first + last frame support for "gemini omni flash" in adobe firefly boards, video generation. and, resolution selector too.these can be added, they are supported in the api.
When Generative Remove was introduced to Lightroom Classic, it immediately became a game changer for me. Tasks that previously would have required importing an image into Photoshop and spending a significant amount of time removing background distractions, unwanted objects, or unexpected issues can now be handled directly within Lightroom Classic, from a workflow and time management perspective, it has been incredibly useful I have also found that Generative Remove can go beyond simply cleaning up a background. It has become surprisingly effective for refining subjects while still producing natural looking results. A few examples that come to mind are removing visible bobby pins from someone’s hair or correcting a distracting wrinkle in clothing while maintaining the natural shape of both the outfit and the person wearing it I have even experimented with using it for more detailed retouching. For example, I had a client who wanted some visible stomach lines reduced. Normally, that would be something I would handle in Photoshop, but purely as an experiment, I tried using Generative Remove instead. It produced almost exactly the result I had envisioned while still looking natural That made me start thinking about how the concept behind Generative Remove could potentially be expanded. I’m not sure how realistic this would be from a technical standpoint or how well it would fit within Adobe’s overall vision for Lightroom Classic, but I think an interesting addition would be a more limited version of Generative Fill I would not necessarily want Lightroom to become a full Firefly or Photoshop replacement. Instead, I imagine something focused specifically on photography, the ability to selectively add small elements, extend practical effects, enhance foreground or background details, or introduce minor environmental additions without having to leave Lightroom Classic There have been several situations where I have needed to move into Photoshop simply because I wanted to add a little more to an image. This could mean introducing an additional prop, enhancing an effect that was already created practically during the shoot, or adding another visual element to strengthen the final composition One recent example involved a photoshoot where I was working with water effects. We achieved most of what I wanted practically while shooting, but I went into Photoshop afterward to give the effect a little more impact. The process was manageable, but it made me wonder how useful it would be if I could simply mask the area in Lightroom Classic and use a restrained Generative Fill tool to enhance the existing water effect directly within my normal editing workflow For example, a photographer could potentially use it to add a few additional water droplets, extend smoke or fog, introduce a subtle practical light effect, add or replace a small background object, enhance environmental particles, or make minor additions to props and scener
I frequently use Collect Files in After Effects, and Watch Folder is located very close to it in the File menu. I have accidentally clicked Watch Folder several times.Watch Folder immediately closes the currently open project and enters Watch Folder mode without a confirmation. My larger projects can take around 5 minutes to reopen, so an accidental click causes a significant interruption.Please add a confirmation dialog before Watch Folder closes the current project, for example: "Entering Watch Folder mode will close your current project. Do you want to continue?"An option to disable or hide Watch Folder would also be helpful.
We need chroma key !!! Chroma key is free tool in every video editing app.. if that feature is not in premiere pro mobile that’s a big deal..!! Because premiere pro mobile is the one that I see as a most advanced,fast and also free the one and only editing app out there.. so chroma key should be this app.. and I also requested few days ago about masking feature .. if developers can make that happen ..premier pro mobile will be the best app as same as desktop version!!!
If the & symbol is used in the name of a custom favorite, it saves initially but disappears after quitting and restarting Audition. Might cause other issues too. I noticed that when I tried to open the keyboard shortcut xml file with the Safari browser it flagged an error in the file.
Hi Adobe Team,I am a professional editor working on long-form projects. I’m currently working on a 20-minute sequence that contains over 50-60 clips with the Warp Stabilizer effect applied.Every time I move these clips to a new timeline or nest them, the effect loses its analysis and displays the "New frame sizes; click Analyze" or "Analyze" banner. Manually clicking "Analyze" for 60 individual clips in the Effect Controls panel is an incredibly tedious and time-consuming process.I request the following features: Background Auto-Analysis: An option to let Premiere Pro automatically trigger the "Analyze" button in the background whenever a clip is moved or changed. Global Analyze Button: A single command (e.g., Sequence > Analyze All Warp Stabilizers) that triggers the analysis for every clip in the active timeline at once. This would significantly improve the workflow for editors dealing with high clip volumes. Thank you.
Hi, I'm looking for a way to get Warp Stabilizer to automatically start analysing.I've made a preset(because who wants 50% stabilisation), but every time I add this effect to a clip,i need to go to the Effect Controls, scroll down and click Analyze.Can't it just start automatically? greetings!
Hi Adobe Firefly team,In the new video generation interface, there is a usability issue with the resolution dropdown. When I open the resolution menu and move the mouse from 720p to 1080p, the dropdown closes before I can click 1080p.So changing the resolution is currently very difficult and sometimes impossible.Please keep the dropdown open until a resolution is selected or the user clicks outside the menu.I’ve attached a screenshot for reference.Thanks.
