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Dear Adobe Photoshop Development Team, I am writing to propose the addition of an Image-to-Image (IMG2IMG) function to the Adobe Photoshop AI suite. This feature would allow users to upload existing artworks and utilize the AI to generate creative variations based on the original pieces. Such a capability would significantly enhance creative exploration by providing artists with new perspectives on their work. While I recognize potential concerns regarding the misuse of this function to replicate the works of other artists, it is important to consider that such risks are inherent to any powerful tool. Adobe’s commitment to ethical guidelines and the implementation of safeguards could effectively mitigate these risks. Moreover, unrestricted AI models already available on the market offer similar capabilities without such ethical constraints. As an avid user of various AI tools, including AUTOMATIC1111 for projects with a distinct horror and gore aesthetic, I believe that incorporating an IMG2IMG feature could position Adobe as a leader in offering versatile, yet responsibly governed AI tools in the creative industry. I have been consistently impressed with the quality of generative AI models provided by Adobe thus far, and I am enthusiastic about the potential enhancements that an IMG2IMG function could bring to your platform. Thank you for considering this suggestion. I am looking forward to any possibilities of seeing this feature integrated into future versions of Adobe Photoshop. Sincerely,Martin, The Netherlands.
There is no search by name. Not any filter. No info about the photo at all, finding a missing one by visuals only can be hard.
User has uploaded Video Copilot Action Essentials assets, user is not Andrew Kramer. https://stock.adobe.com/au/video/sand-falling-slowly-and-continuously-from-the-top-over-a-black-background-shot-at-60fps-from-the-sahara-collection-dust-vfx-video-element-more-elements-in-our-portfolio/550515042 Adobe is the worst. I hope Andrew Kramer/VCP sue you for profiting off their stolen content. No report button means they do not care about fake/stolen assets, only profits. Adobe is the worst.
So much AI crap uploaded with no AI tag, give us a simple way to report/flag these. https://stock.adobe.com/au/video/the-ground-erupts-in-a-violent-explosion-sending-plumes-of-dirt-and-debris-high-into-the-air/683131768https://stock.adobe.com/au/video/a-car-exploding-on-impact-engulfing-the-surrounding-area-in-a-dangerous-inferno/678974100https://stock.adobe.com/au/video/an-intense-blast-rips-through-an-oil-refinery-causing-a-chain-reaction-of-fiery-explosions-and-billowing-smoke/678974688 My work has a licence deal with Adobe for unlimited stock, but we are no longer using Adobe Stock due to all the AI generated crap. "Stock footage" is footage that has been filmed not generated. Having AI generated content on a "stock footage" website is stupid. They are 2 completly different things, and no one wants to use AI generated crap when they are looking for stock footage.
Captions evolved since the latest updates. It will be great if Premiere can read .vtt files instead of .srt only. There's tons of different subtitles formats which will be great to work inside Premiere.Another idea is to be clearer when the user makes it's own subtitles styles. Like a common folder or something similar with the plugins folder. We need something like this to find easier all the customized styles that users created.
Hello community! All good?Using and working daily with Adobe Premiere, I felt the need to be able to create a color palette within the Color Picker, because when I'm working on a project where I have predefined colors, it would be very practical to be able to add them and always use them without the need to choose the color again. When I'm coloring a caption, for example, and I need to reuse the same color, this way the palette would make the process much easier. Including this feature, I think it would be very welcome in After Effects too! Thanks
Would it be possible for the devs to add in a Set Matte effect that works like After Effect's Set Matte effect? I use Photoshop to composite together V-Ray EXR passes for product renders, and regularly use RGB multimatte passes for isolating different shaders or models. Having a Set Matte effect that can use different Multimatte passes automatically via some easy linking system to the RGB of another layer, without me having to create masks manually via the channels would be a huge timesaver!
