Questions

I've been having this really annoying issue pretty much forever.I'm working as normal in premiere - then i need to export TIF a still image (or sequence) and open it in photoshop to edit it.  All good - I open in photoshop, then save back as TIF and import back into premiere - but as soon as the edited frame is back in premiere - it's color/brightness is just slightly off from the original frame.  I figured it's due to some color space issue - but I tried saving/exporting with all kinds of different settings, in RGB, in CMYK even, with AdobeRGB & with sRGB - it makes no difference.  The re-imported TIFF is always ever so slightly different.  I tried going PNG instead of TIFF - same thing.Then finally i found a workaround - importing the photoshop file directly into premiere.  That's a bit more messy (when many layers) and files are heavier/larger - but at least it worked.  But now another issue!I take that photoshop clip (still image exported from my p

I  work with the newest version of the adobe creative suite (update automaticly). I wanted to use the "Replace with after effects composition" yesterday but it gaves me horrible colors back. The copy of the clip in premiere semms ok but after opening the comp in after effects it looks darker and not saturated. In After Effects and in premiere too. Also the render-function gaves the colors not back. I cant remember that I had this issue in former versions. Whats going wrong. Where can a connect the color space and the color work to get the same color after using the manupulating in after effects.  

Hi,I implemented an importer which calculates the duration of the imported clip using prefs which can be changed by the user. This works if only a single instance of the imported clip is present.When multiple instances of the clip are present and each one has different duration because of different prefs, Premiere sets the last calculated duration to all instances of the clip.Why does Premiere think that the duration of a clip is always independent of the stored preferences?What can I do?Best Regards-Bjoern Gdanietz-

effect not any there distort and circle offset not in premiere

I am working on a project that runs multiple sequences. When I open the project, the current active sequence will popualte but when I change sequences, it does not change and will stay on the prior. This used to not be the case and the only way I can get it to show the next transcribe I want is to restart premiere. Is this a bug? It's only started happening to me in the past 3 months or so. Very annoying, thank you!

Depuis la mise à jour 25.2.3, des messages d'erreur de récupération de l'image surviennent en continue dans mon projet.  Rendu et export impossible. 

I'm confused, why 40 text size in the subtitle layer equals with text size 80 in the graphic layer?

Error constantly appearing when rendering.There are someways to turn it around, if it's always a matter of trying again and again, which takes me a lot of time. I even asked for a definitive solution, which they just couldn't give me, saying that it was an issue with the external server I'm using. Besides it was not true - even changing the device, the problem appeared again -, they suggest they blamed the server company (btw, it's a company server, used by hundreds of other people). I guess I'll just have to wait for the next version...

Text Styles can be saved to the project, and will retain their Position setting. When saved to Local Styles, the Position setting is ignored. 1. Create a Caption, adjust the font and color etc, and move it up 228 pixels to place it in the TikTok safe zone.2. Click on the + sign and Choose Create style. Choose to save it both to the project and to Local Styles3. Remove the caption track, and create a new one and a new caption4. Apply the Text Style from the project. The caption now moves up to the saved position5. Undo, and now apply the Text Style from the Local Styles The caption now gets the font and colors etc. from the style, but it remains in the original position.The Position setting should NOT be ignored when a Text Style is saved to the Local Styles. Premiere Pro version 25.5, Windows 11.

I want to animate some still images and want the video size to be 1080 (W) x 1920 (H).  I've imported an image that is roughly that size but now I want to change the video size.  When I go to Sequence Settings to do that, the aspect ratio of the image is maintained and one of the dimensions adjusted accordingly.  I don't want that.  How can I force the video to be 1080x1920?  Thanks.  

Hello, I am making a short film about a live streamer (a person who broadcasts themselves on the internet doing various things, whilst people watch them and interact via chatting) and will be editing with Premiere Pro. My question is this: How do I emulate/add in an overlay like the one that live streamers use on platforms such as Twitch or YouTube, and show the comments that people make in the chat?  I have attached pictures for clarity. 

i jsut had an update but apparently i'm unable to drag videos into my timeline i have to import it manually any idea guys... thanks 

Hallo Leute!Ich habe ein Problem,das mich aktuell verzweifeln lässt (Premiere Pro Vers.25.5 auf mac OS Sequoia 15.6.1 / Chip: Apple M3 Ultra) !Beim Import aus dem Quellmonitor ins Schnittfenster wird nur eine Audiospur wiedergegeben aber beide Spuren weden angezeigt?Im Quellmonitor sind aber beide Stereospuren zu hören!Hat jemand eine Idee dazu?!Harald 

I noticed that since the last update, the hard limiter is no longer working as expected. It is capped at minus 6dB, no matter what, you can not get the audio higher than minus 6dB. If I remove hard limiter audio goes higher than that.  Anybody else?  

hello,I have this issue withe some .mov clips where thery only import audio into premiere. In VLC it can't playback the video. Media encoder does not understand it too and only reencodes the audio, black video. Any fixes for this?