Feature Request: Option to retain local audio preview scratch disks within Productions by default on individual collaborators' machines. I work with several other editors and assistant editors, each of us on multiple machines, on a shared Lucidlink volume, using Productions.We are big fans of Productions and big fans of Lucidlink, but do have a small nuisance that we're hoping find a better workaround for. Our scratch disks are set locally (not on lucid), which seems to help render speed during sessions and prevents those with slower upstream connections from getting their bandwidth choked. Often, sometimes several times per day, one or all editors collaborating will need to reset their video & audio previews in the Production's scratch disk to their own individual local non-lucid cache folders. Ideally, there would be an option in Premiere to allow each machine to have its preview file paths stay locally assigned. Within Preferences>Collaboration perhaps a "Productions" section that would have an option allow each local machine to override the "Same as Production" default scratch disk locations. Specific workflow details:On-premises workstations connected via symmetrical 1gigabit ethernet connections, speedtests typically at 700-900Mbps down and 600-900Mbps upRemote workstations connected by a variety of broadband speeds, lowest 350Mbps down / 150Mbps upWe generally are editing from HD-proxy files, not camera original or high bitrate mediaOn Lucidlink, we are pinning source edit mediaNature of our projects requires frequent preview renderingeffects and layering often beyond real-time GPU playback capabilitytypical preview renders are HD prores LT or prores proxy format
Hi, I have an issue with Lightroom (installed from the adobe cloud). Search is broken for me all the time when searching for words in file names. I can't get it to come back with any results for anything. It says "Oh no! A blackhole"
Hi, I just have a quick question, i got the iphone 14 Pro today and i have noticed there is no way to take a 48 MP image from it within LRM, they are 12mp at the moment even in DNG, so i was wondering if the full resolution of 48PM from the main camera be possible in a future release??Thank you for your time. Stephane
Currently, clicking and dragging an existing annotation with the Note Tool creates a new annotation instead of moving the existing one.Please improve the interaction with existing annotations:Clicking an annotation marker should open/select the existing annotation so its text can be viewed and edited. Clicking and dragging an annotation marker should move it to a new position instead of creating a new annotation. A new annotation should only be created when clicking on an empty area of the document.This would make the behavior much more intuitive and consistent with how users expect movable markers and annotations to work.
Videos shot vertically on DSLR cameras are recorded as 16:9 ratio. When imported to premiere, they display 90degrees sideways. There needs to be a way to simply batch rotate these videos 90 degrees to 9:16 ratio.
When using a project manager, all files are placed in one folder. When using a project manager, all newly generated files are placed in one folder. File management becomes complicated and very inefficient. Please generate the file while keeping the original folder structure! プロジェクトマネージャーを使うと1つのフォルダにすべてのファイルが入れられてしまう プロジェクトマネージャーを使用すると、新たに生成されたファイルは、すべて1つのフォルダに入れられてしまいます。 ファイル管理が煩雑になり、とても非効率的です。 元々のフォルダ構成を保ったまま、ファイルを生成してください!
Please add the ability to save and recall custom white balance settings in the Lightroom Mobile camera, especially in Pro mode. For accurate and consistent color, I use a neutral gray card to set white balance before shooting.[Moved to Lightroom ecosystem (Cloud-based) by a moderator]
Australian voices please in the text to speech. Third party models has one australian male but no female
I wanted to share an idea on integrating time sheets directly into Premiere Pro to streamline our workflow. By utilizing extensions (or markers-metadata panels within the workspace), we could track editing time per sequence or project automatically. This would eliminate manual entry and improve client billing.
Hello, I had approximately 1,250 generative credits remaining in my Adobe Firefly account.I attempted to generate a video, but the generation failed and no usable video was produced. Immediately afterwards, Firefly showed that I had run out of credits.According to Adobe’s Firefly credit policy, credits deducted for failed generations should be automatically refunded. However, my credits have not been restored.Please review my account and the failed generation history and restore all generative credits that were deducted for the failed video generation.I can provide the prompt used, reference image, model selected, screenshots of the error, my current credit balance, and my Generation History if required.
It’s a man walking uphill towards a film roll above on far right, he has a tripod with a camera over his left shoulder walking towards that film roll
non genera il prompt che gli consegno
I constantly accidentally detach windows from the sides of the screen, and it’s becoming really frustrating. I wish there was an option to lock windows in place once they’re docked, so they can’t accidentally be dragged or detached.Ideally, the windows should still be resizable while locked, but their position and docking state should remain fixed. This would make the interface much more stable and prevent accidental movements when working quickly or trying to resize a window.A simple “Lock window position” or “Lock docked windows” option would solve this problem and make the overall workflow much less frustrating.
When using the function Removing Attributes, the checkboxes are not sticky and always revert to a default. This is different from Paste Attributes, where if you change the attributes that are to be pasted, the checkboxes stick - they are “sticky.” This needs to be the same for Remove Attributes.This causes needless extra clicks when I have a multicam sequence and decide to change the colour grade of an angle. But want to keep the Motion settings, for example if the camera was on a slight angle and needs to be reframed.But when I hit my key combo for remove attributes, I always need to uncheck Motion. Every single time. I wonder how many hours over the years have gone to unchecking this box, over and over.So please, make the Remove Attributes checkboxes sticky, so that I only need to do this once. Thanks.
I cannot confidently tell my clients that no ai was used when it is so deeply integrated and maybe it runs on certain selection tools without me meaning to. For example, in Lightroom when synchronising settings from a custom preset that existed before ai was put into Lightroom, a statement about ‘ai processing’ shows up, even when I have not done any actions based on ai processing (no generative healing, no special denoise or lens blur)I would like a zero ai interface so I am not accused of even accidentally using it. The images I am dealing with are highly dependent on being seen as documentation and not manipulated by any pixel generation.At least it would be great to have a no-ai switch or working space that can stamp in the metadata that no ai was used.
Are there any suggestions/solutions for those of us who wish to disable or block AI tools like Firefly or the generative AI within Photoshop? I understand I don't actually have to use tools I do not wish to use within Adobe programs, but I think it would also be nice for some of us with strong ethical opposition to generative AI to have an option for it to not consistently pop up in our feeds or have our work training AI models without permission (hence why I disabled the content analysis option for my account). Title edited by mod
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