Hi, Recently I found that Adobe Creative Cloud does not respect the "Low Data Mode" network setting and downloads gigabytes of data through the background processes, which is very frustrating when travelling between countries and using a international roaming for network usage. The problem persists even when I choose to quit the Creative Cloud from the menu in the top right corner. The only way to actually kill all the processes I found was to use the following in the terminal: sudo pkill -9 -f Adobe It asks you for your password and then kills all the processes that mention Adobe in the name (be aware that it will kill any open Adobe applications as well). Only after that, my laptop stopped downloading things. Is there any other way to prevent these unexpected downloads? Is there a setting or a workaround to temporarily turn off the data usage? Ideally Adobe should respect the network setting by default, but while we wait for a fix, maybe there are other ways to do it.
I shoot apparel images all-day everyday on a rotatable ghost mannequin and sometimes the apparel and the camera don't lineup absolutely perfect, which means that my apparel my look slightly rotated from the camera. Right now, I have to figit with Perspective, Distort and Liquify to make it right. What I really need, desperately need is a way to rotate an image (background removed) on the Y-axis WITHOUT using 3D mode. I just need to slightly rotate the image easily. When shooting the photos, its almost impossible to see this error UNTIL you edit and remove the background. Why can't I select the Rotate tool and then use the Option or Command key (MacOS) to constrain the rotation to an axis of rotation depending on how you move the mouse just like you can in 3D mode. This doesn't sound so far fetched of an idea.
I am writing to request an enhancement to Adobe After Effects' scripting capabilities, specifically a more efficient way to ascertain the number of rows in a CSV file using the dataValue method. Presently, I am able to get a count of rows using the layer("Data")("Number of Rows") method. However, this is not practical for my use case as my projects often involve up to 50 different CSV files. Integrating all these CSV files into my composition unnecessarily complicates and bloats the setup. It would be far more convenient if there was a way to directly access the number of rows using the footage("data.csv").dataValue method. The necessity for this feature stems from the need to iterate through a column of data for sorting purposes. While I have developed a workaround to address this issue in the meantime, it lacks the fluidity and full automation that a built-in feature could provide. I believe that Adobe already has the backend data analysis capabilities to facilitate this feature. An example of a makeshift function I use is the following: javascriptCopy codefunction getRowCount() { var i = 0; while (true) { var value = footage("data.csv").dataValue([0,i]); if (value == null || value == "") { break; } i++; } return i;}However, this workaround does not function correctly when encountering blank rows in the CSV or inconsistencies in the first column. Given Adobe's history of innovative and user-focused solutions, I am confident that adding this feature will greatly enhance the user experience and increase the versatility of Adobe After Effects. I look forward to seeing this functionality implemented in the future updates. Thank you for considering my request
Can you please bring a new feature that will enable changing text into animated videos
Impove a made a ai tool which create image video subtitles all of think just a text
It is difficult to identify which preset has been applied after some additional tweaks have been made. So, why not save automatically an auto-version with the name of the preset each time one is applied, so we could later check how we arrived at a certain edit. Also, on a similar note, when applying a preset, we could add an option to "save as new version" or similar, so we could later compare different presets on a same photo. The use case here would be we create a bunch of different photos with different presets applied to later compare, rank and tweak.
Putting in a request to be able to change the default file type when hitting 'Save' in Photoshop. I do a lot of compositing work and always work in PSB. Given that I work on hundreds of images per year this would save me a lot of mouse clicks and better streamline the workflow.
I would like to beable to remove all attributes from inside a nest on a timeline. I often have to Nest footage to apply stabilization as I work with anamorphic or footage that is different to the sequence Res..When i come to finishing to send to grade or VFX/GFX I like to do a general removal of all Luts/colour or erroneous fx that are not needed any more. But on complex timelines i may have many Nest and It would save me so much time not having to open every single one checking if any fx have been applied to them. A check box on the Remove Attribute that enables Nests being included would be probably the best solution as there are times when editors would want nests to be ignored.
