for the growing number of users who rely on mobile-first desktop environments, specifically Android Chromebook owners or Android phone users who connect their devices to an external monitor, keyboard, and mouse (e.g., Google Pixel Desktop Experience, Samsung DeX). Included Access: Exclusive access to all Adobe Android applications and Adobe Web applications (e.g. Photoshop for the Web) Proposed Pricing: 50% of the cost of the "Creative Cloud Pro" plan. Rationale: Because this tier excludes the full, heavy-duty desktop suite (Windows/macOS), the reduced price point accurately reflects the scaled-down software list. This plan would be a perfect, cost-effective solution to better serve creators who rely entirely on mobile and web-based workflows.

0
Forum|Forum|7 months ago
André36678699dyamKnown Participant

AI Object Recognition + Keyword Suggestions for Stock MetadataOpen for Voting

As a stock contributor (Getty Images, Adobe Stock), accurate metadata is essential.After shooting industrial subjects (e.g., trawlers, machinery, harbor equipment), I currently use Google Lens to identify specific objects. I then manually enter this information in File > File Info (IPTC metadata) in Photoshop.When I submit the image to Getty Images, this metadata becomes visible during review. However, I still need to manually research and add relevant keywords to optimize search visibility.I propose integrating AI-based object recognition in Photoshop that can:Identify objects and technical components Suggest accurate object names Generate title and description suggestions Provide smart keyword suggestions (including related search terms) Automatically populate IPTC metadata fieldsThis would significantly streamline the professional stock workflow and improve contributor efficiency.

0
Forum|Forum|7 months ago
Sandeep Panwar 1982Participant

Please add Assisted Culling feature in BridgeOpen for Voting

As you add a assisted culling feature in Lightroom and lightroom classic, I think it will also very useful in bridge. Where we can see our photos focused and other thing. 

0
Forum|Forum|7 months ago
Dan The Photo ManInspiring

Smart Album Boolean OperatorsOpen for Voting

When creating a Smart Album, the only boolean operator when using different search rules is AND. Other options typically available for computer searches are OR and NOT. This is what I would like from a smart album in LrD:People = John DoeORKeyword = John Doe However, this is the only option available now:People = John DoeANDKeyword = John Doe Attached is a screenshot showing AND being the only way to create a Smart Album when there is more than one rule.  

0
Forum|Forum|7 months ago
pschefzInspiring

P: need "export multiple files as layers in PS" optionOpen for Voting

this is available on desktop, should be pretty easy to add for iPad. the big reason to use LR and PS is the easy integration, we desperately need this in LR iPadOS

0
Forum|Forum|7 months ago
KazuT_G
KazuT_GInspiring

Allow naming a track right next to track number instead of having to expand track 4 stepsOpen for Voting

It’d be great to be able to rename a track and have the name be visible even when the track is minimized down to its shortest level. A final picture lock sequence might have 20 video tracks and 40 audio tracks. It can be wonderful to name an audio track “SFX1’, “SFX2”, etc. However, currently, to be able to see the track name, I have to heighten the track four steps. With 40 audio tracks, it can be really easy to miss something that’s on track 39 when I’m looking at track 12.It’d be nice to be able to call video tracks “GFX”, “VFX”, “L3”, “Subtitles”, etc. and not have to heighten four steps.

1
KazuT_G
Forum|Forum|7 months ago
conor_z
conor_zParticipant

New Lumetri Color "Select Effect" Keyboard ShortcutsOpen for Voting

Hello, in a previous update, you added the ability to toggle the active Lumetri Color Effect instance at the top of the Lumteri Color panel. This is incredibly helpful when using multiple instances of the Lumetri Color effect. However, manually toggling between Lumetri effect instances with the mouse is extremely slow! I would like to request new keyboard shortcuts for "Select Next Lumetri Effect" and "Select Previous Lumetri Effect” that would toggle the active effect. This would be a huge time saver for editors and colorists—especially those working with hardware control surfaces and panels.