Until this week, I was using my RTX 3060 and decided to upgrade to the newly arrived RTX 5080 ( in hopes of making playback smoother. To my surprise, I didn't notice any difference. I edit 4K clips in an HD timeline with only one clip stacked on top of another (a 2-camera interview Here are my system specs and setup:GPU: RTX 5080CPU: Ryzen 9 5950xRAM: 32GB Storage: All media is stored on an 2TB SSD Sequence Settings: 1920x1080, 23.98fpsRenderer: Mercury Playback Engine GPU Acceleration (CUDA).  Any thoughts?

I really do not like that Premiere automatically applies a LUT when I import footage shot on AMIRA log. It makes for HUGE project files and long long saves, and really messes with my workflow.I am aware that I can batch diable the master clips, and that there's a workaround to remove the master effects by applying a lumetri color preset to ALL of my clips. But both of these are extra steps, which shouldn't be necessary - BECAUSE I NEVER ASKED FOR A LUT TO BE APPLIED IN THE FIRST PLACE!!!I NEED a way to automatically disable the automatic application of the LUT to every single clip. Adobe, please stop forcing things on us (open multiple projects at once, anyone?). As a professional, I KNOW when I want a LUT applied, and definitely do not want my NLE making decisions for me!

Issue: The footage is 4k 60p H.265 10-bit 4:2:2 footage from my Canon R6 Mark II. There are ZERO adjustments made to the footage runs smooth for the first 7-8 seconds and then becomes super chopy after. GPU utilization will sit around 50-70% and then drop to 10% or sometimes to 0%. When I pause the playback and the hit play again, it will continue to run smooth for the next 7-8 seconds before becoming choppy again. Most of my footage is quite short on the 1-3 minutes in total length. I am not sure if it is a faulty GPU, and issue with Premiere Pro, or a setting I need to adjust. PC Specs:CPU: AMD 5800xGPU: RTX 5060RAM: 32 GB DDR4 (24GB allocated to Premiere Pro) Steps to Reproduce:- Import footage from camera into Premiere Pro- Ensure that hardware encoding/decoding is enabled-Hit play on the footage-Use Nvidia App to monitor GPU usage during playback Expected Results:- GPU utilization will sit around 50-70% while it is working to decode the footage which would ensure sm

Hi all, This subject is basically the question: Does Premiere Have Groups for Coloring Like DaVinci Resolve?I'll ask my question and then explain more about Groups in case someone's not familiar with them.I'm looking to do more coloring in Premiere to save time rather than doing it in DaVinci Resolve, but I love the Groups feature because it's a huge time saver. If anyone has any other workflow suggestions for grading clips taken with multiple camera brands, I'd love to hear them. For those who don't know what Groups are, in Resolve's color page, clips can be put into Groups that have "nodes" or settings that affect every clip. Once a group is created, there's a "Pre-Clip" tab and a "Post-Clip" tab and any changes to one of the nodes in either of those tabs affects every clip in that group..The most common use is to convert clips to a project's working color space. A typical project might somethign like an ARRI group and a Sony group. The ARRI group converts clips f

Hi everyone. I have looked everywhere for an answer and can´t find it anywhere. I´m having this specific problem that I can´t drag a transition to my clip. When I clic on top of the transition, before start dragging, the mousse shows me a hand with a cross on top. Any ideas why? I am really new at this so it might be something simple I am missing. Help!

I'm running the latest version of Adobe Premiere Pro and everything works great so far except for mask tracking. It simply doesn't work. I create a mask (currently doing this in Lumetri color) and hit "track mask forward". The tracking progress bar comes up and nothing happens. No progress shows up and eventually I just stop it. Any ideas as to how I might troubleshoot this?  Thank you!

Hi. Im using Adobe Premiere with AE-Compositions inside the Projects. Now it turns out that those projects keep sucking power, and finally i cant open anything else while rendering a project in premiere, even the finder.Any solution for that (sorry if reposting)?

Hi, can someone tell me if this is a glitch? I'm trying to import a LUT from my files. When I click on custom or browse, it automatically selects a random option from the drop-down menu. When clicked on, browse should ideally open the file explorer to get the file.Can someone please help me fix this? 

I have already installed media encoder and my premiere pro and media encoder are in same version (15.41)  But when I create proxy at premiere pro, "Adobe media encoder is not installed" error message appears on the screen still,,,,,,,,,,,,,,, What should I do to solve this problem...?

I try to leave the sequence setting "composite in linear color" turned on when working in Premiere to get more accurate shading with blending modes. However, the math of this causes smooth dissolves to follow an inverse gamma curve, causing the dissolve to start very quickly, and slow down towards the end. I've also noticed a color shift when the opacity isn't at 0 or 100 for a layer: the image below shows what should be white text over blue at various opacities. On the left, the word "test" is composited with non-linear color and looks 'as expected', matching AE. The word "text", on the right is with the linear workflow and has a slight color shift.  I understand that there are third party plugins for Premiere that give smooth dissolve transitions with a linear color workflow. However, when working with more complex graphics rendered from external applications, there isn't really a good workaround that I'm aware of. Should I just turn linear compositing off for jobs wit