The enhance speech feature is great, but the workflow that come with it is not good. Let's say I have ine big source clip (video and audio) of an 1h interview. I can apply the enhance speech effect, it will take some time to process but it's ok. 1st problem: everytime I do a cut, or I change the duration of the clip, enhance speech has to process the clip again... It slows down the workflow. 2nd problem (the worst): everytime I open my project to work on my video, PR has to re-process ALLLLLL the clips one by one, it takes hours... Please fix that....You could apply the enhance speech effect to the source clip, so the cuts don't change the effect, and it doesn't have to re-process it after each project opening. Clément - French user
I recently discovered that when using "Settings > Paste from previous" that LRc calulates the aspect ratio for the crop from the image dimensions and ignores the user set aspect ratio such as Original, As Shot, etc.This creates issues with images edited outside of LRc might have their aspect ratio altered as LRc sees it as a different aspect ratio from the original due to interger rounding. It would, for example, crop a 6000x4000 image to 5999x4000 but it also the case that just because one image is 1:1 outside of LRc it doesn't mean LRc should force that ratio upon other images. LRc should be consistent with the user facing values the same as it does with the White Balance for example, which doesn't simply paste the Kelvin value from the previous image, it respects the displayed setting, eg. As Shot, Daylight, etc.This would help greatly with workflows that involve editing work in PS before returning to LRc for further global tweaks. For example, when replacing backgrounds it's important that global edits are all done at the same time for continunity and often these values just need to be pasted from the previous edited image.In summary, LRc should only alter the crop on images when pasting settings from an image the user has intentionally cropped in LRc.
Save every adobe apps prefer setting in adobe cloud automatically so every time we reinstall apps, they'll came back as old settings.No need to setup the preference, keyboard, work space, actions, brushes, swatches... in every app every time. No need to find what the kind of the preference files are they, where are them, backup somewhere, remember which file is for which app, find the path, put it back. you see, it's taking forever to do that now.....
Trying to fix the new visual layout Adobe implemented, which drastically changes my ability to edit. I was told to choose "classic" label colors. However, that does not resolve the awful inversion of lightness/darkness of audio waveforms and audio transitions. Has Adobe issued a fix to this? From what I've read, thousands of users are begging Adobe to fix this unnecessary change, which is ultimately turning out to be a bug. I know I'm one of many users who hope they do, or are going to start turning to alternative softwares.
How about makeing it possible to add photos the the people selection. I want to be able to add a picture of "mary" that is not recocognized as "mary" by the face Recognition. And this should work in ipad, iphone and mac versions
[original title: Lightroom community png format] Why is it every time ALMOST when I want to post in light room community it says PNG format not supported and it won't let me. Ugh so frustrated finding out why lol
Hi Adobe. Exporting .CSV is a great feature, and with some tweaking it will become invaluable. The ability to re-import the .CSV is a critical step. My biggest challenge is working with many sequences at once, each with their own Essential Graphics Templates. If I could batch export all project sequences at once to a single .CSV, or perhaps multiple .CSV's, then I could work way more effectively. As somone who works with localization, this would be a game changer for all the editors in my department. We could do the translations on the spreadsheet and then reimport the spreadsheet data into a Premiere project and have it cascade throughout. Instantly updating all text to a given language.A magic button that tranlsates all text using AI would be pretty rad too! But I am working with the system in place 🙂Thanks!
Suggestion for Improved Virtual Copy Functionality in Quick Collection I’ve noticed that when creating virtual copies within Quick Collection, the virtual copy automatically jumps to the beginning of the collection. This disrupts the workflow, especially when working with a large series of images. It would be much more efficient if virtual copies remained next to the original file, consistent with the behavior in Collections, Smart Collections, and regular folders. Thank you for considering this improvement.
I think it may have been discussed elsewhere, but i present a radio show, my set up is a RODECASTER Pro II, a RODE NT-1 signature microphone, and i record onto ADOBE AUDITION, i drag the music MP3 file format. and record (i know some of you are gonna shout) a continious file, is there a way i can make ALL the recordings the same level please, (oh i have a MacBook Air) and it does have a mouse.Say how do i hightlight the whole show and make changes before exporting...Sorry i am kinda new to this...........but any help would be useful.
In complex projects, I like to cut 'm in pieces - several Ae Project files that make a project.Once In a while, I need Compositions from Ae Project B in Ae Project A In stead of importing it (and losing a link to the original Comps), it would be nice if Project B could be referenced to - imported, but not editable, and updated when Project B is changed, just like a .psd or .ai is imported and can be updated (or an x-ref in Cinema4d).
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