Impasse working with/preparing for pre-press and separations Engrossed in producing our first 4-color offset book, a lengthy volume on architectural history and the built environment, forced, by circumstance to attempt to execute this at the highest level possible, comparable to anything by, e.g., Taschen, Prestel. Have spent years in development, negotiating image usage rights and all this entails, partly with grant monies, but largely supported by our press. I've had extradinary referrals on assistance in the area of separations (color separations and accurate translation to print), but am in quite a bind now. WIthout getting too bogged in the details, I'll bullet some areas:▪ Printing with be in Latvia at Livonia Print. They run Heidelberg presses and have done, for example, the recent volume Carla Scarpa: The Complete Buildings for Prestel (London), exemplifying the quality they are capable of▪ Printing on Artic Volume White stock, 130gsm▪ The printer refers out to exactly one pre-press repro house, in Sweden▪ The Swedish
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