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Dear Mediaencoder team,Can you please inlude SWF to MP4 as a conversion option on media encoder.
Hello, it would be amazing if the Copyright filed auto populated with the copyright information assigned in-camera. Thanks!
Dear Adobe After Effects Development Team,I would like to propose the inclusion of a small but highly useful feature in the Project Panel of After Effects—a Notepad-style section or "Link Organizer" for managing project-related references.Feature Idea:An integrated notepad or bookmark section within the Project Panel where users can:Add and organize important project notesStore hyperlinks (to reference folders, Google Drive files, scripts, or brief docs)Tag specific items (like footage instructions, version info, client feedback, etc.)Keep quick access to workflow essentials within the project file itselfWhy It’s Useful:Keeps key project references centralizedReduces switching between external apps (Notepad, Sticky Notes, etc.)Enhances team collaboration in shared project filesMakes handovers and revisions smoother and more traceable
I suspect Adobe are aware of this, but adding my voice here in the hopes that others will too, since working with auto-transcribed closed captions is a pretty poor experience. Auto-generated captions often introduce so many errors, they barely save any time, and it's safer overall to manually caption videos to avoid difficult-to-spot mistakes. Poor and inconsistent orthography: Sentences often do not begin capitalised. Ends of sentences often have commas where there should be full stops, random commas appear mid-sentence etc. Captions containing multiple speakers: Often, a single caption block will contain the words of two speakers as if a single sentence.Arbitrary/Inconsistent caption clip breaks: It's not unusual to have the first word of a sentence on its own, followed by two full lines of dialogue. Often, caption blocks extend well beyond the end of the dialogue. Gaps can appear between caption clips ever where there is no gap in dialogue.Arbitrary/Inconsistent line breaks: It's not clear how Premiere prioritises line breaks on multi-line captions. Ideally, lines would prioritise splitting by clause, followed word-count of lines. Function words such as conjunctions and preposisitons also would seem to serve as natural line breaks.Proximity to visual edits: Frequently, captions break within a few frames of a video edit, which can be jarring. It would be helpful if there were a feature to align caption breaks with edits if they fall, say, within 5 frames of each other.It feels to me that this is one of the few tasks for which AI assistance would be enthusiastically welcomed by editors. LLMs surely could provide contextual understanding in order to significantly improve auto-generated captions.
Hello, Adobe team.I’d like to request the addition of support for virtual instruments (VSTi) and MIDI editing inside Adobe Audition. This feature would allow users to compose and produce music without having to switch to another DAW like Ableton, FL Studio, or Studio One.Audition is already a strong audio editing and mixing tool, but it falls short for users who want to compose music creatively in the same environment. Adding a piano roll, MIDI sequencer, and compatibility with VST instruments would be a huge step toward making Audition a fully integrated creative production platform.Thank you for considering this improvement. Many Creative Cloud users would truly appreciate it.Sincerely,Sergio RodríguezAdobe Creative Cloud
I can see the power of AI and frankly use it every day. In Photoshop I use the Generative Fill at least 20, sometimes even more times per day which helps a lot. I would like to see a real upscale feature [link removed by moderator] which does incredible job at preserving details while upscaling the image really nice. I've tryied all the build in Photoshop upscaling modes like Preserve Details 2.0 and what not, but nothing made actual difference and they all suck. It happens quite often I need to bump up an image so I can make the best use of it.So please do you're best and add a real AI Upscale future. I mean like a working one.Thank you!
You should be able to duplicate a sequence and dictate what the next name should be. So instead of myroughcut_v01 going to myroughcut_v01 copy. You should be able set rules. so you can change it could change to something like, myroughcut_v02. Or if you have Client_SPOTNAME_v_1.5_20250714 you could have it go to Client_SPOTNAME_v_1.6_20250714. Thanks!Jason
Os programas da Adobe estão com tantos bugs que está até difícil de trabalhar, biblioteca sempre trava, lenta, programa fechando sozinho, segundo a estátistica do meu mackbook o Ilustrator é o que mais consome energia, e olha que nem to abrindo tanto ele esse período. Enfim. nao vai adiantar falar na mesmo.. só um desabafo
Is there any way you can cache the clip thumbnails? it takes so long time for the pictures to show up inside the folders?
I currently us 5 computers and switch between them every day i would like for there to be a better lic management that i can sign out easyer to switch computers faster also remove bridge from requiring the lic and fix the lic check lag i get on all my programs. i beleve that if i install adobe bridge and acrobat reader that there should be a lic free version. bridge will allow you to preview files delete and lable and rate but no pro fetures that will link you to apps. and if you try to open a app required document like a PSD or AI or ID file ... point them to adobe reader and let them know so that they can preview and sort files this way i can use the server without a lic to just view and sort my project documents and no need to switch lic accounts all the time
It would be cool to adjust the density of the curve mask from this window)
Would love to have this feature on thaumbnails.