1
R Neil Haugen
Forum|Forum|7 months ago
Abhishek RaviKnown Participant

Add Shadow and Hightlight Adjustment Layer Feature in PhotoshopOpen for Voting

Add New Adjustment Layer  Shadow and Hightlight  Adjustment Layer Feature in Photoshop

4
Forum|Forum|7 months ago
josephbastienInspiring

Sync Map using AI FeaturesOpen for Voting

Context: A lot of times on documentaries and films lots of cameras will start/stop, meaning multiple clips will sync to one audio file. When you add multiple cameras into the mix, it can get a bit crazy. Usually not a big problem if you have timecode lock on the cameras, but often there are cases where you have to sync via another method such as waveform. This isn’t always great because not all cameras run native scratch audio and even when they do, sometimes the waveforms are too generic to where Premiere tries to sync things that don’t actually go together.Problem: When Timecode Sync and Waveform Sync fail, you’re left with having to find a “sync point” and manually sync each clip.Solution: It’d be great if in addition to Waveform audio and Timecode sync, Premiere could use the transcribe and visual analysis AI tools it has built in to sync clips. It would also be nice to create “sync map” sequences that could easily convert into multicam sequences when sync is finished.

0
Forum|Forum|7 months ago
Bowen GregoryParticipant

"Favorites" in Lumetri ColorOpen for Voting

I’d love a “Favorites” category in Lumetri. You could add features (like the color wheels or Saturation) to it, then interface with just your favorite controls down there.I feel like I spend half my time color correcting switching between the tabs. I set the black/white points in Curves, refine values in Basic, go to Creative just to turn up Vibrance, then mess with the color wheels. These are basically all I ever use. I have a “favorites” folder for Effects, and love not digging or searching. Can we do the same within Lumetri?

0
Forum|Forum|7 months ago
leakuslokus
leakuslokusInspiring

Let us change the background color of the Program Monitor :')Open for Voting

As is possible in AE, it would be a very nice addition to be able to temporarily change the program monitors background to a desired color instead of black. I know, I know, “create a matte and underlay it..” Yes, but: AE can do it too and it makes a lot of sense as a safety feature against having accidental tiny black margins, which can easily happen if you work with letterboxed footage, or the transform effect (does not show clip frame-outlines, as changing scale in “Motion” does). Best, L

1
leakuslokus
Forum|Forum|7 months ago
William Scalia
William ScaliaParticipating Frequently

Firefly boards – Vary – Change variation numberOpen for Voting

When choosing VARY in Firefly Boards it would be nice to have the option to choose the number of variations generated. At the moment, the 4x4 grid of 16 is way too many and a waste of credits.   

1
Hajar Toutsi
Forum|Forum|7 months ago
iaPulse
iaPulseParticipant

Proposal to Expand the “Variations” Feature in Adobe Firefly with Model SelectionOpen for Voting

Currently, when selecting an image in Firefly, there is a “Variations” option that generates new versions through an automatic grid, using exclusively the native Firefly model.The proposal is to introduce the ability to choose which model is used for generating those variations. In other words, in addition to the Firefly model, users should be able to select external partner models (such as Runway, Nano banana or ChatGPT...) to generate variations from the same base image.This would allow: Greater creative flexibility Different aesthetic and technical interpretations from the same image The ability to leverage the specific strengths of each model Positioning Firefly as an open, multi-model generation hub The goal is not to replace the Firefly model, but to expand the current functionality so that the variation system is not limited to a single generation engine, giving users the freedom to decide which model to use in each case.Thank you, Lourdes MolinaiaPulse

1
Hajar Toutsi
Forum|Forum|7 months ago
pepot_23
pepot_23Participant

Using PS Ipad Pro: i would like to request a feature like that of Procreate where you can EASILY save sets of swatches, favorite brushes, clear layer gesture, alpha lock.Open for Voting

Using PS Ipad Pro: i would like to request a feature like that of Procreate where you can EASILY save sets of swatches, favorite brushes, clear layer gesture, alpha lock.

0
pepot_23
Forum|Forum|7 months ago
anthony_gcInspiring

Prevent media cache files and media cache database from switching locationsOpen for Voting

Premiere works best for me when Media Cache files and management go to my external.  Yet, if I open up a project with a different preference, it moves it my internal HD without warning.  There is a major drop-off in speed and always takes a while to figure out.  I propose locking the media cache to a location and if the software wants to switch or can’t find your current location, it needs to prompt the user to alert them to the switching of the location.  Would save me a lot of pain.

0
Forum|Forum|7 months ago
WangleLine
WangleLineKnown Participant

Export Frame modal does not remember PNG "Depth" settingOpen for Voting

When using the “Export Frame” button, the PNG format option let’s me choose a Depth setting, but unlike the Path and Format settings, for example, this one does not remember what I picked and always defaults to 8bit on every new frame export. 

1
IanB_360
Forum|Forum|7 months ago
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