Create a view mode that is a cross between the quick mask view and the mesh filter view.
Feature request:Nested groups should be expandable on the timeline rather than nested into a seperate sequence - or the option to do both should be available. Or there should be a different feature called "timeline group" or somtehing, whereby you can group clips on the timeline and expand or collapse on the timeline whenever you choose. Workflow example: I am working on a music video with a live recording of the track with mics for different instruments and vocals. Each is recorded onto a seperate track.I then recorded the musicians playing the song over the recorded track with no mics just through the camera - and this needs to be synce'd to the pre-recorded live track. The idea is to have certain elements of the pre-recorded track become louder as the camera comes closer to the subject, for example the cello on the pre-recorded track can be bumped up when the cellist is closest in shot, giving the sense that the recording is live and giving a sense of space despite the sound recording being recorded seperately to the video in order to have no mics in shot. Additional issues There is also the problem that I need to keep the audio tracks separated, but I also have to sync each video track several times to the audio, so it would be really useful to collapse and expand them according to need. It would also be useful to be able to group and collapse and expand the groups of specific shots -especially if within that group clips can also be cut up too. This would enable the grouping of specific takes and cutting them up so that editing choices can be made per take rather than per shot, without ruining the integrity of the clips for example by cutting parts of a clip out and then realising I wanted that part again but having to find it can be difficult. ResultIt would make organisation of the timeline similar to that of Photoshop and After Effects, making Premiere far easier to navigate and organise on large projects or projects where each take is very similar to the last but small decisions need to be made on which part of a clip to keep.By adding features to timeline groups such as colour coding, labelling and customisable thumbnails, it would make the timeline more of a visual browser of the project than it currently is where less time is wasted going back into the project browser to find parts of clips you can no longer find on the timeline.
Hi,I'm Tuğçe Kakirman, a Design Strategist at Foster + Partners, with over two years of hands-on experimentation using AI tools like MidJourney, Adobe Creative Cloud, and Runway. I recently explored Firefly’s new Boards feature and found it to be one of the most intuitive and promising interfaces I’ve seen for visual ideation. It aligns closely with my workflow — where I layer prompts, style references, and contextual research to build AI-generated narratives. As I’ve begun sharing personal work and developing a structured prompt library, I’m also looking for opportunities to collaborate externally. I noticed you're working with creators across industries and wondered if you'd be open to exploring a collaboration. For Firefly Boards, I’d love to contribute a concept focused on future journeys — blending strategic foresight, design and speculative storytelling, ideally video so I can story board different scenes. Let me know if you’d be open to a conversation.Thank you for your time, Warm regards,Tugce KakirmanDesign Strategist
Just like position, let us separate the tracks for X, Y and Z of the Anchor Point.
Sometimes (most of the time...), we want to integrate the reference frames in the generated fill.In the current generated fills, reference frames are skipped over, which makes it necessary to keep all reference frames as well, after generating the fill. Please let the user chose whether or not to integrate the reference frames in the fill.
Hello everyone, I think that the Gradient Map Properties window should have a button that reorders the Gradient map stops based on luma values (maybe with variations based on brightness...).
See this thread for a fulld description of the issue along with screen recordings:https://community.adobe.com/t5/photoshop-ecosystem-discussions/window-behavior/m-p/15321221#M865058 Between version 22.2 and 25.12 something changed in the behavior of tabbed winodows with a boarder around the image. Prior to 22.2 if I had multiple images open in a window and pulled the winodw area wider than the image to create a border, the border size would remain consistent from tab to tab. Now the window size jumps around all over the place when going from tab to tab. At the very least you should have a setting to make "window size consistent" when you have a window with multiple tabs.
It would be great, amazing, wonderful to have a sync tool that worked for a whole sequence. Every time I have to rely on other softwares to sync materials.Do you have any plans or a prediction to have it on Premiere?
After 2 hours with Adobe, and a special "Team" of humans helping, I finally learned how to enlarge the Captions Track, which by defualt, is so tiny, I can't see the words. It makes it much harder to edit.1) After adding your captions track (C1)2) You have to add TWO MORE EMPTY TRACKS. Yep3) Drag your Timeline Window Very, Very High (like 2/3 up) and finally you'll see4) The Little Bar (far right next to the C1,C2, C3) Which will allow you to drag / ENLARGE C1 (captions)5) Then you'll just have to adjust the window, tracks, etc, to get the sizes you want.* It's obvioulsy something Adobe hasn't thought of or fixed yet. It should be easy to do, the same as the video or audio tracks, by pulling the line up that separates the audio/video/captions track. Sample below, where you can see the words much more easily
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